Saturday, July 31, 2021

POP-A-LOOZA: THE EVERLASTING FIRST: Charlton Comics

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is a look back at my first exposure to Charlton Comics.

As the article's preface notes, the appearance of the former Charlton character the Peacemaker in next week's new DC Comics movie The Suicide Squad marks the first time a Charlton hero has ever appeared in live action. One could stretch the parameters and say that the Question appeared on the Gotham TV series, which featured the Question's alter ego Renee Montoya. A different version of Montoya also appeared on The CW's Arrow. But Montoya is a post-Charlton DC character, taking up the faceless role of the Question after original Charlton-era Question Vic Sage, and she doesn't appear as the Question in either of those shows. I heard somewhere that the Question will be used in the next season of Batwoman, but the Peacemaker made it to the screen first. (It's possible that some Charlton bad guys appeared on Gotham or one of the CW shows, but Peacemaker's the first title figure to make the transition.)

This blog has occasionally featured other references to Charlton and its varied delights. Chief among these was my Everlasting First reminiscence about Charlton's E-Man. Charlton played a role in my Everlasting First pieces about the Shadow and Flash Gordon, in my 1980s Amazing Heroes article "Who's...WHO?!," and in a bunch of my Comics And LP Cover Cavalcades (here, herehere, here, and here).

Charlton material provided frequent content for my 100-Page FAKES!, a series of imaginary issues of DC's fondly-remembered 1970s 100-Page Super Spectaculars. There are too many of those to list here, but there were a handful of 100-Page FAKES! that were specifically Charlton-related: The Phantom # 67, E-Man # 11, The Six Million Dollar Man # 1, and The Phantom # 68. You can find the rest by following the Charlton Comics link in this blog's list o' labels.

But my story with Charlton Comics had to start somewhere. Action-Heroes? Charlton had 'em! And they weren't half bad. My introduction to Charlton Comics is the latest Boppin' Pop-A-Looza.


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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl

Friday, July 30, 2021

BOPPIN's Monthly Day Off

Once a month, Boppin' (Like The Hip Folks Do) takes an oh-so-brief break from its ill-advised commitment to daily public posting, and publishes just a private note for its paid supporters. We're a little early this month, but that's the way the hip folks bop.

This month's private post for patrons is "Pop With POWER!," an article I wrote for a magazine that's coming out some time in the-not-too-distant whenever. The article features the Flashcubes and the Ramones and the Who and a cast of several. And Styx. Trust me, it's good. No, really!

"Pop With POWER!" goes out to patrons on Sunday, August 1st. You can see it by becoming a patron of Boppin' (Like The Hip Folks Do), a welcome tithe which sets you back a mere $2 a month: Fund me, baby! Regular daily public posting resumes tomorrow.

Thursday, July 29, 2021

THE GREATEST RECORD EVER MADE: 7 And 7 Is


This is a variation of a previously-published piece, modified ever-so-slightly to serve as a chapter in my long-threatened, probably doomed, but not dead yet book
The Greatest Record Ever Made! (Volume 1).

An infinite number of songs can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


LOVE: 7 And 7 Is
Written by Arthur Lee
Produced by Jac Holzman
Single, Elektra Records, 1966

I had discovered the music of Arthur Lee's group Love in the early '80s. I'd read about them somewhere, and snagged a used copy of their eponymous debut album literally off the floor at Brockport's Main Street Records around, I dunno, '82 or so. I picked up a greatest-hits set called Love Revisited after moving to Buffalo, and became enthralled by this furious, fascinating proto-punk tune called "7 And 7 Is." 

If I don't start cryin' it's because that I have got no eyes
My father's in the fireplace and my dog lies hypnotized
Through a crack of light I was unable to find my way
Trapped inside a night
But I'm a day and I go
Oop-ip-ip, oop-ip-ip
YEAH!

Yeah, I had no idea what the hell it was about, and I woulda sworn that last bit above was an eloquent Batman-inspired Boom-biff-biff, Boom-biff-biff YEAH! rather than some [chuckle] non-sensical "oop-ip-ip" jazz. Obviously. But it didn't matter what the words were or what the song meant. It was a freakin' force of nature, it demanded high volume, and I played that damned track with manic devotion. I wasn't using the phrase yet in the '80s, but damn, this was clearly The Greatest Record Ever Made.


Researching the group to the extent one could research such things in the '80s, I learned a little, little bit about Love, and about the group's embattled leader Arthur Lee. I read comparisons to the Byrds, to the Doors, even to the Beach Boys, none of which seemed entirely accurate. I read of Love's album Forever Changes, said to be one of the essential masterpieces of '60s rock. I don't recall seeing any reference to Lee's race, though the notion of a black man fronting a mostly-white rock group was certainly unusual in that scene. The most rewarding research was just to listen to the music Love made. 

A friend who was dating the girl who lived upstairs from me gave me his copy of Love's 1970 album False Start, which featured Jimi Hendrix on its leadoff track "The Everlasting First." I don't remember how long it was before I acquired a copy of Forever Changes. But I had that debut album, and I had Love Revisited. My turntable got to know "Can't Explain," "She Comes In Colors," "Signed D.C.," "Alone Again Or," and "My Little Red Book" very, very well. It most especially got to know "7 And 7 Is."


This may seem a non sequitur, but it's relevant: In 1985, I saw the Bangles for the first time. Their live set included an incendiary rendition of "7 And 7 Is." My jaw dropped. My fist raised itself without needing me to will it so. The Bangles. Love. "7 And 7 Is." It was unexpected. And it was awesome!

Looking back, it shouldn't have been all that unexpected. I knew of the Bangles' roots in '60s nuggets, and I wasn't exactly shocked that they chose to cover Love. It was still a surprise, a pleasant surprise. That night, the Bangles said their version of "7 And 7 Is" would be on their next album. I regret that did not come to pass.


The Ramones also covered "7 And 7 Is," on their 1993 all-covers album Acid Eaters. When I interviewed the Ramones for Goldmine in 1994, I mentioned to C. J. Ramone that I'd seen the Bangles cover the song live in 1985, and that they'd intended to record it. He was surprised. "That's wild!," he said, clearly impressed with the notion that the Bangles did a song as cool as "7 And 7 Is."

They did indeed, C. J. And yeah, it was unexpected, but it shouldn't have been. The Bangles loved the '60s. The Bangles loved Love. 

And I loved Love. I played their original version of "7 And 7 Is" on my first attempts to host radio shows in the '80s, my basic training for This Is Rock 'n' Roll Radio in subsequent decades. Then, as now, Love makes my world go around.

Oop-ip-ip, oop-ip-ip, YEAH!



TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl

Tuesday, July 27, 2021

POP-A-LOOZA: Les McKeown, the voice of the Bay City Rollers

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is my tribute to Les McKeown, the voice of the Bay City Rollers.

This piece, assembled in the immediate aftermath of McKeown's death in April of this year, includes entries I've written about the Bay City Rollers in my weekly 10 Songs feature, plus links to most of what else I've written about the Rollers for this blog. This one 10 Songs entry appeared subsequently:

THE BAY CITY ROLLERS: Ain't It Strange

As far as I know, this obscure track from the Bay City Rollers' 1974 debut album Rollin' has never been issued in the U.S. "Ain't It Strange" was written by Rollers Eric Faulkner, Woody Wood, and Les McKeown, and it doesn't sound much like any of the group's best-known material; in my head, it sounds more along the lines of a ballad by the likes of Ronnie Lane with the Faces, or maybe a Badfinger album track, rather than a "Saturday Night" or a "Rock And Roll Love Letter." That comparison isn't exact, and probably not even accurate. But it's what my mind is telling me as I hear the song play. Ain't it...y'know?

I betcha I'll write more about the Bay City Rollers in the future. For now, this salute to the group's late lead singer Les McKeown serves as the latest Boppin' Pop-A-Looza.

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl

10 SONGS: 7/27/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1087.

THE ANDERSON COUNCIL: I'd Love Just Once To See You

The fabulous 2021 tribute album Jem Records Celebrates Brian Wilson has already fed the ravenous needs of the TIRnRR playlist with sweet treats from the Grip Weeds and Lisa Mychols and Super 8, and this week's edition adds the Anderson Council to that sun-kissed roll call. The Anderson Council turn in a lovely reading of the Beach Boys' cheeky "I'd Love Just Once To See You," which we took the liberty of dedicating to Miss February.

Wherever she is.

THE BEATLES: Lucy In The Sky With Diamonds

"Picture yourself in a boat on a river with tangerine trees and marmalade skies?"

Hmph. A boy band tries to go all progressive on us. 

NO! I KID! I'm a kidder. I'm on record (again and again) stating my absolute adoration of the music the Beatles released before Sgt. Pepper taught the band to play, but I'm also on record praising Sgt. Pepper's Lonely Hearts Club Band and the White Album. When it comes to the Beatles, I'm just a guy who can say yeah-yeah-yeah. 

Always loved "Lucy In The Sky With Diamonds." In high school and college, late '70s, most of my peers preferred Elton John's then-recent cover of "Lucy In The Sky With Diamonds" to the peerless original; I did like how ol' Reg did the song (especially with its participation from John Lennon hisself), but I never thought it within light years of the exquisite version rendered by the act I've known for all these years. 

(And this week's playlist was set, the show recorded, before I saw Paul McCartney discussing "Lucy In The Sky With iamonds" with Rick Rubin on the third episode of the Hulu show McCartney 3, 2, 1. The act we've known for all these years? There's still so much more left for us to discover. Cue the girl with kaleidoscope eyes. As always: yeah yeah yeah!)

MIKE BROWNING: Picture Book

We played Mike Browning's able take on the Kinks' "Picture Book" a few weeks back. It returns to the playlist now, just in time for the announcement of Mike's upcoming album Class ActClass Act collects a number of recordings our lad Mike did for Jamie Hoover's recording and production class, including covers of familiar faves by the Monkees, Tommy Tutone, the Spencer Davis Group, XTC, Bashful Bod Dylan (via the Byrds), the Strangeloves, the Springfields, and the Reflections, plus the surfer dudes and British boy band mentioned in the two 10 Songs entries above. And THE KINKS! We've only heard the Kinks cover so far, but that's enough to make us wanna hear more. Classy!

FANNY: Hey Bulldog

I have a lingering feeling that I had at least some sort of peripheral awareness of the all-female '70s rock group Fanny some time prior to my first conscious exposure to their music. Maybe? I remember seeing them on American Bandstand in August of 1974, lip-syncing their covers of the Bell Notes' "I've Had it" and the Rolling Stones' "Let's Spend The Night Together." Both tracks were from the group's '74 LP Rock And Roll Survivors, their fifth album, their last album, and their only album for Casablanca Records. The group's founder, guitarist June Millington, left the band before Rock And Roll Survivors, and one could argue that it wasn't really Fanny after June's departure.

The AB appearance was my introduction to Fanny--I'm pretty sure I never heard them on the radio before (or after) that--and it may have been the first I heard of them, too. But...I dunno. I have this nagging pinprick at the edge of my consciousness, insisting that I'd read about Fanny in a magazine or seen a print ad for one of their albums (or even seen one of their albums on the racks at Gerber Music) before seeing their cathode-ray image talking with Dick Clark. Nagging pinpricks can't be trusted, mind you, but they should be acknowledged. Sometimes they're even right.

Fanny's cover of the Beatles' "Hey Bulldog" comes from 1972's Fanny Hill, Fanny's third album. For further Beatleproofing, the album was recorded at Apple, and engineered by Geoff Emerick. And I wish I'd heard all of this a lot earlier in my timeline.

THE FLASHCUBES WITH MIMI BETINIS: Baby It's Cold Outside

Radio's job is to sell records. Let's get to work! "Baby It's Cold Outside," the new single from the Flashcubes with Mimi Betinis, is out this Friday from the visionary pop people at Big Stir Records. But it's available as a preorder RIGHT NOW. So--how to put this delicately?--BUY IT AWREADY!!!! Do what your radio tells you to do. That's your job!

JOHNNY JOHNSON AND THE BANDWAGON: Mr. Tambourine Man

Ignoring Golden Throats crap like William Shatner's phasers-on-blechh reading from the Book of Zimmerman, one of the most unusual but still agreeable Dylan covers has gotta be "Mr. Tambourine Man" by the great Johnny Johnson and the Bandwagon. The song is almost unrecognizable, but fascinating in its willful determination to cast its dancing spell its way. It's not folk, it's not folk rock, and it eschews the easy notion of jingling or jangling in favor of an AM radio groove that can only be called bubblesoul. The Bandwagon never breached the Billboard Hot 100, but "Breakin' Down The  Walls Of Heartache" and "Blame It (On The Pony Express)" deserved much wider acclaim, and the same could be said of their "Mr. Tambourine Man." Dylan goes eclectic!

GLADYS KNIGHT AND THE PIPS: I Heard It Through The Grapevine

Until fairly recently--say, within the last several years--I never cared for Gladys Knight and the Pips' version of "I Heard It Through The Grapevine." I must have had rocks in my head, and/or stale cotton candy stuffed in my ears. I didn't especially care for Creedence Clearwater Revival's cover, but I preferred it to Gladys and her Pips' rendition at the time. I always adored Marvin Gaye's definitive take on the song--neither rocks nor cotton candy could diminish me to quite that extent--but as I developed a belated appreciation of Motown in the late '70s and early '80s, my tone-deaf audio receptors thought the Pips' version sounded--wait for it!--too show biz, too Vegas.

Rocks. Cotton candy. Musta been somethin' in there, occupying all that nothing.

And it took me way too long to see the error of my ways, to knock the stupid outta my noggin and let Gladys and company testify with righteous fervor about the ugly ramifications of word-of-mouth revelations. It certainly wasn't a case of me not recognizing the talent in play here--I've loved "Midnight Train To Georgia" for nearly five decades now--but I guess I couldn't sufficiently loosen my embrace of Marvin Gaye's definitive version to allow myself the pure pleasure of Gladys Knight and the Pips' own stirring chronicle of a loose and faithless lover exposed by loose and chatty lips. Vegas...?! I should eat the rocks and throw the cotton candy in Charlie Brown's trick-or-treat sack.

I know better now. And I knew it before watching Summer Of Soul, where Glady Knight and the Pips' mesmerizing live performance of "I Heard It Through The Grapevine" is an absolute highlight in a film loaded with highlights. I betcha wonder how I knew. Glorious. I shoulda listened earlier.

PAGLIARO: Some Sing Some Dance

Like the Equals' "I Can See, But You Don't Know" (which also graced this week's playlist), Pagliaro's "Some Sing Some Dance" was cited in Bomp! magazine's 1978 power pop manifesto as one of the defining examples of the style. Much later, Ray Paul and Emitt Rhodes teamed for a lovely cover of the song, but I don't think it's all that well-known among power pop fans even now. Nonetheless: power pop. Bomp! said so.

SORROWS: Play This Song (On The Radio)

An easy direction to follow, and we were happy to comply. From Sorrows' minty-fresh album Love Too Late--The Real Album, courtesy of Big Stir Records. 

DIAN ZAIN/THE MOST: Take A Chance

Rest in peace, Dian Zain.

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl.