Showing posts with label Amy Rigby. Show all posts
Showing posts with label Amy Rigby. Show all posts

Saturday, January 3, 2026

10 SONGS: 1/3/2026--This Is Rock 'n' Roll Radio's Most-Played Tracks In 2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1317: The Countdown Show. These are TIRnRR's ten most-played tracks in 2025, and the individual entries are mostly drawn from previous 10 Songs features.

10. SLY AND THE FAMILY STONE: Hot Fun In The Summertime

I have previously written that Sly and the Family Stone's "Hot Fun In The Summertime" is "as inviting and idyllic as any June-July-August embrace ever committed to wax, a comforting groove that shines in the daytime and sways with the shadows of twilight." I later added, "If memory serves, a poll of Trouser Press magazine readers in the early '80s named 'Hot Fun In The Summertime' as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly."

It would probably be a stretch to suggest that Sly Stone wrote "Hot Fun In The Summertime" under the influence of Brian Wilson. I don't quite believe any of Sly and the Family Stone's brilliant work was shaped by Wilson's pet sounds of the soul, at least not willfully. But it would also be a stretch to insist that Wilson wasn't a possible influence; Sly Stone was aware of everything going on in pop music in the '60s, and--to paraphrase something famously uttered by someone else in the Wilson family--Sly Stone was a genius, too. "Hot Fun In The Summertime" doesn't sound like the Beach Boys. Doesn't matter. Sly and Brian sound great in the same radio show. Hot fun, fun, fun in the summertime.

9. THE NON-PROPHETS: Alibi

We're as punched as pleased to welcome the Non-Prophets back to the TIRnRR playlist. The Non-Prophets are the dba of our bud Allan Kaplon, who scored some significant airplay here with his solo album Notes On A Napkin. Our Allan returns to the collective Non-Prophets billing for "Alibi." For this track, the Non-Prophets also include Stacy Carson and Bruce Gordon (half of TIRnRR Fave Raves Pop Co-Op), it's produced by Don Dixon, and it's a match made in Heaven's boppin' li'l nightspot. We believe this particular "Alibi."

8. SUPER 8 FEATURING LISA MYCHIOLS: Pop Radio

This Is Rock 'n' Roll Radio is a pop radio show. There's a new Super 8 Featuring Lisa Mychols track called "Pop Radio?" We're playin' it. It's what a good pop radio show does. "Pop Radio" is a delicious ditty which serves as manifesto for TIRnRR in all our imaginary glory, a manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

Throughout 2025, we played "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're also playing some new SPARK Radio promos that Super 8 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

7. THE SPONGETONES: Nothing Really Matters When You're Young

"Nothing Really Matters When You're Young" is a song by Flashcubes guitarist Arty Lenin. It was first performed by the Flashcubes in 1979, demoed by the 'Cubes, subsequently recorded and released by Flashcubes offshoot Screen Test, and eventually redone in this brightly-lit new century for the Flashcubes' 2003 album Brilliant. The song's lyrics are among the most effective expressions of teen alienation I've ever heard, a clique-inflicted miasma buoyed and ameliorated by the transcendence of its pop. Even now, listening to it with senior-citizen ears that are more years removed from high school than the onset of Beatlemania was removed from America's entry into World War I, "Nothing Really Matters When You're Young" can still make me feel the snub and the sting of my time serving that sentence in teen purgatory. Yet I love the song. That's the power of art, the power of music.

The Flashcubes' fellow Power Pop Hall of Famers the Spongetones' new rendition of "Nothing Really Matters When You're Young" lives up to its incredible Cubic legacy. I'm stunned, I'm grateful, and I'm thrilled that Dana and I have the opportunity to play this on the radio.

2025 was the year of Make Something Happen! A Tribute To The Flashcubes, the various-artists blockbuster I curated for release on the mighty Big Stir Records label. As we exult in the legacy of the Flashcubes and how much their music has meant to me over a span of nearly five decades, I dig the flow and symmetry of opening a Flashcubes tribute album with the new Flashcubes track "Reminisce" (see below) and barreling our way to the Stongetones' authoritative closing statement "Nothing Really Matters When You're Young" at the end. Reminisce. Nothing Really Matters When You're Young. Look back. Reflect. And rock out with fist raised. 

A great album's final track has to be as vital and compelling as a great album's first track. Mission accomplished here. It matters. It always will.

6. JOE GIDDINGS: Tonite Tonite

Early in 2025, we played "Adrenalin," an advance track from Star Collector superstar Joe Giddings' then-forthcoming new album Stories With Guitars. Great as that was, I was further blown away when I heard "Tonite Tonite," another track from the same album, kick off the February 7, 2025 edition of The Spoon podcast. Hey HEY! I've since heard the whole album, and I say it's a strong candidate for one of 2025's best. See, ya learn stuff listening to The Spoon.

5. THE FLASHCUBES: If These Hands

More than a year's work paid off with the September 12th release of Make Something Happen! Poundin' the console on behalf of Syracuse's own power pop powerhouse is technically work, and it's also a calling. Plus it's fun! Given all the fabulous covers the Flashcubes have recorded and released over the past several years, I wanted to call more attention to the wonder of the Flashcubes' own brilliant songbook. A various-artists Flashcubes tribute album seemed the best way to accomplish that, so we gathered a bunch of talented artists, matched them with a bunch of songs written or co-written by members of the Flashcubes, and sent 'em off with one simple directive:

Make something happen.

"If These Hands" was the third and final single in advance of this tribute. Back in 1978, the Flashcubes' first 45 was "Christi Girl," a ballad written by Arty Lenin. In 2025, Arty closes this portion of the Flashcubes' singles discography with this song, another lovely ballad that serves as a yearning bit of folk rock that would have sounded right at home on one of the Searchers' irresistible late '70s/early '80s albums. 

In planning a Flashcubes tribute album, I was determined to include at least one new track by the Flashcubes themselves. In fact, we have a 'Cubic trinity of fresh Flashcubes offerings, one apiece written or co-written by Arty, guitarist Paul Armstrong, and bassist Gary Frenay. 

We naturally talk about the songwriters, as befits an album intended as a salute to a group's original songs. Let's also throw in a bit of praise for Flashcubes drummer Tommy Allen, not just for his incomparable percussive skill, but for the sheer pop and power he brings to this material as a producer. This stuff sounds amazing, and that's due in large part to our boy Tommy.

Putting this album together was a lot of work, and there's a long, long list of people who deserve credit for making this particular something happen. Even though others did most--almost all--of the heavy lifting here, I find myself exhausted in its aftermath. 

Exhausted, but proud. 

If memory serves, the last original song recorded and released by the Flashcubes prior to these three new singles was "Carl (You Da Man)" for This Is Rock 'n' Roll Radio, Volume 1 more than twenty years ago. As flattering and fulfilling as it was that this band that's been so important to me wrote and recorded a killer song about Dana and me, I could not allow that to stand as the last word in original Flashcubes recordings.

It isn't the last one anymore. "Reminisce." "The Sweet Spot." Maybe "If These Hands" will be the Flashcubes' final recording, or maybe there will be more yet to come. I hope so. Either way, man, we made something happen. It was well, well worth the work.

4. THE FLASHCUBES: The Sweet Spot

Gary Frenay co-wrote "The Sweet Spot" with the late B.D. Love, who was also known to long-time Syracuse music fans as Buddy Love. That's not the NYC pop performer of the same dba, nor is it Jerry Lewis for that matter. Our Buddy/B.D. fronted Buddy Love and the Tearjerkers and My Sin, and he was an integral part of our local scene in the new wave era.  

Other than the times 'Cubes guitarist Arty Lenin sat in on drums for Buddy Love and the Tearjerkers, I believe "The Sweet Spot" is the first Flashcubes-B.D. Love collaboration. And oh, it's something sweet. We are honored to be able to honor B.D. Love's memory by including this track on Make Something Happen! 

Sweet. Sweet. Sweet.

3. THE MUFFS: That's For Me

The Muffs' eponymous debut album was released in 1993, the year after the short-lived first Dana & Carl radio series We're Your Friends For Now completed its rapid Vini, Vidi, Vacuum into the abyss. By the time we returned on even more modest terms as Radio Peace in 1994, the Muffs' "Saying Goodbye" had already established itself as my favorite track of the '90s, and I'm pretty sure we played it on the very first Radio Peace. And I'm positive we played both "Saying Goodbye" and the Muffs' "Sad Tomorrow" on the inaugural edition of This Is Rock 'n' Roll Radio on December 27th, 1998. TIRnRR has lasted a tiny bit longer than any of our previous series.

After the pop world lost the vibrant and irresistible talent of the Muffs' Kim Shattuck in 2019, the subsequent release of the group's farewell album No Holiday became a prevailing and pervasive fixture on our playlists. The No Holiday track "On My Own" was our # 1 most-played track in 2020, the Muffs were our # 7 most-played artist in 2025, that status led by the short 'n' sharp No Holiday nugget "That's For Me." That's for Kim. Man, that's for all of us.

2. AMY RIGBY: Heart Is A Muscle


We have heard that Amy Rigby wasn't all that enthused about her song "Heart Is A Muscle," that maybe she almost chose not to record it, and that she probably wasn't sure about releasing it once she did record it.

Well.

For whatever it's worth, this track from Amy's oh-so-nice 2024 album Hang In There With Me was one of TIRnRR's most-played tracks last year; by summer of 2025, it had already accrued sufficient fresh spins to guarantee a berth on this year's year-countdown show, and it kept right on a-pumpin' all the way to the # 2 spot. Gotta keep the ol' heart exercised. Terrific track, but then again, we always expect terrific stuff from Amy Rigby.

1. THE FLASHCUBES: Reminisce

"Reminisce" was written by Paul Armstrong, with lyrics that look back in wonder at the heady days of the Flashcubes' brilliance under the bright lights in the late '70s. The music struts and commands like a Flashcubes song oughta, and the chorus is just magnificent, jaw-dropping, a compelling incitement to raise the ol' fist and be there like you wuz there.

Man, I was there. "Reminisce" captures what it was like.

Make Something Happen! A Tribute To The Flashcubes opens with "Reminisce." It's such a great track, and it provides an irresistible introduction to a passion project that--false modesty be damned--I regard as one of THE best compilation albums released this year.

"Reminisce" is also my favorite individual new track of 2025. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, in 2024 PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will! The Flashcubes have meant an awful lot to me, and to this show. "Reminisce" is the perfect song to open an album and close out a celebration, looking back while facing front at the same damned time.

It's all I wanna do. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, July 19, 2025

10 SONGS: 7/19/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1294.

THE SPONGETONES: Help Me Janie

Dana and I were latecomers to the magic of the Spongetones, but we've made up for lost time with a proud and efficient gusto, and it would be accurate to list the Spongetones as one of the defining artists of This Is Rock 'n' Roll Radio's long and hook-infatuated history. We jumped immediately on to the splendor of the Spongetones' recent single "Lulu's In Love," and we approached brand-new single "Help Me Janie" with the very same enthusiastic approach of We have to play this NOW!!!!

"Lulu's In Love," "Help Me Janie," and another soon-to-be-released new Spongetones single will also appear as studio bonus tracks on the Spongetones' forthcoming live album The 40th Anniversary Concert...And Beyond, brought to you by the visionaries at Big Stir Records. We opened this week's show with "Help Me Janie." This Sunday, we'll play "Help Me Janie" again, and we'll hear a little bit of 40th Anniversary Concert live Spongetones, too. One of the defining artists of This Is Rock 'n' Roll Radio. Of course we play them. It's what we do.

VAN HALEN: You Really Got Me

In early 1978, I was a second-semester freshman in college when Van Halen released their insistently unsubtle cover of the Kinks' British Invasion classic "You Really Got Me." I loved the Kinks' version, and I detested--detested!!--Eddie 'n' Alex 'n' Michael 'n' David Lee's meatball bludgeoning. I subsequently opened my mind to allow occasional tolerance (and even appreciation) of some individual Van Halen tracks (particularly the great "Dance The Night Away"), but my fortified opposition to the very idea of Van Halen's "You Really Got Me" remained entrenched and unassailable.

On the other hand, our pal Dave Murray is fond of the VH version, and he had a birthday this week. So what the hell; I bought the track and we played it on the show. ("Bought the track?" Yeah. I really got it.)

I will concede that Van Halen's "You Really Got Me" is miles better than the "You Really Got Me" I attempted for this year's annual Dave Murray birthday video. And I also have to concede that Van Halen's "You Really Got Me" is fine, the lingering disdain expressed by my eighteen-year-old self notwithstanding. It's not the equal of the Kinks--let's not veer too close to the loopy here--but it inhabits its skin as it oughta, and I'm starting to understand its appeal. 

THE FLASHCUBES: It's You Tonight
THE WIGS: Tell It All
REDD KROSS: Ballad Of A Love Doll

One track apiece from each of the three discs in a fabulous new compilation called I Wanna Be A Teen Again (North American Power Pop 1980-1989). I Wanna Be A Teen Again was curated by Australian publicist and music guy David Laing, a friend to TIRnRR and a friend to all who cherish the pop with the power. The esteemed Mr. Laing's own Grown Up Wrong! label is responsible for my go-to Flamin' Groovies compilation Between The Lines: The Complete Jordan/Wilson Songbook '71-81, and David has likewise done stellar work assembling I Wanna Be A Teen Again for the UK's mighty Cherry Red Records.

The presence of Syracuse's own power pop powerhouse the Flashcubes makes I Wanna Be A Teen Again a compulsory purchase for me--I buy every project that includes the Flashcubes--but man, I would have wanted this set with a Badfinger-approved no matter what. You got your big names, you got your relative obscurities, and you have all star positions in between. On this week's show, we repped I Wanna Be A Teen Again with spins of the Flashcubes' basement tape of "It's You Tonight" (which was later re-recorded in the '90s for Jordan Oakes' first Yellow Pills compilation), the Wigs' ace "Tell It All," and MTV 120 Minutes superstars Redd Kross with "Ballad Of A Love Doll," and circled back for NRBQ's "You Can't Hide" at the end of the show. Is it power pop? Don't ask. Just dig.

If you're stranded in the British Isles (and I, for one, would be deeply jealous), you can order I Wanna Be A Teen Again directly from Cherry Red. If you're back in the USA, I recommend purchase through Kool Kat Musik. Either way, in the words of the late Bob Segarini: Gotta have pop!

LOLAS: Underneath The Waves

Speaking of Kool Kat Musik, one of the label's own fresh releases is a new album from long-time TIRnRR Fave Raves Lolas. Lolas' debut album Ballerina Breakout was a fixture on this show upon its release in 1999 (our first full year on the air); we know 'em, we love 'em, we can't live without 'em. And the latest Lolas long-player Big Hits And Freak Disasters lives up to the legacy, as Lolas keep on keepin' on with the sound that suits The Best Three Hours Of Radio On The Whole Friggin' Planet. From Big Hits And Freak Disasters, "Underneath The Waves" debuts on this week's show, and will return to the airwaves this Sunday.

AMY RIGBY: Heart Is A Muscle

We have heard that Amy Rigby wasn't all that enthused about her song "Heart Is A Muscle," that maybe she almost chose not to record it, and that she probably wasn't sure about releasing it once she did record it.

Well.

For whatever it's worth, this track from Amy's oh-so-nice 2024 album Hang In There With Me was one of TIRnRR's most-played tracks last year, and it has already secured a berth on 2025's year-end countdown show. Gotta keep the ol' heart exercised.

OSCAR TONEY, JR.: Ain't That True Love

The Greatest Record Ever Made!

THE ARMOIRES: You're Not The Police

The forthcoming various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes has been a long-percolatin' labor of love, and the project is barreling with giddy determination toward its September 12th street date. Hey, look! WE MADE SOMETHING HAPPEN!

Over the past few days, I've had the opportunity to view (and wholeheartedly approve) Margie Finer's design for the album's graphics, and finally bask in the glow of a job well done. On this week's show, we reprised Make Something Happen! delights by Ballzy Tomorrow, sparkle*jets u.k., and the Kennedys, and we were pleased to present the premiere of the Armoires' uberpop Beatles-Byrds-Cheap Trick interpretation of the Flashcubes' "You're Not The Police." Send out an APB: The Armoires' "You're Not The Police" provides further brilliant evidence of the sheer arresting (HAR!) nature of this collection.

On Sunday, the Armoires' "You're Not The Police" will return to the scene of the crime, alongside further spins of Cubic covers by Ballzy Tomorrow and Librarians With Hickeys, plus another spin of the Flashcubes' own new single from Make Something Happen! Wanna make something out of it? Well, we're glad to have ya with us. Set bright lights to stun.

THE BEACH BOYS: That's Why God Made The Radio

Asked and answered. We rest our case.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, June 14, 2025

10 SONGS: 6/14/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1289

THE GRIP WEEDS: Soul Bender

This little mutant radio show is always delighted to play brand new music from the Grip Weeds. We're also delighted to play familiar music from the Grip Weeds. We are remarkably--and delightedly--consistent on that point. And an opportunity to open a show with a new single from the Grip Weeds? We're ON it! "Soul Bender" is the advance single and title track from the group's eagerly-anticipated new album, and delight rules the friggin' day. Delight will renew itself with another spin of "Soul Bender" on our next show.

KID GULLIVER: 24 Hours

We are also delighted to play both new and familiar music from Kid Gulliver. We're fans! The group's "Forget About Him" is a proven TIRnRR Fave Rave, and we included it on our 2022 compilation This Is Rock 'n' Roll Radio, Volume 5. It's been a bit since we've had anything new from these Kids, but the wait is over! New single "24 Hours" is a little more Ramonesified than previous Kid Gulliver classics, though the comparison to your Joey, your Johnny, and your Dee Dee is in terms of the track's forward-lunging rhythmic thrust. The resulting flourish of pretty pop music is pure Kid Gulliver. Welcome back, Kids.

AMY RIGBY: Bitter
JILL SOBULE: Someone's Gonna Break Your Heart

Tribute.

Our time in this mortal plane is steeped in loss, reluctant farewells whispered again and again. Beyond the devastation of personal losses, we also mourn people we've never met, but who nonetheless became a part of our lives through the magic of the art they created. We are inundated with constant, rapid-fire reminders of our fragile nature. On this week's show, we felt the fresh wound of losing Terry Draper, and since then the losses of both Sly Stone and Brian Wilson. 

And we still feel the sting of the recent loss of Jill Sobule. Amy Rigby acknowledges that sting, and she's channeled the lingering ache into a homemade cover of Sobule's "Bitter," a song Sobule wrote with Richard Barone of the Bongos. The track is now available as a single, with sales benefitting The Jill Fund. A worthy tribute for a worthy cause.

We followed Amy Rigby's version of "Bitter" with another spin of what's become my favorite Jill Sobule track, "Someone's Gonna Break Your Heart." With hearts born to be broken, we do our best to avoid becoming bitter.

THE CORNER LAUGHERS: Speak To The Sky

Last week's exciting edition of 10 Songs extolled the virtues of the new various-artists collection Second By Second By Minute By Minute: The Songs Of Rick Springfield. My favorite Rick Springfield song is his very first single, 1972's "Speak To The Sky." On the new tribute album, the Corner Laughers offer a loving and heartfelt rendition of "Speak To The Sky," capturing the ache of looking to the heavens and communicating with the cherished memory of a departed father, speaking to the sky every night. More loss. The comfort is sweet and welcome. 

We'll play this again on Sunday. Father's Day. Love you , Dad. It's been thirteen years, but I know you're still with me all of the time.

PAUL REVERE AND THE RAIDERS: Just Like Me

The Greatest Record Ever Made!

THE FLASHCUBES: The Sweet Spot
SORROWS: Radio

After many months of gleeful teasing, we have announced the track listing for the long-promised tribute album honoring Syracuse's own power pop powerhouse the Flashcubes. Due out in September from the irresistible rockin' pop force of Big Stir Records, our twenty-four track salute Make Something Happen! A Tribute To The Flashcubes gathers twenty-one new covers of songs written by members of the 'Cubes, and supplements 'em with three new recordings by the Flashcubes themselves. This week, we reprised a couple of already-proven Make Something Happen! favorites--the Flashcubes' "The Sweet Spot" and Sorrows' epic cover of "Radio"--as we look toward the bright lights of September. The sweet spot! Let us be your radio.

(And on our next show, we'll debut two more tracks from Make Something Happen!, as Graham Parker and Mike Gent take on "Pathetic" and Rob Moss and Skin-Tight Skin conjure up a "Bad Dream." We will also have encore spins of Flashcubes tribute album tracks by Tom Kenny and the Hi-Seas and Librarians With Hickeys, another run through Make Something Happen!'s first single "Reminisce," and we'll even throw in the Slapbacks' previous cover of "Make Something Happen" from This Is Rock 'n' Roll Radio, Volume 4. The tribute you take is equal to the tribute you make.)

KLAATU: Calling Occupants Of Interplanetary Craft

We mentioned the passing of Terry Draper. Draper was best-known as the drummer for Klaatu, and he also crafted an impressive body of work as a solo artist. Terry was always nice to us, and we mourn along with his friends and family. We've played a fair amount of his music over the years, both solo and with Klaatu, and also working with Ray Paul. This week, our opening set included "For The Few" from Draper's 2024 album In The Beginning. And we circled back near show's end for a spin of Klaatu's most famous track, "Calling Occupants Of Interplanetary Craft." We are your friends. Godspeed, Terry Draper.

THE BEATLES: Within You Without You

From a previous post about Sgt. Pepper's Lonely Hearts Club Band, picking up the narrative with Side 2, Track 1:

"...The mystic hum of Indian music invites us back inside. Many will skip over George Harrison's meditative 'Within You Without You' on subsequent spins, and your humble blogger would be among them for a while, until the song's beguiling, subtle magic eventually completes its spell, capturing the heart forever thereafter...."

We were talking about the love we all could share. Life goes on within you and without you. Music endures. Memory endures for as long as we can hold it. We endure for as long as we can hold on.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, September 16, 2023

10 SONGS: 9/16/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1198. This show is available as a podcast.

THE CATHOLIC GIRLS: Hear My Prayer

New work from the Catholic Girls is pretty much guaranteed a spin on This Is Rock 'n' Roll Radio, and their new single "Hear My Prayer" provides further evidence of why we love the group. This is pop music that mourns its sadness but stands tall in its defiance, its insistence that there will be at least one more day. The single spins again on our next show.

THE MONKEES: The Door Into Summer

Always one of my very favorite Monkees tracks. It's from my favorite Monkees album Pisces, Aquarius, Capricorn & Jones, Ltd., and its familiar sting of if-only regret suited my own tinges of melancholy as Dana and I were programming this week's show. Sometimes the laughter from that caravan feels ever more distant. Fool's gold stacked up all around us.

But we're okay, right? We acknowledge and move on, at least to the best of our capability. The music of the Monkees has always been a source of comfort, a source of satisfaction. Even their saddest songs can make me happy.

Happy is good. We can use more happy.

AMY RIGBY: Baby Doll

We've been giving a lot of air time this year to tracks from Juniper's recent covers album She Steals Candy, especially to Juniper's cover of Amy Rigby's "Baby Doll." Such a great song, and I don't think we've ever played Rigby's wonderful original. Dana rectified that oversight this week. Good on ya, Mr. Bonn.

Coincidentally, Amy herself posted the above picture to my Facebook page last week. Listen, I'm still pinching myself when artists of Amy Rigby's stature even give me the friggin' time of day, let alone post pictures of my Ramones book sighted in the wild. Amy captioned the pic, From the original Rough Trade in West London!, and I was immediately giddy to the nth degree. Thank you SO much, Amy!

Juniper's "Baby Doll" returns to TIRnRR this Sunday. Amy Rigby returns the following Sunday. We wouldn't dream of doing *ahem* THIS IS ROCK 'N' ROLL RADIO # 1200 without some Amy Rigby. Giddy is as giddy does.

CYNDI LAUPER: I Drove All Night

Is 1989's "I Drove All Night" my favorite Cyndi Lauper track? Yeah, I believe it is. And that's not faint praise; I think Cyndi's great, and I love her big smash hit records, including "Girls Just Wanna Have Fun," and especially "Time After Time." I think the first time I heard the latter was when she appeared on The Tonight Show in 1984, delivering an electrifying performance of "Girls Just Wanna Have Fun" and then topping it with a dramatic rendition of "Time After Time." Watching it on my little black and white TV, my jaw dropped. I was impressed, and I believe Johnny Carson also approved. Smart guy, that Carson. Robert Klein seemed to agree, too. Another smart guy!

Memory suggests The Tonight Show also introduced me to "I Drove All Night" a few years later. Hey, who needs radio when ya got Johnny Carson? Whether my first exposure or a reinforcement of established bias, Lauper's "I Drove All Night" knocked me out. Songwriters Billy Steinberg and Tom Kelly originally crafted the song for Roy Orbison, and that intent is evident in the song's only-the-lonely DNA even if you've never heard Orbison's own splendid, posthumously-released version. Lauper owns it anyway; can't say that about many Orbison numbers performed by artists who weren't Roy razzafrazzin' Orbison.

In both the Lauper and Orbison performances, "I Drove All Night" just simmers with controlled desire, an earthly passion--burning up inside--accompanying a pristine love, impossible to resist, even if one were foolish enough to want to resist in the first place. Its consummation is sweet and well-earned.

Lauper's best track? Yes. Don't argue with the driver.

LIBRARIANS WITH HICKEYS: I Can't Wait 'Till Summer

Librarians With Hickeys' 2022 album Handclaps & Tambourines supplied this little mutant radio program with two perennial go-tos: "I Better Get Home" (TIRnRR's # 25 most-played track last year) and "Can't Wait 'Till Summer," which is guaranteed a berth on our year-end countdown for 2023. We play the hits. I love this gig. And in my mind, I imagine Lauper's "I Drove All Night" as an answer song to "Can't Wait 'Till Summer," the chronology of the two songs notwithstanding. In the Librarians With Hickeys track, love is unrequited, deferred at best, and just as likely to be taken off life support before there's even a hint of the summer sun. In "I Drove All Night," love wins. 

I approve of that message. And it is worth waiting for.

STEVENSON AND COMPANY: Insane

Loyal TIRnRR listeners know Stevenson and Company from their magnificent little ditty "Talking Down To Me," which appeared on our most recent compilation album This Is Rock 'n' Roll Radio, Volume 5. A previous 10 Songs revealed that "Talking Down To Me" was "originally brought to our attention by every pop fan's best bud Steve Stoeckel. Steve's best known for his work as a member of the Spongetones and Pop Co-Op (the latter of whom are also represented on TIRnRR # 5), and 'Talking Down To Me' is a li'l gem originally written by Steve's friend Danny Stevenson. Steve subsequently earned a co-write on the song, and added bass and vocals to what Danny and his drummin' brother Bruce Stevenson had already done. We loved it! And we played it on the radio, crediting it to the nom de bop King Mixer. 

"When it came time to address the idea of slapping together a fifth TIRnRR compilation, 'Talking Down To Me' was an automatic choice. At the artists' request, the billing has been changed to Stevenson and Company. Which is just as well; a King Mixer could have cost us a fortune in breach-of-promise cases...." 

There's your preamble, and we're thrilled that Stevenson and Company have just released their debut album Out Of Time, and it most assuredly swoops 'n' sways the way a rockin' pop record oughta. Let me say here what my overlords won't allow me to say on the air: BUY IT!!! We played one of its many fine tracks on this week's show, and promised more in the weeks ahead.

So yeah: we'll hear another one this Sunday night. We would not be able to afford a breach of promise suit, believe you me. That would be insane.

DOLPH CHANEY: Ice Cream Embers

What does Dolph Chaney have in common with the Catholic Girls? Rhetorical question! New music from Dolph Chaney is also pretty much guaranteed a spin on This Is Rock 'n' Roll Radio. Catholic Girls? Meet Dolph. Dolph, the Catholic Girls. I'll get us some beverages.


Ah. Dolph brought his own refreshment. 

Our lad Dolph has been a Fave Rave here, most especially for his all-time TIRnRR Pick T' Click "My Good Twin." Now, Dolph's back with his brand-new album Mug, courtesy of the benevolent visionaries at Big Stir Records. So this week: Catholic Girls and Dolph Chaney. Two great treats that treat great together. Or something like that.

And ya wanna know what else the Catholic Girls' "Hear My Prayer" and Dolph Chaney's "Ice Cream Embers" have in common? We'll hear 'em both again next week! 

I pray there'll be ice cream.

THE JAM: That's Entertainment

The Greatest Record Ever Made!

THE RAMONES: Oh Oh I Love Her So

We've established that the Monkees make me happy. Same goes for the Ramones. My motto remains that a day without the Ramones would be like...I don't have any idea what a day without the Ramones would be like. Nor do I ever intend to find out.

"Oh Oh I Love Her So" is an explosion of adrenaline-charged joy, one of my favorite Ramones tracks. Like most of the Ramones' best works, it is pure in a way that may seem unexpected by heathens who don't worship at the Church of Ramones.

But it is pure. It is exciting and life-affirming and vividly real, even at its most cartoonish, even in the midst of its Bowery-bred seediness, the danger of its genesis redeemed by the exuberance of its pop. Fast. Loud. Pure. Oh oh, I love it so.

JACK "PENETRATOR" LIPTON: It's My Life

During Labor Day weekend, we learned that Jack "Penetrator" Lipton, a fixture of the Syracuse rock 'n' roll scene and a long-time friend of this show, had taken his own life. We were not yet at liberty to share this news publicly, and I wouldn't have had the will to do so anyway. That Sunday night, as I listened to this year's edition of Dana's Funky Soul Pit on TIRnRR, my mind wandered, and its meandering path kept strolling to Jack Lipton, and to Jack's decision to exit this mortal world.

Jack and I weren't especially close. I don't want to compare my sense of loss to the aches felt by his tightest friends and family. But I would say we were on good terms, and Jack's enthusiasm and boundless good will always made him seem like a pal. Maybe those who knew Robin Williams recognize that sense of seeming delight and humor, an illusion of cheer that hides whatever troubles may brew beneath. Where there tell-tale signs? I don't know. Probably not, not really...but I don't know. Neither do you.

I've written before of how suicide affects the survivors, or at least how it affected me when one of my best friends killed himself in 1979. No one can save us. But there are potential paths to facilitate our rescue: the Suicide and Crisis Lifeline is within reach via a phone call to 988, and often our loved ones will be willing, eager, to help in any way they can. It may feel like no one will listen, that no one will understand. But someone, somewhere will listen, and they'll try to understand. Repeating what I said earlier this week: your life is worth saving. Our lives are worth saving.

Jack always wanted us to play his cover of the Animals' "It's My Life" on the show. We never did, not during his lifetime. It was too long for our chosen format, so we played some of Jack's other work instead, both solo and with the Penetrators and Mark Doyle and the Maniacs. 

We played Jack's "It's My Life" this week. It's a good cover of one of my very favorite songs. It hurts to play it now. 

But it was high time we did.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl