Showing posts with label Fantastic Four. Show all posts
Showing posts with label Fantastic Four. Show all posts

Wednesday, August 31, 2022

POP-A-LOOZA: THE EVERLASTING FIRST! The Fantastic Four, The Flash, Fools Face, The Four Seasons, The Four Tops, and Funnyman

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is another installment of The Everlasting First, with Quick Takes on my introductions to the Fantastic Four, the Flash, Fools Face, the Four Seasons, the Four Tops, and Funnyman.

It's odd how little I've written about some of these. The Four Tops will have a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), while a Four Seasons chapter was written but is not included in that book's current plan. On the other hand, my fond recollection of the Fools Face album Tell America prompted me to write this piece for inclusion in the 2005 book Lost In The Grooves, a book which also presented my celebration of Subterranean Jungle by the Ramones, but the editors declined my offer to write about Elevator by the Rollers (the artists formerly known as the Bay City Rollers).

Moving from music-makers to comic-book crusaders, the Fantastic Four were a (small) part of my Everlasting First memory of discovering Marvel Comics, and the only other thing I've written about the Flash is a brief bit about his role in The CW's Crisis On Infinite Earths TV event.

Ah, but then there's Funnyman. I haven't written much about the Daffy Daredevil either, but there is this:

"Funnyman was Superman co-creators Jerry Siegel and Joe Shuster's attempt to create another super-sensation after their ugly, ugly split from DC Comics in the late '40s. (I was going to say "after DC unceremoniously kicked 'em both to the curb, penniless, as the company went on to make millions off their creation," but no one likes negativity). By 1976, although it would be a stretch to say that all was forgiven, DC had made some amends with Siegel and Shuster, at least enough that Jerry 'n' Joe agreed to appear as guests of honor at the Super-DC Con in New York that February. I met Siegel and Shuster at the convention, and I also picked up my copy of 1948's Funnyman # 5 in the dealers' room. Funnyman, which comes across as a superhero Danny Kaye, was not a successful title, and it's not remembered with much fondness by fandom. But liked it, and I wish I'd had the presence of mind to have Jerry and Joe autograph my copy."

I posted the public-domain Funnyman # 1 here. But Funnyman's largest role in my work was his alter ego Larry Davis' appearance in my make-believe 1958 beat musical film Jukebox Express. The fake movie's fictional players were annotated here. Jukebox Express was a joy to write, and I think it remains a fun read, imagining characters from Funnyman, That Thing You Do!, The Marvelous Mrs. Maisel, Gilligan's Island, Happy DaysRoom Service, King Kong, Marvel's Agent Carter, The Monkees, Singin' In The Rain, I Love Lucy, My Favorite Year, Ellery Queen, The Rocketeer, and more, all working together to make a movie I would love to see (if it actually, y'know, existed). I'm insanely proud of this gathering of the talents of Ginger Grant, Leather Tuscadero, Troy Chesterfield, Sophie Lennon, and a cast of many...none of whom ever really lived. Just imagine!

And imagine that my knowledge of Funnyman, the Four Tops, the Fantastic Four, Fools Face, the Flash, and the Four Seasons hadda start somewhere. Those stories serve as the latest Boppin' Pop-A-Looza.

Jukebox Express star Leather Tuscadero and a friend in Milwaukee

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, May 9, 2020

POP-A-LOOZA: Star Wars, The Sandman, The Silver Surfer, The Spider, Spy Smasher, and The Seven Soldiers of Victory



Every week, the pop culture website Pop-A-Looza shares a post from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. This week's shared post is an Everlasting First look back at my introductions to Star WarsThe Sandman, The Silver Surfer, the pulp hero The Spider, Spy Smasher, and The Seven Soldiers of Victory.



Although I loved the original Star Wars trilogy in the late '70s and early '80s, I haven't ever had much to say about the franchise. A piece I wrote about The Monkees ("The Monkees Bring The Summer: A Girl I Knew Somewhere") contains a reference to seeing the first Star Wars movie in 1977, and my reminiscence about Flash Gordon mentions our Flash's influence on Luke Skywalker and friends. An otherwise-unrelated piece included this passage about seminal space opera hero Buck Rogers and his impact on what came after:

"In our far-future world, it may be difficult to appreciate the sheer, vast impact of Buck Rogers in the '30s. The character debuted in newspaper comics in 1929, though the strip was based on Phillip Frances Nowlan's pulp novella Armageddon 2419 A.D., which appeared in Amazing Stories in 1928. Buck Rogers was simply huge; there ain't no Flash Gordon without Buck Rogers' inspiration, no Star Trekno Star Wars, arguably no Superman, perhaps no superhero boom at all."



So, yeah. No Buck Rogers, no Star Wars. And worse, no Princess Leia!



What else? I've written several times about the Golden Age Sandman's main inspiration The Green Hornet, including my introduction to the character, my idea for a Green Hornet '66 rock 'n' roll story (both teaser hype and the first few script pages), and a Greatest Record Ever Made! piece about "The Green Hornet Theme" by Al Hirt. I haven't written about Spy Smasher, though I have used some of the character's 1940s adventures in issues of my 100-Page FAKES! series. Not much coverage of The Silver Surfer or The Fantastic Four here, but the subject is part of my introduction to Marvel Comics and my eulogy for Stan Lee. All of my writing about The Seven Soldiers of Victory was contained within various 100-Page FAKES!, most notably this one. The Spider hasn't gotten a lot of Boppin' ink, but the Master of Men was part of my '70s fascination with superpulp paperbacks and Tony Goodstone's hardcover anthology The Pulps, but The Spider was never quite as big for me as The Shadow or Doc Savage.







And, of course, Star Wars! These few days past the official observance of Star Wars Day, let the force remain with you and with all of us. The story of how I discovered Star Wars and some other S-named favorites is this week's Boppin' Pop-A-Looza.



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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 134 essays about 134 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Saturday, November 17, 2018

100-Page FAKES! presents: ASTONISHING TALES # 1

100-Page FAKES! imagines mid-1970s DC 100-Page Super Spectaculars that never were...but should have been!



Anthology comic books were common from the '30s through the early '50s. Titles such as Detective ComicsAction Comics, Adventure Comics, Marvel Mystery Comics, Whiz Comics, Flash Comics, All Winners Comics, and innumerable others offered a variety of ongoing comic strip series wrapped in a single cover, all in color for a dime. Shrinking page counts eventually made anthology titles less common; some former anthology titles that survived into the Silver Age became characterized instead by a lead feature (like Superman in Action Comics or Batman in Detective Comics) supported by a back-up feature.

Split books seem to have been mostly a '60s phenomenon. Rather than present a lead feature and a back-up feature, split books divided a title about equally between two features. Marvel Comics had three regular split titles in the '60s, each of which had begun its spinner-rack life as a science-fiction/fantasy/monster book prior to the ascension of the Marvel superhero: Tales To Astonish (with Sub-Mariner and The Incredible Hulk), Tales Of Suspense (with Iron Man and Captain America), and Strange Tales (with Dr. Strange and Nick Fury, Agent Of S.H.I.E.L.D.). Each of these co-features graduated into solo titles in 1968, when Marvel freed itself from a stifling distribution set-up that had limited the amount of books it could publish each month.

But Marvel came back with a couple of split books in 1970: Amazing Adventures (with The Inhumans and The Black Widow) and the subject of today's 100-Page FAKE!Astonishing Tales, co-starring the jungle hero Ka-Zar and The Fantastic Four's arch-enemy Dr. Doom.

The Tarzan-inspired Ka-Zar predates Marvel Comics itself, having debuted in the company's pulp magazine line before appearing in 1939's Marvel Comics # 1. The Silver Age Ka-Zar was introduced in The X-Men # 10 in 1965, created by Stan Lee and Jack Kirby. Lee and Kirby are the credited co-creators for the Ka-Zar story in Astonishing Tales # 1, and I believe it was their final collaboration before Kirby left Marvel to create his Fourth World saga for DC Comics. (Astonishing Tales # 2 also featured art by King Kirby, but the scripting was credited to Roy Thomas).

Was Dr. Doom the first supervillain to star in his own comics series after the Comics Code was initiated in the '50s? My gut says yeah. There had been some '40s bad guys whose name appeared above the title--notably The Claw in Lev Gleason's anthology book Silver Streak Comics--but I don't think any other nogoodnik grabbed the post-Code spotlight before our Victor von Doom. Doom's brief Astonishing Tales run is notable for some luscious artwork from the legendary Wally Wood.

To transform Astonishing Tales # 1 into a faux 100-pager, we add reprints of the first-ever solo appearances by Ka-Zar and Dr. Doom, both from successive 1969 issues of Marvel Super-Heroes; those would have been way too recent for reprinting in a real-world 1970 Marvel comic book, but we're suspending most rules and rational thought for Marvel Week at 100-Page FAKES! To complete the package, we go back to 1948 for adventures starring The Blonde Phantom and Captain America, the latter introducing a leggy distaff crimefighter named Golden Girl, who effectively replaced Cap's stalwart young partner Bucky. Hussy.

Ka-Zar in "The Power Of Ka-Zar!," Astonishing Tales # 1 (August 1970)
Ka-Zar in "My Father, My Enemy!," Marvel Super-Heroes # 19 (March 1969)
Blonde Phantom in "Best Man For Murder!," Blonde Phantom # 17 (Spring 1948)
Captain America in "Golden Girl!," Captain America Comics # 66 (April 1948)
Dr. Doom in "This Man...This Demon!," Marvel Super-Heroes # 20 (May 1969)
Dr. Doom in "Unto You Is Born...The Doomsman!," Astonishing Tales # 1 (August 1970)

Everything is copyright Marvel Entertainment, and can only be depicted here in representative sample pages; I share the whole book with my patrons. As Marvel Week concludes, I regret that I couldn't show more classic Silver Age work by Stan Lee and Jack Kirby, but I just don't have scans of very much of it. We're back to DC next week, but I won't rule out an occasional 100-Page FAKE! return to the House Of Ideas. 'Nuff said? Excelsior!


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Our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 is now available from Kool Kat Musik! 29 tracks of irresistible rockin' pop, starring Pop Co-OpRay PaulCirce Link & Christian NesmithVegas With Randolph Featuring Lannie FlowersThe SlapbacksP. HuxIrene PeñaMichael Oliver & the Sacred Band Featuring Dave MerrittThe RubinoosStepford KnivesThe Grip WeedsPopdudesRonnie DarkThe Flashcubes,Chris von SneidernThe Bottle Kids1.4.5.The SmithereensPaul Collins' BeatThe Hit SquadThe RulersThe Legal MattersMaura & the Bright LightsLisa Mychols, and Mr. Encrypto & the Cyphers. You gotta have it, so order it here. A digital download version (minus The Smithereens' track) is also available from Futureman Records.




















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