10 SONGS (plus a three-song bonus): 6/27/2026--GUITARS VS. RAYGUNS!!

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1341: GUITARS VS. RAYGUNS!!

CHUCK BERRY: Promised Land

This week's show ties into the publication of my new book Guitars Vs. Rayguns!! Short Stories And Other White Lies. The book is a work of fiction, but we're celebrating its intrinsic mojo by stringing together an irresistible array of rockin' pop music by a few of the many real-life musicmakers mentioned alongside imaginary characters I created for the book's stories. And we'll get to the music in just a sec, right after these important words from our sponsor:

Guitars Vs. Rayguns!! Short Stories And Other White Lies gathers tales of a foul-mouthed rock 'n' roll guitarist hijacked into space, an Old West gunslinger, a film noir gun moll who longs to be in a musical, a humorous fill-in superhero suddenly called to greatness, a former boy band star turned record company fix-it man, a would-be painter, an obsessed collector, a fated swordswoman, a fallen giant, a frustrated time traveler, a condemned sinner guiding tourists in Hell, a departed soul interviewing for a spot in Heaven, a 1976 Beatles reunion concert, and other untruths detailing love, loss, disappointment, miscellaneous hijinks, a fascination with shiny objects, and—occasionally--a juvenile sense of humor. 

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Guitars Vs. Rayguns!! Short Stories And Other White Lies (2026): $15
The Greatest Record Ever Made! (Volume 1) (2024): $30
Gabba Gabba Hey! A Conversation With The Ramones (2023): $25

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The first story in the book is the first short story I ever sold, 2019's "Guitars Vs. Rayguns," a foul-mouthed farce about a rock band from Earth playing gigs on other planets. Chuck Berry was the first among many actual musicians name-checked in this and subsequent stories. After all, NASA's inclusion of "Johnny B. Goode" on the gold record sent into space with Voyager 1 and 2 is what built the extraterrestrial market for rock 'n' roll in the first place. As Rocky, the leader of the book's titular planet-hopping combo Guitars Vs. Rayguns relates:

"Tonight's gig's been going well. Just one fight so far, and the drummer was only wounded; he's out for the night, but we'll get by with just two guitars and a bass if we gotta. Some Big Star, some Everly Brothers, Prince, Grip Weeds, Supremes, Pop Co-Op, Small Faces, and always, always some Chuck Berry. We're about midway through 'Promised Land' when an asshole in the audience tries to interrupt us...."

And that leads into more of the miscellaneous hijinks the book's back cover blurb promises. Take us to the Promised Land. Chuck.

THE CYNZ: Love's So Lovely

The Guitars Vs. Rayguns!! book presents a total of 27 short stories, including five stories starring the irrepressible space-traveling bar band from whom the book takes its title. There is also a sixth story centered around one of the band's members. The other 21 tales are unrelated to the adventures of this band called Guitars Vs. Rayguns. 

A few of the book's non-GvsR! stories are centered around music. "Home Of The Hits" sticks strictly to characters of my creation, with no references to real-life musicians. "Open Letter To An Imaginary Rock Band" finds its narrator listing a bunch of acts (KISS, the Stylistics, the Sex Pistols, Motörhead, Gladys Knight and the Pips, Talking Heads, the Isley Brothers) he prefers to his younger brother's favorite band (the fictional Pants-On Flyers). "I'm At Bat!" name-checks OIivia Newton-John, the Kinks, Nelson Riddle, the Jam, the Marketts, and Neil Hefti. Both "Time, And The Junk Food Of Your Life" and "Pop Friction" mention the Beatles, and the Fab Four also star in their own story about a 1976 reunion concert. The volume of real-life music-makin' names cited within that Beatles short story may rival the cumulative number of bands referenced in all five (or six) of the GvsR! chapters.

But yeah, the dedicated GvsR! band stories provide a pervasive supply of pop music name-dropping threaded throughout the book. The vast majority of them are passing references, and that status includes this line invoking the name of This Is Rock 'n' Roll Radio fave raves the Cynz:

"...The setlist was still peppered with covers, everything from the Buzzcocks and the Selecter to the Cynz and Etta James. But we were doing more and more originals, and our drunken and violently irascible audiences were responding. Favorably. Fuck, we had a gig last week out near Sirius, and only one raygun fight broke out. One! Unheard of in our experience. Suddenly, the ETs far and wide were dancing and listening. We were heading to the toppermost of the motherfucking poppermost...."

As a writer and a music fan (and, y'know, a DJ), my mind is always occupied with dozens of random notions and dozens of irresistible song choices. Always. I wanted Guitars Vs. Rayguns' repertoire to reflect that. And I specifically wanted to mention the Cynz because lead singer Cyndi Dawson has been so supportive of all of my books. Cyndi: THANK YOU!

(And in the real world, "Love's So Lovely" [from the current Cynz album Confess] has already secured a berth on TIRnRR's year-end countdown show. And I wouldn't be surprised if it makes our Top Ten. Hey, Cynz! The guitars and the rayguns salute you.)

THE MONKEES: (I'm Not Your) Steppin' Stone

One of the (theoretical) growing-up experiences that impacted my development as a pop pundit, music journalist, and writer of stuff was the act of standing my ground whenever anyone told me I shouldn't like something. Over time, I learned to shrug off naysayers, and to keep right on digging what I dig. Comic book superheroes. Punk rock. Pulp fiction.

The Monkees.

The more some folks tried to convinced me that the Monkees were worthless, the more they deepened my conviction that they didn't know what they were talking about. I'd seen the TV show, I'd heard the records. I know what I like. I loved the Monkees, and I still do.

The Guitars Vs. Rayguns!! book includes three separate references to the Monkees. In my Beatles reunion story, when John, Paul, George, and Ringo have an informal get-together to reacclimate to playing as a band, they perform a presumably-jokey (but not disrespectful) jam of the familiar "(Theme From) The Monkees." Later in the book, when Guitars Vs. Rayguns are auditioning a new member, the Monkees' "(I'm Not Your) Steppin' Stone" is one of a slew of covers the potential group is unable to nail.

My favorite Monkees moment in Guitars Vs. Rayguns! occurs still later in the book, when the members of my raygun-target rock group find themselves in danger, and they steal a plot element directly from The Monkees TV series to escape their predicament. The idea's inspiration is given full and proper in-story credit. Saved by the Monkees! I believe the fans will be pleased.

But I would have that faith, wouldn't I? After all, I'm a believer.

THE FLASHCUBES: No Promise

Big Stir Records recording artists the Flashcubes loom large in my legend. You can be assured that in the GvsR! chronicles, the Flashcubes are represented and appreciated by rock 'n' roll fans across the planets and across the galaxies.

Guitars Vs. Rayguns drummer Leiko is certainly a Flashcubes fan, especially of 'Cubes drummer Tommy Allen (alongside Keith Moon, Marky Ramone, Clem Burke, Dennis Diiken, and Ringo Starr. Here's evidence of that:

"...Leiko leaned in for emphasis. 'I'm Keith fucking Moon. I'm Marky fucking Ramone. I'm Clem fucking Burke. I'm Dennis fucking Diken from the Smithereens, Tommy fucking Allen from the Flashcubes, Ringo fucking Starr if I wanna be Ringo fucking Starr.

" 'I'm fucking LEIKO, bitches!...' "

So noted. In the universe of GvsR!, the Flashcubes are stars, as big as any other stars in any galaxy. 

I like that universe.

WONDERBOY: Girl Songs

Robbie Rist is a long-time friend of this show, and Dana and I have twice been guests on The Spoon, the essential podcast our Robbie co-hosts with Chris Jackson and Thom Bowers. As a tip of the hat, I wanted to add Robbie's old SoCal pop band Wonderboy to the long list of acts that Guitars Vs. Rayguns covers in their phaser-blasted live sets. And given clear evidence within the narrative that Guitars Vs. Rayguns guitarist Rocky really likes the ladies--really, really likes the ladies--Wonderboy's pop gem "Girl Songs" is a perfect match. 

P. P. ARNOLD: The First Cut Is The Deepest

The Greatest Record Ever Made!

THE RAMONES: Blitzkrieg Bop

C'mon--it wouldn't be one of my books if it didn't reference the Ramones. In one of the book's non-GvsR! stories, a character mentions driving through a blizzard as his iPod treats him to neck-snappin' segues from the Ramones to Dizzy Gillespie to the Girls From Petticoat Junction. In "Jack Mystery (some truths and some white lies)," the actor auditioning for the lead role in a comic book movie wears a Ramones t-shirt. Within the five (or six) GvsR! stories, a character uses the expression "I swear to Joey Ramone," the bassist expresses a desire to channel Brian Wilson, James Jamerson, and Dee Dee Ramone, and we've already seen that drummer Leiko intends to be Marky fucking Ramone (among others). The Ramones. The American Beatles. The greatest American rock 'n' roll band of all time. Hey-ho. Let's go!

JOAN JETT: Bad Reputation

From my short story "Lone Star Falling," which I think is among the best things I've ever written:

"...But Marie looked up at Faye. The eyes could not see. Nonetheless, Marie said out loud, 'LaFayette?'

"Faye had not heard anyone call her by her full first name in...well, she couldn't remember how long it had been. 'Yes, Mom! It's LaFayette.' Usually unflappable, Faye's nerves were on Def Con 1. 'How are you, Mom?'

" 'George!,' Marie called out. 'LaFayette's here for a visit. Come see your daughter.'

" 'No, Mom. Let's not bother Daddy right now.' Faye's father George had died in a car accident decades ago, when Faye was in seventh grade. Faye saw no reason to correct her mother's illusion. 'Let's just have a chat for a second, just you and me, Mom.'

" 'Fifi...?'

Faye froze. Her mother hadn't called her by that name since she was a little girl. 'Fifi? Is that you?' Before Faye could muster a reply, Marie's mind switched again. 'LaFayette! Turn off that noise and set the table for dinner!'

" 'It's not noise, Mom,' said Faye, recalling the exact conversation she had with Marie all those years ago. 'It's Joan Jett. Come on, Mom. Dance with me!'

"Marie smiled as Faye began to dance by the creeping phlox. Marie also started to dance, or rather to mimic the act of dancing while still confined to her wheelchair. 'Such language,' Marie said. 'Couldn't this Joan Jett say she doesn't give a darn about her reputation?'

" 'Works better this way, Mom. It's kickass!'

" 'LaFayette!'

" 'It's okay, Mom. Doesn't this music make you feel alive?'

"Marie was silent, but the glow of her smile continued...."

YOKO ONO: Move On Fast

I have a lot of respect for Yoko Ono, but most of her music falls outside of my chosen pop parameters. Dana's a fan. That said, there are three Yoko tracks I like very much: Her 1980 B-side "Kiss Kiss Kiss" earned a chapter in my previous book The Greatest Record Ever Made! [Volume 1]), her 1971 seasonal treat "Listen, The Snow Is Falling" is luscious and sublime, and "Move On Fast," a pumpin' track from her 1973 album Approximately Infinite Universe, rocks. Yoko haters need not apply.

My first awareness and appreciation of "Move On Fast" was provided courtesy of the weekly classic alternative podcast Only Three Lads. Like Dana, O3L co-host Brett Vargo is big on Yoko, and while he hasn't yet managed to convert his partner Uncle Gregg to the cause, Brett insists Gregg will come around eventually. Me? I'm grateful to Brett for hooking me on this track.

Yoko Ono appears as a supporting character in my 1976 Beatles reunion fantasy piece. I think she comes off quite well, and I hope Brett will approve of her depiction. Dear Yoko: The world of Guitars Vs. Rayguns!! holds nothing but love for you.

THE BEATLES: Paperback Writer

Why, yes--I am a paperback writer. Dear sir or madam, will you read my book?

ENCORE! THREE MORE SONGS!!

MOTÖRHEAD: Ace Of Spades

SLADE: Gudbuy T' Jane

LL COOL J: Mama Said Knock You Out 

These songs are mentioned together in sequence late in the book, when Guitars Vs. Rayguns are jamming with a famous real-life rock 'n' roll superstar, and he sings these three song choices with them. And the band is beyond thrilled when HE expresses gratitude to THEM...!

Thenkyew. Thenkyewverymuch.

Unlikely song choices in this context? Man, I can hear them, in my crowded head. And besides: The King can do what the King can do. That's why he's the King.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

10 SONGS: 6/6/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1339

THE SPONGETONES: (I Really) Need To Kiss You

Hey, goal-oriented pop music! Whenever the Spongetones release new music, This Is Rock 'n' Roll Radio's operating protocol mandates that we play this new music immediately. Mission accomplished! "(I Really) Need To Kiss You" debuts this week, and osculates its way back for a second TIRnRR kiss this coming Sunday night. Pucker power is the power of the hour. Minty fresh! 

BIG MAMA THORNTON: Hound Dog

From my 2024 book The Greatest Record Ever Made! (Volume 1):

Where and when did rock 'n' roll start? There are a few key artifacts to consider in seeking to ID the first rock 'n' roll record. "Rocket ‘88’ " by Jackie Brentson and his Delta Cats (1951, and really Ike Turner and his Kings of Rhythm) is the closest we have to a consensus choice. Some would point to "The Fat Man" by Fats Domino (1950). I would at least add Amos Milburn's "Down the Road Apiece" (1947) to the discussion, and no less an authority than Lenny and Squiggy (on TV's Laverne and Shirley) spoke on behalf of "Call the Police," a 1941 single Nat King Cole made with the King Cole Trio. There are other progenitors and trailblazers from across the heady mingling of jump blues, R & B, country, and swing that birthed this bastard child we call rock 'n' roll. What was the daddy of them all? Not even a blood test is going to make that determination.

"Hound Dog" is not the first rock 'n' roll record. But its original release does predate the Rock 'n' Roll Era. It was written by Jerry Leiber and Mike Stoller specifically for rhythm and blues singer Big Mama Thornton. Thornton's "Hound Dog" single topped the R & B chart in 1953. Fittingly, her performance of the song is as much a growl as it is anything else, a snarling dismissal of a worthless cur who can wag his tail, but she ain't gonna feed him no more.

THE NUMBERS: Deception

A previous edition of 10 Songs noted that "the Numbers were an early '80s combo whose lone album Anthology '64-'67 presented them as if they were a long-lost band from the '60s rather than Reagan-era garage pop kings besotted with the sounds that flourished a decade and a half before them. The LP's liner notes even claim that the Numbers passed on the opportunity to star as the Monkees, leaving the prospect of televised Monkeeshines for, y'know, the actual Monkees. All in good (clean) fun. Anyone who refers to this as a hoax isn't paying attention. It's not a hoax if the intended audience is fully aware of the put on."

The Numbers made a triumphant return to rockin' pop retail with the 2025 album Mad Day Out, and now they're back again with another new long-player, My Beautiful Distance, courtesy of our friends at the mighty Kool Kat Musik. And the Numbers don't lie, even as they're singing a radio-ready tune called "Deception." And it's likewise no lie when we say the Numbers' "Deception" spins again on our next show. We have Numbers on our side.

THE BEE GEES: I Can't See Nobody

In the late '70s, I was as anti-disco as anybody. The militance of my stance mellowed as I came to realize that so much of the knuckle-dragging Disco Sucks Army hated my preferred punk and power pop almost as much as they hated the rhythmic thumpety-thump of dat ole debbil disco. Screw 'em. I never developed any interest in the disco scene, but I absolutely liked the Trammps, Thelma Houston, and Donna Summer way more than I was willing to tolerate Southern rock, prog, and most then-contemporary so-called hard rock. Burn baby burn.

That said, I never developed any interest in the disco-era Bee Gees, and I still haven't. As a younger fan, I'd adored much of the Bee Gees' Beatles-influenced work in the '60s and very early '70s, from "New York Mining Disaster 1941" through "Lonely Days, Lonely Nights," but stopping cold when I heard and actively disliked "Jive Talkin'." I've also mellowed a little bit on some of that stuff ("Nights On Broadway"), but the polyester years will never be my go-to era of Bee Gees records.

The Bee Gees' '60s material? Loved it then, love it now. 1967's "I Can't See Nobody." is my favorite.

THE CYNZ: You Wreck Me

On their ace current album Confess, the Cynz deliver a quite able take on Tom Petty's "You Wreck Me." and it's one of the very few successful Petty covers I can call to mind. I do like Def Leppard's seemingly incongruous (but masterful) rendition of "American Girl," and if we're talkin' Petty tributes, we must also give proper Hell YEAHs! to Amy Rigby's sublime, sublime original song "Tom Petty Karaoke" (as heard on This Is Rock 'n' Roll Radio, Volume 5). The Cynz are in pretty good select company.

Mentioned before, worth mentioning again: The Cynz are also in good company among a slew of musical acts mentioned in passing within the pages of my new book Guitars Vs. Rayguns!! Short Stories And Other White Lies. Our June 14th radio show will be devoted to the musicmakers of Guitars Vs. Rayguns!, and you can bet your last guitar AND your last raygun we'll be playing the Cynz.

BUT! Given the context in which the group is mentioned in the book, we can't play any of the covers the Cynz have recorded; we've gotta play a Cynz original. I know just the one to play. And it's SO lovely....

THE WHO: The Kids Are Alright

The Greatest Record Ever Made!

THE MONKEES: When Love Comes Knockin' (At You Door)

Like the Cynz, the Monkees are mentioned in Guitars Vs. Rayguns!! Short Stories And Other White Lies. In addition to a scene where the book's titular fictional rock 'n' roll group is rehearsing a cover of the Monkees' "(I'm Not Your Steppin' Stone)," another story later in the book lifts a plot device directly from The Monkees. As one of my characters admits, "I stole the idea from Michael Nesmith in the pilot episode of the Monkees' TV show." 

So yeah: We'll hear the Monkees in TIRnRR's Guitars Vs. Rayguns!! special on June 14th, our June 7th show will have two tracks from the sessions that produced the Monkees' 2016 triumph Good Times!, and this week's program brings us Davy Jones singin' a Neil Sedaka-Carole Bayer song from 1967's More Of The Monkees. THIS is why people say we Monkee around.

Guilty as charged. And unrepentant. Hey, hey.

THE FLASHCUBES: Got No Mind

THE FLASHCUBES: Dizzy Miss Lizzy

THE FLASHCUBES: Rawhide

As we bid farewell to May 2026, we close this week's edition of our little shindig with a replay of the big finish from a club show that took place just over 47 years ago. 

In May of 1979, Syracuse's own power pop powerhouse the Flashcubes were one of the best live rock 'n' roll bands on the whole friggin' planet. A 5/26/79 'Cubes gig at The Firebarn was captured on multitrack, preserving a document of this incendiary act at the zenith of their irresistible prowess. The show was eventually released to retail as the 2022 album Flashcubes On Fire. From my liner notes for Flashcubes On Fire:

"At its best, live music is alchemy in action, capable of transforming the air around us into pure gold. This mystic process is fueled by so many ingredients, both physical and phantasmic. Sweat. Love. Lust. Hate. Alcohol. Hunger. Ambition. Greed. Generosity. Divine inspiration. Betrayal. Heartbreak. Laughter. Tears. One pill that makes you larger, one pill that makes you small. Amplifiers, power chords, the beat of the bass and drums. Voices rising in anger or exultation. Taking a sad song and making it better. One for the money, two for the show. NOISE. Beautiful, transcendent noise. The sound of gold.

"In 1979, I was 19 years old. I reveled in this golden sound. My preferred alchemists were a fantastic rock 'n' roll group called the Flashcubes. My go-to goldmine was the Firebarn...

"...That's where you'd find the Flashcubes, bending air into gold. They were gonna be the biggest stars in the whole goddamned world. I knew it. If history contradicted me, I regret nothing. I wasn't wrong. The world was wrong...."

This week's TIRnRR bids farewell to May with the last three tracks from Flashcubes On Fire: One Cubic original (the anthemic punk raving of the late Paul Armstrong's "Got No Mind") and two covers (the Larry Williams [via the Beatles] classic "Dizzy Miss Lizzy" and Link Wray's invigmoratin' instrumental victory lap "Rawhide"). We prefaced the three-fer with an edited-for-FCC-compliance clip of the late Ducky Carlisle introducing our heroes:

One day, very soon from now, all you people are going to be able to say 'I saw this band before they were famous.' Here they are, the best fuckin' rock band in New York, THE FLASHCUBES!!

Bright lights, man. The brightest lights ever.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is due out soon; meanwhile, you can get an autographed copy of my previous book The Greatest Record Ever Made! (Volume 1) here, and you can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 5/30/2026

 10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1338

THE HALF/CUBES: Starless Summer Sky

It was a rare treat for us to preview no less than three new and as-yet-unreleased tracks from the Half/Cubes. Their next single (a cover of Jellyfish's "Ghost At Number One") is due out soon, and we gave that li'l gem its debut airing in this week's closing set. We placed the Half/Cubes' ace cover of Gilbert O'Sullivan's "Get Down" in the middle of the show, and we kicked our shindig off with their superb rendition of Marshall Crenshaw's luscious pop treasure "Starless Summer Sky." AND! We threw in another spin of the Half/Cubes' current single, joining forces with Glenn Burtnick for a bravura rendition of the American Breed's "Bend Me, Shape Me." The three new tracks will surely return in eventual future playlists. "Bend Me, Shape Me" plays again this Sunday night.

THE KNACK: Pop Is Dead

Get the Knack! Dana has been quite taken with the new Knack retrospective Knackology: The Zen Recordings, a set that mixes studio and live tracks from the 1990s and early 2000s, supplemented by demos and a live "Let Me Out" from 1979. The Knack's 1998 album Zoom was my favorite album that year, and it's possible that I like Zoom even more than I like Get The Knack. I'm delighted that Dana programmed Zoom's "Pop Is Dead," and you can bet on more Knackology to come on TIRnRR.

GRAHAM PARKER AND THE GOLDTOPS: Hotel Chambermaid

As pop fans worldwide clear space in their music libraries for Quality Footwear: Live At The Brook, the forthcoming new live album from the mighty Graham Parker and the Goldtops, we've been playing the album's advance singles. This week, I wanted to program a live version of a Graham Parker song that has specific meaning for me.

From a previous 10 Songs:

"Hotel Chambermaid" was the first Graham Parker and the Rumour I recall hearing, a favorite on Utica's WOUR-FM circa '76-'77, my senior year in high school. For some reason, I thought it was by Greg Kihn, whose take on Bruce Springsteen's "For You" was also getting some significant airplay on OUR, and I don't know why my mind put those two songs together. But both were part of my early FM radio listening, along with Nick Lowe's "So It Goes," the Kinks' "No More Looking Back," Joan Baez's "Time Rag," Michael Nesmith's "Rio," and, eventually, the Sex Pistols' "God Save The Queen." Radio's been good to me.

THE AMPLIFIER HEADS: A Song Called Sha La La

And the song chose its name well! The Amplifier Heads' new single "A Song Called Sha La La" is a perfect addition to our sovereign airwaves, channeling the Troggs and fortifying each Sha, La, and La with the essential oomph we require. Sha la LA! All three syllables (and, y;know, the rest of the record, too) return to the playlist on our next show.

THE SMALL FACES: Sha-La-La-La-Lee

Well, how else could you follow our first spin of "A Song Called Sha La La?" The Small Faces answer the call!

THE FLASHCUBES: Got No Mind

I've come to regard the Flashcubes' "Got No Mind" as 'Cubes guitarist Paul Armstrong's signature song. "Got No Mind" made its retail debut in a 4-track recording found (alongside a 4-track of 'Cubes bassist Gary Frenay's "Guernica") on the B-side of the Flashcubes' debut single "Christi Girl" in 1978. The definitive version was recorded live at The Firebarn in Syracuse in 1979, included on the group's 1997 anthology Bright Lights, and eventually reprised on the live at The Firebarn CD document Flashcubes On Fire. In the wake of PA's recent passing, we've been playing it a lot, and we will continue to do so. A friend recently told me that she used to think "Got No Mind" was a Sex Pistols cover rather than a Flashcubes original, and I say that's a testament to the great Paul Armstrong's ability to embody the raucous best of punk, and the Flashcubes' collective knack for making punk pop, and pop punk. Got no mind? I don't mind.

THE RUNAWAYS: Wait For Me

When I was a college student in the late '70s, I became a huge fan of the Runaways, and I consider myself fortunate to have seen them on a 1978 live bill with the Flashcubes and the Ramones (a concert memory recalled here). I played their third album Waitin' For The Night a lot--a lot--and I'm a little surprised we never got around to playlisting the album track "Wait For Me" until this week. Glad they were willing to wait!

THE CYNZ: Ghost Rider

My new book Guitars Vs. Rayguns!! Short Stories And Other White Lies is finished, with a fingers-crossed publication date of June 12th. HEY! That's an excuse to display the book's cover graphic again right here!

Well, that felt good. The book is a collection of some of my short fiction, and the rock 'n' roll in its DNA mandates passing references to a long list of real-life music performers (and you can read that list here). The Cynz are, of course, among TIRnRR's Fave Raves, so it makes sense that my imaginary planet-hoppin' combo Guitars Vs. Rayguns likes to include the occasional Cynz cover in their own outer space live sets:

"...Now, Leiko, Beckie, and FeeFEE! were all dressed the same as me (though each of 'em considerably better-looking than your boy Rocky), like co-ed Beatles at CBGB. The setlist was still peppered with covers, everything from the Buzzcocks and the Selecter to the Cynz and Etta James...."

Literary immortality! This week, we celebrate the notion of the Cynz as intergalactic superstars by returning their recent single "Ghost Rider" (from their current album Confess) to the real-world airwaves.

RIHANNA: Shut Up And Drive

The Greatest Record Ever Made!

THE RAMONES: Surfin' Safari

From a previous 10 Songs:

In my continuing efforts to fool people into thinking I'm way cooler than I really I am, I'll casually mention that I first learned that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari" when Joey Ramone told me that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari." Gabba Gabba HEY! 

The revelation came during my 1994 telephone interviews with the Ramones [as detailed in my first book, Gabba Gabba Hey! A Conversation With The Ramones]. Our Carbona-huffin' heroes had tackled the song previously, their version used as a backing track for a 1978 single by Rodney and the Brunettes. That would be legendary DJ Rodney Bingenheimer, with the Honeys handling the vocal heavy lifting. The Ramones had hoped to exhume their original parts (minus Rodney and his Brunette Honeys) to use in their All The Stuff (And More) reissue series, but the tracks could not be located.

Instead, the Ramones wound up recording it again during the sessions for their 1993 all-covers album Acid Eaters. Their '90s "Surfin' Safari" was only used as a bonus track on the album's Japanese edition, though it did eventually appear on a British reissue of Acid Eaters. It has never been released in America.

And lemme just add here in the present day: Surf's UP. A safari awaits.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is due out soon; meanwhile, you can get an autographed copy of my previous book The Greatest Record Ever Made! (Volume 1) here, and you can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 4/11/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1331

THE PEPPERMINT KICKS: Shaking Underground

At the top of this week's show, I said that any rockin' pop radio show that has an opportunity to open its latest presentation with a brand-new single from the Peppermint Kicks had damned well oughta open its presentation with that brand-new single from the Peppermint Kicks. The group's minty-fresh treat "Shaking Underground" shakes its shakables underground, overground, all around, and pounding around again. We're repeating it this Sunday. Shake with us!

SECTOR FRONTIER: Love Goes Out The Window

Although a contemporary track (released digitally in 2025, and on CD from our friends at Kool Kat Musik in 2026), Sector Frontier's "Love Goes Out The Window" could easily pass for a British new wave pop song from the early '80s. And if it had in fact been a work from 45 years ago, it would have been a fave rave for me, then and now.

In reality, Sector Frontier is the brainchild of Philadelphia popmeister Dave Cope, who is most familiar to TIRnRR under the dba Dave Cope and the Sass. Let's review the delightful fabricated biography of this delightfully fabricated "band:"

Sector Frontier: The Forgotten Vanguard of Post-Punk Britain

Origins in the Blitz of Boredom

Sector Frontier emerged from the smoke-choked pubs and council-estate squats of West London in 1978. The city was in pieces: strikes, bin bags piled like barricades, kids in safety pins fighting skinheads in Carnaby Street, and Margaret Thatcher’s looming iron fist promising “discipline.” Amid that chaos, Mick Murray—a sharp-jawed singer/guitarist with a sneer as wide as the Thames—decided to form a band “that sounded like the Jam after a fistfight with Devo.”

Mick recruited Ewan Swann, a lanky art-school dropout obsessed with German synths and cheap pedals. He played guitar like a buzzsaw but could just as easily hammer out a dystopian arpeggio that sounded like a factory collapsing. The rhythm section came from the Tupney brothers: Cliff on bass, perpetually sullen, and Wedge, a drummer who pounded with the subtlety of a demolition crew. They rehearsed in a condemned warehouse in Acton that smelled of damp carpets, spilled cider, and Marmite sandwiches gone rancid.

Songs from a Broken England

I approve of these lies, and I wish I'd fabricated 'em myself. Best I can do is play this sweet stuff on the radio. Open up your window! Pop love goes out to Sector Frontier.

SGT. SPLENDOR: Play On

MEN WITHOUT HATS: Eloise & I

Two disparate spins, each suggested by friends who have essential can't-miss podcasts. First up, Sgt. Splendor is fronted by Kate Vargas and Eric McFadden, and I confess I had not heard of them prior to their recent guest appearance on Only Three Lads, the weekly podcast hosted by Brett Vargo and Uncle Gregg. The Sgt. Splendor samples aired by O3L got my attention, and I made a point of snagging "Play On" (from their most recent album Isotopia) and wedging it into our playlist at the first available opportunity.

I never miss an episode of O3L, and I never miss an episode of The Spoon, the superswell podcast hosted by our friends  Robbie Rist, Chris Jackson, and Thom Bowers. Writer Will Harris (another friend, and host of his own fab podcast Letting Them Talk) appeared with The Men Of The Spoon for The Spoon # 611 ("All The Chicks Dig Writers [The Will Harris Story]"), and Will's pick for that episode's Greatest Song You've Never Heard feature was "Eloise & I," a track from the 1989 Men Without Hats album The Adventures Of Women & Men Without Hate In The 21st Century.

(Heh. "Women & Men Without Hate In The 21st Century." As if!)

Anyway, as I wrote in yesterday's blog post about "The Safety Dance," "Eloise & I" "...reminded me of a cross between circa-1966 Paul McCartney and a less-annoying version of Styx. Harris mentioned that Men Without Hats were still active, and in fact had released a new album called On The Moon in 2025." I love the Beatles and kinda detest Styx (except when I don't), but "Eloise & I" was sufficiently beguiling to compel my purchase and programming of the track as soon as I could. This same Spoon-fed sequence of events also prompted "The Safety Dance" to occupy this week's Greatest Record Ever Made! spot (see below).

With that, the TIRnRR playlist benefits from the addition of Sgt. Splendor and Men Without Hats tracks suggested by friends on their own podcasts. In the words of Alex Chilton: Thank you, friends.

THE SHIRTS: Tell Me Your Plans

Possibly my favorite archival release so far the year, the Shirts' Live At Paradise 1979 showcases the band's live prowess and undeniable rockin' pop panache. I can't explain how or why I missed out on discovering the Shirts' music when I was a punk- and pop-obsessed college student in the late '70s, but I've been trying to make up for lost time. I bought a CD reissue of the group's 1978 eponymous debut album a few decades ago. I recently purchased digital copies of the Shirts' otherwise-OOP second and third albums, and we've been programming live Shirts with manic devotion.

This week marks our first spin of the Live At Paradise rendition of debut album gem "Tell Me Your Plans." It's probably my top Shirts song (perhaps in a virtual tie with "Reduced To A Whisper," also from the debut), and we'll play this live cut again on our next show. We'll also throw in a studio track from their second album Street Light Shine, and a track by Rome 56, which is Shirts guitarist Artie LaMonica's current combo. 

MEN WITHOUT HATS: The Safety Dance [extended dance version]

The Greatest Record Ever Made!

THE RAMONES: Needles & Pins

When I was a college freshman in the spring of 1978, the Ramones were already on their way to becoming one of my all-time favorite groups. A few months before, "Sheena Is A Punk Rocker" assumed the title of the record that changed my life, the "Rockaway Beach" 45 was my 18th birthday gift to myself, and I saw the Ramones share a bill with the Runaways and the Flashcubes, my first of eight Ramones live experiences, 1978-1991. The American Beatles. The greatest American rock 'n' roll band of all time. I wrote a book about them.

Either before or after my first Ramones concert, I picked up the then-recent "Do You Wanna Dance"/"Babysitter" 45, immediately presumed it was gonna be a double-sided mega-platinum kazillion seller, and was stunned--STUNNED!--when it didn't attain AM Top 40 radio ubiquity. Stupid real world.

Nonetheless, in the giddy enthusiasm of the moment, I wrote a review of the single as a freelance submission to CREEM magazine, and CREEM could not have been less interested in  buying anything I wrote. Stupid, stupid real world! In the review, I wrote about the pure pop appeal of "Babysitter," and summed that up by declaring, "My GAWD, the Searchers live on!"

I meant it as a compliment, and the Ramones' decision to include their cover of the Searchers' 1964 hit "Needles & Pins" on the next Ramones LP (Road To Ruin, also in '78) validated my POV. 

THE CYNZ: Impossible Ending

The Cynz have already secured a berth on our year-end 2026 countdown show, as our carpet-bombing approach to programming "Love's So Lovely" (from the Cynz album Confess) has established the track as a bona fide TIRnRR hit. We play the hits! Now, we also wanna include a few other worthy Confessions, as "Impossible Ending" makes its debut here this week, and yet another treat from Confess will light up our sky this Sunday.

RIHANNA: Shut Up And Drive

Maybe it doesn't seem likely for This Is Rock 'n' Roll Radio--a show with a nominal power pop format, and taking its title from a line in a Ramones song--but Rihanna's "Shut Up And Drive" also has a good chance of making our 2026 countdown show. From a future GREM! chapter, drawn from two previous editions of 10 Songs:

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex.

I remember hearing Rihanna's hit "Umbrella" in 2007, and not being especially taken with it. In 2008, the updated version of her Good Girl Gone Bad (Good Girl Gone Bad: Reloaded) landed into my consciousness via my then-teen daughter, whose interest in "Take A Bow" and "Disturbia" brought those songs to my attention as well. I was a little surprised to discover I liked them (especially "Disturbia"), but I did indeed like them.

I missed out on the track "Shut Up And Drive." I'd heard it, but I never noticed it until a random search for playlist ideas brought me to it again. It was like a brand new song to me, and I loved it.

(How did I know I loved it? The fact that I played it on obsessive repeat would be a pretty clear clue to that.)

Wikipedia describes "Shut Up And Drive" as a new wave song--no, really!--based on "Blue Monday" by New Order. No offense to the mopey British guys, but I prefer it the way Rihanna did it.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. 

Rihanna's song is greater. Drive, baby. Drive.

DAVE COPE AND THE SASS: Julee

As this week's show debuts Dave Cope's Sector Frontier, we close with an encore spin of the Dave Cope and the Sass record that sparked our obsession in the first place. From a previous 10 Songs:

Don't ever let anyone get away with trying to tell you there's no worthy new music. That's nonsense. Maybe the good new stuff doesn't reach your ears as effortlessly as it did when you were younger. But it's out there, and it's worth the effort to find it. Every week on TIRnRR, Dana and I try to do our part to mix the great new stuff with the great familiar stuff. Right now is always the best-ever time to be a fan of rockin' pop music.

"Julee," the title tune from a 2022 Kool Kat Musik release by Dave Cope and the Sass, is my favorite new track of this year so far. That's saying something, because as crappy as the year has been in general terms, there's been a rush of fabulous new music, courtesy of Kool Kat, Big Stir, Red On Red, Jem, Rum Bar, and so many others. In my head, "Julee" conjures a million different influences I can't quite isolate or identify; I hear some kind of mid/late '60s British vibe, which may be imaginary, but I don't care. Can't play this one enough.

Restraint is for suckers. Embrace the enthusiasm awready.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.