Showing posts with label Aretha Franklin. Show all posts
Showing posts with label Aretha Franklin. Show all posts

Thursday, December 29, 2022

10 SONGS: 12/29/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1161: OUR PRAYER: Love, Hope, And Holding On. This show is available as a podcast.

THE BEACH BOYS: Our Prayer

When I was teenaged college student and early twenty-something college graduate in the late '70s and early '80s, I wasn't much of a Beach Boys fan. That opinion evolved, in large part due to the influence of Bill Yerger, owner of Main Street Records in my college town of Brockport, NY. "Carl," Bill said, "we're gonna make a Beach Boys fan out of you yet." It took a while, and it didn't really click until a few years later, but I don't know how or when it would have happened without the positive influence of Bill and his wife Carol Yerger. I was so lucky to know them.

I was seventeen when I went off to college at Brockport in August of '77. Endless Summer was the sum total of my Beach Boys music library, and all I was ever likely to need (missing only "Good Vibrations" from what I would have thought a complete collection of essential Beach Boys tracks). I did add Pet Sounds to the ol' CC archives before the end of my freshman year, purchased from Bill when he was managing The Record Grove, a year before he opened his own store.

I remained in Brockport for a couple of years after graduating in 1980. That's when the Yergers began to work on me. applying their own set of good vibrations. A pair of two-fer double-LP sets from Main Street's used bin brought Smiley Smile, Wild Honey, Friends, and 20/20 into my collection. That was the first time I heard "Our Prayer."

It would be inaccurate to say my introduction to "Our Prayer" was some immediate revelation; as noted, it wasn't until years later that I realized my folly in delaying my full-on embrace of Hawthorne's Finest. When we settled on the theme for this week's special show, I knew we had to call it OUR PRAYER, and that we needed to open the show with the Beach Boys. 

Our prayer is for love, for hope, and for the ability to hold on. Our prayer is for friends, and our prayer is for music. Sometimes, our prayer is answered. Thank you, Bill and Carol. 

THE RASCALS: People Got To Be Free

I had the good fortune to see the Rascals at a club show sometime around the close of the '80s. It was 3/4 of the original Rascals line-up, with Felix Cavaliere, Gene Cornish, and Dino Danelli present and accounted for, missing only Eddie Brigati. All four Rascals eventually played a show at Syracuse's Landmark Theater in this bright 'n' shiny new millennium, but another commitment prevented me from attending. I wished I coulda made it, but it wasn't in the cards.

Dino Danelli passed away two weeks ago. He was an extraordinarily talented drummer; even though the Rascals are in the Rock and Roll Hall of Fame, I'm not sure the group gets all the credit they deserve, and I don't think Danelli's name comes up often enough in discussions of the great rock 'n' roll drummers.

Some time back, I started writing a celebration of the Rascals' (or the Young Rascals') "Good Lovin'" for my long-threatened book The Greatest Record Ever Made! (Volume 1). I never completed the entry, and it's not part of the book's current plan, but its opening paragraph is worth noting here:

"Little Steven says garage rock is 'white kids trying to play black rhythm and blues and failing--gloriously.' Fair enough. So what do we call it when a white group tries to play soul music, and succeeds? We could call that the Young Rascals."

What a great, great group. Rest in peace, Dino.

ARETHA FRANKLIN: I Say A Little Prayer

If you're gonna bill a radio show as OUR PRAYER: Love, Hope, And Holding On, you had best give Queen of Soul Aretha Franklin her due chance to testify. Doesn't even matter if her testimony in this case happens to secular; a prayer's a prayer, man.

MELANIE WITH THE EDWIN HAWKINS SINGERS: Lay Down (Candles In The Rain)

The Greatest Record Ever Made!

MARYKATE O'NEIL: I'm Ready For My Luck To Turn Around

In this sublime gem that opens Marykate O'Neil's 2006 album 1-800-Bankruptcy, O'Neil and co-writer Jill Sobule declare readiness for luck to finally turn around. At some point in our lives, we all relate to that wish. Here's a bit of what I wrote about the song for The Greatest Record Ever Made! (Volume 1);

"...I'm ready for my luck to turn around.

"I used to say that I was made out of hope. Maybe I still am. Marykate O'Neil's wonderful track was one of my most beloved security blankets in 2020, first as I attempted to calibrate my own frustrations and expectations, and then more gravely as the year became...that year. I don't think O'Neil designed the song to be a comfort for anyone. That's just how it turned out. Ultimately, even the artist's own goals fall away as the audience adopts the work as its own. 

"I'm ready for my luck to turn around. As this world continues to give us more and more reason to question what we think we know, to lose faith in what we believe to be unshakeable truth, it's a sentiment worth adopting as both shield and sword. Stand by me. 

"If you're ready."

GREAT BUILDINGS: Hold On To Something

Recommended if you like [your Fave Rave here].

RIYLs can help us find new favorites. But they can also create a false and unfair expectation. In 1981, I read somewhere (possibly in CREEM, maybe in Trouser Press) that Great Buildings were like a male counterpart to the Go-Go's. I believe it was meant as a compliment, and since Beauty And The Beat was my top album that year, the comparison provided sufficient push for me to purchase Great Buildings' Apart From The Crowd LP before I had ever heard a note of the group's music.

And I was disappointed. It didn't sound anything at all like the Go-Go's. I filed it away.

I came back to it, though. Freed of the misconception that it would sound like boys singin' original tunes that channeled "We Got The Beat," I grew to appreciate the LP on its own sterling merit. Opening track "Hold On To Something" freaking knocked me out, once I gave it its proper opportunity. 

Great Buildings' Danny Wilde and Ian Ainsworth had been in the Quick, whose quirky 1976 cover of the Beatles' "It Won't Be Long" got some airplay on Utica's WOUR-FM when I was in high school. After Great Buildings closed up shop, Wilde went solo, and eventually reconnected with Great Buildings guitarist Phil Solem to form the Rembrandts. The Rembrandts scored a Top 20 hit with "Just The Way It Is, Baby," and achieved pop culture immortality with "I'll Be There For You," the theme from Friends. Maybe you're sick of that song--dig what you dig--but it was the number one song on the radio the week my daughter was born, and I will always, always cherish that memory.

Comparing Great Buildings to the Go-Go's was a fake-out, and the disparity between what was teased and what was delivered turned me off. Initially. But without that PSYCH! moment, would I have even gotten around to hearing Great Buildings at the time? No harm, no foul. The apparent dead end of that RIYL still led me to "Hold On To Something," a magnificent track that has now been in my all-time Hot 200 for four decades. Hold on. Hold on. Hold on. Baby, baby, baby, hold on.

POPDUDES: Share The Land

Going into the planning session for this week's show, our list of potential tracks included three songs associated with the Guess Who: the group's own fabulous rendition of "No Sugar Tonight/New Mother Nature," the Halfcubes' ace (but currently unreleased) cover of "Hand Me Down World," and this capable take on "Share The Land," courtesy of Popdudes. The Popdudes track made it into the show, and it comes to us from the terrific various-artists set We All Shine On: Celebrating The Music Of 1970. We All Shine On scored some significantTIRnRR airplay this year--we'll hear one of its other tracks in our countdown show this Sunday--and "Share The Land" is certainly among the album's many highlights.

THE RAMONES: Do You Wanna Dance

A new year looms. I'm going to be mentioning the Ramones a lot in 2023. Wanna dance? I sure hope so.

BRUCE SPRINGSTEEN: Girls In Their Summer Clothes

Love's a fool's dance
I ain't got much sense but I still got my feet

The original plan was to close the main portion of OUR PRAYER with the Who's "Won't Get Fooled Again," setting up Eytan Mirsky's incredible "This Year's Gonna Be Our Year" as our post-signoff bonus track. We wound up running way, way over time, so we hadda remodel the plan a bit. Some songs came out, some songs came in, and a few tracks were moved around. All in the service of building a better playlist.

Bruce Springsteen's "Girls In Their Summer Clothes" was going to occupy this week's Greatest Record Ever Made! spot (because it is, after all, The Greatest Record Ever Made!). Figuring the paradox of fragile durability expressed in "Girls In Their Summer Clothes" provided an appropriate note to conclude our theme, we moved Melanie into the GREM! slot and switched Bruce into the finale. Bruce, in turn, set up Eytan for the encore.

(And yeah, Eytan Mirsky's "This Year's Gonna Be Our Year" is also The Greatest Record Ever Made! An infinite number, my friends, as long as they take turns.)

EYTAN MIRSKY: This Year's Gonna Be Our Year

That's our prayer. Every year. Every day. This year? Why the hell not?

Like Eytan Mirsky, Spider-Man is also from Forest Hills

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

Tuesday, December 28, 2021

10 [or maybe 11] SONGS: 12/28/2021; THIS IS ROCK 'N' ROLL RADIO's 10 Most-Played Tracks In 2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs collects previously-posted entries about each of This Is Rock 'n' Roll Radio's 10 most-played tracks in 2021, as revealed on our countdown show 12/26/2021.

1. KELLEY RYAN: The Church Of Laundry

1/26/2021: This Is Rock 'n' Roll Radio has been happily aboard the Kelley Ryan bandwagon since 2001, when Kelley (then recording under the boppin' dba astroPuppees) placed a track on Shoe Fetish, a fabulous tribute to the pop group Shoes. We began to correspond with Kelley, and astroPuppees' first TIRnRR spin was from Shoe Fetish, a cover of Shoes' "The Tube." Soon thereafter, we started playing a song called "Don't Be" (from astroPuppees' 1996 album You Win The Bride), which I recalled hearing in the 1997 TV movie Friends 'Til The EndFriends 'Til The End was a movie I originally wanted to see because our pals Cockeyed Ghost made a don't-BLINK! cameo appearance. And in the film, actress Shannen Doherty lip-syncs to a made-for-TV cover of astroPuppees' "Don't Be." 

We've gone on to play many, many more astroPuppees and Kelley Ryan tracks many, many times over the course of these last two decades. We're pleased to continue playing Kelley's music, and we're delighted to serve up her new single "The Church Of Laundry" on this week's show. We're friends 'til the end.

2. KID GULLIVER: Forget About Him

11/17/2020: Red On Red Records is a new label operated by the divine Justine Covault, who is already known to the TIRnRR faithful as CRO (Chief Rockin' Officer) of the mighty Justine and the Unclean. And Red On Red fittingly sets our meters into the crimson zone with its first two single releases, "Half Life" by the Neighborhoods and "Forget About Him" by Kid Gulliver. "Half Life" was one of two tracks crowded out of this week's jam-packed show (and we hope the Neighborhoods will take comfort in sharing that distinction with "For Your Love" by the Yardbirds), but "Forget About Him" opened the broadcast with transcendent aplomb. We've already played Kid Gulliver's "I Wanna Be A Pop Star" a couple of times this year, and Kid Gulliver's Simone Berk also sings lead on WhistleStop Rock's TIRnRR Fave Rave "Queen Of The Drive-In." See? Simone Berk's established a proven record of quality tunemakin' for this little mutant radio show!

"Forget About Him" is even better. Justine Covault describes it with authority: Only one of the best power pop songs ever written, about the cad you need to lose. Awright, I'm sold. Here's to Simone. Here's to Justine. Here's to Kid Gulliver, and here's to Red On Red Records.

2/16/2021: We've been playing Kid Gulliver's current single "Beauty School Dropout" these past couple of weeks, but Valentine's Day made us feel like reaching back into Kid Gulliver's treasure trove o' hits. So we played an oldie. Some of you older people might remember it. It's from last year, and it's called "Forget About Him." Like Ian Hunter's "All Of The Good Ones Are Taken," "Forget About Him" is another anti-Valentine, this one told from the perspective of a concerned and compassionate friend and observer. Honey. You can do better than that loser, believe me.

3/23/2021: A spin of Kid Gulliver's fabulous "Forget About Him" on this week's show marks the 19th consecutive TIRnRR to include at least one track with a lead vocal by Simone Berk. It's not a TIRnRR record or anything--one presumes Ray DaviesJohn LennonPaul McCartney, and Joey Ramone could edge it--but it is evidence of our ongoing Berkmania. Simone made her TIRnRR debut on July 5th of 2020, fronting WhistleStop Rock's "Queen Of The Drive-In." We played that and a bit of Kid Gulliver over the course of subsequent weeks. But it was Kid Gulliver's "Forget About Him" that kicked off this current streak on November 15th, a Berk barrage also maintained by Kid Gulliver's recent single "Beauty School Dropout," WhistleStop Rock, Sugar Snow, and Berek/Lehane. "Forget About Him" is our favorite. Berkmania! Let's make it 20 in a row next week.

Carl's back!

3. DOLPH CHANEY: My Good Twin

2/16/2021: Dolph Chaney's ultraswell new album This Is Dolph Chaney is out this week, courtesy of the good folks at Big Stir Records, and of course you need to own it if you have any hope of ever being one of the cool kids. As an added bonus: you'll like it! The album's first single is "Now I Am A Man," and it's a worthy candidate for saturation airplay. But my favorite is "My Good Twin," so we're gonna carpetbomb the ol' playlist with that one instead. We're all winners in that situation.

3/2/2021: We've discussed this before, but it bears repeating: This Is Rock 'n' Roll Radio with Dana & Carl is built upon the stubborn, unshakeable delusion that it's an AM Top 40 radio show. We think we're Casey KasemAlan FreedCousin BrucieMurray the K, and Syracuse legends Don Bombard and Dandy Dan Leonard all rolled together into a single three-hour spin-a-rama. The concept is mutated by the fiction conviction that the Ramones were as big as the Beatles, that it's ALL pop music. We play the hits. The real world may not recognize them all as hits. Which just means that the real world is wrong once again. 

"My Good Twin" comes from Dolph Chaney's current album This Is Dolph Chaney. It has not been released as a single off that album, but it is indeed a hit single, in act if not in fact. We play the hits. We play Dolph Chaney. We know a hit when we hear one.

3/16/2021: East Coast kids like your intrepid Dana & Carl did not grow up listening to Rodney Bingenheimer on the radio. Nonetheless, I did know of Rodney via his column in Phonograph Record Magazine, which I absorbed with vigor when I was a 17-year-old high-school senior in 1977. I became aware of the importance of his weekly SoCal broadcast Rodney On The ROQ some time thereafter. To this day, I have never actually heard it; it currently airs on Sirius/XM's Underground Garage channel on Sunday nights, directly opposite This Is Rock 'n' Roll Radio. I acknowledge the fact that, whatever it is we do on our own little mutant radio show, Rodney was pursuing a similar rockin' pop format before we got around to doing it. TIRnRR predates Underground Garage, and its host Little Steven owes us a beer or two; Rodney On The ROQ predates us all. 

That said, we're kinda jazzed to realize that no less then four recent tracks that debuted on Rodney's show this week are tracks we've already been playing on TIRnRRthe Shang Hi Los' "Sway Little Player," the Gold Needles' "Billy Liar" and their cover of the Hollies' "Have You Ever Loved Somebody," and Dolph Chaney's "My Good Twin." 

We're doing something right

Yeah, first time for everything. Alert the media. We may have been the first show to recognize that "My Good Twin" is a natural-born radio hit. We're not the last. And Rodney Bingenheimer likewise knows a hit when he hears one.

4. THE LEGAL MATTERS: Light Up The Sky

2/23/2021: This Is Rock 'n' Roll Radio's long 'n' harmonious history with the Legal Matters was detailed here, as part of the expanded supplemental liner notes to our 2017 compilation This Is Rock 'n' Roll Radio, Volume 4. So! Word of a brand-new Legal Matters album perked up our ears and mandated a playlist spot for its advance single, "Light Up The Sky." The album, Chapter Three, is due from Futureman Records on April 30th, and it is a compulsory purchase for any breathing fan of rockin' pop music. Don't argue. Do what radio tells you to do. 

5. HAYLEY AND THE CRUSHERS: Jacaranda

2/9/2021: Aw man, this pumps! A couple of weeks ago, I don't think I'd even heard of Hayley and the Crushers, a California trio that describes itself as "poolside glittertrash," "one part punk-pop, one part sunny surf," and "a tsunami of bold, bad girl fun." See, I love it when the hype looks like something I would have written. Now, I wanna start a lucrative new religion based on their peppy single "Jacaranda." It also makes me want a rum and Coke, but really, what doesn't? "Jacaranda" comes from Haley and the Crushers' forthcoming Rum Bar Records release Fun Sized, and I'm eagerly awaiting the sacrament of MORE! 

8/10/2021: Another one of 2021's best tracks. You know how some great songs invade your consciousness at random moments?  Hayley and the Crushers' "Jacaranda" (from their current release Fun Sized on Rum Bar Records) doesn't need to invade my consciousness; it's already there! Always! The jacarandas are blooming! Fantastic, fantastic track, conjuring both the allure of ditching small-town doldrums for merrymakin' fun in the tropical sun and the dull frustration of being stuck firmly in place, with not a jacaranda in sight. Screw the small town.

8/17/2021: An ongoing illustration of TIRnRR's symbiotic benevolence is that sometimes either Dana or I will obsess with playing a specific song, and then the other one of us starts playing it, too. It's happened many, many times over the course of--gulp--1090 shows and counting; I credit Dana with getting me hooked on MannixAnny Celsithe StallionsMary Lou Lord, and many more. This week's playlist includes two examples of Dana running with a song that I'd been playing a lot. "Jacaranda" by Hayley and the Crushers is one of the two, and it remains a righteous blast of YEAH! on the radio, regardless of which one of us put it there.

6. LESLIE ODOM, JR.: Good Times

2/9/2021: If the account [in this video] portrays my teen self as a smug know-it-all, well...yeah. I really wish I'd grown out of that at some point. But I was never the only one of my peers who understood and appreciated pop music's larger picture. One such peer was a guy named Les Odom, whom I've previously mentioned in some detail here. Brenda and I were casual friends with Les and his girlfriend Yvette, and nowadays we're fans of their son, actor and singer  Leslie Odom, Jr. Leslie the Younger (best known for playing Aaron Burr in the original Broadway cast of Hamilton) plays Sam Cooke in One Night In Miami, and he's just riveting in the role. Watching him play Cooke conjured a random memory from more than forty years ago, when his dad and I had a brief discussion about Sam Cooke. It was a kick to remember that while watching the film, watching Les and Yvette's son bring this legendary singer back to life. Good times.

4/27/2021: Since this year's Oscar telecast happened to fall on a Sunday night--y'know, like always--we used that as an excuse to open our counterprograming exercise with a set of songs from movies. I love movies, but I'm not a movie buff, and I rarely get around to seeing many (sometimes any) of a given year's Oscar nominees. This is observation, not criticism nor confession. As always: dig what you dig.

I did see One Night In Miami..., a fascinating film about a true-life evening in 1964 when Sam Cooke, Malcolm XJim Brown, and Muhammed Ali (then still called Cassius Clay) got together. We don't know what they did or discussed that night, so the movie itself is fiction, but it's compelling fiction. And it scored a few Oscar nominations, including a Best Supporting Actor nod for Leslie Odom, Jr., who plays Cooke to mesmerizing effect.

This week's TIRnRR kicked off with Odom as Cooke, covering Cooke's "Good Times," becoming Sam Cooke in a way that transcends mimicry. Magic. And an Oscar nomination well, well deserved.

7. EYTAN MIRSKY: This Year's Gonna Be Our Year

7/9/2020: How did singer, songwriter, and dashing man about town Eytan Mirsky first learn about This Is Rock 'n' Roll Radio with Dana & Carl? Damned if I remember. But somehow he did hear about us, thought we might be interested in playing his stuff on the radio, and then sent us a copy of his second album, 1999's Get Ready For Eytan! We've been playing him ever since.

We've had a number of Eytan favorites over the years, but there is something just remarkable and special about "This Year's Gonna Be Our Year," a track from Eytan's 2012 album Year Of The Mouse. Like Big Star's "The Ballad Of El Goodo" and the Zombies' "This Will Be Our Year," even the Beatles' "Getting Better," it evokes an optimism that may not have any discernible grounding in the real world, but which still feels palpable and immediate. Eytan's song is considerably less starry-eyed than these other worthies, but its determined sense of one-foot-forward, what-the-hell ultimately makes it more plausible. The song knows we're gonna get kicked in the teeth again, that our individual Lucys are gonna pull the freakin' football away from us gullible Charlie Browns again, that the house has the deck stacked against us again and again and again...and it knows we're gonna keep hitting back for as long as our fists can form. Maybe this year? Well...why the hell not?

As a true zealot, I keep mentioning my concept of The Greatest Record Ever Made! An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. When I first began to seriously contemplate trying to turn this concept into a book, I knew a chapter on Eytan Mirsky's "This Year's Gonna Be Our Year" had to be in the book, and that it had to be employed in climactic fashion, something almost like a closing argument. In my eyes, the book would not make sense without that chapter near the end.

My book has been stuck in development, and COVID-19 has not helped its status. But I still believe in the project, and Eytan Mirsky's song is still at its core. This year? Next year? I'll have my year yet. One foot forward. What the hell.

12/16/2021: It's not ironic. It's not snarky or self-deprecating, it's not too-cool-for-school, nor any other nonsense that could detract from the purity of its message. Eytan Mirsky's "This Year's Gonna Be Our Year" is the audio equivalent of getting up in the morning, grabbing our coffee, and facing the day. Frequently, the day--the year--is gonna kick the livin' chicklets out of us. But we keep going. And we say to ourselves, "This year." We believe it in spite of all evidence to the contrary, and someday it may even be true. The year is what happens while we're busy making other plans. My Mom was proud of me. I intend to keep right on trying to justify that pride, in my own mind, year after year. Testify, Brother Eytan. Testify.

8. ARETHA FRANKLIN: Save Me

4/13/2021: Any record you ain't heard is a new record.

The recent National Geographic TV biopic mini-series Genius: Aretha Franklin introduced me to a 1967 Aretha album track called "Save Me." We all know the Queen of Soul's classic singles, but I don't really know many (if any) of her non-single LP cuts. Hearing the TV soundtrack cover of "Saved" compelled me to seek out and purchase Aretha's original. See, television's job is to sell records.

And it's a fantastic track. The riff is "Gloria." The horn part shares DNA with "Tell Mama" by Etta James. But it's Aretha becoming Aretha. The TV version's lyrical references to superheroes SupermanBatmanthe Green Hornet, and Black Panther also caught my attention, though I figured the latter reference was an anachronism; Black Panther had been introduced as a supporting character in the Fantastic Four comic book in 1966, and wasn't likely to have been known by anyone except Marvel Comics devotees when "Save Me" was recorded in '67. (The actual lyric in "Save Me" refers to the Caped Crusader, the Green Hornet and Kato, each of whom was also a TV star in the '60s.) 

"Save Me" is on I Never Loved A Man The Way I Love You, Aretha Franklin's first album for Atlantic Records, following a disappointing stint with Columbia. And the above reference to "Aretha becoming Aretha" is not made lightly; where Columbia didn't seem to know what to do with the natural force of Aretha Franklin, she came into her own at Atlantic. Aretha becoming ArethaSave me. The city is safe.

6/15/2021: Why does this lesser-known Aretha Franklin LP track from 1967 appear to be set on a collision course with our year-end countdown? Playlists are built on whatever groove we hear in our heads, regardless of whether or not anyone else can hear it as easily. "Save Me"'s mix of a "Gloria" riff with a casual lyrical reference to "the Caped Crusader, Green Hornet and Kato, too" establishes a groove that compels me to play it. Aretha's will. I am as Aretha made me. 

9. THE COASTERS: Yakety Yak

1/19/2021: Is "Yakety Yak" by the Coasters the single best-ever song about the generation gap? Yes. Unequivocally. You can argue on behalf of the Who's "My Generation," but that track falls short of The Coasters' wiseass pinnacle. Eddie Cochran's "Summertime Blues" is a very close second, but even You can't use the car 'cause you didn't work a lick can't quite match Tell your hoodlum friends outside you ain't got time to take no ride. "Yakety Yak." Don't talk back.

(And, in a minor bit of pop culture serendipity, this week's playlist was settled and the show recorded prior to the Friday premiere of the new Marvel Comics TV show WandaVision on Disney+. The first episode of WandaVision makes specific and effective use of "Yakety Yak," and if we were doing live shows instead of prerecorded remote shows, the song's appearance on WandaVision would have probably influenced me to include it on our show, too. Happy coincidence.)

10. THE LINDA LINDAS: Claudia Kishi

5/11/2021: Our appearance on The Spoon was mostly a talk show, a back-and-forth exchange fueled by giddy enthusiasm and (in my case) a cup of hot cocoa. But in addition to two examples of The Greatest Record You've Never Heard (tracks by the Flashcubes and Eytan Mirsky), the show opened and closed with songs also picked by us: an excerpt of the Bay City Rollers' "Wouldn't You Like It" at the top, and a complete spin of the Linda Lindas' "Claudia Kishi" at the sign-off spot. Whatta song! The Linda Lindas are a quartet of teen (and even preteen) musicmakers channeling the Muffs to engagingly lethal effect. Plus, they named their band after a song by Japan's Phenomenal Pop Combo the Blue Hearts! Acts that channel the Muffs and rip their noms du bop from the inspiration served up by other cool bands score automatic points on the TIRnRR WOW! scale. The Linda Lindas are a natural fit for whatever the hell it is we do.

(And, although my daughter Meghan was an avid fan of The Baby-Sitters Club books when she was younger, I did not recall that one of the series' main characters was named Claudia Kishi. So, add a literary reference to the many reasons why TIRnRR has just gotta play the Linda Lindas.)

BONUS TRACK!

11. THE FLASHCUBES WITH MIMI BETINIS: Baby It's Cold Outside

7/23/2021: We've been dyin' to tell folks about this for a while, and now the story's out: Syracuse's phenomenal pop combo  the Flashcubes have recorded a brand-new single, covering Pezband's '70s power pop classic "Baby It's Cold Outside." And, like all true pop fans, the 'Cubes get by with a little help from their friends. In this case, the friend is Pezband's own Mimi Betinis, who wrote and originally recorded the song for his group's 1977 debut LP.

The Pezcubes! The Flashband! The Flashpez Cubesband, and the Pezflash Bandcubes! This new version of "Baby It's Cold Outside" kicks, serving further proof that our janglebuzz heroes can still detonate a jukebox with the best of them. The single is out July 30th, courtesy of the visionaries at Big Star Records, and available to preorder RIGHT NOW. Go! Don't be left out in the cold on this one, baby.

More music from the Flashcubes in 2021--stay tuned!

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl.

Tuesday, June 15, 2021

10 SONGS: 6/15/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1081.

STOECKEL & PEÑA: Why

This new record has been our little secret for quite some time, and we're delighted to now be able to share it with the world. "Why" is the first release by Stoeckel & Peña, as in Steve Stoeckel (of The Spongetones, Pop Co-Op, and Jamie & Steve) and America's Sweetheart Irene Peña. Both were previously among the many fine folks responsible for "Waterloo Sunset," a benefit project credited to TIRnRR Allstars, covering The Kinks to raise money for whatever the hell it is Dana and I do here. 

So yeah, we're BIG fans of Stoeckel & Peña. We've been chompin' at the bit for this chance to spin their wonderful debut single, and its minty-fresh release on the mighty Big Stir Records label brings that glorious chance firmly into the now. Why? Because we like it. We like them. Much more to come from Stoeckel & Peña (in all their diverse pop incarnations) as TIRnRR rolls on. 

The secret's out. 

Spread the word.

And if you don't know "Why," well, you should.

JIM BASNIGHT: Middle Of The Night

This little mutant radio show has a long and proud history of playing Jim Basnight's music. Solo, with The Moberlys, with The Rockinghams...hell, if Jim ever joins forces with the chick who sang "Rescue Me," we'll start playing Fontella Basnight, too. "Middle Of The Night" is Jim's latest, a new single from the above-mentioned Big Stir Records. Of course we played it. It's Jim Basnight. Playing Jim Basnight is what we do.

ARETHA FRANKLIN: Save Me

Why does this lesser-known Aretha Franklin LP track from 1967 appear to be set on a collision course with our year-end countdown? Playlists are built on whatever groove we hear in our heads, regardless of whether or not anyone else can hear it as easily. "Save Me"'s mix of a "Gloria" riff with a casual lyrical reference to "the Caped Crusader, Green Hornet and Kato, too" establishes a groove that compels me to play it. Aretha's will. I am as Aretha made me. 

JOSIE AND THE PUSSYCATS: You've Come A Long Way Baby

Dana and I have established a willingness--an eagerness!--to play records by Josie and the Pussycats. The early '70s cartoon group? The 2001 film version? BOTH! We love both. We have no need for Riverdale or any of that angsty nonsense, but we're good with hearing either of those earlier Josies and their long-tailed (with ears for hats) cohorts.

This week's show included "You've Come A Long Way Baby," a 1970 shoulda-been-smash single by Josie and company. Here's an excerpt from my history of bubblegum music, talking a little bit about that incarnation of Josie, Melody, and Valerie:

"One Saturday morning act that may have deserved a better fate was Josie and the Pussycats. The group is something of a pop culture footnote for introducing the world to one Cherie Moor, later to find fame as actress/singer Cheryl Ladd. Though based on an Archie Comics title, the music for Josie And The Pussycats was produced, not by Don Kirshner, but under the direction of songwriter Danny Janssen, best known for co-writing "Little Woman" for Bobby Sherman. And the sound Janssen chose for Josie and the Pussycats was cast, not in the image of The Archies, but in the soulful pop style of The Jackson Five.

'That was fully the intention of Danny Janssen,' [bubblegum aficionado] Bill Pitzonka says. 'They held auditions for the girls for Josie and the Pussycats and he had selected the three girls. Cheryl Ladd—who wasn't Cheryl Ladd then—Cathy Dougher, and Patrice Holloway. And when he presented them to Hanna-Barbera they said, "Well, we really like Patrice Holloway, but we've never had a black cartoon character before." And he said, "Well, tough," Pitzonka notes with a laugh. "'I won't do the project unless she does it, because she's got the greatest voice for it."

"'So they sat on it for a while and he didn't hear back, and then they said, "Come down to the studio, we're doing Josie and the Pussycats." And (Janssen said), "You didn't fire her, did you? Because I wasn't gonna do it." And they said "No, just come down to the studio." They hired every major soul musician in L.A. to work on those sessions. Because they said, "We're gonna do this right, we are gonna do this right." And that's why there is a black character in Josie and the Pussycats, and why the music has such a soul slant.'"

THE LINDA LINDAS: Never Say Never

No, it's not a cover of Romeo Void's early '80s new wave touchstone of the same title. It's arguably better than that. The Linda Lindas have become the buzz band of 2021, deservedly so, and we're happy to do our little part to participate. "Claudia Kishi" has been our Linda Lindas Pick T' Click so far, but "Never Say Never" is my favorite. For now.

JOHNATHAN PUSHKAR: Junior's Farm

Like Red Bull, Johnathan Pushkar gives you Wings. I never get tired of that line. Everyone else is waaaaay past tired of it, but I never get tired of it. Never mind me; just listen to Johnathan's take on "Junior's Farm," from his brand-new album Compositions. C'mon, it's worth putting up with me if it means you get to hear that.

AMY RIGBY: I Don't Want To Talk About Love No More

Amy Rigby's gotten a lot of TIRnRR airplay over the years, both as a solo act and as a duo with her husband Wreckless Eric. I jumped on her track "Dancing With Joey Ramone" as soon as I heard it--it was one of my first iTunes purchases, and it's flat-out amazing--but the bulk of Amy's spins here have been as Dana's choice. I'm also a fan, mind you, but Dana's usually the one getting Amy Rigby into our playlists.

And lately, Dana's been playing a few tracks from Little Fugitive, the 2005 Amy Rigby album that gave the world "Dancing With Joey Ramone." "Like Rasputin" and "The Trouble With Jeanie" demonstrated that Little Fugitive held more delight beyond the great track I already knew, and this week's spin of the wonderful "I Don't Want To Talk About Love No More" made it obvious that I needed to own my own copy of Little Fugitive.

And now I do. Thank you, Discogs! I betcha I'll be adding more Amy Rigby to my collection soon. Radio's job is to sell records. Even if it's selling records to other DJs.

NANCY SINATRA AND DEAN MARTIN: Things

No, I didn't see it coming either. I'll take SONGS I DIDN"T EXPECT TO HEAR ON TIRnRR THIS WEEK for $1000, Alex.

IRENE PEÑA: Must Have Been Good

The release of Stoeckel & Peña's "Why" prompted us to celebrate Steve 'n' Irene as our Featured Performers this week, threading examples of their fine work throughout the playlist. With that plan in place, we wanted to close with a 1-2 punch of their greatest individual hits. "Must Have Been Good" was our introduction to Irene, a track from her 2017 album Trying Not To Smile. I think we first heard it as a single in 2016, courtesy of my former Goldmine colleague John M. Borack (who plays drums on the track). "Must Have Been Good" also found its way on to our own 2017 compilation This Is Rock 'n' Roll Radio, Volume 4; its inclusion on TIRnRR # 4 helped to shape the overall feel of that set (a tale told here). Our Irene Peña feature absolutely had to culminate in a spin of "Must Have Been Good."

THE SPONGETONES: (My Girl) Maryanne

There was never any doubt about what song would close out our Steve Stoeckel spotlight. In a decades-long career loaded with oodles and oodles of great moments, The Spongetones' performance of his song "(My Girl) Maryanne" is the single greatest moment.

It is also The Greatest Record Ever Made!

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl.