Showing posts with label Chris Church. Show all posts
Showing posts with label Chris Church. Show all posts

Saturday, April 5, 2025

10 SONGS: 4/5/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1279

JOE GIDDINGS: You're Not Grounded

Joe Giddings is an unheralded rockin' pop treasure. His current album Stories With Guitars is the best thing since sliced amphetamines, and its track "Tonite Tonite" is pret' damned likely to make our year-end countdown show. Jeez Louise, let's herald this guy awready!

Now, the esteemed Mr. Giddings has also turned in a cover of the Flashcubes' "You're Not Grounded," which is his contribution to the forthcoming Flashcubes tribute album Make Something Happen! The song was written by 'Cubes guitarist Arty Lenin, and recorded by Arty 'n' the lads for the Flashcubes' 2003 album Brilliant. Joe Giddings' cover of "You're Not Grounded" achieves the seemingly impossible: It's a Flashcubes cover that I--the world's most insistent Flashcubes fan--consider even better than the great Cubic original. Impossible--but TRUE! And brilliant from the ground up. That's how ya make something happen.

THE ARMOIRES: The Night I Heard A Scream

After kickin' off the proceedings in righteous fashion with Joe Giddings covering the Flashcubes, we threaded a secret series of Easter eggs at select spots throughout this week's playlist. We ain't sayin' what the thread was, nor what was part of it. All will be revealed in due time.

Meanwhile: Enjoy one of our consistent current Fave Raves the Armoires and their cover of a song by power pop legends 20/20. Just 'cuz. Pop music don't need no external justification, man. And don't the Armoires sound fabulous covering a little classic power pop?

THE AIRPORT 77'S: If It's On, I'm In

If it's on, I'm in--sounds like a plan! This latest single from the Airport 77's embraces the prospect and process of a gallivantin' blueprint transitioning from pencil to ink. BOLD ink, even. And fortune favors the bold. What's going on? Whatever it is, we're in. 

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

We played Super 8 Featuring Lisa Mychols' Make Something Happen! cover of the Flashcubes' "When We Close Our Eyes" on last week's show, and it'll be turning up on future playlists as well. Believe me you! But we also need to continue poundin' the ol' console on behalf of their magnificent current single "Pop Radio," a track which serves as manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

THE MOCKERS: Rascals Who Died

High concept! Long-time TIRnRR Fave Raves the Mockers take on the Jim Carroll Band's alt-rock touchstone "People Who Died," but re-write it from a litany of see-yas to underground cronies into a farewell to Spanky and Our Gang. No, not the '60s sunshine pop group--Sunday actually will be the same--but the actors from the original Our Gang comedy short films, which were rerun  to death on TV as The Little Rascals. Members of the He-Man Woman Haters Club could not be reached for comment, possibly because they've all passed on anyway. We're playing this one again on our next show. Many happy returns of the day!

CHRIS CHURCH: Life On A Trampoline

"Life On A Trampoline?" It's BOUNCY! And it's a great, great track from Chris Church's great, great new album Obsolete Path. It will bounce its way back onto the radio in Syracuse again  this Sunday night. Up in the air? ON the air!

THE STANDELLS: Sometimes Good Guys Don't Wear White

The Greatest Record Ever Made!

POP CO-OP: Persistence Of Memory

It's been pointed out elsewhere, but it's worthy of repeat play here: no one in the media is paid to say "We don't know." Nor would such an admission inspire confidence, but it's something that should be said more often than it is. We don't know. We don't know.

The last live broadcast of This Is Rock 'n' Roll Radio occurred on March 15th, 2020. The paragraph seen above was part of the commentary accompanying the posted playlist for that show. At the time, we did not know it would be our final live show. The world shut down the following week. As the next Sunday rolled around without us, we all sheltered in our individual places, trying to understand what was happening, wondering what the hell would happen next.

But the following week, global pandemic be damned, we had a job to do. Before the curtain fell on us and everyone around us, we had planned to devote an episode of TIRnRR to a celebration of Factory Settings, the then-forthcoming new release from our friends Pop Co-Op. That plan seemed in jeopardy since, y'know, we didn't have a radio show anymore.

Enter some wacky, unfamiliar new (or new-to-us) thing called Zoom.

The intrepid Laura Sessions Tinnel set everything up. On Sunday, 3/29/2020, a live Zoom session commenced with Dana and I at our remote locations, connected with Pop Co-Op's Steve Stoeckel, Joel Tinnel, Bruce Gordon, and Stacy Carson chimin' in from their individual Batcaves, plus (if I recall correctly)  Futureman Records CEO Keith Klingensmith joining us from somewhere within the palatial Futureman HQ. We talked back and forth, played each of the new album's tracks along with some relevant older material, and collectively reveled in the combined magic of technology and pop music bridging physical distance. Hands across the water, at a time when holding hands was verboten.

This whole experience of our Zoom with Pop Co-Op is a dizzying blur in my memory. It's a good blur nonetheless, and an important flashpoint in this little mutant radio show's long, strange history. It was yet another point where we seemed on the verge of falling silent, but found a way to dig in our heels and resist. A chip on our shoulders and a song in our hearts.

"Persistence Of Memory" is my favorite track on Factory Settings. This week, we played it again, as memory persists and time melts away.

We're still here.

FOUNTAINS OF WAYNE: Better Things

Five years ago today--April 5th, 2020--was the debut of the remote-programmed TIRnRR. It was a few days after we learned that COVID had killed Fountains Of Wayne's Adam Schlesinger, but our tribute to Schlesinger had to wait until the following week. Inspired by Rich Firestone and Michael McCartney, our decision to attempt recording a show at home came late in the week, with no time to program a playlist. Instead, Dana grabbed a model playlist I'd concocted in between the last live show and the Zoom with Pop Co-Op, I barked some back announcements into my iPhone, and Dana performed the process that transmogrified it all into a radio show. We have not missed a week since then.

As we tried to figure this out and move forward, I wrote this bit for our 4/12/2020 show:

Sometimes yesterday feels a lot closer than tomorrow. Tomorrow can seem like a vague promise, a mere possibility. Tomorrow isn't even a destination; it's just the next leg of our journey, a marker we hope will be followed by another tomorrow, then another, and so on. In our desperate moments, we may suspect that tomorrow won't arrive at all.

Yesterday is always right there with us. We don't want to live in the past, but memories can help to sustain us in our uncertainty. It's true that memories (good and bad) can also hold us back, but whatever we are, whatever we will become, is a product of places we remember all our lives, lovers and friends we still can recall. We don't get to tomorrow without keeping the lessons that yesterday tried to teach us. Like the saying goes: those who forget the pasta are condemned to reheat it.

Or something like that.

Right now, many of us may think that tomorrow is even further away than normal--hey, remember normal?--that these days of self-quarantine, disruption, and fear will stretch beyond any horizon we can see. This is natural, and it's difficult to shake. In the present day, yesterday is still with us, for well or ill, as we continue our march toward that elusive tomorrow.

The Coronavirus has compromised our feelings of safety and security, distanced us from friends and family. On the positive side, it's made it okay for me to appear in public wearing a mask, bringing me one step closer to my dream of being Batman. If you laughed at that, or even if you just rolled your eyes, I hope it was a momentary distraction from heavier thoughts. These are heavy times. We hope you're coping. We hope you're well. We hope you will endure through tomorrow.

And, in the words of a Ray Davies song that Adam Schlesinger covered with Fountains Of Wayne: I hope tomorrow you'll find better things.

THE BEATLES: Here Comes The Sun

Here comes the sun. To quote a different song title: Let it be.

Yeah. Yeah. Yeah.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, March 10, 2023

10 SONGS: 3/10/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1171. This show is available as a podcast.

LULU: To Sir, With Love [Museum Outings Montage]
CAROLE KING: Where You Lead
THE MONKEES: Oh My My

Knowing that this week's show would air on my lovely wife Brenda's birthday, I wanted to open with a 1-2-3! half-set of songs for her. Happy Birthday, darlin'!

If Lulu's classic "To Sir, With Love" isn't Brenda's all-time # 1 pick hit, it's pretty damned close. Hell, Brenda used to use it as her ringtone. For TIRnRR purposes, we opted for the out-of-print Museum Outings Montage version from the To Sir, With Love soundtrack, drawn in by that track's additional verse and simpler arrangement. Irresistible! The well-known hit single take is likewise terrific; couldn't go wrong either way.

Carole King is absolutely Brenda's # 1 performer. Young Brenda fell hard for the Tapestry LP in the '70s, and has retained her cherished bond with the feel of the earth moving under her feet. We were able to see Carole King in concert in the '90s, a sublime show and a dream come true for Brenda. For this week's TIRnRR, I wanted a Tapestry track we hadn't played before, and picked "Where You Lead." The song is more familiar to me via King's 2000 remake with her daughter Louise Goffin, a version which served as the opening theme for the TV series Gilmore Girls. As listener Mike Browning said Sunday night while the Tapestry original played, "Lorelei and Rory are smiling."

Both Brenda and I discovered the Monkees' 1970 non-hit single "Oh My My" about a decade after the fact, via a well 'n' truly beat-up copy of the Monkees' sayonara LP Changes. "Oh My My" offers a great lead vocal performance by Micky Dolenz, and I wish the record were much better-known than it is. As I wrote in a piece celebrating my 25 favorite Monkees tracks, "My lovely wife Brenda's favorite Monkees song, a criminally-underrated failed single from 1970 that should have been a massive AM radio smash. Micky's vocal is so soulful, seething with desire as guitars stomp and churn. 'Oh My My' does not get its just due as one of the Monkees' greatest singles." 

THE CHAMBERS BROTHERS: In The Midnight Hour


Sensurround soul! The Chambers Brothers' epic rendition of Wilson Pickett's "In The Midnight Hour" is five and a half minutes of solid, seismic groove from the group's 1967 debut album The Time Has Come. It shares the monolithic everything-everywhere-at-once ambiance of their big hit "Time Has Come Today" (itself heard as an eleven-minute epic on this same album), applied to an already-nonpareil Southern sweat nugget and moving its needle into the redder'n red zone. Soulquake. Talk about feeling the earth moving under your feet.

CHRIS CHURCH: I Think I Think I Like You


Much of this week's playlist served as our thank-you note to some friends of TIRnRR who recently stepped up with a secret fundraiser for our community radio station. Lemme tell ya, we have the best friends. Our on-air parade o' gratitude kicked off with minty-fresh music from the mighty Chris Church, represented by this superfine selection from Chris' forthcoming new Big Stir Records release Radio Transient. "I Think I Think I Love You" translates its titular tongue-tied infatuation into pure love, pure pop, and a pure delight to hear on the radio. 

THE DECIBELS: Why Bother With Us

NEW MUSIC FROM THE DECIBELS! We've earned our keep by hipping you to this one. The Decibels' music is built of hooks and adrenaline, ready-made for rockin' pop radio. Their new album When Red Lights Flash is out TODAY from the visionary Kool Kat Musik label, and it well and truly merits all the decibels our mortal forces can muster. "Why bother with us?" Um...cuz it's GREAT! NEW MUSIC FROM THE DECIBELS!!!

THE SPONGETONES: (My Girl) Maryanne

The Greatest Record Ever Made!

THE BANGLES: The Real World

Our above-cited parade o' gratitude continued throughout this week's playlist, with spins of music by our generous and talented pals Pop Co-Op, Irene Peña, Eytan Mirsky, the Click Beetles, Allan Kaplon, Steve Stoeckel, Dolph Chaney, the Phenomenal Cats, Mr. Encrypto and the Ciphers, and that little old Gilmore Girls and Carole King fan Mike Browning. We also served up dedications to more friends and supporters, accomplished with we-know-you're-gonna-dig-this! selections by the Spongetones, Marshall Crenshaw, Arrogance, and Screen Test. 

For true-believer Michael McCartney (of the fabulous radio program The Time Machine on Maui's Mana'o Radio), the power of second-guessing suggests we maybe shoulda played Dear Stella's "Time Machine," an exuberantly triumphant gem that conjures a world where Olivia Newton-John made Xanadu with Cheap Trick. But that's hindsight, and we're good with our decision to dedicate the Bangles' "The Real World" to our Michael. Michael has expressed his fondness of the Bangles, and I know he appreciated this dedicated blast of Vicki, Debbi, Susanna, and Annette in his honor.

(As for Dear Stella's "Time Machine," that stellar Stella cut is way, way overdue to be heard again on the TIRnRR playlists. Next week's playlist will be devoted in its entirety to special countdown show, but Dear Stella will return to the Syracuse airwaves in the very near future.)

MR. ENCRYPTO AND THE CYPHERS: Home On The Radio

This track from This Is Rock 'n' Roll Radio, Volume 4 will be part of next week's special countdown show. Hope you can join us back here, right where we belong: home on the radio.

THE RAMONES: Do You Remember Rock 'n' Roll Radio?

This Is Rock 'n' Roll Radio is, of course, named after a line in the Ramones' "Do You Remember Rock 'n' Roll Radio?" Most weeks, Dana's unique TIRnRR edit of that track serves as our show's opening theme song, the "Where You Lead" to our Stars Hollow. This week, as part of the parade o' gratitude, we turned the lead-in spot over to Steve Stoeckel's "This Is Rock 'n' Roll Radio Thank You." That left us free to close the show with "Do You Remember Rock 'n' Roll Radio?," specifically a live version from the Ramones' 1996 Greatest Hits Live! If memory serves, this was the final Ramones album released prior to the band hangin' up the ol' leather jackets for good. (We're Outta Here!, a document of their very last show, was released after the Ramones' individual roads to ruin diverged.)

The Ramones. The American Beatles. The greatest American rock 'n' roll band of all time. This is my year of the Ramones, like all other years, but more so. 

We need change and we need it fast
Before rock's just part of the past
'Cause lately it all sounds the same to me

Rock 'n' roll radio. Let's go. The Ramones did their part. We're doing ours, thanks in large measure to support from our friends. 

This Is Rock 'n' Roll Radio. Stay tuned for more rock 'n' roll.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available for preorder, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!!

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, February 17, 2022

10 SONGS: 2/17/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1116.

THE FLASHCUBES FEATURING SHOES: Tomorrow Night

Yes, I already devoted the entirety of this week's playlist rant to the epic new power pop summit meeting between the Flashcubes and Shoes, performing a fresh rendition of the latter's late '70s gem "Tomorrow Night." It deserves MORE hype! This new "Tomorrow Night" opened Sunday night's show, and as the show ended and TIRnRR's Witching Hour encore broadcast began, wise 'n' wonderful TIRnRR listener Mike Browning commented, "I'm staying to hear the Flashcubes and Shoes again." Mike, you are a smart man. (And, of course, a talented recording artist your own self.)

The Flashcubes have been on a tear, with an archival 1979 live show being prepared for release, and a string of new recordings of power pop classics. The string began last year, with Cubic workouts of Pezband's "Baby It's Cold Outside" (recorded with Pezband's Mimi Betinis) and the Dwight Twilley Band's "Alone In My Room." The same string has continued into 2022, with the 'Cubes cover of the Posies' "Flavor Of The Month," and now this shiny collaboration with Shoes. We're told that more is on the way, including another power pop summit meeting with another legendary power pop combo. How can we wait? We will wait gladly, because it's gonna be worth the wait. 

ALLAN KAPLON: Notes On A Napkin

My lovely wife Brenda keeps reminding me to stop selling myself short. This admonition may surprise those who hear or read my humility-challenged ranting and bravado. It applies anyway. I contain multitudes. Some of those multitudes have thinner skin than others.

There is an ongoing validation in the connection we make. When people express approval of whatever the hell it is that we do, when listeners respond to our efforts, when artists are delighted or grateful because we programmed one or more of their little ditties, it...well, it means the world to us. In a world of insults and disdain, it feels nice to matter.

I think we matter to singer-songwriter Allan Kaplon. Allan seems genuinely gratified when we play his music, but he also seems engaged and pleased when we can remind him of music by artists he already loves, and when we can introduce him (or sometimes re-introduce him) to artists he may come to love. Connection. Where would we be without connection?

That said, we have a radio show to put on. No matter how much we like Allan on a personal level, we wouldn't be able to play him on the show if we thought his work didn't meet our (admittedly mutant) standards. HA! No worries there! As a previous 10 Songs noted on its own napkin: "Some time back, our friend and listener Allan Kaplon sent us a track called 'Flesh And Blood,' recorded under the dba the Non Prophets. We dug it, and we played it on the radio. Now, Allen's recording under his own name, and his album Notes On A Napkin intrigues and delights. Jamie Hoover of the Spongetones produced six of the album's 11 tracks, Jamie's fellow Spongetone Steve Stoeckel pops up on one of those six, and Elena Rogers chips in some exquisite backing vocals. That Kaplon lad's pretty good, too." 

The title tune from Notes From A Napkin has TIRnRR written all over it, with the guitars lending sheen to the weathered soul singing his pop songs like a match struck in the darkness. Glad to have you with us, Allan. And thanks for being there.

THE BANDWAGON: People Got To Be Free

One of the many, many tracks I considered deifying in my long-threatened book The Greatest Record Ever Made! (Volume 1) was the Young Rascals' triumphant 1965 cover of the Olympics' "Good Lovin'." But I only managed to write one introductory paragraph before moving on to other songs:

"Little Steven says garage rock is 'white kids trying to play black rhythm and blues and failing--gloriously.' Fair enough. So what do we call it when a white group tries to play soul music, and succeeds? We could call that the Young Rascals."

Turnabout being fair play, here's an example of a soul group covering the Rascals. The Bandwagon, also billed later on as Johnny Johnson and the Bandwagon and Johnny Johnson and his Bandwagon, were an American group in the late '60s and early '70s, but they never got much traction here in the good ol' U.S. of A. They enjoyed some success in England, and they recorded a ton of really great sides, from covers of Bob Dylan, the Monkees, and the Four Seasons to Bandwagon stalwarts like "Breakin' Down The Walls Of Heartache" (which is celebrated in my GREM! book) and the bubblesoul classic "(Blame It) On The Pony Express."

The Bandwagon's version of the Rascals' "People Got To Be Free" is part of the group's underappreciated brilliance. Is it even better than the Rascals' original? I'm gonna say it is. 

THE AVENGERS: We Are The One

"We Are The One" is a fantastic slice of 1977 San Francisco punk, and it was also considered for inclusion in The Greatest Record Ever Made! (Volume 1). It's not in the current plan, but this is what I started to write about the record:

"The Clash sang that anger could be power. Even before that line appeared in the Clash's London Calling album track 'Clampdown' in 1979, a San Francisco group called the Avengers was on stage at Winterland, opening for the Sex Pistols in that group's final appearance meltdown, and embodying the concept of cathartic fury. Anger. Power. Rock 'n' roll.

"I came to the Avengers' music well after the fact, and actually heard some of Avengers lead singer Penelope Houston's folkier solo work in the '90s--Houston's "Scratch" remains poised to strike at any shuffled moment on my iPod--long before I heard the anger and power of the Avengers. I think 'The American In Me' was my introduction, but 'We Are The One' is indeed The One. The Avengers recorded the song twice, both versions are aces, but I go with the earlier 45 version."

COKE BELDA: Renacerá

Oh, this is just fab. I don't think I'd even heard of the group Los Brincos until just over a week ago, but I'm informed they were Spain's answer to the Beatles in the swingin' '60s. Reliable rockin' pop guy Coke Belda has recorded new cover versions of a fistful of Los Brincos tunes for his own new album Coke Belda 6: A Tribute To Los Brincos. And it is indeed fab, muy fab. I've since sought out a few of the original versions, and I wish I'd heard them all years ago. But we can hear Coke Belda sing 'em right now. And you know that can't be bad!

CHEWY MARBLE: The Things You Do

The Flashcubes aren't the first group to cover a Shoes song. The earliest Shoes cover I recall at the moment was UK pop act Squire's 1984 rendition of "Boys Don't Lie"--it just so happens that we played Shoes' original version of that song on this week's show--and I wouldn't be surprised to learn that some other band's effort at Shoesmania predates Squire's Shoes cover.

And in 2001, pop journalist and noted good guy John M. Borack was at the helm for an entire album of Shoes covers, the right swell Shoe Fetish: A Tribute To Shoes. This tribute album looms large in TIRnRR's legend for introducing us to the splendor of astroPuppees, but the damned thing's also loaded with compelling efforts by the Spongetones, Matthew Sweet, Lolas, DM3, and I'm gonna stop now before I wind up naming all of the album's contributors, because they're all good. If I had to guess, I'd say Chewy Marbles' ace take on "The Things You Do" (Dana's favorite Shoes song) has scored the most individual burn of Shoe Fetish tracks on TIRnRR playlists.

Now: we need a Flashcubes tribute CD!

IRENE PEÑA: In This Room

I don't remember when it was that we started referring to singer-songwriter Irene Peña as America's Sweetheart. We did call her a sweetie in this 2017 piece, which chronicled our path to discovering the sweet wonder of Irene's music. However the billing manifested, it's an ongoing testimony to the prevailing vibrance of the Irene Peña sound. "In This Room" is one of the eleven tracks on Irene's 2011 debut album Nothing To Do With You, each of which was issued as an individual digital single last year. Now we need a physical reissue of the entire album, right? Yeah! That would be sweet.

VERDELLE SMITH: Life Goes On

This week marks the second-ever appearance of '60s soul singer Verdelle Smith on TIRnRR, and her second-ever appearance in 10 Songs, both times with the obscure 1965 B-side "Life Goes On." SPOILER ALERT! We're playing it again next week; no word yet on if it'll make the next 10 Songs, too. But Lordy, this is such a great, great pop number. If it had been the hit it deserved to be, it would have been covered by everybody, from soul to jazz to country to pure show biz; it would have appeared in TV variety show performances by Raquel Welch and Barbara Eden, Sammy Davis Jr. would have belted it out on Jerry Lewis' Labor Day Telethon, and it woulda been seared into our collective pop consciousness alongside Stevie Wonder's "For Once In My Life" and Blood, Sweat & Tears' "Spinning Wheel." 

And still: nothing would have eclipsed Verdelle Smith's smoking original. It should have been a hit. But...it wasn't. And life goes on.

THE BEATLES: Thank You, Girl

We played this as a birthday spin for our pal Sparky, but playing it was its own reward. 'Cuz it's The Greatest Record Ever Made!

CHRIS CHURCH: History

Here's another little peek at what's behind the curtain in our ongoing TIRnRR wizardry. As we continue to program and record the show from remote, Dana and I set the playlist via telephone conversation on Tuesday night, I gather the songs and record patter on Wednesday, and then Dana waggles his Philosopher's Stone to perform the alchemy that turns it all into radio gold. See? Wizardry!

Since we're not tracking or performing the show in real time, we're not certain how close (or how far over) we are to hitting our three-hour target. So we come up with a batch of eight bonus tracks, four each, that we can slot in together as a bonus set if it fits. Sometimes all eight fit, or sometimes just six, and those eight or six songs form our next-to-last set of the week. Sometimes we have to skip the bonus set; on those occasions, we may shuffle a few of those songs into an extended closing set, or (on weeks where we have too many four-minute songs) we may cut them out entirely. 

"Pillar To Post," a track from Chris Church's recent Big Stir Records release Darling Please, was among my bonus tracks this week. Great song, of course, and we like to play Big Stir stuff anyway. But we didn't have room for it, so it was cut alongside other worthies by Neil Diamond, Wendi Dunlap, Herman's Hermits, the Kinks, Fats Domino, International Submarine Band, and more. 

This leads to the jigsaw portion of show prep. I sift through options to see if there are shorter songs that might work in place of longer ones. At 3:29, Chris Church's "Pillar To Post" isn't all that long, but switching to the 2:42 track "History" from the same album gave us an eensy bit more elbow room to manipulate those pesky jigsaw pieces. Within a flurry of similar pruning and swapping, the bonus set was saved and Chris Church made it back on the playlist, albeit with a different song than the one I intended. 

It's a cool tune, too. The happenstance of wizardry and alchemy put it on the radio. However it got there, we're glad it did.

You can support this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, February 3, 2022

10 SONGS: 2/3/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1114.

THE VENTURES: Walk--Don't Run

As we age, there is a risk of TIRnRR playlists becoming the de facto Obituary of the Week. Time is the enemy. The passing of the Ventures' guitarist Don Wilson prompted me to wanna play a few Ventures tracks this week, opening the show with "Walk--Don't Run." I have a specific memory associated with that song, a memory I shared when we lost the Ventures' other guitarist Nokie Edwards in 2018:

In the late '80s, probably around '88 or so, the Ventures were scheduled to play at a bar located in a shopping center in Seneca Knolls, a suburban area north of Syracuse. In another manifestation of Syracuse's frustrating feast-or-famine existence, the Godfathers were elsewhere in Syracuse that same night, and the Bodeans were also appearing at yet another local venue. I wanted to see all three shows. But there was no real choice: I had to see the Ventures.

The Ventures were one of the most influential groups of the early '60s, and the most influential American instrumental rock 'n' roll combo. I can say that without denying the sheer magnificence of Dick Dale and the Del Tones or Link Wray, or the importance of the Shadows in England. I became a fan in the early '80s, via an oldies radio spin of "Walk--Don't Run." Riveted. There was no way I would or could pass up a chance to see the Ventures play live.

I don't remember the name of the bar. The floor in front of the stage had been garnished with sand, to conjure a beach party ambiance. Soon, the band was on stage. Nokie Edwards had left the group by then, so the Ventures I saw were the "Hawaii Five-O" line-up of Bob Bogle, Don Wilson, Gerry McGee, and Mel Taylor. The owner of the venue introduced, "The best fucking dance band in the world, THE VENTURES!!"

Enthusiastic applause, followed by something like a half-second pause for effect. Maybe a quarter-second. Maybe a full second or more. No time at all, but a seeming eternity, a tantalizing tease. You know what I mean. That brief moment when time stands still, when a performer or a group knows intuitively that he or she or they is about to claim you in full. A half-second. Quarter-second. Less than a tick, yet a sweet, enticing forever. Mel Taylor's drums rolled. That guitar intro.

The Ventures opened their show with "Walk--Don't Run."

The Ventures opened their show with "Walk--Don't Run!"

I've had the pleasure and good fortune to see a lot of terrific shows, from the Kinks to the Ramones to Paul McCartney. No one grabbed me from the get-go better than the Ventures did.

DAVID RUFFIN: Don't Stop Lovin' Me

I've recently been in serious thrall to David, the originally unreleased 1971 album by former Temptations singer David Ruffin. "Don't Stop Lovin' Me" is one of the few David tracks that was issued in its day, serving as the B-side to "Each Day Is A Lifetime" (a track which also would have been on David, if there had been a David). I remain puzzled by Motown's decision to consign the album to the vaults. Great, great record, and we'll hear another of its tracks on next week's TIRnRR.

LOLAS: My Thoughts Have Been Replaced

Following several years of scattered Dana & Carl radio shows in varied incarnations, 1999 was This Is Rock 'n' Roll Radio's first full year on the air. Lolas' debut album Ballerina Breakout was released in late '99, but it immediately became my favorite album of the year. Its track "The Best Part" became the first of many Lolas songs played on TIRnRR over the years, and we're delighted to add Lolas' latest to our little Play-Tone Galaxy of Stars. The new album All Rise was a digital-only release in 2021, and it's now available in physical (i.e., real) form courtesy of our friends at Kool Kat Musik. Of course we played it this week! Good stuff, then and now.

BRAM TCHAIKOVSKY: Breaking Down The Walls Of Heartache

Our playlists are affected by our listeners. I don't mean just in terms of requests, but also in reading their comments and developing an understanding of what they dig. One such listener is Joel Tinnel, guitarist for the way fab Pop Co-Op. I don't think it's much--maybe any--exaggeration to say that either Dana or I pick at least one track each week with the specific goal of landing within Joel's rockin' pop wheelhouse. We aims t'please. Joel has good taste, so we figure a song that Joel likes has better'n even odds of enhancing whatever the hell it is we do here.

Joel has expressed his interest in the music of Bram Tchaikovsky, the late '70s/early '80s British act (BT the name of both the band and its frontman) best known for the pop classic "Girl Of My Dreams." When we played the Bandwagon's Northern soul essential "Breaking Down The Walls Of Heartache" a few years back, it was Joel who pointed out that Bram Tchaikovsky covered the song on his/their third and final studio album, 1981's Funland. This week, that version finally made its belated TIRnRR debut. For Joel! The playlist benefits from an understanding of what our listeners like. Thanks again, Joel.

THE JAM: Monday

In the early '80s, I absolutely worshipped the Jam. Setting Sons had become one of my all-time favorite albums, and I likewise adored its successor Sound Affects. And yet, in our current far-future world of the 21st century, I had completely forgotten about the sublime Sound Affects album track "Monday" until Dana selected it for this week's radio extravaganza. Thanks, Dana!

THE 5TH DIMENSION: Aquarius/Let The Sun Shine In (The Flesh Failures)

The effect of listeners again, though this one was an actual request from intrepid TIRnRR fan Dominique King. Thanks, Dominique! Mystic crystal revelation, the mind's true liberation.

BUCK OWENS AND HIS BUCKAROOS: Who's Gonna Mow Your Grass

"Who's Gonna Mow Your Grass" wasn't a request this week, but I first learned of this superswell Buck Owens number because a listener named Elma Tiran (whom we've since dubbed Sparky) wanted us to play it on the show a few years ago. Ever your rock 'n' roll radio customer service specialists, we tracked it down, loved its vibrant application of Beatlisms and fuzz guitar to the C & W Bakersfield Beat, and it became a TIRnRR perennial in short order. Thanks, Sparky!

THE CLICK BEETLES: Goodbye Margot

This ace new track from the glory, the splendor, and the wonder of the Click Beetles initially slipped right by us because, well, um...SQUIRREL!! Times are tough, so we can't afford to pay attention. Rich Firestone of Radio Deer Camp (heard Sunday afternoons from 5 to 7 Eastern, right here on SPARK!) was the first to give "Goodbye Margot" the radio love it deserves, and we're always eager to copy our Reechie and his Radio Deer Camp brilliance. Thanks, Rich!

"Goodbye...?!" But I wanna listen to Rich Firestone on Radio Deer Camp!

CHRIS CHURCH: Pillar To Post
LANNIE FLOWERS: Good


While each week's
10 Songs is built in large part from songs released in years (and decades) gone by, we always, always play new and/or recent irresistibles right alongside our cherished and familiar gems. I mean, would it be TIRnRR if we didn't play something from the Big Stir Records label? Hyperbole is its own reward. We love Big Stir, there's at least one Big Stir release in nearly every weekly playlist, and that trend may never end. 

Our current Big Stir obsessions are Darling Please by Chris Church and Flavor Of The Month by Lannie Flowers. We played tracks from each on last week's show, and different tracks from each on this week's show. You can't have great radio unless you play great records. Big Stir releases great records, and so we play 'em as part of our ongoing effort to slap together great radio. Thanks, Big Stir. Thank you, listeners. Let's play.

You can support this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl