Showing posts with label Lisa Mychols. Show all posts
Showing posts with label Lisa Mychols. Show all posts

Saturday, January 3, 2026

10 SONGS: 1/3/2026--This Is Rock 'n' Roll Radio's Most-Played Tracks In 2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1317: The Countdown Show. These are TIRnRR's ten most-played tracks in 2025, and the individual entries are mostly drawn from previous 10 Songs features.

10. SLY AND THE FAMILY STONE: Hot Fun In The Summertime

I have previously written that Sly and the Family Stone's "Hot Fun In The Summertime" is "as inviting and idyllic as any June-July-August embrace ever committed to wax, a comforting groove that shines in the daytime and sways with the shadows of twilight." I later added, "If memory serves, a poll of Trouser Press magazine readers in the early '80s named 'Hot Fun In The Summertime' as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly."

It would probably be a stretch to suggest that Sly Stone wrote "Hot Fun In The Summertime" under the influence of Brian Wilson. I don't quite believe any of Sly and the Family Stone's brilliant work was shaped by Wilson's pet sounds of the soul, at least not willfully. But it would also be a stretch to insist that Wilson wasn't a possible influence; Sly Stone was aware of everything going on in pop music in the '60s, and--to paraphrase something famously uttered by someone else in the Wilson family--Sly Stone was a genius, too. "Hot Fun In The Summertime" doesn't sound like the Beach Boys. Doesn't matter. Sly and Brian sound great in the same radio show. Hot fun, fun, fun in the summertime.

9. THE NON-PROPHETS: Alibi

We're as punched as pleased to welcome the Non-Prophets back to the TIRnRR playlist. The Non-Prophets are the dba of our bud Allan Kaplon, who scored some significant airplay here with his solo album Notes On A Napkin. Our Allan returns to the collective Non-Prophets billing for "Alibi." For this track, the Non-Prophets also include Stacy Carson and Bruce Gordon (half of TIRnRR Fave Raves Pop Co-Op), it's produced by Don Dixon, and it's a match made in Heaven's boppin' li'l nightspot. We believe this particular "Alibi."

8. SUPER 8 FEATURING LISA MYCHIOLS: Pop Radio

This Is Rock 'n' Roll Radio is a pop radio show. There's a new Super 8 Featuring Lisa Mychols track called "Pop Radio?" We're playin' it. It's what a good pop radio show does. "Pop Radio" is a delicious ditty which serves as manifesto for TIRnRR in all our imaginary glory, a manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

Throughout 2025, we played "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're also playing some new SPARK Radio promos that Super 8 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

7. THE SPONGETONES: Nothing Really Matters When You're Young

"Nothing Really Matters When You're Young" is a song by Flashcubes guitarist Arty Lenin. It was first performed by the Flashcubes in 1979, demoed by the 'Cubes, subsequently recorded and released by Flashcubes offshoot Screen Test, and eventually redone in this brightly-lit new century for the Flashcubes' 2003 album Brilliant. The song's lyrics are among the most effective expressions of teen alienation I've ever heard, a clique-inflicted miasma buoyed and ameliorated by the transcendence of its pop. Even now, listening to it with senior-citizen ears that are more years removed from high school than the onset of Beatlemania was removed from America's entry into World War I, "Nothing Really Matters When You're Young" can still make me feel the snub and the sting of my time serving that sentence in teen purgatory. Yet I love the song. That's the power of art, the power of music.

The Flashcubes' fellow Power Pop Hall of Famers the Spongetones' new rendition of "Nothing Really Matters When You're Young" lives up to its incredible Cubic legacy. I'm stunned, I'm grateful, and I'm thrilled that Dana and I have the opportunity to play this on the radio.

2025 was the year of Make Something Happen! A Tribute To The Flashcubes, the various-artists blockbuster I curated for release on the mighty Big Stir Records label. As we exult in the legacy of the Flashcubes and how much their music has meant to me over a span of nearly five decades, I dig the flow and symmetry of opening a Flashcubes tribute album with the new Flashcubes track "Reminisce" (see below) and barreling our way to the Stongetones' authoritative closing statement "Nothing Really Matters When You're Young" at the end. Reminisce. Nothing Really Matters When You're Young. Look back. Reflect. And rock out with fist raised. 

A great album's final track has to be as vital and compelling as a great album's first track. Mission accomplished here. It matters. It always will.

6. JOE GIDDINGS: Tonite Tonite

Early in 2025, we played "Adrenalin," an advance track from Star Collector superstar Joe Giddings' then-forthcoming new album Stories With Guitars. Great as that was, I was further blown away when I heard "Tonite Tonite," another track from the same album, kick off the February 7, 2025 edition of The Spoon podcast. Hey HEY! I've since heard the whole album, and I say it's a strong candidate for one of 2025's best. See, ya learn stuff listening to The Spoon.

5. THE FLASHCUBES: If These Hands

More than a year's work paid off with the September 12th release of Make Something Happen! Poundin' the console on behalf of Syracuse's own power pop powerhouse is technically work, and it's also a calling. Plus it's fun! Given all the fabulous covers the Flashcubes have recorded and released over the past several years, I wanted to call more attention to the wonder of the Flashcubes' own brilliant songbook. A various-artists Flashcubes tribute album seemed the best way to accomplish that, so we gathered a bunch of talented artists, matched them with a bunch of songs written or co-written by members of the Flashcubes, and sent 'em off with one simple directive:

Make something happen.

"If These Hands" was the third and final single in advance of this tribute. Back in 1978, the Flashcubes' first 45 was "Christi Girl," a ballad written by Arty Lenin. In 2025, Arty closes this portion of the Flashcubes' singles discography with this song, another lovely ballad that serves as a yearning bit of folk rock that would have sounded right at home on one of the Searchers' irresistible late '70s/early '80s albums. 

In planning a Flashcubes tribute album, I was determined to include at least one new track by the Flashcubes themselves. In fact, we have a 'Cubic trinity of fresh Flashcubes offerings, one apiece written or co-written by Arty, guitarist Paul Armstrong, and bassist Gary Frenay

We naturally talk about the songwriters, as befits an album intended as a salute to a group's original songs. Let's also throw in a bit of praise for Flashcubes drummer Tommy Allen, not just for his incomparable percussive skill, but for the sheer pop and power he brings to this material as a producer. This stuff sounds amazing, and that's due in large part to our boy Tommy.

Putting this album together was a lot of work, and there's a long, long list of people who deserve credit for making this particular something happen. Even though others did most--almost all--of the heavy lifting here, I find myself exhausted in its aftermath. 

Exhausted, but proud. 

If memory serves, the last original song recorded and released by the Flashcubes prior to these three new singles was "Carl (You Da Man)" for This Is Rock 'n' Roll Radio, Volume 1 more than twenty years ago. As flattering and fulfilling as it was that this band that's been so important to me wrote and recorded a killer song about Dana and me, I could not allow that to stand as the last word in original Flashcubes recordings.

It isn't the last one anymore. "Reminisce." "The Sweet Spot." Maybe "If These Hands" will be the Flashcubes' final recording, or maybe there will be more yet to come. I hope so. Either way, man, we made something happen. It was well, well worth the work.

4. THE FLASHCUBES: The Sweet Spot

Gary Frenay co-wrote "The Sweet Spot" with the late B.D. Love, who was also known to long-time Syracuse music fans as Buddy Love. That's not the NYC pop performer of the same dba, nor is it Jerry Lewis for that matter. Our Buddy/B.D. fronted Buddy Love and the Tearjerkers and My Sin, and he was an integral part of our local scene in the new wave era.  

Other than the times 'Cubes guitarist Arty Lenin sat in on drums for Buddy Love and the Tearjerkers, I believe "The Sweet Spot" is the first Flashcubes-B.D. Love collaboration. And oh, it's something sweet. We are honored to be able to honor B.D. Love's memory by including this track on Make Something Happen! 

Sweet. Sweet. Sweet.

3. THE MUFFS: That's For Me

The Muffs' eponymous debut album was released in 1993, the year after the short-lived first Dana & Carl radio series We're Your Friends For Now completed its rapid Vini, Vidi, Vacuum into the abyss. By the time we returned on even more modest terms as Radio Peace in 1994, the Muffs' "Saying Goodbye" had already established itself as my favorite track of the '90s, and I'm pretty sure we played it on the very first Radio Peace. And I'm positive we played both "Saying Goodbye" and the Muffs' "Sad Tomorrow" on the inaugural edition of This Is Rock 'n' Roll Radio on December 27th, 1998. TIRnRR has lasted a tiny bit longer than any of our previous series.

After the pop world lost the vibrant and irresistible talent of the Muffs' Kim Shattuck in 2019, the subsequent release of the group's farewell album No Holiday became a prevailing and pervasive fixture on our playlists. The No Holiday track "On My Own" was our # 1 most-played track in 2020, the Muffs were our # 7 most-played artist in 2025, that status led by the short 'n' sharp No Holiday nugget "That's For Me." That's for Kim. Man, that's for all of us.

2. AMY RIGBY: Heart Is A Muscle


We have heard that Amy Rigby wasn't all that enthused about her song "Heart Is A Muscle," that maybe she almost chose not to record it, and that she probably wasn't sure about releasing it once she did record it.

Well.

For whatever it's worth, this track from Amy's oh-so-nice 2024 album Hang In There With Me was one of TIRnRR's most-played tracks last year; by summer of 2025, it had already accrued sufficient fresh spins to guarantee a berth on this year's year-countdown show, and it kept right on a-pumpin' all the way to the # 2 spot. Gotta keep the ol' heart exercised. Terrific track, but then again, we always expect terrific stuff from Amy Rigby.

1. THE FLASHCUBES: Reminisce

"Reminisce" was written by Paul Armstrong, with lyrics that look back in wonder at the heady days of the Flashcubes' brilliance under the bright lights in the late '70s. The music struts and commands like a Flashcubes song oughta, and the chorus is just magnificent, jaw-dropping, a compelling incitement to raise the ol' fist and be there like you wuz there.

Man, I was there. "Reminisce" captures what it was like.

Make Something Happen! A Tribute To The Flashcubes opens with "Reminisce." It's such a great track, and it provides an irresistible introduction to a passion project that--false modesty be damned--I regard as one of THE best compilation albums released this year.

"Reminisce" is also my favorite individual new track of 2025. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, in 2024 PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will! The Flashcubes have meant an awful lot to me, and to this show. "Reminisce" is the perfect song to open an album and close out a celebration, looking back while facing front at the same damned time.

It's all I wanna do. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, November 29, 2025

10 SONGS: 11/29/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1312

THE RAMONES: Punishment Fits The Crime

Each week, when getting ready to plan the show's playlist with Dana, I keep a list of potential track choices to consider. The list includes new stuff, recent faves, old faves, old tracks we've never played before, and assorted items of varying vintage and familiarity that might fit into the presumed master plan of whatever it is we do on TIRnRR. The list carries through from week to week, its contents adjusted as we go.

The Ramones' "Punishment Fits The Crime" has been on that list for many weeks. The song was written by bassist Dee Dee Ramone and Plasmatics guitarist Richie Stotts, sung by Dee Dee, and included on the group's 1989 album Brain Drain (the last Ramones studio album to include Dee Dee as anything other than just songwriter). Frankly, Brain Drain is a contender for my least favorite Ramones album, but it does give us the fantastic "I Believe In Miracles," plus "Pet Sematary" and "Merry Christmas (I Don't Want To Fight Tonight)," proving that even the merest Ramones album is still A RAMONES ALBUM!! Anyway, "Punishment Fits The Crime" fits in the category of "old tracks we've never played before," and that status is what placed it in my week-to-week list of playlist possibilities.

Prior to this week's programming session, I realized it had been a little while since we'd opened a show with the Ramones. I considered programming one of my many, many Ramones Picks T' Click in that leadoff spot, but opted to finally give "Punishment Fits The Crime" its long-overdue TIRnRR debut.

Throughout the process, it didn't even occur to me that the song's title could apply to...you know who. Let's hope we find a legal punishment to fit that guy in the very near future. As another punk band said: All crimes are paid.

THE LEGAL MATTERS: Everybody Knows

The minute I found out that the Legal Matters were doing a new album for Big Stir Records, I immediately petitioned the band and label for permission and access to play the then-forthcoming advance single. The album, Lost At Sea, is due in 2026, and the single "Everybody Knows" was released to radio just after this week's show was recorded. But we got it! Everybody knows we would be playing it; we knew we could not wait another week to do so. And everybody should know now: We're playing it again this Sunday. 

SHOES: Overnight Sensation (Hit Record)

We don't get many opportunities to program new music by power pop legends Shoes, and we've never before had an opportunity to play Shows covering power pop's Ur group Raspberries. Opportunity SEIZED! Shoes' rendition of the Raspberries hit "Overnight Sensation (Hit Record)" comes to us from the superb various-artists 'Berries salute Play On: A Raspberries Tribute, a tribute curated by our friend Ken Sharp. Want a hit record? Look no further.

(Raspberries' original version of "Overnight Sensation (Hit Record)" ands Shoes' own incredible 1978 single "Tomorrow Night" are among the 145 tracks--one 45 at a time!--I discuss in my book The Greatest Record Ever Made! [Volume 1]. SPOILER ALERT: I like both of those records a lot. You can read all about them and their 143 GREM! brethren and sistren by ordering your own copy of the book. I'm Carl Cafarelli, and I approve this message.  The Greatest Record Ever Made [Volume 2] is [very] tentatively planned for 2027.)

THE BUSBOYS: The Boys Are Back In Town

When Robbie Rist saw in this week's show hype that we were playing the BusBoys, he immediately wanted to know if we were playing new music by this great group. Alas, although we did program the BusBoys' then-recent single "In My Heart" back in 2024 (and likewise with "Love On My Mind" in 2022), we weren't even aware that there was new BusBoys music available. Honestly, I'd fire the TIRnRR research department, but that department is, y'know, me, and I've got tenure.

Robbie's (presumably) figurative headslap to our collective noggin prompted a fresh search for new BusBoys tuneage, resulting in a purchase of the 2025 digital-only album In My Heart. Target acquired! The album includes both of the 2020s singles mentioned above, and we'll debut another track from In My Heart on Sunday. Thanks for the nudzh, Robbie! Meanwhile, here's another spin of the BusBoys' best-known track "The Boys Are Back In Town," as heard when the BusBoys appeared in the 1982 Eddie Murphy-Nick Nolte flick 48 Hours. 'Cuz when the boys are back, there ain't no foolin' around.

THE MONKEES: Papa Gene's Blues

PLAY, magic fingers!

TAYLOR SWIFT: The Last Great American Dynasty

The Greatest Record Ever Made!

KEN SHARP: I'm A Rocker

One more from Play On: A Raspberries Tribute, "I'm A Rocker" as performed by the set's auteur Ken Sharp. I owned the original Raspberries 45 of "I'm A Rocker" when I was a teen in the '70s, and I was puzzled that it wasn't on the Raspberries' Best Featuring Eric Carmen compilation LP. Our Ken knows Raspberries' best better'n anybody, and he honors that legacy here.

DIRTY LOOKS: Let Go

Staten Island's phenomenal pop combo Dirty Looks with their signature tune. From a previous 10 Songs:

Statement of intent. This Staten Island trio's eponymous debut LP was released on the Stiff America label in 1980, and "Let Go" was an immediate fave rave on 97 Power Rock, a Sunday night alternative-rock showcase aired on Buffalo's 97 Rock FM. Hmmm. A Sunday night rock 'n' roll radio show? I may have made note of that particular notion for possible future use. 

"Let Go" is a perfect post-punk radio pop song, fueled by new wave rock energy, rooted in catchy 1960s radio fare, and dead certain that the Ramones, the Who, Joe Jackson, and Paul Revere and the Raiders are Heaven-sent inspirations.

It's not easy to write a song about rock 'n' roll. It's not. Too many attempts at rock anthems feel forced, or overly earnest, pompous, clueless, heavy-handed, and...blechh. With "Let Go," Dirty Looks pull it off with style, and they make it seem like a cinch. Don't you know that rock 'n' roll is still the best drug? The drumming is hyperactive, the bass pushy (in a good way), the guitar simple and authoritative, the vocals and harmonies steadfast, reflecting the confidence of a group secure in the knowledge that it has God on its side. All you gotta do, let go, let go, let GO! GO! GO! GO! Belief is infectious. And godDAMN, this sounds so exhilarating on the radio. 

It always has.

ELVIS COSTELLO AND THE ATTRACTIONS: Clowntime Is Over

Is clowntime over? All respect to Elvis Costello and the Attractions, but clowntime ain't really over until we heed the words of the Ramones:

Let the punishment fit the crime.

THE HIGH FREQUENCIES: Cleanup Time

And if there is any justice, clowntime will give way to cleanup time. "Cleanup Time" is my favorite track on the High Frequencies' super groovy new album Get High, and like our opening track by the Ramones, the title's topically apt nature didn't strike me until after the fact. Nonetheless: CLEANUP ON PENNSYLVANIA AVENUE! Mops at the ready. Let's go.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, June 7, 2025

10 SONGS: 6/7/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1288

TOM KENNY AND THE HI-SEAS: Welcome To The Working Class

Tom Kenny is an international treasure, and he was born 'n' bred right here in our beloved Syracuse, NY. You may know him as the voice of SpongeBob Squarepants, Plastic Man, The Penguin, and a zillion others across a zillion animated credits. In live action, he was the evil Binky the Clown in his hometown buddy Bobcat Goldthwaite's 1991 film Shakes The Clown. To my daughter, he was the voice of both the Mayor and the narrator on The Powerpuff Girls. I tell that story here and here.

But as I like to point out and repeat: Before Tom Kenny was your SpongeBob Squarepants, he was our Tomcat, one of us, a participant in the same vibrant late '70s/early '80s local music scene that Dana and I loved so much, the scene that gave the world the Flashcubes, Maura Kennedy, Chris von Sneidern, the Penetrators, and many others. He found fame as a talented and celebrated voice actor; to us, he's so much more than that. He's a music fan from way back, and he channels that passion as a magnificent live performer. From local faves the Tearjerkers in the early '80s through the simply sublime Tom Kenny and the Hi-Seas today, international treasure Tom Kenny remains solid gold on stage and off.

So yes, of course we wanted Tom to record a track for our forthcoming compilation Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. And man, did he and his superlative and uber-tight band o' Hi-Seas deliver. And then some! Credit 'Cubes bassist Gary Frenay for suggesting his song "Welcome To The Working Class" as the perfect Cubic choice for Tomcat and company to tackle, and a more perfect match of artist and material will not be found anywhere. Not even in Bikini Bottom, nor in Townsville, nor Gotham City itself.

I have heard that "Welcome To The Working" is the first recording the Hi-Seas have completed since the November passing of their music director, the great Andy Paley. Beyond the blow of  personal tragedy, having to overcome the loss of Paley's enormous talent was no doubt a daunting task. From this bittersweet transition, one hopes there will be many more new Tom Kenny and the Hi-Seas recordings yet to come. An international treasure. Welcome, indeed.

GRAHAM PARKER: Back To Schooldays

As I recall, my first awareness of Graham Parker's song "Back To Schooldays" was in 1981, when I read that none other than Rick Nelson had covered it. Even then, I didn't hear Nelson's version nor Graham Parker and the Rumour's 1976 original until a little bit later in the ol' timeline. I caught up eventually. Although we've played a more recent live performance of the song by Graham Parker and the Goldtops, I'm amazed that this is the TIRnRR debut of the studio version, from Graham's album Howlin' Wind. Looks like our trip back to schooldays merits a spell in detention, but consider this a good-faith attempt at extra credit.

(Have we mentioned yet that Graham Parker has also recorded a Flashcubes cover for the much-anticipated Make Something Happen! tribute album? No? Well, I'm sure we'll get around to mentioning it soon. I tell ya, all this detention can slow ya down.)

JIM BASNIGHT: All Summer Long

We love playing new music from Jim Basnight, and we're therefore delighted to add his new single "All Summer Long" to the TIRnRR playlist. Though the song shares its title with a Beach Boys classic, it's all original all the time, so grab the Coppertone and get set to frolic already. Sure, we'll be frolicking on the Bayou, but don't quibble: It's SUMMER!

EYTAN MIRSY: Jessie's Girl
BALLZY TOMORROW: Old Gangsters Never Die

Andrew Curry has compiled a number of superb tribute albums, each one full of accomplished and compelling interpretive salutes to its designated subjects: lite rockthe second British Invasionthe music of 007, Paul Williams, and Andy Gibb. Can't go wrong with any of them, which is why we've played 'em all on TIRnRR.

Second By Second By Minute By Minute: The Songs Of Rick Springfield is the newest release from Curry Cuts, and I won't be surprised if this winds up getting even more Dana & Carl airtime than its illustrious predecessors. 

In 1981, "Jessie's Girl" was Springfield's first breakout hit in the US. He'd been a star in his native Australia, and he played himself in animated form on the 1973 American TV cartoon series Mission: Magic! As an actor, he did a lot of TV work, achieving wider notice in '81 on the soap opera General Hospital. The soap stint coincided with his ascension on the pop music charts.

Is "Jessie's Girl" Springfield's signature tune? I think it is, so we begin our recognition of this magic mission with Brother Eytan Mirsky, coveting his best friend's girl with unashamed longing and aplomb. We follow with Robbie Rist fronting his nom de bop Ballzy Tomorrow for a supercool performance of "Old Gangsters Never Die," a Springfield tune I did not know prior to this.

A great tribute album can do that: Introduce you to deeper cuts and expand your awareness and appreciation of lesser-known gems to be found within an artist's body of work. I have, at best, a slightly better than cursory knowledge of the Rick Springfield canon, going beyond the hits into his lovely 1972 debut single "Speak To The Sky" and partial memory of his 1973 album Comic Book Heroes. Clearly, I have some homework to do. But we have this fine Rick Springfield tribute album to get us started.

(Ballzy Tomorrow also has a track on our Flashcubes tribute album, as do a few other artists on Second By Second By Minute By Minute. The best tribute albums demand the best talent!)

ROB MOSS AND SKIN-TIGHT SKIN: Why Can't You Come
ARTHUR ALEXANDER: Red Beans And Gasoline

Both Rob Moss and Skin-Tight Skin and Arthur Alexander are among the acts covering the Flashcubes on Make Something Happen!, the latter with his ace combo Sorrows. In the mean time, Rob and Arthur are covering each other! A brand new split single pairs Skin-Tight Skin's cover of Arthur's "Why Can't You Come" with Arthur's rendition of Rob's "Red Beans And Gasoline." Now there's a high-octane meal!

THE MONKEES: I Never Thought It Peculiar

The Greatest Record Ever Made!

LISA MYCHOLS: What Kind Of Fool Am I

One more from Second By Second By Minute By Minute: The Songs Of Rick Springfield, courtesy of Lisa Mychols. This is just fantastic, and yeah, it just so happens that Ms. Mychols will also be on the Flashcubes tribute, collaborating with Super 8. Ain't no fools to be found here.

THE FLASHCUBES WITH MIKE GENT: Reminisce

The Flashcubes' new digital single is out on June 27th, and available for preorder now in advance of its appearance on the Flashcubes tribute album in September. Reminisce AND look forward. It's the most effective way to make something happen.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, April 26, 2025

10 SONGS: 4/26/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1282

THE FLASHCUBES: The Sweet Spot

Work continues with blinding bright-lights speed on Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. There's a lot of stuff that still needs doin', mind you, but we're on track for the album's planned September release from the good folks at Big Stir Records. We've already played Make Something Happen! contributions from sparkle*jets u.k., Joe Giddings, the Kennedys, Pop Co-Op, the Spongetones, and Super 8 Featuring Lisa Mychols, we've revealed that the album will also include 'Cubes covers by Chris von Sneidern, Callan Foster, and Hamell On Trial, and we have two more tracks to debut on our next show. 

We have three Make Something Happen! debuts this week.

In planning a Flashcubes tribute album, I was determined to include at least one new track by the Flashcubes themselves. In fact, we will have a 'Cubic trinity of fresh Flashcubes offerings, one apiece written or co-written by Paul Armstrong, Arty Lenin, and Gary Frenay. This show's already been pummelin' the airwaves with Paul's irresistible new tune "Reminisce," and we'll hear Arty's "If These Hands" on this coming Sunday night's broadcast.

This week's show opens with a sublime new Flashcubes track called "The Sweet Spot." Gary co-wrote "The Sweet Spot" with the late B.D. Love, who was also known to long-time Syracuse music fans as Buddy Love. That's not the NYC pop performer of the same dba, nor is it Jerry Lewis for that matter. Our Buddy/B.D. fronted Buddy Love and the Tearjerkers and My Sin, and he was an integral part of our local scene in the new wave era.  

Other than times 'Cubes guitarist Arty Lenin sat in on drums for Buddy Love and the Tearjerkers, I believe "The Sweet Spot" is the first Flashcubes-B.D. Love collaboration. And oh, it's magnificent. We are honored to be able to honor B.D. Love's memory by including this track on Make Something Happen! And we'll hear "The Sweet Spot" again on our next show.

Sweet.

CHUBBY CHECKER: Slow Twistin'

The many, many flaws of The Rock And Roll Hall Of Fame notwithstanding, I remain adamant in my view that rock 'n' roll should honor its own. So I keep preaching that the Hall should finally correct its biggest snub to date (INDUCT THE MONKEES!!!), and that such honors should likewise be awarded to the New York Dolls, the Bangles, Paul Revere and the Raiders, Rick James, the Shangri Las, and a long list of other worthies.

NOW, dammit!

After the Monkees, my pick for the Hall's second-most egregious omission to date is Chubby Checker. Unlike these others, Chubby is at least on the ballot this year, so here's hopin'. We'll find out Sunday night. 

THE CHOOSERS: Christi Girl

In the summer of 1978, I haunted Gerber Music's Penn Can Mall location, badgering the (remarkably patient) staff about when the Flashcubes' debut single "Christi Girl" would be available for purchase. I was 18 years old, in between my freshman and second years at college, with a part-time job at another Penn Can store (which made it even easier for me to haunt Gerber Music at will). 

Anyway. Gerber had a promo copy of the 45 on hand, so even though they couldn't sell it to me just yet, they did let me hear the record play through the store's sound system. And I was fully stoked when it finally became time to trade cash for 'Cubes.

We should have a special place nobody else can go
We should know the things nobody else can know

When I was a teenaged Flashcubes fan, a newly-minted owner of my very own "Christi Girl" 45, could I have imagined that 47 years later I would be involved in getting a bunch of fab rockin' pop bands to record a bunch of Flashcubes songs for a Flashcubes tribute? Would I even conceive the possibility of a Japanese band doing "Christi Girl?" 

Whatever I coulda/couldn'ta at the time, these fanciful notions are coming true now. A few years ago, the Choosers offered a live video of their rendition of "Christi Girl," it for damned sure passed the audition, so Gary Frenay reached out to recruit the Choosers for this project. And the Choosers' finished version of "Christi Girl" will indeed help take Make Something Happen! to that special place nobody else can go.

THE POPPEES: She's Got It

The Poppees were an avowedly fab, Beatles-influenced NYC combo machin' schau in the late '70s. The group included Arthur Alexander, who went on to noted TIRnRR Fave Raves Sorrows, and we're fans. An ace 1978 single by the Poppees sported an effervescent beat original called "Jealousy" backed with this boppin' cover of Little Richard's "She's Got It" on the flip.

Remember this 45. We'll be mentioning it again before this week's edition of 10 Songs is done. Got it?

THE COWSILLS: She Said To Me

The Greatest Record Ever Made!

THE KINKS: Add It Up

As noted here, our pal and stats man Fritz Van Leaven informed us that this week's show would include TIRnRR's 70,000th spin, and that the milestone would be achieved with whatever track wound up being our 44th song of the night. We teased the event a few times throughout the show--Are we up to our 70,000th spin yet, Dana? How about now? Must be there by now, right?--until we were set to begin our next-to-last set with Spin # 69,999.

We called in the house band to help us tabulate. And the Kinks led us into...

BIG STAR: September Gurls

Our 70,000th spin, and it had to be "September Gurls" by Big Star. Had to be! Our all-time most-played individual track, the first song we ever proclaimed on-air to be The greatest record ever made! (way, waaaaay before it even occurred to me to write a Greatest Record Ever Made book), and a song that's emblematic of this little mutant radio show. Great pick, Dana.

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

Spin # 70,001. As we continue on the road to 100,000 spins, we start the next leg of the journey with a specific salute to the joy of radio. "POP RADIO!" Here's to every AM Top 40 hit and every left-of-the-dial communiqué that built TIRnRR. And we'll hear Trip 'n' Lisa's prototype for what became "Pop Radio" on our next program.

But right now, speakin' of "Radio"....

SORROWS: Radio

"Radio" was the B-side of the Flashcubes' second single "Wait Til Next Week." I bought the 45 directly from Gary Frenay at a show on Bowery in 1979. The song was co-written by Paul Armstrong and Gary Frenay, and although it was a live favorite at the time, it fell into disfavor within the band and was dropped from the set.

Coincidentally, within days of snaggin' my copy of "Wait Til Next Week"/"Radio" from Gary, I also picked up "Jealousy"/"She's Got It" by the Poppees. Yes! The same Poppees 45 referenced a few entries back! I love how this stuff ties together!

Sorrows formed out of the aftermath of the Poppees, and Sorrows' recent album Parting Is Such Sweet Sorrow is guaranteed representation on TIRnRR's 2025 year-end countdown show. Guaranteed

And for Make Something Happen!, Sorrows have given us a cover of "Radio" that is nothing short of full-on freakin' phenomenal. 

Listen: You can search the four corners of the globe, and by the time you realize globes don't have corners, you'll already know that I'm the world's most insistent Flashcubes fan. Given that, consider the sheer gravity of me saying that Sorrows have accomplished the definitive version of the Flashcubes' "Radio." Pop music is my religion. Radio is one of my pulpits. With "Radio," Sorrows deliver the sermon we need.

Testify. And put your antenna to the sky.

THE ZOMBIES: What More Can I Do

TIRnRR spin # 70,015. What more can we do? Just keep spinning. Join us again on Sunday night for spin # 70,016 and counting.

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My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.