Showing posts with label Rihanna. Show all posts
Showing posts with label Rihanna. Show all posts

Saturday, May 30, 2026

10 SONGS: 5/30/2026

 10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1338

THE HALF/CUBES: Starless Summer Sky

It was a rare treat for us to preview no less than three new and as-yet-unreleased tracks from the Half/Cubes. Their next single (a cover of Jellyfish's "Ghost At Number One") is due out soon, and we gave that li'l gem its debut airing in this week's closing set. We placed the Half/Cubes' ace cover of Gilbert O'Sullivan's "Get Down" in the middle of the show, and we kicked our shindig off with their superb rendition of Marshall Crenshaw's luscious pop treasure "Starless Summer Sky." AND! We threw in another spin of the Half/Cubes' current single, joining forces with Glenn Burtnick for a bravura rendition of the American Breed's "Bend Me, Shape Me." The three new tracks will surely return in eventual future playlists. "Bend Me, Shape Me" plays again this Sunday night.

THE KNACK: Pop Is Dead

Get the Knack! Dana has been quite taken with the new Knack retrospective Knackology: The Zen Recordings, a set that mixes studio and live tracks from the 1990s and early 2000s, supplemented by demos and a live "Let Me Out" from 1979. The Knack's 1998 album Zoom was my favorite album that year, and it's possible that I like Zoom even more than I like Get The Knack. I'm delighted that Dana programmed Zoom's "Pop Is Dead," and you can bet on more Knackology to come on TIRnRR.

GRAHAM PARKER AND THE GOLDTOPS: Hotel Chambermaid

As pop fans worldwide clear space in their music libraries for Quality Footwear: Live At The Brook, the forthcoming new live album from the mighty Graham Parker and the Goldtops, we've been playing the album's advance singles. This week, I wanted to program a live version of a Graham Parker song that has specific meaning for me.

From a previous 10 Songs:

"Hotel Chambermaid" was the first Graham Parker and the Rumour I recall hearing, a favorite on Utica's WOUR-FM circa '76-'77, my senior year in high school. For some reason, I thought it was by Greg Kihn, whose take on Bruce Springsteen's "For You" was also getting some significant airplay on OUR, and I don't know why my mind put those two songs together. But both were part of my early FM radio listening, along with Nick Lowe's "So It Goes," the Kinks' "No More Looking Back," Joan Baez's "Time Rag," Michael Nesmith's "Rio," and, eventually, the Sex Pistols' "God Save The Queen." Radio's been good to me.

THE AMPLIFIER HEADS: A Song Called Sha La La

And the song chose its name well! The Amplifier Heads' new single "A Song Called Sha La La" is a perfect addition to our sovereign airwaves, channeling the Troggs and fortifying each Sha, La, and La with the essential oomph we require. Sha la LA! All three syllables (and, y;know, the rest of the record, too) return to the playlist on our next show.

THE SMALL FACES: Sha-La-La-La-Lee

Well, how else could you follow our first spin of "A Song Called Sha La La?" The Small Faces answer the call!

THE FLASHCUBES: Got No Mind

I've come to regard the Flashcubes' "Got No Mind" as 'Cubes guitarist Paul Armstrong's signature song. "Got No Mind" made its retail debut in a 4-track recording found (alongside a 4-track of 'Cubes bassist Gary Frenay's "Guernica") on the B-side of the Flashcubes' debut single "Christi Girl" in 1978. The definitive version was recorded live at The Firebarn in Syracuse in 1979, included on the group's 1997 anthology Bright Lights, and eventually reprised on the live at The Firebarn CD document Flashcubes On Fire. In the wake of PA's recent passing, we've been playing it a lot, and we will continue to do so. A friend recently told me that she used to think "Got No Mind" was a Sex Pistols cover rather than a Flashcubes original, and I say that's a testament to the great Paul Armstrong's ability to embody the raucous best of punk, and the Flashcubes' collective knack for making punk pop, and pop punk. Got no mind? I don't mind.

THE RUNAWAYS: Wait For Me

When I was a college student in the late '70s, I became a huge fan of the Runaways, and I consider myself fortunate to have seen them on a 1978 live bill with the Flashcubes and the Ramones (a concert memory recalled here). I played their third album Waitin' For The Night a lot--a lot--and I'm a little surprised we never got around to playlisting the album track "Wait For Me" until this week. Glad they were willing to wait!

THE CYNZ: Ghost Rider

My new book Guitars Vs. Rayguns!! Short Stories And Other White Lies is finished, with a fingers-crossed publication date of June 12th. HEY! That's an excuse to display the book's cover graphic again right here!

Well, that felt good. The book is a collection of some of my short fiction, and the rock 'n' roll in its DNA mandates passing references to a long list of real-life music performers (and you can read that list here). The Cynz are, of course, among TIRnRR's Fave Raves, so it makes sense that my imaginary planet-hoppin' combo Guitars Vs. Rayguns likes to include the occasional Cynz cover in their own outer space live sets:

"...Now, Leiko, Beckie, and FeeFEE! were all dressed the same as me (though each of 'em considerably better-looking than your boy Rocky), like co-ed Beatles at CBGB. The setlist was still peppered with covers, everything from the Buzzcocks and the Selecter to the Cynz and Etta James...."

Literary immortality! This week, we celebrate the notion of the Cynz as intergalactic superstars by returning their recent single "Ghost Rider" (from their current album Confess) to the real-world airwaves.

RIHANNA: Shut Up And Drive

The Greatest Record Ever Made!

THE RAMONES: Surfin' Safari

From a previous 10 Songs:

In my continuing efforts to fool people into thinking I'm way cooler than I really I am, I'll casually mention that I first learned that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari" when Joey Ramone told me that the Ramones had recorded a cover of the Beach Boys' "Surfin' Safari." Gabba Gabba HEY! 

The revelation came during my 1994 telephone interviews with the Ramones [as detailed in my first book, Gabba Gabba Hey! A Conversation With The Ramones]. Our Carbona-huffin' heroes had tackled the song previously, their version used as a backing track for a 1978 single by Rodney and the Brunettes. That would be legendary DJ Rodney Bingenheimer, with the Honeys handling the vocal heavy lifting. The Ramones had hoped to exhume their original parts (minus Rodney and his Brunette Honeys) to use in their All The Stuff (And More) reissue series, but the tracks could not be located.

Instead, the Ramones wound up recording it again during the sessions for their 1993 all-covers album Acid Eaters. Their '90s "Surfin' Safari" was only used as a bonus track on the album's Japanese edition, though it did eventually appear on a British reissue of Acid Eaters. It has never been released in America.

And lemme just add here in the present day: Surf's UP. A safari awaits.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is due out soon; meanwhile, you can get an autographed copy of my previous book The Greatest Record Ever Made! (Volume 1) here, and you can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Thursday, May 7, 2026

THE GREATEST RECORD EVER MADE! Rihanna, "Shut Up And Drive"

Drawn from previous posts, this is not part of my book The Greatest Record Ever Made! (Volume 1).

An infinite number of track can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

RIHANNA: Shut Up And Drive
Written by Evan Rogers and Carl Sturken, based on "New Monday" by Stephen Morris, Peter Hook, Bernard Sumner, and Gillian Gilbert
Produced by Evan Rogers and Carl Sturken
Single from the album Good Girl Gone Bad, Def Jam Records, 2007

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex.

I remember hearing Rihanna's hit "Umbrella" in 2007, and not being especially taken with it. In 2008, the updated version of her Good Girl Gone Bad (Good Girl Gone Bad: Reloaded) landed into my consciousness via my then-teen daughter, whose interest in "Take A Bow" and "Disturbia" brought those songs to my attention as well. I was a little surprised to discover I liked them (especially "Disturbia"), but I did indeed like them.

I missed out on the track "Shut Up And Drive." I'd heard it, but I never noticed it until a random search for playlist ideas brought me to it again. It was like a brand new song to me, and I loved it.

(How did I know I loved it? The fact that I played it on obsessive repeat would be a pretty clear clue to that.)

Wikipedia describes "Shut Up And Drive" as a new wave song--no, really!--based on "Blue Monday" by New Order. No offense to the mopey British guys, but I prefer it the way Rihanna did it.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. 

Rihanna's song is greater. Drive, baby. Drive.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, April 11, 2026

10 SONGS: 4/11/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1331

THE PEPPERMINT KICKS: Shaking Underground

At the top of this week's show, I said that any rockin' pop radio show that has an opportunity to open its latest presentation with a brand-new single from the Peppermint Kicks had damned well oughta open its presentation with that brand-new single from the Peppermint Kicks. The group's minty-fresh treat "Shaking Underground" shakes its shakables underground, overground, all around, and pounding around again. We're repeating it this Sunday. Shake with us!

SECTOR FRONTIER: Love Goes Out The Window

Although a contemporary track (released digitally in 2025, and on CD from our friends at Kool Kat Musik in 2026), Sector Frontier's "Love Goes Out The Window" could easily pass for a British new wave pop song from the early '80s. And if it had in fact been a work from 45 years ago, it would have been a fave rave for me, then and now.

In reality, Sector Frontier is the brainchild of Philadelphia popmeister Dave Cope, who is most familiar to TIRnRR under the dba Dave Cope and the Sass. Let's review the delightful fabricated biography of this delightfully fabricated "band:"

Sector Frontier: The Forgotten Vanguard of Post-Punk Britain

Origins in the Blitz of Boredom

Sector Frontier emerged from the smoke-choked pubs and council-estate squats of West London in 1978. The city was in pieces: strikes, bin bags piled like barricades, kids in safety pins fighting skinheads in Carnaby Street, and Margaret Thatcher’s looming iron fist promising “discipline.” Amid that chaos, Mick Murray—a sharp-jawed singer/guitarist with a sneer as wide as the Thames—decided to form a band “that sounded like the Jam after a fistfight with Devo.”

Mick recruited Ewan Swann, a lanky art-school dropout obsessed with German synths and cheap pedals. He played guitar like a buzzsaw but could just as easily hammer out a dystopian arpeggio that sounded like a factory collapsing. The rhythm section came from the Tupney brothers: Cliff on bass, perpetually sullen, and Wedge, a drummer who pounded with the subtlety of a demolition crew. They rehearsed in a condemned warehouse in Acton that smelled of damp carpets, spilled cider, and Marmite sandwiches gone rancid.

Songs from a Broken England

I approve of these lies, and I wish I'd fabricated 'em myself. Best I can do is play this sweet stuff on the radio. Open up your window! Pop love goes out to Sector Frontier.

SGT. SPLENDOR: Play On
MEN WITHOUT HATS: Eloise & I

Two disparate spins, each suggested by friends who have essential can't-miss podcasts. First up, Sgt. Splendor is fronted by Kate Vargas and Eric McFadden, and I confess I had not heard of them prior to their recent guest appearance on Only Three Lads, the weekly podcast hosted by Brett Vargo and Uncle Gregg. The Sgt. Splendor samples aired by O3L got my attention, and I made a point of snagging "Play On" (from their most recent album Isotopia) and wedging it into our playlist at the first available opportunity.

I never miss an episode of O3L, and I never miss an episode of The Spoon, the superswell podcast hosted by our friends  Robbie Rist, Chris Jackson, and Thom Bowers. Writer Will Harris (another friend, and host of his own fab podcast Letting Them Talk) appeared with The Men Of The Spoon for The Spoon # 611 ("All The Chicks Dig Writers [The Will Harris Story]"), and Will's pick for that episode's Greatest Song You've Never Heard feature was "Eloise & I," a track from the 1989 Men Without Hats album The Adventures Of Women & Men Without Hate In The 21st Century.

(Heh. "Women & Men Without Hate In The 21st Century." As if!)

Anyway, as I wrote in yesterday's blog post about "The Safety Dance," "Eloise & I" "...reminded me of a cross between circa-1966 Paul McCartney and a less-annoying version of Styx. Harris mentioned that Men Without Hats were still active, and in fact had released a new album called On The Moon in 2025." I love the Beatles and kinda detest Styx (except when I don't), but "Eloise & I" was sufficiently beguiling to compel my purchase and programming of the track as soon as I could. This same Spoon-fed sequence of events also prompted "The Safety Dance" to occupy this week's Greatest Record Ever Made! spot (see below).

With that, the TIRnRR playlist benefits from the addition of Sgt. Splendor and Men Without Hats tracks suggested by friends on their own podcasts. In the words of Alex Chilton: Thank you, friends.

THE SHIRTS: Tell Me Your Plans

Possibly my favorite archival release so far the year, the Shirts' Live At Paradise 1979 showcases the band's live prowess and undeniable rockin' pop panache. I can't explain how or why I missed out on discovering the Shirts' music when I was a punk- and pop-obsessed college student in the late '70s, but I've been trying to make up for lost time. I bought a CD reissue of the group's 1978 eponymous debut album a few decades ago. I recently purchased digital copies of the Shirts' otherwise-OOP second and third albums, and we've been programming live Shirts with manic devotion.

This week marks our first spin of the Live At Paradise rendition of debut album gem "Tell Me Your Plans." It's probably my top Shirts song (perhaps in a virtual tie with "Reduced To A Whisper," also from the debut), and we'll play this live cut again on our next show. We'll also throw in a studio track from their second album Street Light Shine, and a track by Rome 56, which is Shirts guitarist Artie LaMonica's current combo. 

MEN WITHOUT HATS: The Safety Dance [extended dance version]

The Greatest Record Ever Made!

THE RAMONES: Needles & Pins

When I was a college freshman in the spring of 1978, the Ramones were already on their way to becoming one of my all-time favorite groups. A few months before, "Sheena Is A Punk Rocker" assumed the title of the record that changed my life, the "Rockaway Beach" 45 was my 18th birthday gift to myself, and I saw the Ramones share a bill with the Runaways and the Flashcubes, my first of eight Ramones live experiences, 1978-1991. The American Beatles. The greatest American rock 'n' roll band of all time. I wrote a book about them.

Either before or after my first Ramones concert, I picked up the then-recent "Do You Wanna Dance"/"Babysitter" 45, immediately presumed it was gonna be a double-sided mega-platinum kazillion seller, and was stunned--STUNNED!--when it didn't attain AM Top 40 radio ubiquity. Stupid real world.

Nonetheless, in the giddy enthusiasm of the moment, I wrote a review of the single as a freelance submission to CREEM magazine, and CREEM could not have been less interested in  buying anything I wrote. Stupid, stupid real world! In the review, I wrote about the pure pop appeal of "Babysitter," and summed that up by declaring, "My GAWD, the Searchers live on!"

I meant it as a compliment, and the Ramones' decision to include their cover of the Searchers' 1964 hit "Needles & Pins" on the next Ramones LP (Road To Ruin, also in '78) validated my POV. 

THE CYNZ: Impossible Ending

The Cynz have already secured a berth on our year-end 2026 countdown show, as our carpet-bombing approach to programming "Love's So Lovely" (from the Cynz album Confess) has established the track as a bona fide TIRnRR hit. We play the hits! Now, we also wanna include a few other worthy Confessions, as "Impossible Ending" makes its debut here this week, and yet another treat from Confess will light up our sky this Sunday.

RIHANNA: Shut Up And Drive

Maybe it doesn't seem likely for This Is Rock 'n' Roll Radio--a show with a nominal power pop format, and taking its title from a line in a Ramones song--but Rihanna's "Shut Up And Drive" also has a good chance of making our 2026 countdown show. From a future GREM! chapter, drawn from two previous editions of 10 Songs:

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex.

I remember hearing Rihanna's hit "Umbrella" in 2007, and not being especially taken with it. In 2008, the updated version of her Good Girl Gone Bad (Good Girl Gone Bad: Reloaded) landed into my consciousness via my then-teen daughter, whose interest in "Take A Bow" and "Disturbia" brought those songs to my attention as well. I was a little surprised to discover I liked them (especially "Disturbia"), but I did indeed like them.

I missed out on the track "Shut Up And Drive." I'd heard it, but I never noticed it until a random search for playlist ideas brought me to it again. It was like a brand new song to me, and I loved it.

(How did I know I loved it? The fact that I played it on obsessive repeat would be a pretty clear clue to that.)

Wikipedia describes "Shut Up And Drive" as a new wave song--no, really!--based on "Blue Monday" by New Order. No offense to the mopey British guys, but I prefer it the way Rihanna did it.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. 

Rihanna's song is greater. Drive, baby. Drive.

DAVE COPE AND THE SASS: Julee

As this week's show debuts Dave Cope's Sector Frontier, we close with an encore spin of the Dave Cope and the Sass record that sparked our obsession in the first place. From a previous 10 Songs:

Don't ever let anyone get away with trying to tell you there's no worthy new music. That's nonsense. Maybe the good new stuff doesn't reach your ears as effortlessly as it did when you were younger. But it's out there, and it's worth the effort to find it. Every week on TIRnRR, Dana and I try to do our part to mix the great new stuff with the great familiar stuff. Right now is always the best-ever time to be a fan of rockin' pop music.

"Julee," the title tune from a 2022 Kool Kat Musik release by Dave Cope and the Sass, is my favorite new track of this year so far. That's saying something, because as crappy as the year has been in general terms, there's been a rush of fabulous new music, courtesy of Kool Kat, Big Stir, Red On Red, Jem, Rum Bar, and so many others. In my head, "Julee" conjures a million different influences I can't quite isolate or identify; I hear some kind of mid/late '60s British vibe, which may be imaginary, but I don't care. Can't play this one enough.

Restraint is for suckers. Embrace the enthusiasm awready.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, February 28, 2026

10 SONGS: 2/28/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1325, celebrating Black History Month

RIHANNA: Shut Up And Drive

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. Rihanna's song is greater. We'll hear it again on the radio in Syracuse this Sunday night. Drive, baby. Drive.

CHUCK BERRY: Come On

Chuck Berry's 1961 single "Come On" was not a hit in the USA, but it did make the British Top 40 (# 38). One presumes that's where the boys who would soon become the Rolling Stones heard it, and their subsequent cover of "Come On" served as the A-side of the debut Stones single in 1963. Chuck Berry led the way.

SLYBOOTS: If We Could Let Go

Pop perfection, with an aching plea for harmony that resonates and reinforces our hopes for something better than the hateful tsuris surrounding us. Slyboots' 2024 single "If We Could Let Go" is just unforgettable, endlessly enriching, and for damned certain on the best new tracks of the decade to date.

LEMOYNE ALEXANDER: Insecurity

From a previous 10 Songs:

I often mention that there is so much more great music out there that most of us don't get around to hearing. Credit our friends Brett Vargo and Uncle Gregg at the essential weekly podcast Only Three Lads for my recent belated discovery of LeMoyne Alexander. Mr. Alexander is a singer, songwriter, guitarist, and producer with a long list of credits in hip-hop and R & B, and his recent guest appearance on O3L not only introduced me to LeMoyne Alexander, but specifically to his extraordinary 2024 single "Insecurity." Whoa! I'm retroactively declaring "Insecurity" to be one of my top tracks of '24. 

There's so much out there that we don't know, that we don't get an opportunity to know. With LeMoyne Alexander's superb rockin' pop track "Insecurity," we'll try to make up a little bit of lost time.

DONNA SUMMER: I Feel Love

From my book The Greatest Record Ever Made! (Volume 1):

1977 had the potential to be a year of musical revolution. When we say that, most of us are talking about punk, about the Sex Pistols, the Ramones, the Clash. Maybe we're not thinking as much about disco, and maybe that's fair. But if we want to consider the potential of pop music's revolution in '77, our discussions of "God Save The Queen," "Sheena Is A Punk Rocker," and "White Riot" had better allow some room on the dancefloor for "I Feel Love" by Donna Summer.

In the late '70s, disco and punk were supposed to be at war with each other. As a self-professed punk rocker in that era, I can attest that, yeah, punks didn't like disco, and the bumpin'-n-hustlin' set was appalled by the loud and fast noise my people favored. Hatfields and Capulets, meet McCoys and Montagues. Never mind the fact that the mainstream rock crowd held both punk and disco in nearly equal disdain; this was war!

Except that it wasn't. I'm skeptical of the notion that many of the Saturday Night Fevered ever took much interest in the Damned or the Dead Boys, but some among the new wave brigade did eventually allow their ears and minds to be a bit more open to non-pogo dance music, to the beat of dat ole debbil disco. Maybe it was just me, but I was a pop fan anyway; my intense dislike of disco music evolved into occasional tolerance, and tolerance evolved into a sporadic realization that some of the records weren't bad. 

Plus: Donna Summer. Donna Summer was gorgeous. I feel love.

Donna Summers's first hit, "Love To Love You Baby," was basically an extended orgasm set to a disco beat (which is not necessarily a bad thing).  But "I Feel Love" is more interesting; still shimmering and sexy--Donna Summer at that time could have covered the Singing Nun, and still been shimmering and sexy--but its European syncopation makes it even sexier, if not quite as sweaty. Or perhaps not as obviously sweaty....

WILSON PICKETT: Land Of 1000 Dances

"Land Of 1000 Dance." Our National Anthem. Well, it should be our National Anthem. And with no disrespect intended toward the 1962 original by Chris Kenner nor the hit 1965 remake by Cannibal and the Headhunters (whose fine version was the first to add the familiar na nana na na, nana na na na na na na na na, nana na naaaaaaa), I say folks attending baseball games across this occasionally (if not lately)-great land of ours should all rise for the wicked Wilson Pickett's evocation of doin' the Pony like Bony Maronie. Na nana na na, nana na na na na na na na na, nana na naaaaaaa. Batter up!

LL COOL J: Mama Said Knock You Out

The Greatest Record Ever Made!

THE BELLRAYS: One More Night

Like LeMoyne Alexander, the BellRays are another supercool act introduced to my eager ears via the Only Three Lads podcast. See? Ya learn stuff listening to O3L! You can catch up with your BellRays acclimation via their two-part O3L appearance in 2024: Part 1 and Part 2. To supplement your essential BellRays 101, let's review how the mighty Brett Vargo hyped their O3L spot:

"We're havin' a party this week! Joining us for a lively, laugh-filled exploration of 1973 albums is the heart and soul of the BellRays, singer Lisa Kekaula and guitarist Bob Vennum, who have been gloriously blending high octane punk, powerful soul music, deep blues, gritty garage rock, and whatever else they want to throw into the stew, since 1990. This is a band that defies expectations or pre-conceived notions and transcends any one genre or scene. Their music is all about energy and feel, and that makes them authentic no matter what the style is. To quote their 2020 compilation, It’s Never To Late To Fall In Love With...The BellRays."

NEVER too late! I can't explain why it took me so long to purchase some BellRays music and get it on the radio where it belongs. In that never-too-late spirit, the BellRays finally make their long-overdue TIRnRR debut with this killer track from their 2024 album Heavy Steady Go! They'll be back. We have a lot of time to overcompensate for, one more night at a time.

BOOKER T AND THE MG'S: Green Onions

Dana's pick for what oughta be our National Anthem. Booker T and the MG's with "Green Onions' or Wilson Pickett with "Land Of 1000 Dances?" Can't go wrong either way.

THE FOUR TOPS: Reach Out I'll Be There

Reach out. The bad guys have the power. We have the numbers. Reach out, my friends. Reach out.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, January 17, 2026

10 SONGS: 1/17/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1319

THE BARRACUDAS: I Wish It Could Be 1965 Again

I love 1965. I regard '65 as pop music's best year ever: The best stuff was popular and the popular stuff was best. I don't actually wish it could be 1965 again--if nothing else, I'd rather consume hemlock or even Diet Pepsi than have to relive the random tsuris experienced over the course of six subsequent decades--but certainly the miserable state of current events feeds a longing for a return to better times.

Nostalgia is tricky. Still, as long as we're able to recognize that rose-colored glasses (and, I guess, rose-filtered headphones) can taint the accuracy of what we think we remember, recollections of cherished moments lend strength and conviction to steps we take on the path before us. Catch us if you can.

Moving ahead on the ol' timeline, Drop Out With The Barracudas was and remains my favorite album of the 1980s. The album's own sense of nostalgia is tempered by snark and self-awareness, a fun-in-the-sun jaunt that understands mortality and impermanence yet chooses to barrel through anyway, whether by stubborn determination or death wish. The album closes with "I Wish It Could Be 1965 Again," a full-throttle evocation of the legend (or myth) of my favorite year.

From the dystopian POV of our far-future world of 2026, Drop Out With The Barracudas is considerably farther away in time than 1965 was from the album's release in 1981. The legend perseveres. Drop out? Fall in. Those who forget the past are condemned to the Orwellian all-of-this of all of...this. We can do better. Doing better starts with a wish.

RIHANNA: Shut Up And Drive

From a previous 10 Songs, celebrating this eventual addition to the annals of The Greatest Record Ever Made!:

"I remember hearing Rihanna's hit 'Umbrella' in 2007, and not being especially taken with it. In 2008, the updated version of her Good Girl Gone Bad (Good Girl Gone Bad: Reloaded) landed into my consciousness via my then-teen daughter, whose interest in 'Take A Bow' and 'Disturbia' brought those songs to my attention as well. I was a little surprised to discover I liked them (especially 'Disturbia'), but I did indeed like them.

"I missed out on the track 'Shut Up And Drive.' I've heard it, but I never noticed it until a random search for playlist ideas brought me to it again. It was like a brand new song to me, and I loved it.

"(How did I know I loved it? The fact that I played it on obsessive repeat would be a pretty clear clue to that.)

"Wikipedia describes 'Shut Up And Drive' as a new wave song--no, really!--based on 'Blue Monday' by New Order. No offense to the mopey British guys, but I prefer it the way Rihanna did it."

GLENN ERB: Fine Day

"Fine Day" is a very fine new single from North Carolina popmeister Glenn Erb, and it's a righteously radio-ready shot of sure-footed swagger. Ooh, and it's produced by long-time TIRnRR Fave Rave Jamie Hoover, adding even more READY! to its established radio-ready status. This radio show is ready to play it again this Sunday. Nothing could be finer.

THE HUMAN LEAGUE: Mirror Man
DIANA ROSS AND THE SUPREMES: Reflections


In the radio biz, sometimes the segues just write themselves.

SPECTRAFLAME: Love Don't Live Here No More

Second week in a row for a spin of Spectraflame's ace current single "Love Don't Live Here No More," and the first time it's listed correctly on the posted playlist; last week's playlist claimed the song's title was "Love Don't Lived Here Any More." And I ain't even no grammarian. Of course, I screwed up the title again in my on-air announcements, but I finally--FINALLY--get it right in time for the track's third TIRnRR spin this coming Sunday night. See? I actually CAN learn from my mistakes!

Sometimes.

THE LITTLE GIRLS: I Really Want To Be With You

What do 1980s SoCal rockin' poppers the Little Girls have in common with the Beatles, the Ramones, the Cynz, the Grip Weeds, Mike Browning, Monogroove, and the above-cited Spectraflame? Counting our next program, all of these fine acts have graced each of TIRnRR's first three shows this year. I see no reason to stop now, and I've really been digging the Little Girls' Thank Heaven For ValleyPop compilation. More to come. If the Little Girls really wanna be with you, we are only too happy to provide the means.

ELVIS PRESLEY: Kentucky Rain

The Greatest Record Ever Made!

MONOGROOVE: Back To School

We mentioned Monogroove a couple of spots north of here. I've been a fan of Monogroove's Rin Lennon since hearing her former group On The Air's contribution to the 1984 Rhino Records (then-) contemporary girl group compilation The Girls Can't Help It. My pal Andrea Ogarrio included an On The Air track in a mixtape she sent me in the early '90s, and I snagged my very own copy of On The Air's 1987 eponymous six-song EP during a Florida vacation in 1994. More recently, we've been delighted to add Monogroove to our little Play-Tone galaxy o' stars, and "That Girl" (from Monogroove's recent album Popsicle Drivethru) was TIRnRR's # 35 most-played track in 2025. Yep: ON THE AIR! It's what we do.

In 2026, our on-the-air Monogroove presence has been established by the group's recent single "Back To School," and that's been a perfectly peppy rah rah siss boom bop in its own right. Pencils? Books? Teacher's dirty looks? It's all writ in # 2 graphite. "Back To School" pushes against the scornful demands of high school's cliques and ninnies, on behalf of all of us who lurked in the nooks and crannies instead. School is in.

THE RAMONES: I Don't Want To Grow Up

I'm looking at today's date. And once again I say:

Don't wanna. Won't need to. Ain't gonna.

I DON'T WANT TO GROW UP

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.