Showing posts with label Motorhead. Show all posts
Showing posts with label Motorhead. Show all posts

Friday, May 22, 2026

10 SONGS: 5/22/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1337

THE LEMON TWIGS: 2 Or 3

We are big fans of rockin' pop music, and we are delighted when the music we love is able to connect with a larger audience. The Lemon Twigs have garnered some buzz within our power pop world, and while they may not secure a TODAY'S HITS! radio berth alongside Taylor Swift and Sabrina Carpenter, we hope they do. Hell, we hope they record a track with Taylor and/or Sabrina. It's pop music. It's supposed to be popular.

Our own little mutant radio program has not given the Lemon Twigs a ton of airplay; believe it or not, I think we may have played Taylor Swift more often than we've played the Lemon Twigs, though that would be just a function of our short attention span (and my determination to demonstrate that some of Swift's stuff can fit in just swell alongside the Ramones, the Four Tops, and the Muffs in our chosen format--it's ALL pop music). We're going to try to program the Lemon Twigs more often; it's a bandwagon well worth hoppin' on for the ride.

No better place to start than the Lemon Twigs' latest album Look For Your Mind! Our friends at The Spoon podcast recently hooked me on the exquisite Look For Your Mind! gem "2 Or 3," compelling us to open our own show with that track. We'll hear the new album's title tune on Sunday night. Let's get this bandwagon movin'!

MARSHALL CRENSHAW: What Time Is It

The Jive Five's 1962 doo-wop classic "What Time Is It?" is one of my all-time favorite individual tracks, and it earned a chapter in my book The Greatest Record Ever Made! (Volume 1). I was introduced to the song via Marshall Crenshaw's sublime 'n' dreamy cover version, heard on MC's 1983 album Field Day. Crenshaw's rendition held me in instant thrall from the second I heard it, and if my heart's desire migrated to the Jive Five, I never stopped loving the version I heard first.

This week, Dana's spin of the Distractions' "Time Goes By So Slow" prompted me to follow with "What Time Is It?" I had the Jive Five in mind, but then reconsidered and programmed Marshall Crenshaw's (punctuation-free) cover instead. Couldn't go wrong either way.

(Later, when annotating track credits for the posted playlist, I realized this was the first-ever TIRnRR spin for Marshall Crenshaw's "What Time Is It." As The Spoon's Robbie Rist recently reminded me, time takes time. Tick, tock.)

GRAHAM PARKER AND THE GOLDTOPS: Black Lincoln Continental

Another advance peek at Quality Footware: Live At The Brook, the forthcoming new live album from the elemental forces of Graham Parker and the Goldtops. "Black Lincoln Continental" is already available as a single, as is "Soul Shoes," which we played a couple of weeks back. On our next show, we'll treat you to the Quality Footware live cut of the first Graham Parker song I heard (back when I was an impressionable teen surgically affixed to my radio). Grab your soul shoes and hop in your black Lincoln Continental; on Sunday night, we've got a date with a hotel chambermaid.

THE JIVE FIVE: My True Story

Having given the Jive Five's first-set spot to Marshall Crenshaw's "What Time Is It," it was only fair to give the doo-woppers their due with an airing of their only big hit, 1961's # 3 smash "My True Story." This solution spared us from having to cry CRY cry whoa-oh-oh our blues away. This story's ended. It was no lie!

BLONDIE: Little Girl Lies

My next book is a short story collection called Guitars Vs. Rayguns!! Short Stories And Other White Lies. It's my first full-length foray into fiction, following two nonfiction books about music, and it does incorporate a lot of musical influences into its gathering of deliberate lies. The book takes its title from a series of short stories I wrote about a group of rock 'n' roll musicians from Earth playing gigs on other planets, and it name-checks (mostly in passing) a whole bunch of artists, from Enrico Caruso to LL Cool J. I'll post a list of the book's musical name-checks in the very near future.

I don't think I got around to name-checking Blondie, but I do mention one of the group's individual members. Not the gorgeous one you'd automatically expect me to mention! Blondie's powerhouse drummer Clem Burke is cited in this sequence from a story that appears late in the book, as uttered by planet-hopping Guitar Vs. Rayguns drummer Leiko:

Leiko leaned in for emphasis. "I'm Keith fucking Moon. I'm Marky fucking Ramone. I'm Clem fucking Burke. I'm Dennis fucking Diken from the Smithereens, Tommy fucking Allen from the Flashcubes, Ringo fucking Starr if I wanna be Ringo fucking Starr.

"I'm fucking LEIKO, bitches!"

I'm...convinced. Also frightened.

Leiko's a big girl, and she's neither cryin' nor lyin'. As I prepare the publication of my new book of little boy lies, TIRnRR offers this celebratory spin of Blondie's "Little Girl Lies." We hope Leiko would approve. If it pisses her off, I'm pretty sure she won't allow her status as, y'know, fictional to prevent her from kicking our asses.

THE WELL WISHERS: Pox On Everything

Nowadays, "pox on everything" may serve as go-to mantra. It also serves as the title of a new treat from TIRnRR Fave Raves the Well Wishers. Along with "Back Of The Line," "Pox On Everything" is one of two advance tracks from the next Well Wishers album Expected Outcomes. The album is due in June, we played both of the advance tracks this week, and we're playing "Pox On Everything" again on our next show. Think of us as pox protection! Apply the pox only where it's warranted. No shortage of options there...

TOM KENNY & THE HI-SEAS: Welcome To The Working Class

The Greatest Record Ever Made!

MOTÖRHEAD: Motörhead

On our May 10th show, the weekly Greatest Record Ever Made! spot was occupied by "Please Don't Touch," an invigmoratin' 1981 cover of a Johnny Kidd and the Pirates classic, executed by Headgirl. Headgirl were the combined metal might of the boys in Motörhead and the girls in Girlschool, and that week's extravaganza also featured a spin of Girlschool's oomph-driven cover of T. Rex's "20th Century Boy." We figured we owed Motörhead their own reciprocal playlist representation this week. Hey, howzabout the first Motörhead track I ever heard? The eponymous li'l number "Motörhead" was on an absolutely ace 1977 various-artists borgasmord called Geef Voor New Wave, a record I snagged as a teen punk and proceeded to play over und over with the manic obsession (and commensurate volume) one should expect a proper teen punk would bring to such a thing. MOTÖRHEAD!

SPECTRAFLAME: Yesterday (Jane)

A couple of weeks ago, we offered our first spin of Spectraflame's nifty single "Yesterday (Jane)," but we played the wrong mix, an earlier version not considered the definitive version. This is because we're inept. Luckily, we have tenure, and we played the correct mix this week, righting (our own) wrongs and making the world safe for pop music. POP MUSIC IS SAVED! Just doin' our job.

THE BEATLES: Do You Want To Know A Secret

No secret: My book Guitars Vs. Rayguns!! Short Stories And Other White Lies includes a short story about a fictional 1976 Beatles reunion. While nearly all of the musical performers referenced in the book are just mentioned in passing, the Beatles appear as characters in their own story. Elsewhere in the book, one other real-life performer does actively participate in a very brief cameo role.

Which real-life performer? That's still a secret, told in a story that I have not yet shared with anyone. Leiko knows who the performer is, even though [redacted] isn't known as a drummer. But Leiko knows. 

And she approves. The book should be out in early June.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, May 16, 2026

10 SONGS: 5/16/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1336

BANDA AL9: I Wanna Be Your Boyfriend

Banda AL9 are an invigmoratin' pop combo from Brazil, with a new album called Hey! Hey! We're Banda AL9 due out this summer from Wicked Cool Records. The titular Hey! Hey! calls the Monkees to mind (and we approve of that message), and it also connects with this advance non-album single, covering the Rubinoos' power pop classic "I Wanna Be Your Boyfriend." Hey hey you you! And what the Hey!, we're spinning this one again on our next show. Can't wait to hear the album.

GIRLSCHOOL: 20th Century Boy

I mentioned T. Rex in last week's 10 Songs, and also mentioned therein that "20th Century Boy" is my favorite T. Rex song. Knowing that this week's TIRnRR Greatest Record Ever Made! spotlight was set to shine on Headgirl (the combined forces of Girlschool and Motörhead, as discussed in my book The Greatest Record Ever Made! [Volume 1]), it seemed appropriate to serve up a first-set foreshadowing of that selection with a li'l sumpin' from Girlschool as well. Girlschool's able T. Rexstasy channeling of "20th Century Boy" just about programmed its own way into the first set. We're your boys, Girlschool!

(And recognizing Headgirl's other half, we'll get to Motörhead on our next show. In fact, we'll reprise the very first Motörhead song I ever heard.)

THE PORTUGAL JAPAN: Boy Meets Girl

Kick. Ass. 

"Boy Meets Girl" by early 21st century Japanese punk grrls the Portugal Japan has been an occasional TIRnRR playlist treat for years. From a previous 10 Songs:

"Man, this record is like sugar-frosted amphetamines. BOY MEETS GIRL! GIRL MEETS BOY! Dana had a compilation CD called Innocence Is Bliss, subtitled 'A Female Frenzy Of Sensational Sounds!' From that set, he played the Portugal Japan's 'Boy Meets Girl,' and I knew I needed my own copy, STAT...."

And while I did indeed score my very own Innocence Is Bliss (albeit in a time frame inexcusably longer than "stat"), I've never gotten around to further investigation of the Portugal Japan library. Their eponymous 2005 album appears to be the only Portugal Japan material to ever reach the marketplace, but I'm streaming it right now as I write, it's also transcendentally kickass, and I'm gonna need to own it. Radio's job is to sell records. Sometimes we sell the records to ourselves.. 

GO TIME!: Rules Don't Apply

"Rules Don't Apply?" Hey, it's the Federal government's theme song. NO! I KID! I'm a kidder. The music of Go Time! deserves better than my cheap jokes (though nothing will stop me from making cheap jokes), and as a rule, the group's new album 11 deserves to be applied to rockin' pop playlists everywhere. We'll do our part. Rules are rules, man. Rules are rules.

AMOS MILBURN: Down The Road Apiece

From 1947: Amos Milburn, and the first rock 'n' roll record. I doubt anyone could ever convince me otherwise. I made my argument on Milburn's rock 'n' roll behalf here.

THE LEGAL MATTERS: It Doesn't Matter

I'm far too lazy to do the research, but I believe TIRnRR was one of the first radio shows to program selections from the Legal Matters' ace current album Lost At Sea. "It Doesn't Matter" is my favorite track on Lost At Sea, and hearing it pop up again on my car stereo during a recent commute was more'n sufficient grounds to return it to the playlist, where it belongs. And do you know what the Legal Matters' "It Doesn't Matter" has in common with Banda AL9's cover of the Rubinoos' "I Wanna Be Your Boyfriend?" It will also spin again on our next show. Hey HEY! It MATTERS!

THE PRODUCERS: What's He Got

Again: HEY!

THE MONKEES: She

And once again: HEY! I say, HEY!!! The Monkees sure knew their way around a proper HEY!!!

THE SHIRTS: Tell Me Your Plans

We've been offering advance airings of tracks from Live At Paradise 1979Think Like A Key Music's exquisite new archival release from CBGB stalwarts the Shirts. And now: THE ALBUM IS OUT! BUY IT!! It's really good. To celebrate, we return to the Live At Paradise 1979 performance of "Tell Me Your Plans," which is probably my favorite Shirts number

HEADGIRL: Please Don't Touch

The Greatest Record Ever Made!

How do I know it's the greatest record ever made? Because the first time I heard it, I didn't want to hear any other track, just this one, over and over, again and again. A lot of records have that immediate, welcome effect on me. An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Here's to infinite turns, always and forever.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Thursday, May 14, 2026

THE GREATEST RECORD EVER MADE! Headgirl/Motörhead and Girlschool, " Please Don't Touch"


An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


HEADGIRL/MOTÖRHEAD [and] GIRLSCHOOL: Please Don't Touch
Written by Johnny Kidd and Guy Robinson
Produced by Vic Maile
From the EP St.Valentine's Day Massacre, Bronze Records [UK], 1981

Girls can rock. Girls and boys can even rock together.

In 1980, the members of British metal acts Motörhead and Girlschool merged briefly as Headgirl, with their respective frontpersons--bassist Lemmy Kilmister and guitarist Kelly Jackson--trading lead vocals on a single called "Please Don't Touch." At the time of its release,  I knew Motörhead a little bit, and I was peripherally aware of Girlschool, an all-female group that was part of the then-hyped British New Wave of Heavy Metal, or at least a tangent to it. I guess a tangent is more accurate; their gender prevented them from being considered fairly alongside the boys in Iron Maiden and Def Leppard.

Lemmy thought that was bollocks. And, Lemmy being Lemmy, he wasn't shy about saying so. He championed the group, with specific praise of Johnson's guitar-playing, which Lemmy deemed to be at least the equal of what any stupid boy could do.

The collaboration between Girlschool and Motörhead came about when the latter's drummer Phil Taylor was sidelined by an injury in late 1980. The lads of Motörhead joined the lasses of Girlschool for an EP; the EP's B-side would offer a track apiece by each band covering the other, and the A-side would serve up the united metal forces of Headgirl. For that A-side, Lemmy suggested a cover of a song originally done by Johnny Kidd and the Pirates, one of his own favorite groups from years ago.

It's important to note that essential rock 'n' roll existed before the Beatles, and has continued to exist after the Beatles. The Beatles weren't even the first incredible British rock combo. The Shadows were huge in the UK, deservedly so. Johnny Kidd and the Pirates were also superb, and they gave the world the original version of "Shakin' All Over," a song well-known via subsequent covers by the Guess Who and the Who. Kidd split from the Pirates in the mid '60s, and was killed in a car accident in 1966.

The Pirates' 1960 "Shakin' All Over" is absolutely ace. 1963's "I'll Never Get Over You" shows Kidd and the Pirates could have been part of the British Invasion. Their "Please Don't Touch" is a boppin' little number from 1959, and that was the song Lemmy wanted Headgirl to record. And with that, a few years ahead of Spinal Tap, Headgirl turned their amps to 11 to reimagine "Please Don't Touch."

Different lyrics. Different vibe. Grungier, sexier, and a fair bit noisier, chugging ahead at full metal throttle. Both Lemmy and Kelly sing and play their hearts out, and their mates from both bands keep right up with them. I really wish I'd heard this when it was new.

But again: any record you ain't heard is a new record. Doesn't matter when you get to it. I got to Headgirl's "Please Don't Touch" in May of 2021, just over forty years after its release. Hearing it for the first time, I immediately--immediately--became obsessed with it, and for an entire weekend it was the only song I listened to, over and over and over, playing on a loop on my iPod. No other song would do. There was no other song.

You could (rightly) call this a bludgeoning of the old Johnny Kidd and the Pirates ditty, but it's an affectionate roughhousing, faithful in its way to the swing and spirit of the original, heavier and more ominous, yet unerringly pop. And righteous. And LOUD! It could do with another spin right now. Please don't touch...unless you're turning it UP.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, January 27, 2024

10 SONGS: 1/27/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1217. This show is available as a podcast.

VEGAS WITH RANDOLPH: What If?

Anyone who knows me is aware that my devotion to the big beat of the rock and the roll is matched, guitar to cape, by my pervasive and prevailing interest in superhero comic books. And while I have no idea whether or not the members of Vegas With Randolph have ever even read an issue of The Brave And The Bold or Tales To Astonish, I did use an  enthusiastic comics comparison when hyping their 2017 super team-up with Lannie Flowers for our compilation This Is Rock 'n' Roll Radio, Volume 4. That provides a coincidental bit of symmetry as we open this week's battle for truth, justice, and the Rickenbacker way with a new VWR track that shares its title with a Marvel Comics series:

What If?

That's the central question that sparks all fiction, the fantastic and the everyday alike. It's also the not-so-secret origin of many a relationship, and it serves as inspiration for many a fine pop song. Tell us about it, VWR:

What if, What if
I found you
and you wanted me
And I wanted you
And we were meant to be
What if I could lift the veil and see
Our destiny

Adventures await. It all starts with that question: What if?

"What If?" comes to us from Vegas With Randolph's forthcoming new album The Future Store. You should buy it. I did! And we will hear another of its tracks on our next show.

Will hear. There is no "if." There is just the amazing, the incredible, and the mighty. Excelsior!

THE JACK RUBIES: Heaven Shook Me
THE CYRKLE: Red Rubber Ball [21st century version]


This week's second set opens with two in a row from our friends at Big Stir Records. And while many think of Big Stir as a power pop (or at least power pop adjacent) label, this pairing illustrates that Big Stir is so much more than just one thing. 

The Jack Rubies are a British group that plied their surly craft in the '80s. Usually described as postpunk, the Jack Rubies are back with a new Big Stir album called Clocks Are Out Of Time, a brooding concoction that's as far removed from jangle as Mickey Spillane is from Mickey Mouse. Both great. Both great in different ways.

The Jack Rubies' "Heaven Shook Me" leads into the Cyrkle. Obviously. In the '60s, the Cyrkle annexed the charts with the sunshine pop of their big hits "Turn Down Day" and, of course, "Red Rubber Ball," the latter written by Paul Simon. The Cyrkle's present-day incarnation has signed with Big Stir, and in 2023 they released a single of the autobiographical "We Thought We Could Fly" coupled with a 21st-century remake of "Red Rubber Ball." We played "We Thought We Could Fly" upon its release, and the morning sun's "Red Rubber Ball [21st century version]" shines on this week's playlist. We hear the group is working on a new album for Big Stir. And we think's it's gonna be all right. Full Cyrkle.

BO DIDDLEY: Pills

It seems likely that a lot of folks in the TIRnRR demographic were introduced to Bo Diddley's classic 1961 song "Pills" via the cover version found on the New York Dolls' 1973 eponymous debut album.

Me? I never even knew the song existed before hearing former Dolls lead singer David Johansen warble it live at my first David Jo show in the summer of 1979. Even then, I thought the song was called "Rock 'n' Roll Nurse." I barely knew any Dolls or Johansen material before that show, just "Personality Crisis" and "Who Are The Mystery Girls," maybe "Babylon," and possibly David Jo's solo "Funky But Chic." After that night, I made a point of catching up as fast as I could.

I got to Bo Diddley's own "Pills" in 1990, with the acquisition of the two-CD Diddley compilation The Chess Box. A few years later, I got to see Diddley himself as part of an oldies package tour. I don't think he performed "Pills" in that live set at the New York State Fair, nor did Johansen sing it again in any of the shows of his I caught after my first one in '79. Guess he really didn't dig that jive the nurse was giving him.

We played Bo Diddley's "Pills" this week, and we played his late '60s bubblegum single "Bo Diddley 1969" last week. We'll serve up a third Bo Diddley classic on this coming Sunday night's program. Which one? Well, I tell ya: It ain't no town, and it ain't no city.

MARYKATE O'NEIL: I'm Ready For My Luck To Turn Around


FAIRPORT CONVENTION: Time Will Show The Wiser

On our radio show, Dana's been the one playing Fairport Convention, and I'm the one cheering every time he does. But I first heard Fairport Convention's cover of the Merry-Go-Round's delicate pop treasure "Time Will Show The Wiser" when my boss Lewis mentioned it. Lew loves Fairport Convention, and he saw them in concert some time in the way back when. As much I love the original, I now regard the Fairport Convention cover as definitive. Thanks for the tip, Lew! And thanks to Dana for programming it. Wise move.

HEADGIRL: Please Don't Touch

Girls can rock. Girls and boys can even rock together.

In 1980, the members of British metal acts Motörhead and Girlschool merged briefly as Headgirl, with their respective frontpersons--bassist Lemmy Kilmister and guitarist Kelly Jackson--trading lead vocals on a single called "Please Don't Touch." At the time of its release,  I knew Motörhead a little bit, and I was peripherally aware of Girlschool, an all-female group that was part of the then-hyped British New Wave of Heavy Metal, or at least a tangent to it. I guess a tangent is more accurate; their gender prevented them from being considered fairly alongside the boys in Iron Maiden and Def Leppard.

I didn't hear Headgirl's fantastic bludgeoning of Johnny Kidd and the Pirates' "Please Don't Touch" until 2021, but it made up for lost time by immediately becoming a part of my permanent Hot 100. It has a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), and it's always ready to pop into the TIRnRR playlist at any time.

(The playlist is the only instance where I'm only going to spin the song once, and move on. Otherwise? It is not uncommon for repeat plays of "Please Don't Touch" to occupy the entirety of the iPod soundtrack for my evening commute. Don'tcha touch me baby 'cuz I'm shakin' so much.) 

THE FLASHCUBES: Gudbuy T' Jane

A few paragraphs north of here, we talked about how Big Stir Records is so much more than just a power pop label. But now, let's speak of one of the label's power pop superstars, the Flashcubes. But first: These words about rock 'n' roll radio.

My love of rock 'n' roll radio was forged by my absolute fascination with AM Top 40, beginning when I was a kid in the '60s, manifesting in earnest when I was in middle school and high school in the '70s. My migration to FM by the time I graduated from high school in 1977 didn't change the fact of the matter: Radio was everything. 

In those days, Top 40 stations in one city weren't necessarily playing all of the same potential hit records as Top 40 stations in other cities. Regional hits. Years later, I was surprised to learn that, say, "Tonight" by the Raspberries and "Blockbuster" by Sweet weren't radio smashes all across the USA. But here in Syracuse, they were. And so was "Gudbuy T' Jane" by UK stompers Slade.

My God, I loved this record. Still do. Slade were huge in their native land, but the colonies didn't catch on until the '80s, first via the numbskull proxy of covers by Quiet Riot and then by the much-belated appearance of Slade themselves on the American pop radar (and on MTV) with "My Oh My" and "Run Runaway."

The members of Syracuse's own power pop powerhouses the Flashcubes knew (and know) better. I'm sure they heard "Gudbuy T'Jane" on Syracuse's WOLF-AM circa '72, and I know at the very least that 'Cubes guitarist Paul Armstrong is a Slade fan of long standing. So "Gudbuy T' Jane" was a natural choice for the Flashcubes to remake on their superlative 2023 all-covers album Pop Masters. Latter-day New York Dolls guitarist Steve Conte brings additional oomph here, and the Flashcubes provide plenty of oomph of their own. It's what they do!

"Gudbuy T' Jane." Made for the airwaves, then and now. Get with it, America. Jane is all right, all right, all right, all right.

THE WEEKLINGS: Falling Down A Flight Of Stairs

When the Weeklings release new music, This Is Rock 'n' Roll Radio has a tendency to wanna play it. We have to fill three hours of radio each week, and we very much prefer to fill that spot with irresistible music. Hey! The Weeklings create irresistible music! Let's play THAT!

We debuted "None Of Your Business," an advance track from the Weeklings' new album Raspberry Park,  on last week's show. Dana's been champin' at the bit to play a different track from Raspberry Park, the beguiling "Falling Down A Flight Of Stairs," but we hadda wait until the album's actual release to follow through.

Now: The album's out! And "Falling Down The Stairs" is on the air in Syracuse. Fall in. It's the Weeklings! On the radio, where they belong.

CHUBBY CHECKER: Slow Twistin'

The Rock And Roll Hall of Fame is a nice place to visit. But in terms of its relevance to the story (and history) of rock 'n' roll, people keep telling me it's unmimportant, that I should ignore it, that its continuous chuckleheaded snubs of worthy acts are best shrugged off with extreme disdain. These folks are right.

And they're also wrong.

Yes, the Hall is irrelevant, bloated, a joke, a blight, and it probably has bad breath. None of that contradicts my conviction that, in all caps and in bold, ROCK 'N' ROLL SHOULD HONOR ITS OWN. That glorified Hard Rock Cafe on the banks of Lake Erie, flawed though it is, remains the best, highest-profile means to do that. They keep messing it up. I'm gonna keep on calling for them to get it right.

Induct the Monkees. Induct Paul Revere and the Raiders. Induct the New York Dolls, Harry Nilsson, and Warren Zevon, each of whom has at least been nominated. And, for God's sake, induct Chubby Checker.

Come on, baby. Let's do this.

Speaking of acts looooong overdue for induction into The Rock And Roll Hall of Fame, our next edition of This Is Rock 'n' Roll Radio will program a few tracks by the Shangri-Las, in memory of the late, great Mary Weiss

REMEMBER!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl