Showing posts with label Byrds. Show all posts
Showing posts with label Byrds. Show all posts

Saturday, April 12, 2025

10 SONGS: 4/12/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1280

THE GO-GO'S: Vacation

On March 22nd of 2020--yeah, THAT year--I posted this announcement:

"The building that houses the palatial SPARK! studios will be closed until further notice, placing This Is Rock 'n' Roll Radio on hiatus for the time being...Stay safe, with clean hands and the clean or dirty mind you prefer...."

The next day, I posted an imaginary TIRnRR playlist, an Isolation Edition assembling a sequence of songs to reflect my mood at that troubled time. That Isolation Edition opened with the Go-Go's insisting a vacation was all they wanted, the song's bittersweet ache leading perfectly into the mix of anxiety, hope, loss, and catharsis I was seeking at that precise flashpoint of doubt and dread.

Our vacation from the studio turned out to be permanent. We never returned, and that space is no longer ours.

A couple of weeks later, when we made a last-minute decision to try recording the show from our remote locations at home, Dana took the imaginary playlist and made it so. I added back announcements recorded on my iPhone. This became our method going forward, minus the "last-minute" part. What had been a fake playlist became a real radio show, broadcast on April 5th, 2020. Five years ago this past weekend.

Five years and one day after returning to the airwaves via remote control, we haven't missed a week yet. And we began home-schooled TIRnRR Year Six with another spin of the magnificent Go-Go's pining for the unattainable.

It still suits my mood. But its catharsis remains welcome. All I ever wanted? Not quite. It's gonna have to suffice anyway.

(One member of the Go-Go's--bassist Kathy Valentine--will be back on our next show with a solo track, a track featuring the pounding prowess of one of our favorite drummers, the late Clem Burke. We've threaded an extended tribute to Clem Burke throughout the show this coming Sunday night, with four Blondie tracks plus more Burke-propelled treats by the Plimsouls, the Romantics, the Empty Hearts, Steve Conte, Ray Paul, Chequered Past, Dan Markell, the Tearaways, Joan Jett, John Easdale, and Tall Poppy Syndrome. That's gonna crowd out a lot of our recent Fave Raves, but they'll be back, and I think we managed to pull off an absolutely kickass tribute to Clem Burke. We're opening the show with one of the specific Blondie tracks you would expect to open a tribute to Clem Burke. Man, I bet you can hear his drum intro to that in your head right now.)

TAMAR BERK: Permanent Vacation

Well, yeah, why take just A vacation when you can take a PERMANENT vacation? Tamar Berk has the right idea. "Permanent Vacation" comes to us from Tamar's 2023 album tiny injuries. We've since likewise hit the beach with Tamar Berk's 2024 release Good Times For A Change, and we're eagerly anticipating the chance to catch more rays with her forthcoming new album. We have a permanent fixation on pop music, so we're set to crank up some Tamar Berk and hit the road with righteous aplomb. 

CHUCK BERRY: Promised Land

I confess there was originally a different track ("Route 66" by the Rolling Stones) programmed in this spot, but it turned out I didn't have the track on the immediate hand I needed, so Mr. Chuck Berry fit in just fine instead. Permanent vacation route on Route 66 versus vacation destination in the promised land? Can't go wrong either way, and "Promised Land" is my favorite Chuck Berry song. From my book The Greatest Record Ever Made! (Volume 1):

"...Chuck Berry knew well the travails of the downtrodden. Dark skin, humble origin, and destined to transcend everything to become one of the most significant performers in the history of rock 'n' roll. His mind was quick, his fingers precise, wedding intricate, unforgettable wordplay to a guitar he played like a-ringin' a bell. He struggled. He pushed. He got noticed. He got pushed back. He kept pushing back in turn, smiling and duck-walking, while seething behind his flamboyant mask. A nice man? Possibly not, but beside the point. An important man? If you've ever loved rock 'n' roll, you should be ashamed to even ask that question...

"...Into this tinderbox, Chuck Berry brought an electric match: Black music that made white kids dance. He wrote in code—most famously, the irresistibly potent brown-skinned handsome man who became (wink) a brown-eyed handsome man—but he crafted and chronicled the American teen-age dream with greater eloquence than anyone else, black or white...."

THE FLASHCUBES: Reminisce

I'm dying to tell you more about who's gonna be on Big Stir Records' forthcoming various-artists celebration Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. We've established that the album will open with the Flashcubes' own ace new track "Reminisce" (one of three new 'Cubes songs on Make Something Happen!), this week's show also served up 'Cubes tribute album treats by Pop Co-Op and the Kennedys, we've previously pummeled your grateful senses with Cubic covers by the Spongetones, sparkle*jets u.k., Joe Giddings, and Super 8 Featuring Lisa Mychols, and we've already revealed that the tribute album will also include contributions from Chris von Sneidern, Hamell On Trial, and Callan Foster.

And there's more. I'm dying to tell you about it, especially about the veteran British rock whose music I loved hearing on the radio when I was in high school, and who just completed his vocal tracks for a cover of the Flashcubes’ "Pathetic." And I just heard a flat-out astonishing ‘Cubes cover by some New York power poppers I’ve been following for nearly as long. Time ain't right for further announcements, at least not quite yet. 

Soon. Very soon. We can look forward and still reminisce at the same time.

THE GRIP WEEDS: Conquer And Divide
THE BYRDS: Lady Friend
THE GREEK THEATRE: Byrd Of Prey

Sometimes the segues just decide for themselves. We've been playing a different track ("Flowers For Cynthia") from the Grip Weeds' current teaser EP Early Clues. Recognizing that a number of other worthy radio outlets (including our SPARK! Radio colleague Rich Firestone on Radio Deer Camp and Bill Kelly and the other boss jocks at Underground Garage) have been playing the EP's opener "Conquer And Divide," we figured we oughta also get in on that action. Willful square-peg status will only get you so far, man.

Given how much TIRnRR airplay has been annexed by the Grip Weeds' divine cover of "Lady Friend" (from the Grip Weeds' divine cover album DiG), Dana automatically followed my spin of new Grip Weeds with the Byrds' original version. Had to be done. 

And given the Byrds taking flyte at that point, I moved the song "Byrd Of Prey" (a jangly number found on the Greek Theatre's new album A Deeper Scar) from its presumed place later in the playlist into, y'know, this spot right here. It's Byrderrific! The science of playlist-building. Don't question science.

STIV BATORS: It's Cold Outside

The Greatest Record Ever Made!

LIBRARIANS WITH HICKEYS: You Don't Know Me

As noted a few column inches north of here, accommodating  a proper salute to Clem Burke is going to occupy a lot of the slots on our next playlist. That means the fab Librarians With Hickeys will get a rare week off from TIRnRR, so let's state again that we just plain adore their latest album How To Make Friends By Telephone. And we just plain adore Librarians With Hickeys, so much so, in fact that...that...

...LIBRARIANS WITH HICKEYS ARE GOING TO BE ON THE FLASHCUBES TRIBUTE ALBUM! I've heard a rough of their track! I can't wait to get hold of the finished version and play it on the radio! And....

You know me. I'm dying to say more. Apologies if I've already gone too far.

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

Pop radio, turn it up! We've been programming the current Super 8 Featuring Lisa Mychols single "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're playing it again on our next show, and we're also debuting some new SPARK Radio promos that Trip 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Saturday, August 3, 2024

10 SONGS: 8/3/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.  

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1244.

THE BYRDS: Lady Friend
THE GRIP WEEDS: Strange Bird [remix of original single]
THE MONKEES: For Pete's Sake

This three-in-a-row half-set picked by Dana offers an appreciative tribute to a unique experience he witnessed a couple of weeks ago at the Grip Weeds' Syracuse show. Before the doors opened that night at The Lost Horizon, the mighty Grip Weeds treated Dana to an exclusive three-song unplugged set, performed on the nightclub's stoop. 

The acoustic shindig commenced with a cover of the Byrds' "Lady Friend," a David Crosby song that the Grips Weeds also recorded for their superswell covers album DiG. The Grip Weeds' "Lady Friend" has become a TIRnRR Fave Rave, in both its official DiG version and a vocals-only mix on A Deeper DiG, a bonus disc included with the three-CD DiG Super Deluxe Edition. 

Then it was time for a Grip Weeds original. "Strange Bird" is one of my many favorite Grip Weeds tracks, and the group allowed us to use an irresistible remix of the original single on our 2017 compilation This Is Rock 'n' Roll Radio, Volume 4. Of the three songs the Grip Weeds performed on the stoop, "Strange Bird" was the only one reprised in their actual live set inside the Lost (dedicated to Dana and Carl!). They also said they're working on a brand-new recording of "Strange Bird," and we can't wait to hear it.

Finally, we have a spin of the Monkees' "For Pete's Sake." In this generation, in this lovin' time...! Along with "You Just May Be The One," "For Pete's Sake" is my pick for what should have been the double A-Side single off the Monkees' 1967 hey-hey-we're-a-real band album Headquarters, and the song is well-known as the closing theme from the second season of the Monkees' TV series. The Grip Weeds' version is on DiG, and it was also a single during the pandemic (under the title "For Pete's Sake [Stay At Home At Home!]"). 

So Dana played all three songs, the Grip Weeds themselves bookended by a couple of their inspirations. Go, you Grip Weeds. Go.

CYNDI LAUPER: I Drove All Night

This week, Dana again played Cyndi Lauper's epic "I Drove All Night," renewing my ongoing state of delighted thralldom when it comes to this track. From a previous edition of 10 Songs:

Is 1989's "I Drove All Night" my favorite Cyndi Lauper track? Yeah, I believe it is. And that's not faint praise; I think Cyndi's great, and I love her big smash hit records, including "Girls Just Wanna Have Fun," and especially "Time After Time." I think the first time I heard the latter was when she appeared on The Tonight Show in 1984, delivering an electrifying performance of "Girls Just Wanna Have Fun" and then topping it with a dramatic rendition of "Time After Time." Watching it on my little black and white TV, my jaw dropped. I was impressed, and I believe Johnny Carson also approved. Smart guy, that Carson. Robert Klein seemed to agree, too. Another smart guy!

Memory suggests The Tonight Show also introduced me to "I Drove All Night" a few years later. Hey, who needs radio when ya got Johnny Carson? Whether my first exposure or a reinforcement of established bias, Lauper's "I Drove All Night" knocked me out. Songwriters Billy Steinberg and Tom Kelly originally crafted the song for Roy Orbison, and that intent is evident in the song's only-the-lonely DNA even if you've never heard Orbison's own splendid, posthumously-released version. Lauper owns it anyway; can't say that about many Orbison numbers performed by artists who weren't Roy razzafrazzin' Orbison.

In both the Lauper and Orbison performances, "I Drove All Night" just simmers with controlled desire, an earthly passion--burning up inside--accompanying a pristine love, impossible to resist, even if one were foolish enough to want to resist in the first place. Its consummation is sweet and well-earned.

Lauper's best track? Yes. Don't argue with the driver.

THE BAY CITY ROLLERS: Wouldn't It Be Nice

The Greatest Record Ever Made!

BADFINGER: Baby Blue

My all-time favorite individual track, the subject of the first Greatest Record Ever Made! I ever wrote, and--of course!--a part of my new book The Greatest Record Ever Made! (Volume 1). Guess that's all I have to say? Nah. The conversation continues.

sparkle*jets u.k.: Hey Grandma

We've established the fact that I regard the current sparkle*jets u.k. album Box Of Letters as one of this year's very best releases. Box Of Letters includes this great cover of Moby Grape's "Hey Grandma," featuring Special Guest Bat Villain Robbie Rist poundin' on them pagan skins (aka, drumming). We discovered Mr. Rist's involvement on this track when the members of sparkle*jets u.k. appeared on a recent episode of The Spoon podcast. Oddly enough, that's also when Robbie discovered his involvement on this track. See, the boy's forgotten more of his work than most other musicians accomplish to begin with. Great track, great album. 

THE FLASHCUBES: Wait Till Next Week
POP CO-OP: It Ain't Easy Being A Boy


An early clue to the new direction? Sort of. No further comment at this time. Wait till...well, we'll get back to you on that.

(Can't wait? Understood. Chris von Sneidern has another hint about what's coming. Check out this week's edition of CVS Request Hour, and pay particular attention to what our CVS has to say and play from around the 35-minute mark on. A promise is implied.)

THE RUBINOOS: Rock And Roll Is Dead

About a week ago, I finally got to see my first-ever live performance by the Rubinoos, and it was the realization of a 47-year-old dream come true. One Saturday afternoon in (I think) the spring of 1977, I was in my room when my mom called to me: "Carl! I think KISS is on TV!" 

But it was the Rubinoos, on American Bandstand, guitarist Tommy Dunbar all done up in mock rock regalia for the group's epic hard rock send-up "Rock And Roll Is Dead." Host Dick Clark joked about Tommy looking like one of the guys from KISS (hence Mom's confusion), but I recognized the Rubinoos. I was already a fan, and their Bandstand appearance was my first glimpse of them on television.

(I don't remember for sure, but I may have already been watching them on my bedroom TV when Mom called me to the living room. It seems to me I did see the Rubinoos lip-sync the first of their two American Bandstand songs--their hit cover of Tommy James and the Shondells' "I Think We're Alone Now"--and I then witnessed "Rock And Roll Is Dead" on the main family TV.)

Either way, "Rock And Roll Is Dead" sizzled. It still does, and it for damned sure sizzled in live performance last week. It belies its title. It lives. It breathes. It moves. 

And it transcends. 

Turn it DOWN...?! Nope. Ain't happening. Ain't happening at all.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, December 21, 2023

10 SONGS: 12/21/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1212. This show is available as a podcast.

THE ARMOIRES: Music & Animals


This week's show cast a mini-spotlight on Embers Of Aloha: A Maui Wildfire Benefit Project, a fantastic compilation with the worthy goal of helping the people of Lahaina and West Maui recover from the devastation wrought by the wildfires in August. Buying this album is a gift that gives back, and we recommend you take full advantage of that opportunity. Help others while helping yourself to some great music? Even saints need tunes to accompany their saintly deeds, man.


I'm tempted to note a weird dichotomy here: As I write this post, recalling the hardships of our brothers and sisters in Maui, today is also the day I recorded my parts for our next show, The 25th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show, which airs on Christmas Eve. But the temptation disappears as I appreciate the symmetry of events, the common ground that outflanks and outranks difference. A holiday, no matter how festive, often contains a sense of loss, a pang, an ache that reminds us of parts of our lives that have gone missing. A tragedy like the Maui wildfires demands that we figure out a way to hope, a way to help, a way to somehow restore dreams and make them real. Visions of sugarplums. Shelter from harm. 

A light to shine the way.


Last week, both our show and our pal Rich Firestone's SPARK! program Radio Deer Camp played "Music & Animals," the Armoires' exquisite contribution to Embers Of Aloha. When Rich told us he was going to spotlight the album on RDC this week, we followed suit, and we opened with an encore spin of "Music & Animals." Mahalo. Adeste Fideles. God rest ye, weary and merry alike. 

STONEY AND MEATLOAF: The Way You Do The Things You Do


Yeah. That Meatloaf (later Meat Loaf), who would do anything for love, while still remaining in awe of the way you do the things you do. Renaissance guy. I had no idea that either a one-word or two-word Meatloaf had recorded for the Motown-affiliated Rare Earth in 1971. Stoney and Meatloaf--Stoney being chick singer Shaun Murphy--did one album and released a pair of singles, but wound up a footnote to Mr. Loaf's subsequent success. I'd never even heard of them before Dana played their ace cover of the Temptations' "The Way You Do The Things You Do" on the show this week. Stop right there? Nope. I wanna hear more.

BLONDIE: Kung Fu Girls


Enter the Dragon! Y'know, if I ever had a chance to write The Green Hornet, I'd want to give his enforcer Kato a code name. I mean, c'mon, how can you have a secret identity if your mysterious and feared masked persona is publicly referred to BY YOUR REAL NAME...?!  Criminals may be a superstitious and cowardly lot, but they can't all be that stupid. The Dragon. Given my druthers, when Kato's masked, he'd be the Dragon.


Members of Blondie loved B-movies, and I read somewhere that a number of their early song titles were taken from movies. I've never seen a flick called Kung Fu Girls, but I bet it kicks ass.

How could it not? The Dragon would approve.

GEORGE & LISA: Mornin' World


I'm not necessarily a ukulele guy. I'm not opposed to them, even if I do prefer guitars. Heck, most of us who loved Herman's Hermits' "Mrs. Brown, You've Got A Lovely Daughter" probably believed guitarist Derek Leckenby was pluckin' a uke on that track, rather than stuffing tissue under his guitar strings to sorta-kinda simulate a ukulele sound. And a ukulele was recently a big part of the happiest night of my life, when Israel Kamakawiwo'ole's beautiful rendition of "Somewhere Over The Rainbow" accompanied my daughter and I as we walked down the aisle at her wedding in October.

Sniff. Give me a second here.

From Embers Of Aloha, George and Lisa's "Mornin' World" uses the ukulele to support Lisa's voice in a lovely and moving evocation of Maui rising to meet a new day. We know George and Lisa--George Baby Woods and Lisa Jenio--from Candypants, and if they've done more music in the twenty years since Candypants' one album and one single, I'm damning myself for not being aware of it. "Mornin' World" is a wonderful world. Ukuleles and all.

GRAHAM PARKER AND THE GOLDTOPS: That's Life


This year, UK rock legend Graham Parker released a solid new album, Last Chance To Learn The Twist, on the ever-cool Big Stir Records label. As our last chances to do the Twist in 2023 grow fewer in number, Parker has just released "Sun Valley," another digital single from the album. And the single supports its virtual A-side with two non-album live tracks, including Graham and his Goldtops swingin' their way through Frank Sinatra's "That's Life." Ring-a-ding-ding, baby.

TAMMY FERRANTE: Worker Bee


Speaking of TIRnRR favorites like Candypants and the Armoires on Embers Of Aloha, Tammy Ferrante accrued some significant spins at this radio frequency when she was fronting the incomparable Tammy and the Lords of Misrule, as well as some airplay with Dreamworld and the Boat Missers. "Worker Bee" is a delight, makin' just the right dose of honey to buzz these airwaves. Sweet.

THE BYRDS: I'll Feel A Whole Lot Better



DANNY WILKERSON: Bye Bye


Rich also played Danny Wilkerson's rockin' Embers Of Aloha track "Bye Bye" as part of Radio Deer Camp's Maui tribute this week, and we were perfectly fine with repeating it on TIRnRR. Ya can't have a hit record if you only play it once. 

And "Bye Bye" is a hit record. We aim to get back to it again in 2024.

THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message


This was our last regular show of 2023, with special programming planned to take us into the new year. And we couldn't let this last regular show of the year slip by without one more spin of something from my top album of 2023: Pop Masters by Syracuse's own power pop powerhouse the Flashcubes.

As we move into that special programming, the Flashcubes will have next week off. They'll likely return the following week. And they will definitely be part of our big countdown show on January 7th.

THE RAMONES: Merry Christmas (I Don't Want To Fight Tonight)


The Ramones help us get ready for next week's program, The 25th Annual This Is Rock 'n' Roll Radio Christmas Show. 

Peace on Earth. Good will toward all. It's an elusive goal. 

But it's our only hope.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, November 25, 2023

THE GREATEST RECORD EVER MADE: I'll Feel A Whole Lot Better

Tweaked ever-so-slightly from a previous piece, this was prepped as a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), but it was taken out of the running roughly a zillion drafts ago. (A different Byrds track is in the book's current draft.)

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


THE BYRDS: I'll Feel A Whole Lot Better
Written by Gene Clark
Produced by Terry Melcher
Single [B-side of "All I Really Want To Do"], Columbia Records, 1965

Would pop journalists even know the word "jangly" if not for the Byrds? One presumes so. I mean, the Beatles were known to jangle occasionally before the Byrds hit big, and there's certainly plenty of jangle to be savored in the synchronized guitars of "Needles And Pins" and "When You Walk In The Room" by the Searchers. But, with the irresistible twelve-string ring of the Byrds' take on Bashful Bobby Dylan's "Mr. Tambourine Man," these jet-settin' former Beefeaters became synonymous with the idea of jangly pop music. Listen to that jingle jangle.

The Byrds were one of the many great '60s acts I discovered after the fact, when I was a teenager in the '70s. Their music was probably at least somewhere within the fringe of my consciousness when I was younger, but I didn't really take any notice until, I think, around 1975 or so. That's when my so-called attention was caught by a TV commercial--you know the type, hawking some presumably-essential assortment of classic hit records, each the original song by the original artist, slapped together just for you on this unbelievable bargain-priced set of LPs or eight-tracks, for a limited time, so order now, man, NOW! I specifically recall the commercial included snippets of "Kicks" by Paul Revere and the Raiders (which would ultimately be a seismic event for me, too) and "Turn! Turn! Turn!" by the Byrds.

I didn't buy the TV record. I don't think I've ever purchased a TV record, at least not until I bought a series of Time-Warner Classic Rock CDs in the late '80s and early '90s. I am gullible, but selectively gullible. Nonetheless, that TV commercial was my gateway to the Byrds.

From there, I proceeded through rock history books and oldies radio shows to learn about the Byrds. I had some favorites: "Mr. Tambourine Man,"and "Turn! Turn! Turn!," of course, but especially "Eight Miles High" and "So You Want To Be A Rock 'n' Roll Star." I was still learning.

My first avian jangle purchase was the "Eight Miles High" 45, plucked from the overflowing rack of singles at Syracuse's Walt's Record Shop on North Salina Street. My first Byrds LP was Fifth Dimension, which I probably bought at The Record Grove when I was a freshman at Brockport College in the fall of 1977. I'm not positive, but I think I bought a used (and battered) copy of the Turn! Turn! Turn! LP (perhaps at Syracuse's Desert Shore Records, when it was still located in Eastwood) before purchasing my copy of the Byrds' debut album Mr.Tambourine Man at The Record Grove.


Although I'd learned a little bit more about the Byrds by this point--and by "a little bit" I mean that I'd heard and enjoyed the track "Chestnut Mare" on Brockport's campus radio station, WBSU--I was still a neophyte awaiting flight. The title track on Mr. Tambourine Man was the only song I knew beforehand. Things were about to change, on first spin.

Jangle. If the word didn't exist in the rock 'n' roll writer's lexicon before 1965, the hypnotic chime of guitars in the first few seconds of "Mr. Tambourine Man" suddenly makes the word necessary, and eternal. The soaring harmony of the chorus sends the song into the stratosphere, like a gift from above, before you've even had time to sit down after setting the needle to the groove. Maybe you shouldn't even bother sitting down right now. What's the point? The music is going to move you forward no matter what you do.

So, obviously, "Mr. Tambourine Man" is The Greatest Record Ever Made. Matchless. Nonpareil. Impossible to equal, let alone surpass. The sine qua non of pop music. And how do you follow that?

Well, apparently you follow it with an even better song.

"I'll Feel A Whole Lot Better" is amazing, and one of rock 'n' roll all-time greatest kiss-offs: "I'll feel a whole lot better...when you're GONE!" Don't let the door hit ya, ya worthless crumb. Its riff is prototypical folk-rock, lifted in part from "Needles And Pins," and later modified by the Beatles for "If I Needed Someone," a song which would not exist if "I'll Feel A Whole Lot Better" didn't first provide the elements to pilfer and inspire. This is Gene Clark's finest moment, and that's saying something.

It's silly to think of the Byrds as underground, even in 1965. This is pop music, unabashedly so, yet still deeper than the market required, more accomplished than the teen mags expected, unassailably cool in ways that defy analysis. "Cool" is an intangible, an ephemeral, an imprecise ideal that can't quite be defined or quantified. In 1965, cool was embodied by the Byrds.

The Byrds weren't considered cool for long. The Rolling Stones--surlier, more sinister bad boys!--usurped that title in short order. Four of the five original Byrds left the nest as seasons turned, turned, turned: Gene Clark was gone in 1966, David Crosby and Michael Clarke followed in '67, and Chris Hillman departed right around the time Richard Nixon rose to the top of the charts. Jim McGuinn--later known as Roger McGuinn--was the only member to remain in all of the varying incarnations of the Byrds, and the group finally ended in '73 (following a one-off reunion album by the original quintet). For too many people, the Byrds became a mere footnote in the chronicle of Crosby's path to the more celebrated Crosby, Stills and Nash. While I like CSN, I can't forget the fact that CSN broke up three great groups--the Byrds, Buffalo Springfield, and the Hollies--to make one good group.

I had a ticket to see McGuinn, Clark and Hillman in 1978 or '79, when this Byrdly trio visited Brockport. But I didn't like their new stuff, figured they probably wouldn't perform any Byrds songs, and sold my ticket instead. Aside from passing on a chance to see James Brown in the mid '80s, this was the stupidest missed opportunity on my concert-goin' résumé. 

Over time, I acquired nearly all of the Byrds' albums, via CD reissues if nothing else. I still like the early stuff the best, Mr. Tambourine Man through Younger Than Yesterday. I was so much older then; I'm younger than that now. Cyril Jordan of the Flamin' Groovies once said that no one ever released another subsequent album as great as Mr. Tambourine Man. When I interviewed Cyril for Goldmine in the early '90s, I asked him if he still thought that was true; "Still true!" was his simple response. 

Still true. Still jangling. We feel a whole lot better already.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl