10 SONGS (plus one bonus): 9/5/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1351

[REDACTED] FEATURING [REDACTED]: [REDACTED]

Mystery track! We debuted this on last week's blowout celebration of TIRnRR # 1350, and it opens this week's show. Still can't tell you about it just yet. If you happen to be at The Lost Horizon in Syracuse on Saturday, November 7th, rumor has it that the physical 7" 45 RPM of this mystery track will be available for purchase at the merch table, courtesy of our friends at Big Stir Records. As stated previously: Grab your bright lights and bikini bottoms--bikini tops are optional.

I don't mind.

DOLLY PARTON: Release Me
DOLLY PARTON: Don't Drop Out

DOLLY PARTON: Jolene

TIRnRR's unique mojo may or may not be equal to the task of presenting a proper tribute to the late Dolly Parton, but there was no power in this mortal sphere that could prevent us from at least offering some humble tribute to her legend and legacy. Over the course of our first 1,350 shows, we've only played a grand total of three different Dolly Parton tracks, "9 To 5," "Don't Drop Out," and "Jolene," and I'm pretty sure the spin of "9 To 5" was the work of a guest programmer. 

But if Ms. Parton wasn't a TIRnRR perennial like the Ramones, both Dana and I had enormous respect for her. I remember one time when a listener asked why a show like ours would program "Jolene," and I answered: Because it's a great track. Great tracks are welcome around these parts. (And I will eventually repurpose the commentary for this week's posted playlist as part of a Greatest Record Ever Made! piece about "Jolene.")

For this week's show, "Jolene" was an absolute must, and so was "Don't Drop Out," Dolly's astounding girl-group sound single from 1966. I had something specific in mind to serve as coda (see below), and we included her lovely version of the country classic "Release Me" in our opening set.

DAVID RUFFIN: Let Somebody Love Me

This coming Sunday night's TIRnRR serves up the long-awaited return of Dana's Funky Soul Pit. Dana's annual soul/R 'n' B/funk extravaganza is one of our most popular presentations, and Dana has outdone himself once again with this year's fabulous edition. This is can't-miss entertainment, and we hope you'll tune in Sunday night, September 6th, from 9 to Midnight Eastern. Get set to sweat.

And this year's Soul Pit will include a few tracks by David Ruffin. Best known as one of the lead singers in the Temptations, Ruffin's subsequent solo career offered a lot of extraordinary work that didn't always find the large audience it deserved. A 2004 release called David (aka David Ruffin--The Unreleased Album) collected a number of (mostly) previously-unissued sides Ruffin recorded from 1969-1971, and it's an amazing record. This week, I pulled out a sublime David track called "Let Somebody Love Me." For the Soul Pit, Dana has a different track from the same collection. Irresistible stuff.

MARY KARLZEN: Mr. Typewriter

Oooo--speaking of irresistible stuff! Our pal Robbie Rist is a big fan of Mary Karlzen, a singin' songwriter who appeared as a guest on a recent episode of The Spoon podcast. Robbie also played on some of Mary's fab new album For All That We Dreamed Of (as does the incredible Fernando Perdomo), and a Spoon spin of the For All That We Dreamed Of delight "Blindsided" served up sufficient spark to get me to buy the album--a podcast's job is to sell records--with the intention of inserting "Blindsided" into this week's TIRnRR.

BUT! Robbie suggested we should oughta play another track from the album instead, and we have been known upon occasion to just do as we're told awready. So Robbie's fave rave "Mr. Typewriter" (also a great choice) stands as Mary Karlzen's TIRnRR debut, with "Blindsided" likely for a near-future show. Hail, Mary!

EARTH, WIND & FIRE: September

THE DONNAS: I Don't Want To Go To School

Wait--SEPTEMBER...?! Didn't summer just start? I DON'T WANT TO GO TO SCHOOL!

THE TEARJERKERS: Syracuse Summer

The Greatest Record Ever Made! 

TIM CURRY: I Do The Rock

News that actor Tim Curry had passed reached us just as we were about to record this week's show. We had to tweak the playlist a bit--apologies to Judas Priest (whose "Living After Midnight" was bumped to accommodate the change), and also to Rush (whose "Circumstances" fell victim to time constraints resulting from the switch)--but it felt imperative to represent Curry in this spot.

Like many of us, my introduction to Tim Curry was his bravura performance as Dr. Frank-N-Furter in The Rocky Horror Picture Show. I thought the film was a hoot, and I'm glad the first time I got to see it was in a matinee screening, unaccompanied by costumed moviegoers, practiced audience participation, and props ranging from airborne hot dogs and rolls of toilet paper to copies of The Cleveland Plain Dealer folded over one's head. I got to experience the movie as a movie, and I found it hilarious. The experience was then enhanced and writ larger over subsequent screenings and the now-familiar attendant hoopla. Lips, baby. LIPS!

One of my favorite Curry performances was his role on several episodes of the Wiseguy TV series. Curry played Winston Newquay, an evil record label executive (which isn't necessarily a redundant phrase), and he was so riveting and deliciously malevolent that I really wish he'd been cast as the Joker in the 1989 Batman film. Curry was an artist, and an unforgettable presence in everything he did. 

From Rocky Horror, we could have played Frank-N-Furter's signature song "Sweet Transvestite" as our Curry selection, but really, Curry's 1979 radio hit "I Do The Rock" felt like an undeniable choice. I do the Rock myself! Maybe not as well as Tim Curry did the Rock--I could never whack a ball with such velocity--but y'know...don't dream it. Be it. It's a lesson worth learning, remembering, and embracing. All the world's a stage. And a stage was what Tim Curry was born to inhabit.

DOLLY PARTON, LINDA RONSTADT AND EMMYLOU HARRIS: After The Gold Rush

All in a dream, all in a dream: A dream of the sound of Heaven, brought to Earth with the angelic voices of Dolly Parton, Linda Ronstadt, and Emmylou Harris. Godspeed, Dolly Parton.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

THE GREATEST RECORD EVER MADE! Styx, "Kiss Your Ass Goodbye"

Drawn from previous posts, this is not part of my book The Greatest Record Ever Made! (Volume 1)

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

STYX: Kiss Your Ass Goodbye

Written by Glen Burtnik, Tommy Shaw, Lawrence Gowan, James Young, and Todd Sucherman

Produced by Gary Loizzo, James Young, and Tommy Shaw

From the album Cyclorama, Sanctuary Records, 2003

A few years back, writer S. W. Lauden (alias musician Steve Coulter of Tsar and the Brothers Steve) posted an excellent piece called "Let's Argue About Power Pop!," wherein our Steve ably took on the endless battles among power pop fans to agree on...anything. ANYthing. Roses are red. Water is wet. The sky is above, not below. Bounty is the quicker picker-upper. Anything! Steve gets it. And I can say that even though I (predictably) disagree with some aspects of his power pop description. Those are just details. Steve gets the essence exactly right.

One of the things that drives power pop traditionalists batty is suggesting that some popular mainstream rock band is a power pop act. Styx comes up as an occasional example, and trust me, Styx is not and has never been power pop.

I mean, except for the time that Styx was power pop.

Listen, man: I hated Styx. Hated 'em. In the late '70s, when I was a bourgeoning young punk rocker and power pop fan in college, proudly sporting a chip on my shoulder and the Ramones in my heart, Styx was the freakin' enemy, THE enemy, more than disco, more than prog, more than Southern Rock, more than Eagles, even: Pompous and bloated, anti-punk, anti-pop. The music of Styx represented everything I despised. One night out drinking, I used my jackknife to carve STYX STYNX into the tabletop at a local nightspot. It is safe to say that I was not a fan of Styx.

For all that, I usually declared a ceasefire in my war on Styx when their song "Lorelei" came on. Unabashedly pop, loaded with harmonies, the group's prerequisite bombast largely held in check, a bit too slick but still energetic, "Lorelei" is almost power pop. Its path to true 'n' everlasting janglebuzz is blocked only by lead singer Dennis DeYoung sounding annoyingly and whiningly like Dennis DeYoung. And it's still a great track anyway. I wished it had been by the Hollies instead of...these guys.

There's no such qualifier for "Kiss Your Ass Goodbye." This track from the 2003 Styx album Cyclorama is certified 100% DeYoung-free. Glen Burtnik (now a member of the Weeklings) was the main songwriter, sharing a co-write with the other members of Styx at the time. Burtnik sings lead, and the result is as power pop as the Raspberries or the Rubinoos. Hell, Burtnik even sounds a bit like noted pop fan Robbie Rist, and that is a compliment for damned sure. Perfect pop. Perfect power pop. By Styx. As hell freezes over and the power pop curmudgeons rail in protest, this track invites naysayers to pucker up already.

I came to the song via an online friend named Kathryn Francis. I haven't heard from Fran in a very, very long time, and I hope she's doing well. She was a fan of both Styx AND This Is Rock 'n' Roll Radio, and she was determined to break down my aversion to this band she loved. She pointed out a few lesser-known Styx tracks for subsequent airplay on TIRnRR, and our pop worlds co-existed in peace.

BUT! In 2003, Fran told me there was this new Styx song that would demolish my antipathy, no matter how hard I resisted. Man, when Kathyrn's right, she's right! "Kiss Your Ass Goodbye" remains an incredible track, a power pop tune--I said, A POWER POP TUNE!!--that has carved out a permanent berth in my ongoing All-Time Top 200. I haven't changed my mind about the familiar stuff, and I hear that many actual Styx fans disdain "Kiss Your Ass Goodbye," so I guess that dynamic remains in place between us.

I say this a lot: An act you actively despise may still be capable of creating one or more tracks you flat-out adore. And make no mistake: I loathed Styx. Still, an open mind can reap benefits. "Kiss Your Ass Goodbye" is now an all-time Fave Rave, and there are a handful of other Styx tracks that I don't mind: "Lorelei" as noted, plus "Too Much Time On My Hands" and a 2005 track called "Everybody Raise A Glass," the latter introduced to me via The Spoon, the essential podcast hosted by the above-mentioned Robbie Rist with Chris Jackson and Thom Bowers. I don't think the day will come when I have any use whatsoever for "Babe" or "Renegade" or goddamned "Mr. Roboto," but I concede that the Styx brand name doesn't necessarily have to prompt an immediate revulsion.

Yeah, y'know...not necessarily.

Even with the bands we don't like as much as some of our friends do, that damned, cheery open mind can unlock the doors of discovery. Raise a glass! Seize a little of that too much time on our hands! Tell Lorelei we oughta live together! In the ending you can bet everyone's an equal. Here's to the Men of The Spoon, and also to our old correspondent Kathryn Francis, wherever she is. Thank you, friends. Domo arigato. It's Styx, babe.

And, of course, this one Styx song is fully, resolutely power pop. Don't argue with me.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

10 SONGS (plus a three-song bonus): 6/27/2026--GUITARS VS. RAYGUNS!!

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1341: GUITARS VS. RAYGUNS!!

CHUCK BERRY: Promised Land

This week's show ties into the publication of my new book Guitars Vs. Rayguns!! Short Stories And Other White Lies. The book is a work of fiction, but we're celebrating its intrinsic mojo by stringing together an irresistible array of rockin' pop music by a few of the many real-life musicmakers mentioned alongside imaginary characters I created for the book's stories. And we'll get to the music in just a sec, right after these important words from our sponsor:

Guitars Vs. Rayguns!! Short Stories And Other White Lies gathers tales of a foul-mouthed rock 'n' roll guitarist hijacked into space, an Old West gunslinger, a film noir gun moll who longs to be in a musical, a humorous fill-in superhero suddenly called to greatness, a former boy band star turned record company fix-it man, a would-be painter, an obsessed collector, a fated swordswoman, a fallen giant, a frustrated time traveler, a condemned sinner guiding tourists in Hell, a departed soul interviewing for a spot in Heaven, a 1976 Beatles reunion concert, and other untruths detailing love, loss, disappointment, miscellaneous hijinks, a fascination with shiny objects, and—occasionally--a juvenile sense of humor. 

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Guitars Vs. Rayguns!! Short Stories And Other White Lies (2026): $15
The Greatest Record Ever Made! (Volume 1) (2024): $30
Gabba Gabba Hey! A Conversation With The Ramones (2023): $25

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The first story in the book is the first short story I ever sold, 2019's "Guitars Vs. Rayguns," a foul-mouthed farce about a rock band from Earth playing gigs on other planets. Chuck Berry was the first among many actual musicians name-checked in this and subsequent stories. After all, NASA's inclusion of "Johnny B. Goode" on the gold record sent into space with Voyager 1 and 2 is what built the extraterrestrial market for rock 'n' roll in the first place. As Rocky, the leader of the book's titular planet-hopping combo Guitars Vs. Rayguns relates:

"Tonight's gig's been going well. Just one fight so far, and the drummer was only wounded; he's out for the night, but we'll get by with just two guitars and a bass if we gotta. Some Big Star, some Everly Brothers, Prince, Grip Weeds, Supremes, Pop Co-Op, Small Faces, and always, always some Chuck Berry. We're about midway through 'Promised Land' when an asshole in the audience tries to interrupt us...."

And that leads into more of the miscellaneous hijinks the book's back cover blurb promises. Take us to the Promised Land. Chuck.

THE CYNZ: Love's So Lovely

The Guitars Vs. Rayguns!! book presents a total of 27 short stories, including five stories starring the irrepressible space-traveling bar band from whom the book takes its title. There is also a sixth story centered around one of the band's members. The other 21 tales are unrelated to the adventures of this band called Guitars Vs. Rayguns. 

A few of the book's non-GvsR! stories are centered around music. "Home Of The Hits" sticks strictly to characters of my creation, with no references to real-life musicians. "Open Letter To An Imaginary Rock Band" finds its narrator listing a bunch of acts (KISS, the Stylistics, the Sex Pistols, Motörhead, Gladys Knight and the Pips, Talking Heads, the Isley Brothers) he prefers to his younger brother's favorite band (the fictional Pants-On Flyers). "I'm At Bat!" name-checks OIivia Newton-John, the Kinks, Nelson Riddle, the Jam, the Marketts, and Neil Hefti. Both "Time, And The Junk Food Of Your Life" and "Pop Friction" mention the Beatles, and the Fab Four also star in their own story about a 1976 reunion concert. The volume of real-life music-makin' names cited within that Beatles short story may rival the cumulative number of bands referenced in all five (or six) of the GvsR! chapters.

But yeah, the dedicated GvsR! band stories provide a pervasive supply of pop music name-dropping threaded throughout the book. The vast majority of them are passing references, and that status includes this line invoking the name of This Is Rock 'n' Roll Radio fave raves the Cynz:

"...The setlist was still peppered with covers, everything from the Buzzcocks and the Selecter to the Cynz and Etta James. But we were doing more and more originals, and our drunken and violently irascible audiences were responding. Favorably. Fuck, we had a gig last week out near Sirius, and only one raygun fight broke out. One! Unheard of in our experience. Suddenly, the ETs far and wide were dancing and listening. We were heading to the toppermost of the motherfucking poppermost...."

As a writer and a music fan (and, y'know, a DJ), my mind is always occupied with dozens of random notions and dozens of irresistible song choices. Always. I wanted Guitars Vs. Rayguns' repertoire to reflect that. And I specifically wanted to mention the Cynz because lead singer Cyndi Dawson has been so supportive of all of my books. Cyndi: THANK YOU!

(And in the real world, "Love's So Lovely" [from the current Cynz album Confess] has already secured a berth on TIRnRR's year-end countdown show. And I wouldn't be surprised if it makes our Top Ten. Hey, Cynz! The guitars and the rayguns salute you.)

THE MONKEES: (I'm Not Your) Steppin' Stone

One of the (theoretical) growing-up experiences that impacted my development as a pop pundit, music journalist, and writer of stuff was the act of standing my ground whenever anyone told me I shouldn't like something. Over time, I learned to shrug off naysayers, and to keep right on digging what I dig. Comic book superheroes. Punk rock. Pulp fiction.

The Monkees.

The more some folks tried to convinced me that the Monkees were worthless, the more they deepened my conviction that they didn't know what they were talking about. I'd seen the TV show, I'd heard the records. I know what I like. I loved the Monkees, and I still do.

The Guitars Vs. Rayguns!! book includes three separate references to the Monkees. In my Beatles reunion story, when John, Paul, George, and Ringo have an informal get-together to reacclimate to playing as a band, they perform a presumably-jokey (but not disrespectful) jam of the familiar "(Theme From) The Monkees." Later in the book, when Guitars Vs. Rayguns are auditioning a new member, the Monkees' "(I'm Not Your) Steppin' Stone" is one of a slew of covers the potential group is unable to nail.

My favorite Monkees moment in Guitars Vs. Rayguns! occurs still later in the book, when the members of my raygun-target rock group find themselves in danger, and they steal a plot element directly from The Monkees TV series to escape their predicament. The idea's inspiration is given full and proper in-story credit. Saved by the Monkees! I believe the fans will be pleased.

But I would have that faith, wouldn't I? After all, I'm a believer.

THE FLASHCUBES: No Promise

Big Stir Records recording artists the Flashcubes loom large in my legend. You can be assured that in the GvsR! chronicles, the Flashcubes are represented and appreciated by rock 'n' roll fans across the planets and across the galaxies.

Guitars Vs. Rayguns drummer Leiko is certainly a Flashcubes fan, especially of 'Cubes drummer Tommy Allen (alongside Keith Moon, Marky Ramone, Clem Burke, Dennis Diiken, and Ringo Starr. Here's evidence of that:

"...Leiko leaned in for emphasis. 'I'm Keith fucking Moon. I'm Marky fucking Ramone. I'm Clem fucking Burke. I'm Dennis fucking Diken from the Smithereens, Tommy fucking Allen from the Flashcubes, Ringo fucking Starr if I wanna be Ringo fucking Starr.

" 'I'm fucking LEIKO, bitches!...' "

So noted. In the universe of GvsR!, the Flashcubes are stars, as big as any other stars in any galaxy. 

I like that universe.

WONDERBOY: Girl Songs

Robbie Rist is a long-time friend of this show, and Dana and I have twice been guests on The Spoon, the essential podcast our Robbie co-hosts with Chris Jackson and Thom Bowers. As a tip of the hat, I wanted to add Robbie's old SoCal pop band Wonderboy to the long list of acts that Guitars Vs. Rayguns covers in their phaser-blasted live sets. And given clear evidence within the narrative that Guitars Vs. Rayguns guitarist Rocky really likes the ladies--really, really likes the ladies--Wonderboy's pop gem "Girl Songs" is a perfect match. 

P. P. ARNOLD: The First Cut Is The Deepest

The Greatest Record Ever Made!

THE RAMONES: Blitzkrieg Bop

C'mon--it wouldn't be one of my books if it didn't reference the Ramones. In one of the book's non-GvsR! stories, a character mentions driving through a blizzard as his iPod treats him to neck-snappin' segues from the Ramones to Dizzy Gillespie to the Girls From Petticoat Junction. In "Jack Mystery (some truths and some white lies)," the actor auditioning for the lead role in a comic book movie wears a Ramones t-shirt. Within the five (or six) GvsR! stories, a character uses the expression "I swear to Joey Ramone," the bassist expresses a desire to channel Brian Wilson, James Jamerson, and Dee Dee Ramone, and we've already seen that drummer Leiko intends to be Marky fucking Ramone (among others). The Ramones. The American Beatles. The greatest American rock 'n' roll band of all time. Hey-ho. Let's go!

JOAN JETT: Bad Reputation

From my short story "Lone Star Falling," which I think is among the best things I've ever written:

"...But Marie looked up at Faye. The eyes could not see. Nonetheless, Marie said out loud, 'LaFayette?'

"Faye had not heard anyone call her by her full first name in...well, she couldn't remember how long it had been. 'Yes, Mom! It's LaFayette.' Usually unflappable, Faye's nerves were on Def Con 1. 'How are you, Mom?'

" 'George!,' Marie called out. 'LaFayette's here for a visit. Come see your daughter.'

" 'No, Mom. Let's not bother Daddy right now.' Faye's father George had died in a car accident decades ago, when Faye was in seventh grade. Faye saw no reason to correct her mother's illusion. 'Let's just have a chat for a second, just you and me, Mom.'

" 'Fifi...?'

Faye froze. Her mother hadn't called her by that name since she was a little girl. 'Fifi? Is that you?' Before Faye could muster a reply, Marie's mind switched again. 'LaFayette! Turn off that noise and set the table for dinner!'

" 'It's not noise, Mom,' said Faye, recalling the exact conversation she had with Marie all those years ago. 'It's Joan Jett. Come on, Mom. Dance with me!'

"Marie smiled as Faye began to dance by the creeping phlox. Marie also started to dance, or rather to mimic the act of dancing while still confined to her wheelchair. 'Such language,' Marie said. 'Couldn't this Joan Jett say she doesn't give a darn about her reputation?'

" 'Works better this way, Mom. It's kickass!'

" 'LaFayette!'

" 'It's okay, Mom. Doesn't this music make you feel alive?'

"Marie was silent, but the glow of her smile continued...."

YOKO ONO: Move On Fast

I have a lot of respect for Yoko Ono, but most of her music falls outside of my chosen pop parameters. Dana's a fan. That said, there are three Yoko tracks I like very much: Her 1980 B-side "Kiss Kiss Kiss" earned a chapter in my previous book The Greatest Record Ever Made! [Volume 1]), her 1971 seasonal treat "Listen, The Snow Is Falling" is luscious and sublime, and "Move On Fast," a pumpin' track from her 1973 album Approximately Infinite Universe, rocks. Yoko haters need not apply.

My first awareness and appreciation of "Move On Fast" was provided courtesy of the weekly classic alternative podcast Only Three Lads. Like Dana, O3L co-host Brett Vargo is big on Yoko, and while he hasn't yet managed to convert his partner Uncle Gregg to the cause, Brett insists Gregg will come around eventually. Me? I'm grateful to Brett for hooking me on this track.

Yoko Ono appears as a supporting character in my 1976 Beatles reunion fantasy piece. I think she comes off quite well, and I hope Brett will approve of her depiction. Dear Yoko: The world of Guitars Vs. Rayguns!! holds nothing but love for you.

THE BEATLES: Paperback Writer

Why, yes--I am a paperback writer. Dear sir or madam, will you read my book?

ENCORE! THREE MORE SONGS!!

MOTÖRHEAD: Ace Of Spades

SLADE: Gudbuy T' Jane

LL COOL J: Mama Said Knock You Out 

These songs are mentioned together in sequence late in the book, when Guitars Vs. Rayguns are jamming with a famous real-life rock 'n' roll superstar, and he sings these three song choices with them. And the band is beyond thrilled when HE expresses gratitude to THEM...!

Thenkyew. Thenkyewverymuch.

Unlikely song choices in this context? Man, I can hear them, in my crowded head. And besides: The King can do what the King can do. That's why he's the King.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

10 SONGS: 4/18/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1332

PALMYRA DELRAN AND THE DOPPEL GANG: Hold Tight

Anyone who has ever listened to Palmyra Delran hold court on her SiriusXM Underground Garage radio show Palmyra's Trash-Pop Treasures already knows that Palmyra is the real deal, blessed with impeccable taste and a thorough understanding and appreciation of the rock and the pop. As a performer, she's well capable of channeling her passion and savvy into the creation of trash-pop treasures of her own, accomplished in various incarnations with the Coolies, the Friggs, and other irresistible dbas. 

The latest single from her flagship combo Palmyra Delran and the Doppel Gang serves up an invigmoratin' workout of the '60s UK power pop classic "Hold Tight." The original 1966 version by Dave Dee, Dozy, Beaky, Mick & Tich is among my all-time favorite tracks, and it was one of many gems I considered rhapsodizing in my book The Greatest Record Ever Made! (Volume 1). I didn't have room for it in the book, but in the mean time we're thrilled with the opportunity to program Palmyra and her Gang holding tight and demonstrating their own mastery of the form. It spins here again this coming Sunday night. 

Palmyra knows her stuff. We know enough to keep playing her stuff. And bonus points to Palmyra Delran’s Doppel Gang for including guitarist and long-time friend to this show Michael Lynch.

THE CORNER LAUGHERS: Crumb Clean

There is something just so enticingly sunshiney about the music of the Corner Laughers. The blissful wave of audible illumination continues on the group's new album Concerns Of Wasp And Willow, and its warm glow is in ample evidence on the sublime current single "Crumb Clean." Little darling (as some British guy once said), it's been a long, cold, lonely winter. With the Corner Laughers on the radio, I feel warmer already.

(I'd already selected the Corner Laughers for a spot on this week's 10 Songs when I discovered that they were also guests on this week's new episode of can't-miss podcast The Spoon. Ah, I love it when a plan comes together. Especially when it comes together without benefit of, y'know...a plan.)

ROME 56: Invisible Man

THE SHIRTS: Love Is A Fiction

THE SHIRTS: Tell Me Your Plans

We love the Shirts, and the release of two previously-unissued archival live albums from these classic CBGB stalwarts (last year's 1981 recording Live Featuring Annie Golden, this year's Live At Paradise 1979) has spawned a renewed commitment to programming the Shirts as often as possible. We've heard (unsubstantiated) rumblings of more to come from the big ol' vault of Shirts; if true, we approve.

This week's show includes two tracks by the Shirts, one from Live At Paradise 1979 and one from the Shirts' second album, 1979's Street Light Shine. Our next show will also offer a pair of Shirts, reprising the Live At Paradise version of "Tell Me Your Plans" (my favorite Shirts song) and introducing the belated (and then some) TIRnRR debut of a track from their 1980 album Inner Sleeve. Shirts-O-Rama!

Shirts guitarist Arthur La Monica is currently playing with a cool combo called Rome 56, a fine group that also includes Arthur's wife Kathy La Monica. Past shows have offered a few delights from Rome 56's 2024 album Paradise Is Free and 2025 effort Pony Tales, and this week we return to Paradise Is Free for our first-ever spin of a great, great earworm called "Invisible Man."

THE STRAWBERRY ALARM CLOCK: Incense And Peppermints

The Greatest Record Ever Made!

SEX CLARK FIVE: Plastic All Over The World

THE DAVE CLARK FIVE: It Don't Feel Good

Huntsville, Alabama's phenomenal pop combo Sex Clark Five into the Tottenham Sound of the Dave Clark Five. Sometimes the segues write themselves.

THE RAMONES: All's Quiet On The Eastern Front

From a previous post, discussing my 25 favorite Ramones tracks:

"All's Quiet On The Eastern Front" appeared on the Ramones' 1981 LP Pleasant Dreams, an album that doesn't sound like any other Ramones album. Pleasant Dreams was produced by Graham Gouldman, who achieved great success in the '60s as a songwriter for the Yardbirds, the Hollies, and Herman's Hermits, and subsequently as a performer with 10cc. And, as Johnny Ramone said in our interview, "The guy from 10cc producing the Ramones? 10cc sucks, and it's not right for the Ramones." (My 1994 interviews with Johnny, Joey, Marky, and C.J. appear in my book Gabba Gabba Hey! A Conversation With The Ramones.)

On Pleasant Dreams, Gouldman's production made the Ramones sound...I dunno, smoother than expected? Phil Spector had done something similar with 1980's End Of The Century, another album that doesn't sound like any other Ramones album. In Spector's hands, the bubblepunk purity of the Ramones got lost in his Wall of Sound; Gouldman turned the Ramones into a new wave pop band. Neither End Of The Century nor Pleasant Dreams is at the same transcendent level as the classic fist four Ramones albums that preceded them.

Ignoring the anomaly of this album's place in the larger Carbona-huffin' picture, though, I need to risk contradicting myself: Pleasant Dreams is a fantastic record. Fantastic. I know Marky liked it, and we've established that Johnny hated it, but the fact that it wasn't Rocket To Russia doesn't prevent it from being compelling in its own right.

Pleasant Dreams is loaded with great Ramones songs, from "We Want The Airwaves" to "It's Not My Place (In The 9 To 5 World)" to "She's A Sensation" to the superb album closer "Sitting In My Room." "The KKK Took My Baby Away" is the best-known of the bunch. Would the tracks sound better if Ed Stasium or Tommy Ramone had produced them? Possibly. They sound pretty good as-is.

"All's Quiet On The Eastern Front" was my immediate pick when I bought the album in '81, and it has remained so. It's the sprightliest song ever done about a serial killer, stalking the street 'til the break of day, a track delivered with decidedly un-Ramoneslike percussion, and with backing vocals from Dee Dee Ramone asking that musical question, Can't you think my movements talk? Hey, you unsuspecting soon-to-be victims: Pleasant dreams!

THE BEATLES: Tell Me Why [Takes 4 and 5]

And speaking of the Tottenham Sound of the Dark Clark Five....

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I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.