Showing posts with label Ramones. Show all posts
Showing posts with label Ramones. Show all posts

Saturday, October 17, 2026

10 SONGS: 10/17/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1357

BANDA AL9: That Thing You Do!

In 1964, I saw the Beatles' then-new movie A Hard Day's Night at The North Drive-In in Cicero, NY. I was four years old--a veteran pop music afficionado!--and it was an unforgettable experience. It stayed with me, and when I became an even bigger Beatles fan in the '70s, I began to realize that A Hard Day's Night was my all-time favorite film.

Thirty years ago this month, A Hard Day's Night was suddenly dethroned by That Thing You Do! From my book The Greatest Record Ever Made! (Volume 1):

"...Well I have heard your record, Guy, and I like it. I like it a lot. 'That Thing You Do!' You know, it's...snappy!

"Actor Tom Hanks made his directorial debut with this light-hearted little romantic comedy about the Wonders (formerly the One-ders), an unknown Erie, PA rock 'n' roll group that manages to score a big hit single in 1964. These fictional one-hit Wonders are a quartet of archetypes--the talent, the fool, the smart one, and the bass player--but the film executes the difficult task of making them seem plausible, real. There's a scene when the members of the Wonders all hear their song 'That Thing You Do!' on the radio for the first time, and that scene precisely nails the giddy rush of rockin' pop music better than any other slip of celluloid I've ever seen. Yeah yeah yeah, even better than the entirety of A Hard Day's Night, which had been my all-time favorite film right up until that night at a movie theater in Cicero, NY in 1996, when my eyes and ears opened wide with glee at Hollywood's best-ever love letter to rock 'n' roll music.

"And none of it would have or could have worked without the perfect song.

"Adam Schlesinger provided that perfect song. Mike Viola of the Candy Butchers co-produced and sang lead; some say Viola also co-wrote the song, but declined to take a songwriting credit, while other say that is not so. It is indisputable that the combined talents of Schlesinger and Viola crafted a stunning confection that steers clear of the quagmire of pastiche or parody, and captures the essence of fab and gear radio-ready 1964...."

In celebration of the film's 30th anniversary, Brazil's phenomenal pop combo Banda AL9 have released a loving and (of course!) snappy rendition of its irresistible title tune. Teen sensations Banda AL9 to the stage! You look good in the black, boys. And you ARE the smart ones.

TONY MARSICO AND THE UGLY THINGZ: Bittersweet

Yes. Just...YES! If the question happens to be Does this track sound like a friggin' hit record?, "Bittersweet," the new single from Tony Marsico and the UglyThingz earns a big, big yes in my programing log. We PLAY the hits! This one comes to us courtesy of Jonathan Lea (of the Jigsaw Scene and TIRnRR Fave Raves Tall Poppy Syndrome), who serves here as a deputy Ugly Thing on guitar. Our Jonathan compared "Bittersweet" to the power pop greatness of the Plimsouls, and if that seems like a bold claim, I say you can see it's true even from a million miles away. "Bittersweet" returns to the Syracuse airwaves on our next show. Bitter? No. Sweet? YES!!!

THE FAR WEST: Bitter, Drunk And Cold

Sure, but enough about me.

THE SPONGETONES: Starting To Feel

A new single from the Spongetones gets an automatic nod for airplay on this show. "Starting To Feel" offers the lead vocal debut of 'Tones drummer Eric Wilhelm on a lovely, McCartneyesque beat ballad. In the near-dystopian world sprawled all around us, we could all do with an opportunity to sway while starting to feel.

(Speaking of that McCartney guy, we'll hear from him in just a few paragraphs.)

THE RAMONES: I Don't Care

As the B-side of "Sheena Is A Punk Rocker," "I Don't Care" was one of the first two Ramones songs I owned, a blind purchase in 1977. I'd read about the Ramones in Phonograph Record Magazine, heard "Blitzkrieg Bop" on college radio, and took the plunge in purchasing the "Sheena" 45 even though I hadn't heard it yet. The 45 had considerable impact on me, and many more Ramones purchases would follow.

"I don't care?" Plainly, I do care. The Ramones were the subject of my first book, featured directly in two chapters (and indirectly in a third) in my second book, and a significant presence in my third book Guitars Vs. Rayguns!! Short Stories And Other White Lies and its novelette-length digest A Band Called GUITARS VS. RAYGUNS! I saw the Ramones eight times, and I co-host a weekly radio show named after a line in a Ramones song. I'm proud to be partisan; indifference is for frauds and hipsters. 

And I don't care about them.

RIHANNA: Shut Up And Drive


From a previous post:

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex...

...Wikipedia describes "Shut Up And Drive" as a new wave song--no, really!--based on "Blue Monday" by New Order. No offense to the mopey British guys, but I prefer it the way Rihanna did it.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. 

Rihanna's song is greater. Drive, baby. Drive.

PAUL McCARTNEY: Not Such A Bad Boy

The Greatest Record Ever Made!

LED ZEPPELIN: Good Times, Bad Times

Ya never know with us. WE never know with us.

THE FLASHCUBES FEATURING TOM KENNY: Got No Mind


You can't have a hit record if you only play it once. And you can't get word out if you only share information once. Repeated from last week's 10 Songs:

In memory of Flashcubes guitarist Paul Armstrong, the surviving 'Cubes are releasing a new single and planning an epic memorial live show. Let's review my recent hype on behalf of each event:

Our friends at Big Stir Records are now accepting preorders for "Got No Mind," the new 45 by the Flashcubes featuring Tom Kenny. Offered as a memorial tribute to Flashcubes guitarist Paul Armstrong (the song's author), the track has already been a TIRnRR fixture, and it will remain so for the foreseeable. And to sanctify the release of this 7" slab o' cantankerous wonder, the mighty Big Stir is also offering original copies of two previous Flashcubes 45s--1979's "Wait Til Next Week"/"Radio" and 2016's two-fer of Chris Spedding covers, "Boogie City"/"Hey Miss Betty"--both individually and in bundles with the new one. Visit The Flashcubes page at Big Stir for details.

On Saturday, November 7th, fans and participants representing the Syracuse power pop and new wave rock 'n' roll scene that the Flashcubes ignited in the late '70s will gather at Syracuse's original home of rock 'n' roll The Lost Horizon to pay loud and heartfelt tribute to the late, great Paul Armstrong. 

In his brash capacity as a guitarist and general spark plug for the audacious energy of the Flashcubes, Paul Armstrong was a key figure in the history of Syracuse rock 'n' roll, and the impact he and his brother Flashcubes Gary Frenay, Arty Lenin, and Tommy Allen have had upon my life and work is damned near beyond measure. As we bid farewell to Paul Armstrong, you can be damned sure we're gonna put on a tribute show that would make PA proud.

And to do that, a bunch of performers who loved Paul and shared his passion for three chords and a cloud of dust will gather at the Lost for a full-volume celebration of his legacy. We'll have live sets by Amerikan Primitive, Perilous, 1.4.5. Survivors, the Johnny Thunders Orchestra, The Wax Museum host Ronnie Dark, PA's Boston buds Sal Baglio and Mike Gent, Syracuse's favorite son Tom Kenny, and the Flashcubes featuring Mark Doyle. Your emcees will be Dana and Carl, and we promise the sort of bright-lights bonanza that Paul Armstrong would have dug the most.

TICKETS ARE ON SALE NOW! It's possible there will still be tickets available at the door...but given the response so far, I would not recommend waiting. This one's for Paul Armstrong. And it's gonna be as loud as he was. YOU should join us. Got no mind? WE don't mind!

COCKTAIL SLIPPERS: Back Where You Belong

And this is where we belong. Sing it, Cocktail Slippers! We'll meet you again back here on Sunday night.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.  

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book, its six-chapter novelette digest A Band Called GUITARS VS. RAYGUNS!, and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

Saturday, September 26, 2026

10 SONGS: 9/26/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1354

THE FLASHCUBES FEATURING TOM KENNY: Got No Mind

Revealed at last! Got, got, got no mind/Got no mind, but I don't mind!

We've been playing this fantastic forthcoming new single for weeks, all the while coyly refusing to, y'know, say what it is. That ends now, as this week's radio show began proudly and loudly with "Got No Mind" by the Flashcubes featuring Tom Kenny. The song was written by Flashcubes guitarist Paul Armstrong, and a basement recording of "Got No Mind" served as one of two tracks ("Guernica" was the other) on the B-side of the Flashcubes' 1978 debut single "Christi Girl." As our local Syracuse music community and the larger international power pop community continue to mourn PA's passing earlier this year, his friends are assembling a proper tribute to his impact and legacy.

The tribute starts with this brand new version of Paul Armstrong's Cubic classic "Got No Mind." Recorded in 2026 by the surviving members of the Flashcubes--guitarist Arty Lenin, bassist Gary Frenay, and drummer/producer Tommy Allen--aided 'n' abetted by guitarists Chris Armstrong (PA's son) and Mark Doyle, with gang vocals by Paul's Boston-area buds Mike Gent, Sal Baglio, and Barrence Whitfield, the track is propelled into the motherlovin' stratosphere with vocals by Syracuse's favorite son, famed voice actor, performer, singer, and all-around best guy ever Tom Kenny.

The new "Got No Mind," backed with Paul and his fellow Flashcubes' previously-released (and KICKASS!) track "Reminisce," will be released in November by the visionary Big Stir Records label, and it will be available as a digital single and as a 7" 45 RPM rekkid. The physical single will also be sold at the sure-to-be seismic event A MUSICAL TRIBUTE TO PAUL ARMSTRONG, which is set to peel the paint off the walls at Syracuse's legendary home of rock 'n' roll The Lost Horizon on Saturday, November 7th.

The Lost Horizon show will feature live performances by Amerikan Primitive, Perilous, 1.4.5. (with The Wax Museum host Ronnie Dark), Boston's Drivin' Sisters, and Tom Kenny, culminating in the Flashcubes' farewell to their brother Paul Armstrong. Dana and I will be your hosts, but don't let that stop you. BE THERE!!

Meanwhile, TIRnRR will keep on programming "Got No Mind" by the Flashcubes featuring Tom Kenny. I also played the track this week during my guest appearance on The Spoon podcast alongside The Men Of The Spoon Robbie Rist, Chris Jackson, and Thom Bowers. True believers. And friends. If there's ever a chance to celebrate the power of friendship and the magic of music...

...I don't mind.

PERILOUS: Overwhelmed By Reality


One of my favorite current bands, I'm looking forward to seeing Perilous again at the Lost in November. Mind you, I did just see them last week at a benefit show for Spark Syracuse, but who sez I can't already be looking forward to seeing 'em again? Man, when I was a club-legal teen in the late '70s, I saw the Flashcubes as often as I could, and the buzz of a Perilous show calls to mind (as in got-got-got no mind!) the buzz of a Flashcubes show. The current Perilous single "Overwhelmed By Reality" spins again on our next show. I'm looking forward to that, too.

BALLZY TOMORROW: Five Personalities

My above-crowed guest appearance on The Spoon began with our Robbie Rist hisself, operating under his rockin' pop dba Ballzy Tomorrow for an invigmoratin' take on the Flashcubes' "Five Personalities." Robbie's rendition comes to us from Make Something Happen! A Tribute To The Flashcubes, a 2025 passion project I spearheaded with the good folks at Big Stir. Robbie does an amazing job with this song I've loved for so long, and I believe some members of the Flashcubes regarded Robbie's take as the definitive "Five Personalities." And looking back on the album, I take some satisfaction in knowing Paul Armstrong lived to hear artists like Ballzy Tomorrow, Sorrows, Hamell On Trial, the Verbs with Meegan Voss and Steve Jordan, the Peppermint Kicks, Rob Moss and Skin-Tight Skin, and Graham Parker and Mike Gent cover songs written or co-written by PA. 

THE HALF/CUBES: The Mighty Quinn

The Half/Cubes are of course half of the Flashcubes, Gary Frenay and Tommy Allen, working with Randy Klawon and Fernando Perdomo, plus occasional extra special guests. From Jem Records' all-star various-artists tribute album Jem Records Celebrates Bob Dylan, we've been playing the Half/Cubes' ace take on Bashful Bobby's "The Mighty Quinn" because--let's face it!--you've not seen nothing like the Mighty Quinn.

On our next show, we'll move our intrepid Dylanmania to a another winner from Jem Records Celebrates Bob Dylan, this time courtesy of the Grip Weeds. And we will open the show with a new single by the Half/Cubes, covering the mighty Slade. Lights out, lads.

THE RAMONES: Teenage Lobotomy

"Teenage Lobotomy?" May haveta amend that to "Senior Citizen Lobotomy," but otherwise? Some things don't change. Guess I'll have to break the news that I GOT NO MIND to lose....

GREAT BUILDINGS: Hold On To Something

The Greatest Record Ever Made!

HOLLY AND THE ITALIANS: Rock Against Romance

This Is Rock 'n' Roll Radio's willful short-attention-span format discourages longer tracks. When it comes to TIRnRR airplay, a great under-two-minute track is in far better position than a great four-minute song to snag a berth on our playlist. And a five-minute song? This generally isn't the right show for that.

So I concede the fact that a track that's more than five and a half minutes long seems an unlikely component of any given episode of TIRnRR. It's not unprecedented, nor even sufficient cause to stop the presses, but it is something that doesn't happen very often. It happened this week with our first ever spin of "Rock Against Romance" by Holly and the Italians.

Holly and the Italians' 1981 debut (and, really, only) album The Right To Be Italian was a love at first spin, a perfect record that I've always loved without reservation or qualifying clause. Like, all-time Top 20 album at the very least. Its 5:39 closing track "Rock Against Romance" is, I think, the only one of the original LP's ten tracks that we've never played on the show, and hearing it again during a recent commute convinced me that I needed to take a stab at squeezing it in somewhere.

"Rock Against Romance" is nothing short of epic, a full body-and-soul immersion in love's promise and pitfalls, equal parts waifish and steely-eyed, dizzying in its giddiness, grounded in its world weariness, and stubborn enough to dig in its high heels and take arms against a sea of troubles. I would not be shocked to learn that the singer's packin' heat and has the will to use it.

It's also versed in every lesson it learned from listening to pop radio and teen bistro jukeboxes, reading rock mags, pulp paperbacks, and romance comic books alike, and boppin' to the beat in any dive bar that would allow it (or at least not care enough to ban it). Like CREEM magazine said, The Right To Be Italian sounds like Lesley Gore backed by Leave Home-era Ramones. "Tell That Girl To Shut Up" is its most authoritative statement. "Youth Coup" is its manifesto.

"Rock Against Romance" is its mic drop. Gotta find time for a mic drop.

THE MONKEES: The Girl I Knew Somewhere

September 12th marked the 60th anniversary of the debut of The Monkees TV series. For their first two albums, the individual members of the Monkees--Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork--were restricted to vocals-only duties on the records bearing their brand name, and strictly forbidden from playing instruments on the tracks. Nesmith was somehow able to insist on producing the studio sessions for Monkees songs he wrote, but he was not allowed to play even on those sessions. Yeah, the song's author and producer was barred from picking up a friggin' guitar ON HIS OWN MATERIAL. Madness!

That changed in 1967. The Monkees were playing concerts as a live band, and both Nesmith and Tork chafed at Musical Supervisor Don Kirshner's insistence that the Monkees could not--could NOT!--play on their own damned records. The Monkees revolted. Kirshner resisted. Management ruled that the Monkees could be the studio band for their next single, "All Of Your Toys." Kirshner blocked its release (and it remained in the vault until the '80s). The Monkees cried foul. Kirshner was fired. The Monkees prevailed.

And the Monkees played. From a previous post detailing my 25 favorite Monkees tracks: 

"Nesmith's 'The Girl I Knew Somewhere' was originally planned to share a single with the shelved 'All Of Your Toys.' As the B-side of 'A Little Bit Me, A Little Bit You,' it became the first public document of the Monkees themselves playing on record (with bassist John London). Nice introduction, even if too few acknowledged it. Nesmith occasionally expressed disinterest in writing pop songs, claiming weightier songwriting goals, but he was damned good at writing pop songs. While an alternate version of 'The Girl I Knew Somewhere' features a Nesmith lead vocal, the familiar Dolenz lead is unbeatable, propelled by Tork's harpsichord, Nesmith's guitar, Jones's tambourine, and London's bass. In the early '90s, I knew a college-age Monkees fan named Jennifer Skaja, and she became a fan in part because songs like 'The Girl I Knew Somewhere' sounded a bit like R.E.M. I agree with Jen on that point, and I would further state that a segue of R.E.M.'s '(Don't Go Back To) Rockville' into the Monkees' 'The Girl I Knew Somewhere' would be a just killer 1-2 punch.

RADIO KARMA: Sweetheart Deal

Radio Karma is the dynamic duo of long-time friend of this show Richard Rossi and supercool pop musician Joe Giddings. Rich is also a Flashcubes fan of several decades' standing, while Joe was inducted into 'Cubedom when we recruited him to cover "You're Not Grounded" for the Flashcubes tribute album. Together, they're detectives! Wait...that ain't right. No, together they're deities, at least according to the title of their debut three-song collection We Were Gods. Leadoff track "Sweetheart Deal" is resolutely radio-ready, which is why we've already put it on the radio two weeks in a row. It racks up week # 3 this Sunday. Bless us, Radio Karma!

THE KINKS: You Really Got Me

For Peggy Olson, wherever she is.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book, its six-chapter novelette digest A Band Called GUITARS VS. RAYGUNS!, and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

Saturday, July 25, 2026

10 (no--13!!) SONGS: 7/25/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1346

THE AMPLIFIER HEADS: A Girl Named Chop Suey

A rock 'n' roll riot! That's the promise offered and honored by the Amplifier Heads' new album Super 8. Amplified head Head Sal Baglio has made it clear in whose memory Super 8 is proclaimed:

"The Amplifier Heads' new album Super 8 is dedicated to Paul Armstrong and Ducky Carlisle — two much beloved and missed friends gone way too soon.

"Ducky introduced me to Paul the way he introduced everyone. He said: 'Do you know Paul Armstrong? Yeah, he’s a genius. You two guys should be friends.'

"And that’s exactly what happened. Both Ducky and Paul were crazed rock n’ roll FANATICS and we loved all the same music.

"We played on many stages together, including The Cavern in Liverpool. They both appear on the Amplifier Heads' Loudah album, which was also recorded and mixed by Ducky Carlisle at his Ice Station Zebra Studio.

"Both are missed very much. Super 8 is dedicated to their shining light and crazed rock n’ roll spirit. They live on in all the music we created back then, that we create right now, and that we are destined to create in the future."

TIRnRR offers a great big HELL YEAH!! to all of the above. To the Amplifier Heads, I say Ducky and PA would be proud of you.

THE MONKEES: A Little Bit Me, A Little Bit You


From a previous blog post about my 25 favorite Monkees tracks:

Don Kirshner's last stand, but it's a really, really good last stand. Most regard this Neil Diamond ditty as an inferior follow-up to his SuperMegaSmash Monkees hit "I'm A Believer," but I actually like it better. Part of the reason is circumstantial: the original Colgems 45 of "A Little Bit Me, A Little Bit You" pounds and pops in a way no CD (or LP) reissue has ever managed to recapture. "I'm A Believer" is a better song, and arguably a better record, but I feel a vibrant and pervasive connection to "A Little Bit Me, a Little Bit You," a connection its "Believer" big brother can't equal. (For a coincidental commentary on Kirshner's exit from the Monkees project, read the lyrics to this song as an approximation of what I think Kirshner shoulda said to the Monkees at the time. Except maybe not addressing the group as "Girl.")

CIRCE LINK: I'm On Your Side

The Greatest Record Ever Made!

MONOGROOVE: Back To School
THE MnM'S: I'm Tired
P. J. SOLES: Rock 'n' Roll High School
THE MUFFS: That's For Me
THE RUNAWAYS: School Days
THE RAMONES: 7 And 7 Is
THE COASTERS: Charlie Brown
JUNIPER: Boys! Boys! Boys! Boys! Boys!

High school reunion time! I'm pretty sure I haven't learned anything. Here's my chance to prove it.

For my share of programming this week's penultimate set, I picked four tracks to sorta kinda represent the high school experience. The set begins with Monogroove's "Back To School," a certifiable TIRnRR Pick Hit found on the group's current 30th anniversary collection Anthology. Let Alice Cooper crow that school's out for the summer; Monogroove has your essential teen guide to navigating the halls and kicking the cliques. Back? It's like I never left.

The MnM's

Following Dana's spin of "I'm Tired" by the MnM's, we inserted a bit of dialogue from the classic--that's motherlovin' CLASSIC, man!-1979 feature film Rock 'n' Roll High School, as the Ramones walk around campus and the evil principal Miss Togar asks them in a shrieking tone, Do your parents KNOW you're Ramones...?! This snippet segues into a performance of the movie's title theme as executed by its star, perfectly-cast actress P. J. Soles in her hypmotizin' role as Riff Randell, rock 'n' roller.

Riff's winning warbling flows into Dana's selection of the Muffs' "That's For Me" (from their farewell album No Holiday), which in turn sets up "School Days" by the Runaways. That song was the subject of a previous Greatest Record Ever Made! post, and it remains my favorite Runaways track. Then--just like when I saw the Runaways open for the Ramones in 1978!--the Queens of Noise lead us into glue-sniffin' temptation, as the Ramones cover Love's supercharged '60s proto-punk nugget "7 And 7 Is."

And then, the Coasters! I've described "Yakety Yak" as the all-time best song about the generation gap, and it would have seemed the likeliest Coasters track to place here. Instead, we return to my introduction to the Coasters; I heard "Charlie Brown" when I discovered a copy of the 45 in the family collection circa 1972-73--eighth grade for me--and delighted in the fee-fee-fi-fi-fo-fo-fum tale of this cat Charlie who was either the high school's biggest troublemaker or just terribly, terribly misunderstood. Dana closes the set with Juniper's "Boys! Boys! Boys! Boys! Boys!," which properly places the blame for mischief on those unruly lads. I bet they're ALL named Charlie Brown! WHY'S everybody always picking on me? I'm innocent, I tell ya! INNOCENT!

Right. I'm ditching study hall. Wanna meet up in the smoking area? But in the immortal words of Peter Tork: I don't smoke...those.

THE GREENBERRY WOODS: Waiting 'Round For Something To Go Wrong

Speaking of high school, the Greenberry Woods' new album It's All Good, Sugar includes a track called "Waiting 'Round For Something To Go Wrong," and that song title describes high school about as accurately as anything ever. The album as a whole is a welcome return for these power pop greats, and "Waiting 'Round For Something To Go Wrong" has become my go-to. We'll play it again on our next show.

THE BEATLES: I'm A Loser

And still speaking of high school....

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

Saturday, July 18, 2026

10 SONGS (plus a High School Reunion BONUS!): 7/18/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1345

THE HIGH FREQUENCIES: Subterranean Homesick Blues

We open this week's broadcast bop-a-thon with another great track from the forthcoming tribute album Jem Records Celebrates Bob Dylan, this one courtesy of that force of rockin' pop nature known as the High Frequencies. As our pal Fritz Van Leaven reminds us, Elvis Costello's "Pump It Up" was directly inspired by Bashful Bobby's "Subterranean Homesick Blues;" for their take on the song, the High Frequencies retain the original punk and bile of Robert Zimmerman and Declan McManus alike, while applying an accomplished dash of pure, pretty effervescence that enhances the experience without diluting its anger. The pumps still work! Maybe vandals tried to take the handles, but the mighty muscle of the High Frequencies stopped the damned vandals cold. LOOK OUT, KID! You will absolutely be seeing and hearing this one in future playlists. 

RAMSEY LEWIS: Wade In The Water

Before viewing Questlove's excellent new documentary Earth, Wind & Fire: To Be Celestial vs. That's The Weight Of The World, I did not know that EWF's Maurice White had been a drummer with the Ramsey Lewis Trio from 1966 to 1970. See, ya learn stuff watching TV. That connection was sufficient to prompt Ramsey Lewis's return to the TIRnRR playlist, a feat accomplished with the title tune from Wade In The Water, the first Lewis album to feature White. Wade in the water? Smokin' on the water! We'll hear another track from the same album this Sunday night.

Why? We got a good reason. (And we're not taking the easy way out.)

THE ICICLES: I Wanna Know
THE BLUE HERONS: Take A Break

From this week's playlist commentary:

"... A recent Only Three Lads podcast introduced me to the music of the Blue Herons, and further informed me that Blue Herons singer Gretchen DeVault was also in the Icicles. And I love the Icicles! That compelled me to buy the current Blue Herons album Demon Slayer, to pull out my trusty CD copy of the Icicles' A Hundred Patterns, and to include a track from each in this week's playlist...."

Over the past couple of decades, the Icicles' "Snowman" has been a frequent fixture of our seasonal playlists, and I confess my short attention span--which my daughter once described as AD...OS! (Attention Deficit...Ooo, SHINY!)--prevented me from delving further. We remedied that by playing "I Wanna Know," another go'geous track from A Hundred Patterns, and I cursed the AD..OS! that stopped us from programming this perfect crystal twenty years ago. 

When Gretchen and her Blue Herons collaborator Andy Jossi were on O3L, the show's hosts Brett Vargo and Uncle Gregg played the title track from Demon Slayer, and I was duly mesmerized: Dreamy and vibrant, with echoes of '90s worthies like the Primitives and the Darling Buds. WANT! And got. That's why a benevolent deity gave me a credit card in the first place.

I intended to include that title track in this week's show, but the playlist ran a teensy bit too long, forcing me to sub the slightly shorter "Take A Break" in its place. Not to worry! We will slay that soulless demon on our next show.

THE RAMONES: I Wanna Live

From a previous edition of 10 Songs:

I moved back to Syracuse from Buffalo in 1987. It was not a great time in my life, and it was still going to be a little while before things got better. 

In good times and less-good times, music has always been a highlight. I don't remember if I heard "I Wanna Live" before picking up my copy of the Ramones' 1987 album Halfway To Sanity. I may have seen its video on MTV, but my memory insists I didn't even know the Ramones had a new album out when I spotted and immediately purchased Halfway To Sanity at The Record Theatre up on the SU hill. 

The album includes a fab guest appearance by Blondie's Debbie Harry on "Go Li'l Camaro Go," a meeting of CBGB's minds I'd been wishing for since the late '70s. Nonetheless, my favorite was (and is) "I Wanna Live." 

Is it a life-affirming track? By default, I guess, though it could also be read as a suicide note. But the guitar sounds like it wants to live. Joey Ramone likewise sounds like he's digging in for the long haul. It's what I want, and I'm going with that. 

GENERATION X: Dancing With Myself

The Greatest Record Ever Made!

THE SPONGETONES: Lifetimeline

This week's show was already programmed when we received word that TIRnRR Fave Raves the Spongetones were releasing a new single. Well, we've gotta play THAT!. Advance copy secured, playlist tweaked ever-so-slightly, and this uberfab track "Lifetimeline" was on the radio where it belongs. And it's back where it belongs again on our next show. The lifetimeline is secure.

SKOOSHNY: It Hides More Than It Tells

Think Like A Key Music is one of our favorite archival labels, particularly for their recent slate of previously-unreleased '70s and '80s live tracks by the majesty of the Shirts (as heard here and here). Think Like A Key's new Skooshny collection The Recordings 1971-1981 plays right into our lovably ornery demographic, preserving 21 tracks of left-of-the-dial pop music that merited a much wider audience. I remember reading about Skooshny in the pages of Bomp! magazine (and I think in Trouser Press) when I was in my teens and early twenties, but I don't think I heard any of their music at the time.

Well! We're hearing it now, thanks to the good folks at Think Like A Key Music. And we're putting it on the radio. More next week.

BETH PEABODY: Out And About

A lot of the coolest radio shows on the whole friggin' planet have been playing "Get It Out," the fabulous current single by Beth Peabody. It's a great song choice, and "Get It Out" deserves every second of that airplay.

We also played Beth's "Get It Out" last week, but we've been playing its virtual flip side "Out And About" all along. Both songs were written and previously recorded by Jim Basnight, Beth sang on Jim's versions, and Jim now plays on Beth's new versions, too. Jim's "Get It Out" has itself received its share of TIRnRR spinnage, and maybe that's why our current Beth Peabody selections have gravitated to "Out And About" instead of "Get It Out."

Still, I don't think we're merely defaulting to "Out And About." Man, both tracks are as radio-ready as one could wish, but there is a specific groove in "Out And About" that just annexes my attention, making its continued TIRnRR playlist appearances both inevitable and unerringly, righteously appropriate.

THE AMPLIFIER HEADS: Rock 'n' Roll Riot

This little mutant radio show has been all in for the Amplifier Heads' forthcoming album Super 8, doling out advance singles as they've become available. That willfully manic plan brings us this week to "Rock 'n' Roll Riot," an exercise in a-stompin' and a-rompin' that lives up to the celebratory promise of its title. Rock 'n' roll riot? Sign us up! And yet another track from Super 8 will open our next radio riot on Sunday. Man your stations, Amplifier Heads! There's a riot going on the air.

MONOGROOVE: Back To School

Back to school? Yep. Got a 1976 high school reunion party that I'll be crashing next week. I'm sure that night's soundtrack will stick to the music of the Me Decade, but for now we start our prep time with a spin of  Monogroove's TIRnRR Pick Hit "Back To School." We'll continue that prep on our next show, supplementing "Back To School" with three additional secondary-education tracks (two from the '70s, one from before I was born) that put the proper BOOM! in the ol' sis-boom-bah. 

And just like when I was in high school: I solemnly swear not to learn anything.

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My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here