10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single
This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1354
THE FLASHCUBES FEATURING TOM KENNY: Got No Mind
Revealed at last! Got, got, got no mind/Got no mind, but I don't mind!
We've been playing this fantastic forthcoming new single for weeks, all the while coyly refusing to, y'know, say what it is. That ends now, as this week's radio show began proudly and loudly with "Got No Mind" by the Flashcubes featuring Tom Kenny. The song was written by Flashcubes guitarist Paul Armstrong, and a basement recording of "Got No Mind" served as one of two tracks ("Guernica" was the other) on the B-side of the Flashcubes' 1978 debut single "Christi Girl." As our local Syracuse music community and the larger international power pop community continue to mourn PA's passing earlier this year, his friends are assembling a proper tribute to his impact and legacy.
The tribute starts with this brand new version of Paul Armstrong's Cubic classic "Got No Mind." Recorded in 2026 by the surviving members of the Flashcubes--guitarist Arty Lenin, bassist Gary Frenay, and drummer/producer Tommy Allen--aided 'n' abetted by guitarists Chris Armstrong (PA's son) and Mark Doyle, with gang vocals by Paul's Boston-area buds Mike Gent, Sal Baglio, and Barrence Whitfield, the track is propelled into the motherlovin' stratosphere with vocals by Syracuse's favorite son, famed voice actor, performer, singer, and all-around best guy ever Tom Kenny.
The new "Got No Mind," backed with Paul and his fellow Flashcubes' previously-released (and KICKASS!) track "Reminisce," will be released in November by the visionary Big Stir Records label, and it will be available as a digital single and as a 7" 45 RPM rekkid. The physical single will also be sold at the sure-to-be seismic event A MUSICAL TRIBUTE TO PAUL ARMSTRONG, which is set to peel the paint off the walls at Syracuse's legendary home of rock 'n' roll The Lost Horizon on Saturday, November 7th.
The Lost Horizon show will feature live performances by Amerikan Primitive, Perilous, 1.4.5. (with The Wax Museum host Ronnie Dark), Boston's Drivin' Sisters, and Tom Kenny, culminating in the Flashcubes' farewell to their brother Paul Armstrong. Dana and I will be your hosts, but don't let that stop you. BE THERE!!
Meanwhile, TIRnRR will keep on programming "Got No Mind" by the Flashcubes featuring Tom Kenny. I also played the track this week during my guest appearance on The Spoon podcast alongside The Men Of The Spoon Robbie Rist, Chris Jackson, and Thom Bowers. True believers. And friends. If there's ever a chance to celebrate the power of friendship and the magic of music...
...I don't mind.
PERILOUS: Overwhelmed By Reality
One of my favorite current bands, I'm looking forward to seeing Perilous again at the Lost in November. Mind you, I did just see them last week at a benefit show for Spark Syracuse, but who sez I can't already be looking forward to seeing 'em again? Man, when I was a club-legal teen in the late '70s, I saw the Flashcubes as often as I could, and the buzz of a Perilous show calls to mind (as in got-got-got no mind!) the buzz of a Flashcubes show. The current Perilous single "Overwhelmed By Reality" spins again on our next show. I'm looking forward to that, too.BALLZY TOMORROW: Five Personalities
My above-crowed guest appearance on The Spoon began with our Robbie Rist hisself, operating under his rockin' pop dba Ballzy Tomorrow for an invigmoratin' take on the Flashcubes' "Five Personalities." Robbie's rendition comes to us from Make Something Happen! A Tribute To The Flashcubes, a 2025 passion project I spearheaded with the good folks at Big Stir. Robbie does an amazing job with this song I've loved for so long, and I believe some members of the Flashcubes regarded Robbie's take as the definitive "Five Personalities." And looking back on the album, I take some satisfaction in knowing Paul Armstrong lived to hear artists like Ballzy Tomorrow, Sorrows, Hamell On Trial, the Verbs with Meegan Voss and Steve Jordan, the Peppermint Kicks, Rob Moss and Skin-Tight Skin, and Graham Parker and Mike Gent cover songs written or co-written by PA.
THE HALF/CUBES: The Mighty Quinn
The Half/Cubes are of course half of the Flashcubes, Gary Frenay and Tommy Allen, working with Randy Klawon and Fernando Perdomo, plus occasional extra special guests. From Jem Records' all-star various-artists tribute album Jem Records Celebrates Bob Dylan, we've been playing the Half/Cubes' ace take on Bashful Bobby's "The Mighty Quinn" because--let's face it!--you've not seen nothing like the Mighty Quinn.
On our next show, we'll move our intrepid Dylanmania to a another winner from Jem Records Celebrates Bob Dylan, this time courtesy of the Grip Weeds. And we will open the show with a new single by the Half/Cubes, covering the mighty Slade. Lights out, lads.
THE RAMONES: Teenage Lobotomy
"Teenage Lobotomy?" May haveta amend that to "Senior Citizen Lobotomy," but otherwise? Some things don't change. Guess I'll have to break the news that I GOT NO MIND to lose....
GREAT BUILDINGS: Hold On To Something
The Greatest Record Ever Made!
HOLLY AND THE ITALIANS: Rock Against Romance
This Is Rock 'n' Roll Radio's willful short-attention-span format discourages longer tracks. When it comes to TIRnRR airplay, a great under-two-minute track is in far better position than a great four-minute song to snag a berth on our playlist. And a five-minute song? This generally isn't the right show for that.
So I concede the fact that a track that's more than five and a half minutes long seems an unlikely component of any given episode of TIRnRR. It's not unprecedented, nor even sufficient cause to stop the presses, but it is something that doesn't happen very often. It happened this week with our first ever spin of "Rock Against Romance" by Holly and the Italians.
Holly and the Italians' 1981 debut (and, really, only) album The Right To Be Italian was a love at first spin, a perfect record that I've always loved without reservation or qualifying clause. Like, all-time Top 20 album at the very least. Its 5:39 closing track "Rock Against Romance" is, I think, the only one of the original LP's ten tracks that we've never played on the show, and hearing it again during a recent commute convinced me that I needed to take a stab at squeezing it in somewhere.
"Rock Against Romance" is nothing short of epic, a full body-and-soul immersion in love's promise and pitfalls, equal parts waifish and steely-eyed, dizzying in its giddiness, grounded in its world weariness, and stubborn enough to dig in its high heels and take arms against a sea of troubles. I would not be shocked to learn that the singer's packin' heat and has the will to use it.
It's also versed in every lesson it learned from listening to pop radio and teen bistro jukeboxes, reading rock mags, pulp paperbacks, and romance comic books alike, and boppin' to the beat in any dive bar that would allow it (or at least not care enough to ban it). Like CREEM magazine said, The Right To Be Italian sounds like Lesley Gore backed by Leave Home-era Ramones. "Tell That Girl To Shut Up" is its most authoritative statement. "Youth Coup" is its manifesto.
"Rock Against Romance" is its mic drop. Gotta find time for a mic drop.
THE MONKEES: The Girl I Knew Somewhere
September 12th marked the 60th anniversary of the debut of The Monkees TV series. For their first two albums, the individual members of the Monkees--Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork--were restricted to vocals-only duties on the records bearing their brand name, and strictly forbidden from playing instruments on the tracks. Nesmith was somehow able to insist on producing the studio sessions for Monkees songs he wrote, but he was not allowed to play even on those sessions. Yeah, the song's author and producer was barred from picking up a friggin' guitar ON HIS OWN MATERIAL. Madness!
That changed in 1967. The Monkees were playing concerts as a live band, and both Nesmith and Tork chafed at Musical Supervisor Don Kirshner's insistence that the Monkees could not--could NOT!--play on their own damned records. The Monkees revolted. Kirshner resisted. Management ruled that the Monkees could be the studio band for their next single, "All Of Your Toys." Kirshner blocked its release (and it remained in the vault until the '80s). The Monkees cried foul. Kirshner was fired. The Monkees prevailed.
And the Monkees played. From a previous post detailing my 25 favorite Monkees tracks:
"Nesmith's 'The Girl I Knew Somewhere' was originally planned to share a single with the shelved 'All Of Your Toys.' As the B-side of 'A Little Bit Me, A Little Bit You,' it became the first public document of the Monkees themselves playing on record (with bassist John London). Nice introduction, even if too few acknowledged it. Nesmith occasionally expressed disinterest in writing pop songs, claiming weightier songwriting goals, but he was damned good at writing pop songs. While an alternate version of 'The Girl I Knew Somewhere' features a Nesmith lead vocal, the familiar Dolenz lead is unbeatable, propelled by Tork's harpsichord, Nesmith's guitar, Jones's tambourine, and London's bass. In the early '90s, I knew a college-age Monkees fan named Jennifer Skaja, and she became a fan in part because songs like 'The Girl I Knew Somewhere' sounded a bit like R.E.M. I agree with Jen on that point, and I would further state that a segue of R.E.M.'s '(Don't Go Back To) Rockville' into the Monkees' 'The Girl I Knew Somewhere' would be a just killer 1-2 punch.
RADIO KARMA: Sweetheart Deal
Radio Karma is the dynamic duo of long-time friend of this show Richard Rossi and supercool pop musician Joe Giddings. Rich is also a Flashcubes fan of several decades' standing, while Joe was inducted into 'Cubedom when we recruited him to cover "You're Not Grounded" for the Flashcubes tribute album. Together, they're detectives! Wait...that ain't right. No, together they're deities, at least according to the title of their debut three-song collection We Were Gods. Leadoff track "Sweetheart Deal" is resolutely radio-ready, which is why we've already put it on the radio two weeks in a row. It racks up week # 3 this Sunday. Bless us, Radio Karma!
THE KINKS: You Really Got Me
For Peggy Olson, wherever she is.
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I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here.
This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here
