Wednesday, May 20, 2026

THE GREATEST RECORD EVER MADE! Tom Kenny & the Hi-Seas, "Welcome To The Working Class"

Drawn from previous posts, this is not part of my book The Greatest Record Ever Made! (Volume 1).

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

TOM KENNY & THE HI-SEAS: Welcome To The Working Class
Written by Gary Frenay
Produced by Joe Napolitano, Dave “Mustang” Lang, and Tom Kenny
From the various-artists album Make Something Happen! A Tribute To The Flashcubes, Big Stir Records, 2025

Welcome! Now...let's get to work.

Tom Kenny is an international treasure, and he was born 'n' bred right here in my beloved Syracuse, NY. You may know him as the voice of SpongeBob Squarepants, Plastic Man, The Penguin, and a zillion others across a zillion animated credits. In live action, he was the evil Binky the Clown in his hometown buddy Bobcat Goldthwaite's 1991 film Shakes The Clown. To my daughter, he was the voice of both the Mayor and the narrator on The Powerpuff Girls. I tell that story here.

But as I like to point out and repeat: Before Tom Kenny was your SpongeBob Squarepants, he was our Tomcat, one of us, a participant in the same boppin' late '70s/early '80s local music scene that we loved so much, the scene that gave the world the Flashcubes, Maura Kennedy, Chris von Sneidern, the Penetrators, and many others. He found fame as a talented and celebrated voice actor; to us, he's so much more than that. He's a music fan from way back, and he channels that passion as a stupendous live performer. From local faves the Tearjerkers in the early '80s through the simply sublime Tom Kenny & the Hi-Seas today, international treasure Tom Kenny remains solid gold on stage and off.

So yes, of course we wanted Tom to record a track for our Flashcubes tribute album Make Something Happen! A Tribute To The Flashcubes. Credit 'Cubes bassist Gary Frenay for suggesting his song "Welcome To The Working Class" as the perfect Cubic choice for Tomcat and his superlative and uber-tight band o' Hi-Seas and company to tackle; a more perfect match of artist and material will not be found anywhere. Not even in Bikini Bottom, nor in Townsville, nor Gotham City itself.

I have heard that "Welcome To The Working" was the first recording the Hi-Seas completed since the November 2024 passing of their music director, the great Andy Paley. Beyond the blow of personal tragedy, having to overcome the loss of Paley's enormous talent was no doubt a daunting task. From this bittersweet transition, one hopes there will be many more new Tom Kenny & the Hi-Seas recordings yet to come. 

As card-carryin' members of the working class, there are reasons why we listen to pop music. Some of the reasons are simple and obvious: We want to dance, we want to sing along, and we want to experience that exuberant rush that a perfect pop tune can provide. For many of us, though, there is a deeper, stronger, and palpable connection between our inner selves and the music we love. The bond transcends genre and demographics, eludes categorization, and laughs mockingly at attempts to understand it in cerebral terms. It isn't a subject for study; it just is. We feel these songs as much as we hear them, and they move our souls as much as they move our feet. It ain't just the beat, nor just the lyrics, nor just the blissful (or agitated) union of all of these things. It's intangible, but it seems as solid and physical as a kiss, a slap, a teardrop, a sob, or a smile. It's as real as love and hate, as euphoria and misery, as triumph and heartbreak.  

And it's catchy, too.

Let's go back a bit for our hero's secret origin. In the '70s and early '80s, Tom was a kid from Central New York, a voracious music fan, a budding star that everyone liked, a guy everyone rooted for, and whose success today is a boundless source of pride and content for anyone who ever encountered him. Syracuse's favorite son? Yeah. Oh yeah. Without question. He worked for it. He earned it.

For an entertainer of such immense talent, it's frankly a bit disturbing how humble Tom Kenny is. He has always been a consummate (and riveting) showman. His great success as a voice actor may have obscured the fact for some, but folks in Syracuse have known for decades that Tom is a born front man. 

In 2022, Tom returned to Central New York to be honored with a Lifetime Achievement Award by The Syracuse Area Music Awards, inducted into The SAMMYS Hall of Fame. His incredible party combo Tom Kenny and the Hi-Seas performed at the SAMMYS, and at a club show the next evening. Members of the Flashcubes also joined Tom for a couple of numbers on each night, and it was all just amazing. What a magic weekend. I am so, so glad I was able to witness it.

But you wanna about my best enduring memory of that weekend? It was the sight of Tom Kenny's lifelong friend Bobcat Goldthwaite, sitting on the floor in front of the stage area, looking up at his pal Tom and just freakin' beaming. For hours. He seemed so happy to be there. 

That's friendship. That's the connection we can all have through music, art, camaraderie, and any other shared passion, from sports through food, through laughter and commiseration. 

Connection. We're all friends here. Bobcat's smile said it all.

There are reasons why we listen to pop music.  And there are reasons why we go to see and hear bands play live. The band we see in a bar can become something greater than just a band in a bar. Just as favorite pop songs can be an emotional tether to scattered moments we can't or won't relinquish, a favorite band can be a friend. And the members of that band can be your friends even if you never quite get around to saying hello to them, to buying the guitarist a beer, or sharing a smoke with the lead singer in the men's room at The Firebarn. It's a connection that might (or might not) seem alien to drunken punters shouting out requests for "Free Bird," but it's a connection Tom Kenny understands, a connection he sparks, and a connection he embodies.

Welcome to the working class. And when we clock out, Tom Kenny has just the song your wage-slave soul needs for catharsis. A Flashcube wrote it. A Tomcat sings it. We all appreciate it. And we all feel welcome.

So here's to an international treasure. Welcome indeed. Best day EVER.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.


Tuesday, May 19, 2026

COMIC BOOK COVER GALLERY: JIM APARO covers accumulated in the '60s, '70s, and '80s

The late Jim Aparo was one of my many favorite comic book artists. I think the first time I saw his work was when he began doing (exquisite!) interior artwork on Aquaman in 1968. I was eight years old, and still a few years away from paying attention to writer and artist credits. I don't think I saw any of Aparo's work for Charlton Comics (notably his beautiful art for The Phantom) until I started picking up back issues in the '70s. As I became aware of credits, I soon began naming Jim Aparo as a preferred creator.

The overwhelming majority of Aparo's work was for DC Comics. Aparo's decades-long DC tenure commenced when Charlton editor Dick Giordano joined DC's staff and hired some of Charlton's freelancers to reap the benefits of DC's higher page rates. That brought writer Dennis O'Neil to DC, and it brought in Mr. Jim Aparo.

At DC, Aparo made his mark as the primary artist on The Brave And The Bold, a Batman team-up title that gave Aparo an opportunity to depict a vast array of characters in DC's extensive line of superstars, from his already-familiar Aquaman, Phantom Stranger, and the Spectre to Sgt. RockWonder WomanGreen Lantern, Green ArrowMetamorpho, Black Canary, Plastic Man, Superman, Supergirl, the Flash, Kamandi, the Atom, the Demon, Mister Miracle, Wildcat, the Joker, the Metal Men, Deadman, Man-Bat, Swamp Thing, and more. B & B also led to Aparo taking on art chores in some of The Batman's solo books as well. Jim Aparo will always be one of my all-time top four Batman artists, alongside Marshall Rogers, Neal Adams, and Dick Sprang. It's one hell of a legacy, and I say we should celebrate that legacy with a modest li'l gallery of Aparo covers.

As always, we'll be sticking exclusively to the '60s, '70s, and '80s era of acquisition I've established for these galleries. Today's selections include books I bought new, back issues I acquired after the fact (but within the timeline), and B-stock contraband originally purchased without their covers. These aren't actual photos of comics in my collection; most images are courtesy of the Grand Comics Database, which is grand indeed. But I did have each and every one of 'em at some point in time.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Sunday, May 17, 2026

This Is Rock 'n' Roll Radio # 1337


Syracuse's native son Tom Kenny returns home this coming weekend, bringing his nonpareil musical enforcers the Hi-Seas to The Lost Horizon for a guaranteed kickass performance on Saturday, May 23rd. This, my friends, is gonna be good.

If you're in the 315, you should oughta be there. If you're not in the 315, you should oughta get to the 315, and then be there. Oooh! I just found out the Neverly Brothers Trio are opening, and that's Gary Frenay and Arty Lenin from the Flashcubes with ace drummer Cathy LaManna, making an already special night even specialer. Tickets here, in diminishing supply. You have your orders. See you there.

Oh, by the way: We do a radio show. And it ain't half-bad. Evidence of our ongoing adequacy appears below. Hey, we played some music by Tom Kenny, including Tom Kenny and the Hi-Seas covering the Flashcubes! I do declare, we're gonna be psychin' ourselves up for Tomcat's Saturday night shindig this whole razzafrazzin' week. As WE oughta! Let's get the party started with a little mutant radio show. This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO). You can follow Carl's daily blog at Boppin' (Like The Hip Folks Do).

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's latest book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get Carl's previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1337: 5/17/2026
TIRnRR FRESH SPINS! Songs we think we ain’t played before are listed in bold

THE LEMON TWIGS: 2 Or 3 (Captured Tracks, Look For Your Mind!)
WILSON PICKETT: Land Of 1000 Dances (Rhino, A Man And A Half)
MARSHALL CRENSHAW: What Time Is It (Yep Roc, Field Day [40th Anniversary Expanded Edition])
AMAZORBLADES: Common Truth (Ace, VA: The Chiswick Story)
--
GRAHAM PARKER AND THE GOLDTOPS: Black Lincoln Continental (Big Stir, single)
LOU REED: Hold On (Sire, New York)
THE JIVE FIVE: My True Story (Collectables, Their Greatest Hits)
THE SMITHS: What Difference Does It Make [Peel Sessions version] (Rhino, The Sound Of The Smiths)
BANDA AL9: I Wanna Be Your Boyfriend (Wicked Cool, single)
JULES AND THE POLAR BEARS: You Just Don't Want To Know (Cherry Red, VA: Looking For The Magic: American Power Pop In The Seventies)
--
THE BLUSTERFIELDS: Mr. Secretary (n/a, Thoughts & Prayers)
MARY-CHAPIN CARPENTER: House Of Cards (Columbia, Stones In The Road)
JUICE NEWTON: Queen Of Hearts (Capitol, Greatest Hits [And More])
ROBIN LANE AND THE CHARTBUSTERS: I Don't Want To Know (Blixa Sounds, Many Years Ago: The Complete Robin Lane & The Chartbusters Album Collection)
THE WELL WISHERS: Back Of The Line (n/a, Expected Outcomes)
BLONDIE: Little Girl Lies (Chrysalis, Blondie)
--
THE WELL WISHERS: Pox On Everything (n/a, Expected Outcomes)
CLOCKWORK FLOWERS: Going Going Gone (n/a, Clockwork Flowers)
THE BAND: This Wheel's On Fire (Capitol, Music From Big Pink [expanded edition])
RIHANNA: Shut Up And Drive (Def Jam, Good Girl Gone Bad: Reloaded)
SIMON AND GARFUNKEL: The Big Bright Green Pleasure Machine (Columbia, Parsley, Sage, Rosemary And Thyme)
--
THE LEGAL MATTERS: It Doesn't Matter (Big Stir, Lost At Sea)
DAVE EDMUNDS: Crawling From The Wreckage (Rhino, The Anthology [1968-1990])
THE VICKSBURGS: Drive Faster (Play-Tone, VA: That Thing You Do! OST)
ELVIS COSTELLO: Mystery Dance (Rykodisc. My Aim Is True)
THE LAMBRETTAS: Da-a-a-ance (Salvo, Beat Boys In The Jet Age)
THE JAM: Absolute Beginners (Polydor, Direction Reaction Creation)
--
RADIO DAYS: Flying High (Wild Honey, Off The Record)
MOON MARTIN: Bootleg Woman (Capitol, Escape From Domination)
SERGIO CECCANTI: Leave The Past, Don't Look Behind (Kool Kat Musik, Leave The Past, Don't Look Behind)
OLD 97'S: Turn Off The TV (ATO, Twelfth)
THE BAY CITY ROLLERS: Yesterday's Hero [single version] (Arista, The Definitive Collection)
THE PAUL COLLINS BAND: I'm Getting Married (Wagon Wheel, From Town To Town)
--
The Greatest Record Ever Made!
TOM KENNY AND THE HI-SEAS: Welcome To The Working Class (Big Stir, VA: Make Something Happen! A Tribute To The Flashcubes)
GARY U.S. BONDS: Havin' So Much Fun (Jasmine, Dance 'Til A Quarter To Three: The First Two Albums & Greatest Hits 1960-1962)
MOTÖRHEAD: Motörhead (Ariola, VA: Geef Voor New Wave)
THE RAMONES: I Wanted Everything (Rhino, Road To Ruin)
THE HONEY CONE: Want Ads (Rhino, VA: Can You Dig It? The '70s Soul Experience)
ROBERT GORDON AND CHRIS SPEDDING: Don' t Be Cruel (Sunset Blvd, Tear Up The House)
--
THE HALF/CUBES FEATURING GLENN BURTNICK: Bend Me, Shape Me (Jem, single)
THE FLASHCUBES: Got No Mind (Northside, Flashcubes On Fire)
NATALIE SWEET: Lip Service (Rum Bar, Oh, By The Way...It's Natalie Sweet)
SUZI QUATRO: Love Hurts (RSO, Suzi...And Other Four Letter Words)
THE SMALL FACES: Become Like You (Recall, The Definitive Collection) 
THE ON AND ONS: Constance (Jem, Luminary)
THE MUFFS: Something Inside [demo] (Omnivore. Really Really Happy)
--
SPECTRAFLAME: Yesterday (Jane) (single)
THE PRETENDERS: Kid (Sire, The Singles)
THE DAVE CLARK FIVE: Glad All Over (Hollywood, The History Of The Dave Clark Five)
PAUL McCARTNEY AND WINGS: Mumbo (Apple, Wild Life)
THE FOUR TOPS: Standing In The Shadows Of Love (Motown, The Ultimate Collection)
CONTINENTAL DRIFTERS: I Can't Let Go (eggBERT, VA: Sing Hollies In Reverse)
ELVIS PRESLEY: Heartbreak Hotel (RCA, The Top Ten Hits)
THE BEATLES: Do You Want To Know A Secret (Apple, Please Please Me)
--
TOM KENNY AND THE HI-SEAS: Tossin And Turnin (n/a, Live At The Troubadour)
TOM KENNY AND THE TREND: Band Aid [live] (unreleased)

Tonight on THIS IS ROCK 'N' ROLL RADIO


Our power pop world is abuzz over the music of THE LEMON TWIGS, and we're very happy to hop on the Twigmobile bandwagon and open this week's show with an already-familiar track from the Lemon Twigs' new album LOOK FOR YOUR MIND! We also have new and recent wonder from GRAHAM PARKER AND THE GOLDTOPS, BANDA AL9, THE LEGAL MATTERS, THE BLUSTERFIELDS, RADIO DAYS, SPECTRAFLAME, THE HALF/CUBES FEATURING GLENN BURTNICK, THE ON AND ONS, SERGIO CECCANTI, CLOCKWORK FLOWERS, LIBRARIANS WITH HICKEYS, and TWO new tracks by THE WELL WISHERS. Always gotta play the classics and should-be-classics to boot, so we've lined up all sortsa brilliance courtesy of THE RAMONES, WILSON PICKETT, LOU REED, MARSHALL CRENSHAW, THE SMITHS, BLONDIE, MARY-CHAPIN CARPENTER, THE JAM, THE PAUL COLLINS BAND, THE HONEY CONE, THE MUFFS, THE FLASHCUBES, THE FOUR TOPS, THE SMALL FACES, THE PRETENDERS, CONTINENTAL DRIFTERS, SUZI QUATRO, GARY U.S. BONDS, ELVIS COSTELLO, and more. OH! And since the mighty TOM KENNY is coming to town for a Syracuse show next Saturday night, we're gonna hear the Tomcat himself, wailin' away as he should. THIS, my people, is a radio show! Sunday night, 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming via sparksyracuse.org, and as WESTCOTT RADIO on the Radio Garden app. The weekend stops HERE!

Saturday, May 16, 2026

10 SONGS: 5/16/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1336

BANDA AL9: I Wanna Be Your Boyfriend

Banda AL9 are an invigmoratin' pop combo from Brazil, with a new album called Hey! Hey! We're Banda AL9 due out this summer from Wicked Cool Records. The titular Hey! Hey! calls the Monkees to mind (and we approve of that message), and it also connects with this advance non-album single, covering the Rubinoos' power pop classic "I Wanna Be Your Boyfriend." Hey hey you you! And what the Hey!, we're spinning this one again on our next show. Can't wait to hear the album.

GIRLSCHOOL: 20th Century Boy

I mentioned T. Rex in last week's 10 Songs, and also mentioned therein that "20th Century Boy" is my favorite T. Rex song. Knowing that this week's TIRnRR Greatest Record Ever Made! spotlight was set to shine on Headgirl (the combined forces of Girlschool and Motörhead, as discussed in my book The Greatest Record Ever Made! [Volume 1]), it seemed appropriate to serve up a first-set foreshadowing of that selection with a li'l sumpin' from Girlschool as well. Girlschool's able T. Rexstasy channeling of "20th Century Boy" just about programmed its own way into the first set. We're your boys, Girlschool!

(And recognizing Headgirl's other half, we'll get to Motörhead on our next show. In fact, we'll reprise the very first Motörhead song I ever heard.)

THE PORTUGAL JAPAN: Boy Meets Girl

Kick. Ass. 

"Boy Meets Girl" by early 21st century Japanese punk grrls the Portugal Japan has been an occasional TIRnRR playlist treat for years. From a previous 10 Songs:

"Man, this record is like sugar-frosted amphetamines. BOY MEETS GIRL! GIRL MEETS BOY! Dana had a compilation CD called Innocence Is Bliss, subtitled 'A Female Frenzy Of Sensational Sounds!' From that set, he played the Portugal Japan's 'Boy Meets Girl,' and I knew I needed my own copy, STAT...."

And while I did indeed score my very own Innocence Is Bliss (albeit in a time frame inexcusably longer than "stat"), I've never gotten around to further investigation of the Portugal Japan library. Their eponymous 2005 album appears to be the only Portugal Japan material to ever reach the marketplace, but I'm streaming it right now as I write, it's also transcendentally kickass, and I'm gonna need to own it. Radio's job is to sell records. Sometimes we sell the records to ourselves.. 

GO TIME!: Rules Don't Apply

"Rules Don't Apply?" Hey, it's the Federal government's theme song. NO! I KID! I'm a kidder. The music of Go Time! deserves better than my cheap jokes (though nothing will stop me from making cheap jokes), and as a rule, the group's new album 11 deserves to be applied to rockin' pop playlists everywhere. We'll do our part. Rules are rules, man. Rules are rules.

AMOS MILBURN: Down The Road Apiece

From 1947: Amos Milburn, and the first rock 'n' roll record. I doubt anyone could ever convince me otherwise. I made my argument on Milburn's rock 'n' roll behalf here.

THE LEGAL MATTERS: It Doesn't Matter

I'm far too lazy to do the research, but I believe TIRnRR was one of the first radio shows to program selections from the Legal Matters' ace current album Lost At Sea. "It Doesn't Matter" is my favorite track on Lost At Sea, and hearing it pop up again on my car stereo during a recent commute was more'n sufficient grounds to return it to the playlist, where it belongs. And do you know what the Legal Matters' "It Doesn't Matter" has in common with Banda AL9's cover of the Rubinoos' "I Wanna Be Your Boyfriend?" It will also spin again on our next show. Hey HEY! It MATTERS!

THE PRODUCERS: What's He Got

Again: HEY!

THE MONKEES: She

And once again: HEY! I say, HEY!!! The Monkees sure knew their way around a proper HEY!!!

THE SHIRTS: Tell Me Your Plans

We've been offering advance airings of tracks from Live At Paradise 1979Think Like A Key Music's exquisite new archival release from CBGB stalwarts the Shirts. And now: THE ALBUM IS OUT! BUY IT!! It's really good. To celebrate, we return to the Live At Paradise 1979 performance of "Tell Me Your Plans," which is probably my favorite Shirts number

HEADGIRL: Please Don't Touch

The Greatest Record Ever Made!

How do I know it's the greatest record ever made? Because the first time I heard it, I didn't want to hear any other track, just this one, over and over, again and again. A lot of records have that immediate, welcome effect on me. An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Here's to infinite turns, always and forever.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Friday, May 15, 2026

MAKE SOMETHING HAPPEN! Introductory sections of my forthcoming book about THE FLASHCUBES

Originally planned for a far-too-optimistic late 2025 publication, my forthcoming book Make Something Happen! The DIY Story Of A Power Pop Band Called THE FLASHCUBES has been mired in development, but it is indeed still developing, and may yet make it to retail before the end of 2026. Please note that I am not under oath.

In the mean time, I'm proud to present the first public appearance of the book's introductory sections, which will lead into the interviews. 

Ya ready? Awright! It's 'CUBES tonight!

MAKE SOMETHING HAPPEN! A really, really loud introduction

I wasn't there. But I know something happened. September 1st, 1977. A new band took the stage for the first time. Expectations were likely modest, probably more modest than the members of the band. They were determined to make something happen. And you can't make something happen if you're not willing to lean forward. Guts. Bravado. Belief. 

Action!

It feels all right now
It feels all right now
It feels all right now
It feels all right now
HOLD ME TIGHT...!

And just like that, the sweaty air of The Brookside--a waterlogged bar sinking slowly into a marsh in the Syracuse, New York suburb of DeWitt--was pummeled by a high-volume wall of noise. It was a song by the Beatles...but it wasn't the Beatles, nor an incredible simulation. 

September 1st, 1977. It felt new. It felt exciting. It felt freakin' loud, deafening, but still somehow melodic. Punk rock with AM Top 40 aspirations and Tiger Beat delusions, an all-night stand aiming for American Bandstand with quixotic intent, rock 'n' roll unafraid to shove its irresistible hooks directly into your ringing, reeling ears.

Most of us weren't yet familiar with the phrase "power pop." But here it was, pop with power (and how!). For the very first time, performing their very first song, a DIY power pop band called the Flashcubes were on stage.

It feels all right now!

The thunderous racket notwithstanding, there were but four Flashcubes: Guitarists Paul Armstrong and Arty Lenin, bassist Gary Frenay, drummer Tommy Allen. They opened with a cover, a Trojan horse breaching the gate to make way for rockin' pop originals written by Gary, Arty, and Paul. They played. They practiced. They played more, and more, and more, and traveled to gigs in Rochester, Buffalo, Detroit, Boston, and the capital of the world, New York City. They shared bills with the Ramones, the Romantics, the Jam, the Police, the Runaways, David Johansen, Joe Jackson, Artful Dodger, the Scruffs, the Fast, 999, and so many others. In each heady situation, the Flashcubes deserved to be there. They got better and better and better. Tighter. As a live act, the Flashcubes were as good as anybody.

And the Flashcubes recorded. Demos. A studio single in 1978. Another single in '79. An appearance on a Bomp Records compilation album. A buzz beyond compare. Bright lights. The Flashcubes were going to be rock 'n' roll stars.

It...didn't happen.

Conflicting POVs forced Paul Armstrong's departure from the Flashcubes in the summer of 1979. The Flashcubes dimmed their own bright lights one year later. End of the line.

But not the end of the story. No one--no one--knew it at the time. But the Flashcubes' story was just beginning.

This book is that story. A story told in the words of the Flashcubes themselves, and in the words of others who were there to witness the birth and growth of a power pop legend. 

Does "legend" seem too strong a description? Man, it's not my description, but mere acknowledgement of the many pundits, music people, and fans who now routinely refer to the 'Cubes as legendary. In 1980, the Flashcubes were a failed, soon-to-be-forgotten band. In the forty-five years since then, they've regrouped, preserved their '70s recordings, created new recordings, released albums, won awards, brought their bright-lights buzz in-person to Los Angeles, and to freakin' Japan. Their 2023 album Pop Masters made many year-end Top Ten lists, and at this writing there is still more to come. The Flashcubes made something happen. That is the stuff of power pop legend. And it's a legend that must be told.

It feels all right now!

It's time to meet the Flashcubes.

SING FLASHCUBES IN REVERSE

2024: The Flashcubes' album Pop Masters wins the SAMMY (Syracuse Area Music Award) for Rock Album of the Year. Bassist Gary Frenay and guitarist Paul Armstrong accept the award in person, on behalf of themselves, guitarist Arty Lenin, and drummer/producer Tommy Allen.

Weird, I guess. Because the Flashcubes broke up in 1980. Hell, Paul Armstrong was out of the group in 1979. Forty-four (or forty-five) years later, and the Flashcubes win an award for their new album...?!

Suffice it to say that the separation didn't work out. 

During their original lifespan, the Flashcubes self-released two singles, and nothing else. One of their singles, Arty's ballad "Christi Girl," scored a berth on a compilation album issued by the Southern California label Bomp Records. A record deal with any label--any label--proved elusive. As a commercial entity, the Flashcubes had failed.

But since disbanding in 1980, the original Flashcubes eventually regrouped. Live shows. New recordings. Appearances--many appearances--on compilation CDs. Their first-ever show in Los Angeles. Two Japanese tours. Three new albums, three archival albums (one of which was a double set pairing the best of the Flashcubes' latter-day recordings with a 2007 live show), and two live albums (one live in Japan in 2002, one a blistering Syracuse show from '79). There was even one more single in there somewhere. Awards and Hall of Fame honors. Mentions in magazines, books, and a zillion online posts. Respect. And an ongoing explosion of Syracuse noise.

Doesn't seem like the arc of a failed rock band, does it? No, this is a success story on its own DIY terms. 

The late '70s musical revolution variously called punk and new wave rock 'n' roll--the movement that gave the pop world the sounds of the Ramones, the Clash, the Sex Pistols, Blondie, Elvis Costello, and Talking Heads--hit Syracuse loud 'n' proud when the Flashcubes debuted on 9/1/77, blazing through their incendiary rendition of the Beatles' "Hold Me Tight" before a smattering of puzzled drunks who had no mortal clue of the history they were witnessing. 

From their humble (if noisy) origin at The Brookside in 1977, the Flashcubes lit the spark of the Syracuse new wave rock 'n' roll scene, inspiring new groups and delighting delirious, giddy fans. They burned a hole through the roof of every venue they played, from The Loft in Middleville to Max’s Kansas City in New York, blazing a rock 'n' roll trail from Syracuse to Boston to Detroit to Cleveland, to CBGB's, and later to L.A. and Japan. From being named The Syracuse New Times' Band Of The Year in 1979, to winning the SAMMY for Best Album in 2012, to being inducted into The SAMMYs Hall Of Fame in 2013, into The Power Pop Hall Of Fame in 2019, and winning another SAMMY for Best Rock Album in 2024, the Flashcubes have demonstrated why they are known internationally as one of the greatest power pop groups of all time. 

Creation is born of passion. Before they became Flashcubes, before they'd even met, Tommy, Paul, Gary, and Arty were dedicated music fans, in love with the irresistible sounds of pure pop and rock 'n' roll. The Flashcubes story starts there. 

Okay, lads! Tell us about it.

Let’s begin with a look back at how you became music fans to begin with....

,,,And THAT will be where the story starts to unfold. Stay tuned. And keep your lights BRIGHT.

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I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.