Tuesday, March 3, 2026

COMIC BOOK COVER GALLERY: THE BRAVE AND THE BOLD, Part 1: Back issues acquired in the '60s, '70s, and '80s


This week's Comic Book Cover Gallery begins a four-part celebration of The Brave And The Bold, a popular DC Comics title that ran for 200 issues from 1955 to 1983. The book began as an adventure anthology starring the likes of the Viking Prince and the Golden Gladiator. A bit later, B & B offered the debut appearances of the Justice League of America, the Silver Age Hawkman, the Teen Titans, and Metamorpho the Element Man. But it's most often remembered as a superhero team-up title, specifically a Batman team-up title.

When I was a kid, I loved The Brave And The Bold; at times, it was probably my favorite individual title. As I...well, I won't say matured, 'cuz that ain't ever gonna happen. But as I progressed into teendom, I became increasingly disenchanted with the book's disregard for DC continuity, and of writer Bob Haney's sometimes outlandish plot elements and Marvel Comics-lite characterization. Looking back now, the stuff that bugged me about B & B in the '70s could be seen as selling points, and much of the reason Brave And Bold fans retain such fondness for the series.

And it doesn't hurt that not one, not two, but three of my all-time favorite comics artists did stints as B & B's regular draftsman. Nick Cardy and Neal Adams each served only a very brief tour of duty as The Brave And The Bold's resident designer, but the great Jim Aparo did a bunch of issues over a long span of time, and Aparo is the one artist most associated with book. And my God, his work here was stunning.

Art by Nick Cardy

Art by Neal Adams

This month, I'm devoting Comic Book Cover Gallery's designated weekly blog space to The Brave And The Bold, beginning with a gallery of  B & B back issues I acquired in the '60s, '70s, and '80s. The illustration at the very top shows Starman and Black Canary starring in The Brave And The Bold # 61, the first B & B I recall seeing, albeit just in a house ad. Next week's installment will focus on applying covers to issues I originally acquired without covers, and then we'll take two weeks to go through issues I picked up when they were new.

Art by Jim Aparo

As always, we'll be sticking exclusively to the '60s-'80s era of acquisition I've established for these galleries. The selections include books I bought new, back issues I acquired after the fact (but within the timeline), and B-stock contraband originally purchased without their covers. These aren't actual photos of comics in my collection; most images are courtesy of the Grand Comics Database, which is grand indeed. But I did have each and every one of 'em at some point in time.

NEXT WEEK: Brave and Bold issues I originally acquired with their covers, but we'll be puttin' the covers back on. B & B seeing you!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Sunday, March 1, 2026

This Is Rock 'n' Roll Radio #1326

This week's show brings us to This Is Rock 'n' Roll Radio # 1326. That's not a milestone number by any common reckoning, but it has a specific resonance with me. During my second semester in college, Fall of 1978 through Spring of '79, 1326 was the number of my dorm suite. I shared the two-bedroom suite with three other students; the first set of three hightailed it outta there and moved to student apartments at the end of the first semester, and a fresh trio of recruits assembled for the second semester. I got along with the second group of 1326ers better than I got along with their predecessors.

One evening in the Fall semester, my girlfriend and I were hanging out in 1326. Rochester, NY radio station WCMF-FM was about to air its Midnight Album feature, spinning a then-recent LP in its entirety:

The Ramones. Road To Ruin.

By this time, the Ramones were already my favorite contemporary group. A year before, their "Sheena Is A Punk Rocker" 45 became the record that changed my life. Before my freshman year of 1977-'78 hit the exit ramp, I added two more Ramones singles ("Rockaway Beach" and "Do You Wanna Dance") to my bourgeoning collection, I won a copy of their eponymous debut LP from the campus radio station, and I saw the Ramones perform live on a bill with the Runaways and the Flashcubes, and that was the best four bucks I ever spent. But as I commenced into my second year at college, I hadn't heard Road To Ruin before the WCMF DJ dropped the needle on the LP's opening track "I Just Want To Have Something To Do."

This may have been the first time I heard the Ramones on commercial radio. That experience was long overdue, and I still wish it were a more common occurrence. But I immersed myself in this album-length opportunity, digging each note and each pure pop hook. The next day, I had a new Ramones song stuck in my head, and I sang it to myself (and others!) everywhere I went:

Twenty-twenty-twenty-four hours to go, I wanna be sedated

It took me, I think, a few months before I snagged my own copy of Road To Ruin. I picked up Rocket To Russia at Battlefield Mall in Springfield, Missouri over Christmas break, a used copy of Leave Home in Cleveland Heights (at either Record Revolution or The Record Exchange) and a promo copy of Road To Ruin at Syracuse's Desert Shore Records. In the summer of '79, I saw the Ramones in concert again for my second of a total of eight times, and I kept on buying each new Ramones record upon release. That story started before and continued long, long after my residence at 1326.

But the girlfriend I met when I lived at 1326 is still my girlfriend, and has remained so even after we got married (to each other!) more than forty years ago. I knew she was mine when she confessed that she'd started writing the lyrics to Ramones songs in the margins of her notebook. 

So here's to 1326. Here's to love enduring, and here's to the 1-2-3-4! transcendence of traveling a road to ruin and surviving with gusto. Get me to the airport, put me on a plane. I wanna be elated, man.

And I am. 

Thanks, 1326. This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO). You can follow Carl's daily blog at Boppin' (Like The Hip Folks Do).

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's latest book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get Carl's previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1326: 3/1/2026
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold

THE RAMONES: I Wanna Be Sedated (Rhino, Road To Ruin)
MR. BRUCE GORDON: Every Day You Get To Choose (Futureman, single)
DEBBIE DUVEEN AND THE MILLBANKS: Don't Belong (Woronzow, Neon Classic)
THE SUPREMES: Up The Ladder To The Roof (Motown, The '70s Anthology)
DAVE EDMUNDS: Almost Saturday Night (Rhino, The Anthology [1968-1990])
--
THE CORNER LAUGHERS: Dusking (Big Stir, Concerns Of Wasp And Willow)
ELASTICA: Annie (DGC, Elastica)
SLYBOOTS: If We Could Let Go (single)
HANK BALLARD AND THE MIDNIGHTERS: Sugaree (Real Gone Music, Five Classic Albums Plus Singles 1954-1962)
THE MONKEES: Sweet Young Thing (Rhino, The Monkees)
GAME THEORY: She'll Be A Verb (Omnivore, Real Nighttime)
--
SPECTRAFLAME: I Always Wanted You To Stay (single)
JACK LEE: Come Back And Stay (Alive, Anthology: Bigger Than Life)
RACHAEL GORDON: Drop By And Stay (Sounds Of Subterrania!, The Coming Of Spring)
THE SINGLES: He Can Go, You Can't Stay (Rainbow Quartz, Better Than Before)
MAURICE WILLIAMS AND THE ZODIACS: Stay (Time-Life, VA: The Rock 'n' Roll Era: 1960)
SKEETER DAVIS: I Can't Stay Made At You Real Gone Music, VA: Honeybeat: Groovy 60s Girl-Pop)
--
THE GRIP WEEDS: Spinning The Wheel [live] (Jem, Soul Bender [deluxe edition])
AIMEE MANN: Driving With One Hand On The Wheel (Hip-O, Ultimate Collection)
WAR: Low Rider (Hip-O, Icon 2; The Hits & More)
THE KENNEDYS: New Set Of Wheels (The Kennedys, Headwinds)
RIHANNA: Shut Up And Drive (Def Jam, Good Girl Gone Bad: Reloaded)
AMY RIGBY: Til The Wheels Fall Off (Signature Sounds, Til The Wheels Fall Off)
--
MONOGROOVE: Autopilot (Kool Kat Musik, single)
PILOT: Get Up And Go (Renaissance, Anthology)
THE LITTLE GIRLS: Any Way You Want It (ValleyPop, Thank Heaven For ValleyPop)
JOAN ARMATRADING: Drop The Pilot (A & M, Greatest Hits)
THE CYNZ: You Wreck Me (Jem, Confess)
--
HOLLY GOLIGHTLY: Use Me (Damaged Goods, God Don't Like It)
DAVID RUFFIN: I Want You Back (Hip-O Select, David Ruffin--The Unreleased Album)
GOLDEN RICHARDS: Shake Your Hair (Omnivore, VA: International Pop Overthrow Vol. 23)
BLUE ASH: Jazel Jane (Peppermint, Dinner At Mr. Billy's)
--
The Greatest Record Ever Made!
THE RUNAWAYS: School Days (Hip-O Select, The Mercury Albums Anthology)
THE DONNAS: School's Out (Real Gone Music, Early Singles 1995-1999)
THE COASTERS: Charlie Brown (Warner Platinum, Yakety Yak--The Coasters Collection)
KID GULLIVER: Beauty School Dropout (Red On Red, Kismet)
SAM COOKE: (What A) Wonderful World (Abkco, 30 Greatest Hits: Portrait Of A Legend 1951-1964)
THE MILKSHAKES: Let's Stomp (Damaged Goods, Talkin' Bout...Milkshakes!/After School Session)
--
MIKE BROWNING FEATURING ELENA ROGERS: Over And Under And All Around (single)
THE UNDERTONES: (She's A) Runaround (Rykodisc, The Undertones)
MOTÖRHEAD: Ace Of Spades (Bronze, Ace Of Spades)
THE BIG THREE: Some Other Guy (Rhino, VA: The British Invasion: The History Of British Rock, Vol. 5)
FATS DOMINO: Whole Lotta Loving (Rhino, VA: Loud, Fast & Out Of Control: The Wild Sounds Of The '50s)
THE MnM'S:  I'm Tired (Burger, Melts In Your Ears 1980-1981)
DEVIL LOVE: Tell Me You Love Me (The Sound Cove, single)
THE MUFFS: Big Mouth (Omnivore, The Muffs)
--
THE HIGH FREQUENCIES: Winter Themes (Fox's Song) (Jem, single)
MARSHALL CRENSHAW: Something's Gonna Happen (Rhino, This Is Easy: The Best Of Marshall Crenshaw)
THE HALF/CUBES: Whenever You're On My Mind (Jem, Found Pearls)
THE BEAT: There She Goes (Wagon Wheel, The Beat)
PRINCE AND THE REVOLUTION: Let's Go Crazy (Warner Brothers, The Hits/The B-Sides)
THE BEATLES: Carry That Weight (Apple, Abbey Road)
THE BEATLES: The End (Apple, Abbey Road)
--
ELVIS PRESLEY: Hard Headed Woman (RCA, The Top Ten Hits)

Tonight on THIS IS ROCK 'N' ROLL RADIO

We'll jump-start the proceedings with THE RAMONES and finish off the show proper with THE BEATLES. Yeah, that sounds like us. In between the American Beatles and Her Majesty's Ramones, we'll hear new music from MR. BRUCE GORDON, THE CORNER LAUGHERS, SPECTRAFLAME, MONOGROOVE, and THE HIGH FREQUENCIES, a recent archival discovery from POPBOOMERANG RECORDS, and a righteous array of then-now-always-and-YEAH!! courtesy of THE SUPREMES, SLYBOOTS, DAVE EDMUNDS, HANK BALLARD AND THE MIDNIGHTERS, THE MONKEES, GAME THEORY, SKEETER DAVIS, THE GRIP WEEDS, AIMEE MANN, WAR, THE KENNEDYS, AMY RIGBY, THE LITTLE GIRLS, JOAN ARMATRADING, THE CYNZ, BLUE ASH, THE DONNAS, KID GULLIVER, SAM COOKE, MIKE BROWNING FEATURING ELENA ROGERS, MOTÖRHEAD, FATS DOMINO, DEVIL LOVE, THE MUFFS, MARSHALL CRENSHAW, THE HALF/CUBES, PRINCE AND THE REVOLUTION, and more. Yeah, that ALSO sounds like us. And it sounds pretty damned good. Sunday night, 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming via sparksyracuse.org, and as WESTCOTT RADIO on the Radio Garden app. The weekend stops HERE!

Saturday, February 28, 2026

10 SONGS: 2/28/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1325, celebrating Black History Month

RIHANNA: Shut Up And Drive

Rihanna's "Shut Up And Drive" is a stupid song about sex. But it's a great stupid song about sex, probably the best-ever stupid song about sex, and a legit contender for my all-time Hot 200. Yeah, even among songs that may or may not be stupid and may or may not be about sex.

"Shut Up And Drive" strikes me as a sort-of equivalent to "Heavy Music" by Bob Seger and the Last Heard, a track I initially dismissed as a stupid song about sex before realizing it was--you guessed it!--a great stupid song about sex. Rihanna's song is greater. We'll hear it again on the radio in Syracuse this Sunday night. Drive, baby. Drive.

CHUCK BERRY: Come On

Chuck Berry's 1961 single "Come On" was not a hit in the USA, but it did make the British Top 40 (# 38). One presumes that's where the boys who would soon become the Rolling Stones heard it, and their subsequent cover of "Come On" served as the A-side of the debut Stones single in 1963. Chuck Berry led the way.

SLYBOOTS: If We Could Let Go

Pop perfection, with an aching plea for harmony that resonates and reinforces our hopes for something better than the hateful tsuris surrounding us. Slyboots' 2024 single "If We Could Let Go" is just unforgettable, endlessly enriching, and for damned certain on the best new tracks of the decade to date.

LEMOYNE ALEXANDER: Insecurity

From a previous 10 Songs:

I often mention that there is so much more great music out there that most of us don't get around to hearing. Credit our friends Brett Vargo and Uncle Gregg at the essential weekly podcast Only Three Lads for my recent belated discovery of LeMoyne Alexander. Mr. Alexander is a singer, songwriter, guitarist, and producer with a long list of credits in hip-hop and R & B, and his recent guest appearance on O3L not only introduced me to LeMoyne Alexander, but specifically to his extraordinary 2024 single "Insecurity." Whoa! I'm retroactively declaring "Insecurity" to be one of my top tracks of '24. 

There's so much out there that we don't know, that we don't get an opportunity to know. With LeMoyne Alexander's superb rockin' pop track "Insecurity," we'll try to make up a little bit of lost time.

DONNA SUMMER: I Feel Love

From my book The Greatest Record Ever Made! (Volume 1):

1977 had the potential to be a year of musical revolution. When we say that, most of us are talking about punk, about the Sex Pistols, the Ramones, the Clash. Maybe we're not thinking as much about disco, and maybe that's fair. But if we want to consider the potential of pop music's revolution in '77, our discussions of "God Save The Queen," "Sheena Is A Punk Rocker," and "White Riot" had better allow some room on the dancefloor for "I Feel Love" by Donna Summer.

In the late '70s, disco and punk were supposed to be at war with each other. As a self-professed punk rocker in that era, I can attest that, yeah, punks didn't like disco, and the bumpin'-n-hustlin' set was appalled by the loud and fast noise my people favored. Hatfields and Capulets, meet McCoys and Montagues. Never mind the fact that the mainstream rock crowd held both punk and disco in nearly equal disdain; this was war!

Except that it wasn't. I'm skeptical of the notion that many of the Saturday Night Fevered ever took much interest in the Damned or the Dead Boys, but some among the new wave brigade did eventually allow their ears and minds to be a bit more open to non-pogo dance music, to the beat of dat ole debbil disco. Maybe it was just me, but I was a pop fan anyway; my intense dislike of disco music evolved into occasional tolerance, and tolerance evolved into a sporadic realization that some of the records weren't bad. 

Plus: Donna Summer. Donna Summer was gorgeous. I feel love.

Donna Summers's first hit, "Love To Love You Baby," was basically an extended orgasm set to a disco beat (which is not necessarily a bad thing).  But "I Feel Love" is more interesting; still shimmering and sexy--Donna Summer at that time could have covered the Singing Nun, and still been shimmering and sexy--but its European syncopation makes it even sexier, if not quite as sweaty. Or perhaps not as obviously sweaty....

WILSON PICKETT: Land Of 1000 Dances

"Land Of 1000 Dance." Our National Anthem. Well, it should be our National Anthem. And with no disrespect intended toward the 1962 original by Chris Kenner nor the hit 1965 remake by Cannibal and the Headhunters (whose fine version was the first to add the familiar na nana na na, nana na na na na na na na na, nana na naaaaaaa), I say folks attending baseball games across this occasionally (if not lately)-great land of ours should all rise for the wicked Wilson Pickett's evocation of doin' the Pony like Bony Maronie. Na nana na na, nana na na na na na na na na, nana na naaaaaaa. Batter up!

LL COOL J: Mama Said Knock You Out

The Greatest Record Ever Made!

THE BELLRAYS: One More Night

Like LeMoyne Alexander, the BellRays are another supercool act introduced to my eager ears via the Only Three Lads podcast. See? Ya learn stuff listening to O3L! You can catch up with your BellRays acclimation via their two-part O3L appearance in 2024: Part 1 and Part 2. To supplement your essential BellRays 101, let's review how the mighty Brett Vargo hyped their O3L spot:

"We're havin' a party this week! Joining us for a lively, laugh-filled exploration of 1973 albums is the heart and soul of the BellRays, singer Lisa Kekaula and guitarist Bob Vennum, who have been gloriously blending high octane punk, powerful soul music, deep blues, gritty garage rock, and whatever else they want to throw into the stew, since 1990. This is a band that defies expectations or pre-conceived notions and transcends any one genre or scene. Their music is all about energy and feel, and that makes them authentic no matter what the style is. To quote their 2020 compilation, It’s Never To Late To Fall In Love With...The BellRays."

NEVER too late! I can't explain why it took me so long to purchase some BellRays music and get it on the radio where it belongs. In that never-too-late spirit, the BellRays finally make their long-overdue TIRnRR debut with this killer track from their 2024 album Heavy Steady Go! They'll be back. We have a lot of time to overcompensate for, one more night at a time.

BOOKER T AND THE MG'S: Green Onions

Dana's pick for what oughta be our National Anthem. Booker T and the MG's with "Green Onions' or Wilson Pickett with "Land Of 1000 Dances?" Can't go wrong either way.

THE FOUR TOPS: Reach Out I'll Be There

Reach out. The bad guys have the power. We have the numbers. Reach out, my friends. Reach out.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Friday, February 27, 2026

COMIC BOOK RETROVIEW: Super DC Con, 1976

Fifty years ago this weekend, February 27th through the 29th 1976, it was my great pleasure to attend Super DC Con '76 in New York City. It remains the only large-scale con I've ever experienced, and it provided quite an enduring memory for this then-teen DC fan. 

Alas, while the memory is enduring, the specifics are not. I wish I'd thought to take notes, to jot down...well, everything. I was caught up in the totality of the experience as it happened, and the details are a blur. But it's a happy blur, a lingering buzz of delight and warmth. 

In 2018, I posted found images recreating the Super DC Con program book. You can see that post here. The post included this reminiscence:

"...I was 16 years old, and the Super DC Con was my first comics convention. It's still the only big con I've ever attended, and I wish I could find more coverage of that weekend somewhere. (And if anyone is aware of such coverage, please let me know!) A recent issue of Back Issue magazine included a brief retrospective of that convention, but I would surely love to read much, much more.  Someday, I'll try to recreate my own memories of the con for posterity: of my Dad and I taking the train from Syracuse to New York--the trip was a present for my 16th birthday--and being informed upon arrival at the Hotel Commodore that a strike had moved the convention over to The Americana; of learning at con check-in that DC publisher Carmine Infantino had been replaced by a woman named Jenette Kahn; of Dad leaving me free to fully immerse myself in the entirety of the convention experience without a chaperone (and his amazement that I didn't even want to stop for lunch); of meeting other fans; of meeting Superman creators Jerry Siegel and Joe Shuster, Batman co-creator Bob Kane, my writer-artist idols Denny O'Neil and Neal Adams, and legendary editor Julie Schwartz, among others; of losing to Richard Morrissey in a trivia contest administered by E. Nelson Bridwell; of the treasures of the dealers room; of the cavalcade of DC superhero films screened, including a fragment of Kirk Alyn in Superman, a 1948 serial then thought to be lost; of wearing plain clothes in the costume parade, claiming I was dressed as writer Elliott S! Maggin, who had written himself into a Justice League of America story the previous summer (afterward, Maggin shook my hand, laughing, saying that Jenette Kahn had just been telling him that his JLA appearance meant that DC now owned his name and likeness); the panels; the giddy thrill of participating in something I loved, surrounded by others who loved it just as much as I did; the satisfied train ride back home to Syracuse after the enchantment ended. I really need to write about all of that.

"But for today, this program will serve as a souvenir. This scan came from that vast series of tubes we call the internet. But I still have my copy, covered with autographs from all of the comics luminaries named above, and many more. There's an autograph from Jenette Kahn, with the inscription, 'May you be published soon.' There are memories contained therein, memories that fill me with a glow of contentment more than four decades later. Faster than a speeding bullet. More powerful than a locomotive. This feeling can still leap tall buildings in a single bound. You had to be there. I had to be there. I'm so grateful that I was."

A few other memories peek through the decades of accumulated fog. One such memory involved writer Martin Pasko and his creation the Albatross:

"...The Albatross was a phantom project. Not only did it fail to see print, it was never even announced as forthcoming (unlike, say, Gerry Conway's also-unpublished Ninja the Invisible), probably never assigned to an artist, possibly never even completed by Pasko. The only reference I've ever seen made to the Albatross was in my own work, specifically in an Amazing Heroes article on humorous superheroes I wrote in the '80s. You say you've never heard of the Albatross? It's okay. Neither has anyone else.

"The only reason I know anything at all about the Albatross is because I attended the Super DC Con...It was at one of the panels that the subject of The Albatross was introduced. I wish I could remember which panel it was, and who the participants were. I'm pretty sure writer Bob Rozakis was there--I have a vague memory of him responding to a friendly barb from his wife, with a 'Thanks, Laurie!'--and maybe Maggin, Denny O'Neil, and Cary Bates? That would indicate it was the writers' panel, which would have been a logical setting for Martin Pasko to talk about the Albatross.

"I do remember Pasko looking around the audience to be sure a specific, unnamed DC editor wasn't in the ballroom at the moment. Satisfied that the coast was clear, Pasko smiled and proceeded to tell us the brief saga of this DC Comics character no one would ever know.

"The concept of the Albatross had been the brainchild of a DC editor. Pasko would not say which editor it was. Pasko was given the assignment to develop the Albatross, possibly as a back-up feature. In the editor's premise, the Albatross was secretly a prison inmate, either a man convicted of a crime he hadn't committed, or a former felon who'd seen the error of his ways (I forget which). Every night, as his fellow convicts were snug in their beds, with visions of reasonable doubt dancing in their heads, the prisoner we call the Albatross would break out of prison--every night--don his mysterious costume to battle the forces of evil, presumably succeed in boppin' the bad guys, and then return to his cell, his nocturnal missions undetected by unsuspecting prison guards. Enter: The Albatross! BEWARE THE ALBATROSS!

"Spine-tingling, right? No?

"Yeah, Pasko also thought it was ridiculous.

"But an assignment was an assignment. Pasko almost certainly was the one who named our jailbird protagonist the Albatross, and as he wrote the strip, he found he could not take it seriously. He decided to play up the absurdity, go for subtle laughs, a nudge in the ribs rather than a leap over a tall building in a single bound. The editor still saw this Albatross as a straightforward costumed crimefighter, and he kept rejecting Pasko's attempts as inadequate. You don't seem to be getting the right feel for this, the editor told Pasko. One presumes that all involved finally acknowledged a dead end and moved on. The Albatross could escape from prison with ludicrous ease, but his comic-book exploits never saw the light of day.

"Pasko smiled again as he concluded his story. Those of us in the small crowd giggled in appreciation. And that was the end of what I'm sure was history's only public discussion of this DC hero called the Albatross...."

What else? I attended every panel I could. At one panel, I recall a fan expressing appreciation for artist Mike Grell's choice of Hammer Films horror actor Christopher Lee as the model for a vampire in an issue of Detective Comics, and editor Julie Schwartz dismissing the praise and complaining instead that Grell's use of Lee's image was just a lazy way out. I burrowed my way through the dealers' room, admiring original artwork from the 1940s, snagging whatever treasures I could afford (including 1960s paperback novels Batman Vs. 3 Villains Of Doom and The Avengers Battle The Earth-Wrecker). I remember meeting fans--OTHER COMIC BOOK FANS!!--and reveling in the company of kindred spirits. And I remember ending each evening with screenings of DC movies, TV shows, and serial chapters. It was magic. Magic.

I would just adore an opportunity to read more about this Super DC Con weekend; if anyone knows of any Super DC Con retrospective ever published or posted on line somewhere, please point me at it. Meanwhile, I'll close my own fragmented reminiscence with one additional memory:

"...I was 16 years old, and I was in my Heaven...It was an amazing experience, and I wish someone would publish an in-depth retrospective of that convention. Decades later, when my Dad was in hospice care and trying to express his gratitude for a strawberry milkshake I'd brought for him to enjoy, I joked to him, 'C'mon, Dad--remember that time you took me to New York for the DC Comics convention? I'd say I still you a little more than a strawberry milkshake.' Dad smiled, and enjoyed his milkshake...."

Thanks, Dad. It was one of a million big and little things you did for me over the course of our too-short span of fifty-two years together. I'm grateful for all of them. And I remain grateful for the Super DC Con.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.