Showing posts with label Jack Lipton. Show all posts
Showing posts with label Jack Lipton. Show all posts

Saturday, September 16, 2023

10 SONGS: 9/16/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1198. This show is available as a podcast.

THE CATHOLIC GIRLS: Hear My Prayer

New work from the Catholic Girls is pretty much guaranteed a spin on This Is Rock 'n' Roll Radio, and their new single "Hear My Prayer" provides further evidence of why we love the group. This is pop music that mourns its sadness but stands tall in its defiance, its insistence that there will be at least one more day. The single spins again on our next show.

THE MONKEES: The Door Into Summer

Always one of my very favorite Monkees tracks. It's from my favorite Monkees album Pisces, Aquarius, Capricorn & Jones, Ltd., and its familiar sting of if-only regret suited my own tinges of melancholy as Dana and I were programming this week's show. Sometimes the laughter from that caravan feels ever more distant. Fool's gold stacked up all around us.

But we're okay, right? We acknowledge and move on, at least to the best of our capability. The music of the Monkees has always been a source of comfort, a source of satisfaction. Even their saddest songs can make me happy.

Happy is good. We can use more happy.

AMY RIGBY: Baby Doll

We've been giving a lot of air time this year to tracks from Juniper's recent covers album She Steals Candy, especially to Juniper's cover of Amy Rigby's "Baby Doll." Such a great song, and I don't think we've ever played Rigby's wonderful original. Dana rectified that oversight this week. Good on ya, Mr. Bonn.

Coincidentally, Amy herself posted the above picture to my Facebook page last week. Listen, I'm still pinching myself when artists of Amy Rigby's stature even give me the friggin' time of day, let alone post pictures of my Ramones book sighted in the wild. Amy captioned the pic, From the original Rough Trade in West London!, and I was immediately giddy to the nth degree. Thank you SO much, Amy!

Juniper's "Baby Doll" returns to TIRnRR this Sunday. Amy Rigby returns the following Sunday. We wouldn't dream of doing *ahem* THIS IS ROCK 'N' ROLL RADIO # 1200 without some Amy Rigby. Giddy is as giddy does.

CYNDI LAUPER: I Drove All Night

Is 1989's "I Drove All Night" my favorite Cyndi Lauper track? Yeah, I believe it is. And that's not faint praise; I think Cyndi's great, and I love her big smash hit records, including "Girls Just Wanna Have Fun," and especially "Time After Time." I think the first time I heard the latter was when she appeared on The Tonight Show in 1984, delivering an electrifying performance of "Girls Just Wanna Have Fun" and then topping it with a dramatic rendition of "Time After Time." Watching it on my little black and white TV, my jaw dropped. I was impressed, and I believe Johnny Carson also approved. Smart guy, that Carson. Robert Klein seemed to agree, too. Another smart guy!

Memory suggests The Tonight Show also introduced me to "I Drove All Night" a few years later. Hey, who needs radio when ya got Johnny Carson? Whether my first exposure or a reinforcement of established bias, Lauper's "I Drove All Night" knocked me out. Songwriters Billy Steinberg and Tom Kelly originally crafted the song for Roy Orbison, and that intent is evident in the song's only-the-lonely DNA even if you've never heard Orbison's own splendid, posthumously-released version. Lauper owns it anyway; can't say that about many Orbison numbers performed by artists who weren't Roy razzafrazzin' Orbison.

In both the Lauper and Orbison performances, "I Drove All Night" just simmers with controlled desire, an earthly passion--burning up inside--accompanying a pristine love, impossible to resist, even if one were foolish enough to want to resist in the first place. Its consummation is sweet and well-earned.

Lauper's best track? Yes. Don't argue with the driver.

LIBRARIANS WITH HICKEYS: I Can't Wait 'Till Summer

Librarians With Hickeys' 2022 album Handclaps & Tambourines supplied this little mutant radio program with two perennial go-tos: "I Better Get Home" (TIRnRR's # 25 most-played track last year) and "Can't Wait 'Till Summer," which is guaranteed a berth on our year-end countdown for 2023. We play the hits. I love this gig. And in my mind, I imagine Lauper's "I Drove All Night" as an answer song to "Can't Wait 'Till Summer," the chronology of the two songs notwithstanding. In the Librarians With Hickeys track, love is unrequited, deferred at best, and just as likely to be taken off life support before there's even a hint of the summer sun. In "I Drove All Night," love wins. 

I approve of that message. And it is worth waiting for.

STEVENSON AND COMPANY: Insane

Loyal TIRnRR listeners know Stevenson and Company from their magnificent little ditty "Talking Down To Me," which appeared on our most recent compilation album This Is Rock 'n' Roll Radio, Volume 5. A previous 10 Songs revealed that "Talking Down To Me" was "originally brought to our attention by every pop fan's best bud Steve Stoeckel. Steve's best known for his work as a member of the Spongetones and Pop Co-Op (the latter of whom are also represented on TIRnRR # 5), and 'Talking Down To Me' is a li'l gem originally written by Steve's friend Danny Stevenson. Steve subsequently earned a co-write on the song, and added bass and vocals to what Danny and his drummin' brother Bruce Stevenson had already done. We loved it! And we played it on the radio, crediting it to the nom de bop King Mixer

"When it came time to address the idea of slapping together a fifth TIRnRR compilation, 'Talking Down To Me' was an automatic choice. At the artists' request, the billing has been changed to Stevenson and Company. Which is just as well; a King Mixer could have cost us a fortune in breach-of-promise cases...." 

There's your preamble, and we're thrilled that Stevenson and Company have just released their debut album Out Of Time, and it most assuredly swoops 'n' sways the way a rockin' pop record oughta. Let me say here what my overlords won't allow me to say on the air: BUY IT!!! We played one of its many fine tracks on this week's show, and promised more in the weeks ahead.

So yeah: we'll hear another one this Sunday night. We would not be able to afford a breach of promise suit, believe you me. That would be insane.

DOLPH CHANEY: Ice Cream Embers

What does Dolph Chaney have in common with the Catholic Girls? Rhetorical question! New music from Dolph Chaney is also pretty much guaranteed a spin on This Is Rock 'n' Roll Radio. Catholic Girls? Meet Dolph. Dolph, the Catholic Girls. I'll get us some beverages.


Ah. Dolph brought his own refreshment. 

Our lad Dolph has been a Fave Rave here, most especially for his all-time TIRnRR Pick T' Click "My Good Twin." Now, Dolph's back with his brand-new album Mug, courtesy of the benevolent visionaries at Big Stir Records. So this week: Catholic Girls and Dolph Chaney. Two great treats that treat great together. Or something like that.

And ya wanna know what else the Catholic Girls' "Hear My Prayer" and Dolph Chaney's "Ice Cream Embers" have in common? We'll hear 'em both again next week! 

I pray there'll be ice cream.

THE JAM: That's Entertainment

The Greatest Record Ever Made!

THE RAMONES: Oh Oh I Love Her So

We've established that the Monkees make me happy. Same goes for the Ramones. My motto remains that a day without the Ramones would be like...I don't have any idea what a day without the Ramones would be like. Nor do I ever intend to find out.

"Oh Oh I Love Her So" is an explosion of adrenaline-charged joy, one of my favorite Ramones tracks. Like most of the Ramones' best works, it is pure in a way that may seem unexpected by heathens who don't worship at the Church of Ramones.

But it is pure. It is exciting and life-affirming and vividly real, even at its most cartoonish, even in the midst of its Bowery-bred seediness, the danger of its genesis redeemed by the exuberance of its pop. Fast. Loud. Pure. Oh oh, I love it so.

JACK "PENETRATOR" LIPTON: It's My Life

During Labor Day weekend, we learned that Jack "Penetrator" Lipton, a fixture of the Syracuse rock 'n' roll scene and a long-time friend of this show, had taken his own life. We were not yet at liberty to share this news publicly, and I wouldn't have had the will to do so anyway. That Sunday night, as I listened to this year's edition of Dana's Funky Soul Pit on TIRnRR, my mind wandered, and its meandering path kept strolling to Jack Lipton, and to Jack's decision to exit this mortal world.

Jack and I weren't especially close. I don't want to compare my sense of loss to the aches felt by his tightest friends and family. But I would say we were on good terms, and Jack's enthusiasm and boundless good will always made him seem like a pal. Maybe those who knew Robin Williams recognize that sense of seeming delight and humor, an illusion of cheer that hides whatever troubles may brew beneath. Where there tell-tale signs? I don't know. Probably not, not really...but I don't know. Neither do you.

I've written before of how suicide affects the survivors, or at least how it affected me when one of my best friends killed himself in 1979. No one can save us. But there are potential paths to facilitate our rescue: the Suicide and Crisis Lifeline is within reach via a phone call to 988, and often our loved ones will be willing, eager, to help in any way they can. It may feel like no one will listen, that no one will understand. But someone, somewhere will listen, and they'll try to understand. Repeating what I said earlier this week: your life is worth saving. Our lives are worth saving.

Jack always wanted us to play his cover of the Animals' "It's My Life" on the show. We never did, not during his lifetime. It was too long for our chosen format, so we played some of Jack's other work instead, both solo and with the Penetrators and Mark Doyle and the Maniacs

We played Jack's "It's My Life" this week. It's a good cover of one of my very favorite songs. It hurts to play it now. 

But it was high time we did.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Monday, September 11, 2023

This Is Rock 'n' Roll Radio # 1198

A blog post is an awful way to be informed of bad news. My apologies if this message falls into that category for you. Please brace yourself if you haven't already heard about Syracuse rock 'n' roll singer Jack Lipton.

Over Labor Day weekend, I received a text from a friend, an urgent request to call as soon as I could. I called back immediately, and that's how I found out that Jack Lipton, lead singer of the Penetrators and a longtime friend of This Is Rock 'n' Roll Radio, had taken his own life. 

Words fail. I was a fan of the Penetrators, ever since I heard their first single "Gotta Have Her"/"Baby Dontcha Tell Me" upon its release in 1979. Other mutual friends were closer to Jack than I was, but Jack and I were on good terms; my sense of loss doesn't compare to what others may feel at this time, but my heart goes out to them. I feel what I feel, and that's bad enough.

I've been trying--half-heartedly, and heavy-heartedly--to write something about Jack. I can't do it. Maybe later, maybe never, but absolutely not now. For the moment, I'll look back on things I wrote years ago about Jack's work, here and here. Dana and I will play a few songs, and we will mourn in the manner that fits us. 

But this larger point needs to be said, again and again: Suicide is devastating; its pain goes beyond those who've left us, and it can haunt its survivors. I've felt this sting before, more than once. And when it happens, you wonder if there was anything you could have done that might have helped.

Maybe there was. Maybe there wasn't. You'll never be certain. 

If you know someone going through this terrible ache, this pressure toward deciding that the only way out of life's misery is to end that life entirely, or if you're feeling this horrible ache yourself...there is support available. Your friends and family may be able to listen, and they may be able to help. There is also, always, the Suicide and Crisis Hotline, which can be reached by dialing 988.

Someone will listen. Somewhere, someone will listen. Your life is worth saving. Our lives are worth saving.

Rest easy, Jack. This one's in your memory.

This is what rock 'n' roll sounded like on yet another Sunday night in Syracuse this week.

This show is available as a podcast.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO)

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The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
***And NOW AVAILABLE! This Is Rock 'n' Roll Radio, Volume 5!***
     CD or download

HEY! Looking for something to read? Check out Carl's Ramones book Gabba Gabba Hey! A Conversation With The Ramones You can also follow Carl's daily blog Boppin' (Like The Hip Folks Do) at https://carlcafarelli.blogspot.com/ If you would like to receive links to each day's blog, please reply to this email.

TIRnRR # 1198: 9/10/2023
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold

THE PENETRATORS: Teenage Lifestyle (Swami, Basement Anthology 1976-84)
THE TREND: Peer Pressure (Hate, Batman Live At Budokan)
THE BEATLES: I'll Cry Instead (Apple, A Hard Day's Night)
BLONDIE: Walk Like Me (Chrysalis, The Platinum Collection)
THE ISLEY BROTHERS: Nobody But Me (Varese Sarabande, Shake It Up, Baby!)
--
THE CATHOLIC GIRLS: Hear My Prayer (single)
THE BABLERS; You Are The One For Me (Big Stir, single)
THE MONKEES: The Door Into Summer (Rhino, Pisces, Aquarius, Capricorn & Jones. Ltd.)
ORBIS MAX: Anyone's Yesterday (single)
THE SOFT BOYS: (I Wanna Be An) Anglepoise Lamp (Rhino, VA: DIY: The Modern World)
--
STRANGERS IN A STRANGE LAND: World In Action (single)
JACK LEE: Any Day Now (Alive, Anthology: Bigger Than Life)
GRAHAM PARKER & THE GOLDTOPS: Wicked Wit (Big Stir, Last Chance To Learn The Twist)
MATTHEW SWEET & SUSANNA HOFFS: (What's So Funny 'Bout) Peace, Love & Understanding (Edsel, Completely Under The Covers)
THE POPTARTS: Jealousy [alternate version] (PlumTone, Fresh...Out Of The Toaster)
THE BANGLES: Hero Takes A Fall (Columbia, All Over The Place)
--
RINEHEARTS: Could You Would You (Cheersquad, single)
RICHARD HELL & THE VOIDOIDS: Downtown At Dawn (Sire, RICHARD HELL: Spurts: The Richard Hell Story)
THE FLASHCUBES: Forget About You (Big Stir, Pop Masters)
CYNDI LAUPER: I Drove All Night (Epic, The Essential Cyndi Lauper)
LIBRARIANS WITH HICKEYS: Can't Wait 'Till Summer (Big Stir, Handclaps & Tambourines)
JOHNNY HALLYDAY: Whole Lotta Shakin' Goin' On (Jasmine, Elle Est Terrible! The Rock 'n' Roll Years)
--
THE VAPOUR TRAILS: Reminisce (Futureman, On A Beautiful Day)
20/20: Yellow Pills (Oglio, 20/20--Lookout)
THE TEXTONES: Vacation (Big Beat, single)
BADFINGER: No Matter What (Apple, No Dice)
STEVENSON & COMPANY: Insane (n/a, Stevenson & Company)
--
DOLPH CHANEY: Ice Cream Embers (Big Stir, Mug)
TOM PETTY & THE HEARTBREAKERS: American Girl (MCA, Anthology: Through The Years)
PRINCE: Hot Summer (NPG, Welcome 2 America)
TOMMY JAMES & THE SHONDELLS: Mirage (Rhino, Anthology)
ROOFTOP SCREAMERS FEATURING TIM SMITH: Another Life (single)
UTOPIA: Love In Action (Rhino, TODD RUNDGREN: The Very Best Of Todd Rundgren)
--
The Greatest Record Ever Made!
THE JAM: That's Entertainment (Polydor, Direction Reaction Creation)
SUGAR: If I Can't Change Your Mind (Rykodisc, Copper Blue)
SUPER 8: Susan Revolving (n/a, Raindrops On Roses)
RUFUS: Tell Me Something Good (Rhino, VA: Can You Dig It?)
THE RAMONES: Oh Oh I Love Her So (Rhino, Leave Home)
THE SEEDS: Can't Seem To Make You Mine (GNP Crescendo, The Seeds)
JACK "PENETRATOR" LIPTON: It's My Life (Rockinnn', Forgotten Boy)
--
NICK BERTLING: There Was A Thing (Futureman, Process And Contact)
THE ROOKS: Sometimes [alternate version] (Futureman, VA: This Is Rock 'n' Roll Radio, Volume 1)
THE PENETRATORS: Time Is Mine (Code 213, single)
ROBERT GORDON WITH LINK WRAY: Sea Cruise (Raven, Robert Gordon With Link Wray)
BOBBY SUTLIFF: Same Way Tomorrow (Jem, Only Ghosts Remain Plus)
THE REPLACEMENTS: I Will Dare (Sire, For Sale: Live At Maxwell's 1986)
JACK "PENETRATOR" LIPTON: Search And Destroy (Rockinnn', Forgotten Boy)
THE BEVIS FROND: He'd Be A Diamond (Woronzow, New River Head)
--
THE PENETRATORS: Gotta Have Her (Swami, Basement Anthology 1976-84)
THE PENETRATORS: Teenage Lifestyle (n/a, Ruff N' Tuffy's)
LULU: Tossin' And Turnin' (RPM, Shout! The Complete Decca Recordings)

Thursday, October 8, 2020

THE PENETRATORS: Live At Kenny's 1980

Back in 2000, I wrote the liner notes for Live At Kenny's 1980, an LP by "Syracuse's Only!," The Penetrators. And here they are!

You probably had to be there to understand, but the conservative little city of Syracuse, NY (motto: "Snow? Yeah, we got snow") was a genuinely exciting place to be a young rock 'n' roll fan in the late '70s and early '80s. The vibrance of a re-energized, vital international rock 'n' roll movement, jump-started by punk and new wave, was keenly felt even in my sleepy little home town, as local bands like The Flashcubes, The Ohms, The Poptarts, The Most, Screen Test, The Dead Ducks Band, 1.4.5., and The Tearjerkers all plugged in and let fly with a thrilling, raucous pop noise that was nothing short of transcendent. Many of us believed--really believed--that Syracuse would be the next Liverpool.

The Penetrators--originally a self-contained recording-only combo, consisting of singer Jack Lipton and singer/songwriter/instrumentalist Eliot "Spike" Kagan--were a part of this scene, yet subtly apart from it. The DIY spirit that sparked the punk and new wave explosion in Syracuse and elsewhere was certainly and inspiration for The Penetrators, and local new wave kingpins The Most even covered a Penetrators song, "Drive Me Crazy," in their live shows. But, while most of the local scenesters were working within a broad power pop or new wave aesthetic, The Penetrators were proudly, defiantly...well, just plain grungier than any other band in town.

I mean that in a good way. The Penetrators' records revealed a band that drew just as much inspiration from '60s frat-rock bands like The Kingsmen and The Sonics as they did from The Ramones. They were like a 1965 AM radio signal, with its wires crossed into Never Mind The Bollocks, Here's The Sex Pistols. As Jack Lipton recalls, "I always envisioned The Penetrators as Iggy and the Stooges' Raw Power LP meets The Rolling Stones' Exile On Main Street." And Spike Kagan adds, "The Penetrators were formed by Jack and myself as a tribute to all the bands we had been in and formed up to that time. Such memorable groups as Lloyd and his Groovy Guys, Big Cheese and the Goomers, and The Little Willie Experience were just a part of our initial forays into rock 'n' roll immortality."

I was a fan of The Penetrators. I eagerly read about them in the local fanzine Poser (and in the tres-fab international rock mag Trouser Press), and I bought their two rockin' 45s at Desert Shore Records up on the SU hill. But I never saw them live; they weren't doing live shows when I was in Syracuse, and I'd moved away by the time they began playing out. Now, after all these years, I finally have a proper chance to experience the buzz of a live rock 'n' roll show by the self-proclaimed "#1 Band In Town," The Penetrators. Put on your rock 'n' roll face--it's Penetratin' time!

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Thursday, November 16, 2017

THE EVERLASTING FIRST: Quick Takes For P [music edition]

Continuing a look back at my first exposure to a number of rock 'n' roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it's the subsequent visits--the second time, the fourth time, the twentieth time, the hundredth time--that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.

PEZBAND



"Sparkling Power Pop!" While it might seem unlikely that I could possibly resist that specific hype in the late '70s, the truth is that I didn't really get Pezband at the time. I think I picked up the Laughing At The Pieces album on a trip to Cleveland, and I may have purchased Cover To Cover somewhere in that time frame, but neither moved me, so I traded 'em in. Fast-forward to the early '90s, and it suddenly dawned on me that I needed Pezband records, so I tracked down each and every one of the band's releases. "Love Goes Underground" and "Stop! Wait A Minute" are my favorites.

THE PENETRATORS



I probably read about this band billed as "Syracuse's Only!" in the pages of our local punk/new wave fanzine Poser in 1979, before I ever heard their music. I bought their debut 45 "Gotta Have Her"/"Baby Don'tcha Tell Me," and loved it (particularly the B-side); I liked the follow-up, "Teenage Lifestyle," even more. Years later, I wrote the liner notes to a Penetrators live album, and to a solo EP by Penetrators lead singer Jack Lipton; I never had an opportunity to see the band play live.

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You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 is now available from Kool Kat Musik! 29 tracks of irresistible rockin' pop, starring Pop Co-OpRay PaulCirce Link & Christian NesmithVegas With Randolph Featuring Lannie FlowersThe SlapbacksP. HuxIrene PeñaMichael Oliver & the Sacred Band Featuring Dave MerrittThe RubinoosStepford KnivesThe Grip WeedsPopdudesRonnie DarkThe Flashcubes,Chris von SneidernThe Bottle Kids1.4.5.The SmithereensPaul Collins' BeatThe Hit SquadThe RulersThe Legal MattersMaura & the Bright LightsLisa Mychols, and Mr. Encrypto & the Cyphers. You gotta have it, so order it here.

Saturday, August 13, 2016

BRIGHT LIGHTS! 2014 radio promotion

 


For our first BRIGHT LIGHTS! Syracuse New Wave Rock 'n' Roll Reunion in 2014, we were working with 95X and The Rebel 105.9 to promote the event. Scott Dixon at 95X wanted to play some music by the BRIGHT LIGHTS acts on his radio show; at his request, I compiled a CD of tracks by some of the artists who would be playing at BRIGHT LIGHTS!  Here 'tis!
 
1.  1.4.5.:  "Are You Ready?"  Latter-day track (2012), included on the group's anthology CD 3 Chords & A Cloud Of Dust.  1.4.5. is led by guitarist Paul Armstrong from The Flashcubes.

2.  1.4.5.:  "She Couldn't Say No"   From 1.4.5.'s 1981 EP Pink Invasion, also included on 3 Chords & A Cloud Of Dust.

3.  JACK "PENETRATOR" LIPTON:  "Search And Destroy"  Jack was in The Penetrators, and now fronts his own Jack Penetrator Band.  This Iggy & the Stooges cover features Paul Armstrong on guitar and The Ohms' Ducky Carlisle on drums.  From Jack's Forgotten Boy CD.

4.  THE MIAMIS:  "Name And Number"   I don't know much about The Miamis, but this track is from the early '80s, and I'm very much looking forward to seein' em live on the 19th.

5.  SCREEN TEST:  "Sound Of The Radio"  Early '80s track, originally unreleased, included on the group's anthology CD Inspired Humans Making Noise.  Screen Test is Gary Frenay, Arty Lenin, and Tommy Allen, all of whom are also in The Flashcubes.

6.  THE MOST:  "Rockerfeller"   Lead singer Dian Zain, guitarist Paul Armstrong, and a rotating line-up of other players.  This track appeared on a 1980 compilation LP called From The City That Brought You…Absolutely Nothing, which was mostly a compilation of Rochester bands.

7.  THE MOST:  "Girls Don't Pay"  Unreleased.

8.  THE MOST:  "Girls Don't Pay [live]"  Unreleased, from a performance at CBGB's.

9.  PORCELAIN FOREHEAD:  "Everything But"  1982 live performance at Squires East.  The original P4 was Skid Skidmore (the late Dave Egan) and A Symmetrical (Mark Walsh), later joined by Porcelana (Karen Oberlin).

10. MACHINE AND HUMMER:  "No Place Like Home"  Dick Hummer had been the drummer for The Most before becoming the human half of Machine And Hummer.  He will be joining Porcelain Forehead for two songs on the 19th, but does not wish to be billed as "Machine And Hummer"

11. MAURA:  "Summer Coulda Lasted ForeverMaura was Maura Boudreau, a teenager from  North Syracuse, who began her long live music career playing bass for The Antics.  Now she and her husband Pete Kennedy are The Kennedys, a world-renowned folk-pop duo, and they're just returning from a UK tour.  I believe "Summer Coulda Lasted Forever" was the first song Maura ever wrote, and we hope that she'll sing it when she fronts Maura & the Bright Lights at the Bright Lights show.

12.  MAURA:  "Summer Coulda Lasted Forever [edit]Because we have a short attention span on our show, Dana created an edited version of the above track, which fades out about a minute and 30 seconds earlier.

13.  THE TREND:  "Electric Chair"  Debut single, now a high-priced collectible that has sold for as much as $1000 (though its market has since cooled a bit).  Included on the expanded CD reissue of their LP, Batman Live At Budokan. 

14.  THE TREND:  "Zink Tabletz"  From Batman Live At Budokan.

15.  THE DEAD DUCKS BAND:  "No Direction"  Unreleased demo, circa 1979-80.  The earliest incarnation of the Ducks included Bobcat Goldthwaite, but not for long. 

16.  THE FLASHCUBES:  "It's You Tonight"  1993 recording, included on the Bright Lights CD.  Written by Gary Frenay.

17.  THE FLASHCUBES:  "She's LeavingAnother '93 recording for Bright Lights, written by Paul Armstrong.

18.  THE FLASHCUBES:  "No Promise"  1979 recording, pure power pop, included on Bright Lights.

19.  THE FLASHCUBES:  "Do Anything You Wanna DoEddie & the Hot Rods cover, from the 2003 album Brilliant.

20.  THE FLASHCUBES:  "When We Close Our Eyes"  Arty Lenin track from Brilliant.

21.  THE FLASHCUBES:  "Pathetic"  Paul Armstrong track from Brilliant.

22.  THE FLASHCUBES:  "Green Glass Windows"  From The Flashcubes' most recent album Sportin Wood, a tribute to the songs of Roy Wood.  

2016 POSTSCRIPT: at the time I made this CD, I didn't have any tracks by Distortion, a band which was also a part of BRIGHT LIGHTS! in 2014. Dick Hummer was scheduled to perform with Porcelain Forehead, but a last-minute family issue forced him to cancel his trip.

Saturday, March 12, 2016

Jack "Penetrator" Lipton: Bad Boy

These are my liner notes to Bad Boy, a 2004 EP by Jack "Penetrator" Lipton.


A BAD LITTLE KID MOVES INTO THE NEIGHBORHOOD

A dash of Dylan, a roll of Stones...wait, that's what Time magazine said about Paul Revere and the Raiders in 1966.  Time has thus far remained strangely mute on the subject of the midnight ride of Jack Lipton, so I guess we've gotta take up the slack right here. 

As a young man in the small 'n' sedate city of Syracuse, NY (motto:  "We're gettin' a MALL!"), Jack Lipton grew up with a rock 'n' roll dream of wedding the deadly, cocksure cool of The Rolling Stones circa Exile On Main Street with the raw power of Iggy and the Stooges.  He first achieved notoriety as the lead singer of The Penetrators, a band billed as "Syracuseís Only!," before leaving Central New York behind to declare his love for that dirty water down by the banks of the River Charles.  Hmph--traitor.  But Jack retained that early dream, and he pursues it with stalker-like intensity on this, his very first solo release.
           
As Exhibit A, consider Jack's ace take on Iggy and the Stooges' proto-punk classic "Search And Destroy."  Backed by a badass band of rockin' alt-pop luminaries--the great Paul Armstrong of The Flashcubes on guitars, Tony Kaczynski of Fireking on bass, and drummer Ducky Carlisle (best known as an in-demand producer, but legendary in Syracuse as the former timekeeper for The Ohms and 1.4.5., AND TAKE OFF YER HAT WHEN I SAY THOSE NAMES!!)--Jack throws his body, soul and collection of old Creem magazines into the song, wailin' away with the transcendent furor of a damned spirit rammin' through the gates of Hell.  He doesn't surpass Iggy--because really, y'know, who could?--but he manages to look ol' Ig square in the eye without flinching or conceding any ground whatsoever.  And that's an accomplishment in itself.
           
The EP also includes two originals, "Trouble" and "Get Off The Corner," co-written by Jack with producer John Fannon, who played all the instruments on those two tracks.  Both of these recall the street-wise, semi-jaded romanticism of Ed Hamell (another expatriate Syracusan who blew town--jeez, was it something we said?!), influenced as well by Springsteen but filtered through a garage-bred grittiness that's far less Woody Guthrie and much more Johnny Thunders.  The record--and YES, you can still refer to CDs as "records," you insufferable nitpicker--concludes with a cover of The Standells' "Dirty Water," proving that Jack's surly, swaggering heart remains in the garage from whence this Bad Boy came.

Hmmm.  Trouble.  Search And Destroy.  Get Off The Corner.  Dirty Water.  This is hardly a litany of sweetness and light, but it's pretty much what you should expect from a self-described bad boy.  Hear now four tales told by the same sort of unrepentant rock 'n' roller celebrated in song by Larry Williams and those Beatle guys.  A bad little kid's movin' into YOUR neighborhood.  Now Bad Boy--behave yourself.