Friday, December 20, 2024

10 SONGS: 12/20/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1264.

THE ISLEY BROTHERS: Shout (Part One)

Confession time: If sports things play out the way I wish over the next several weeks, I will have unabashed divided loyalties on Super Bowl Sunday. I will, of course, be tuned into This Is Rock 'n' Roll Radio as always. But I'm a former resident of Buffalo, and if the Buffalo Bills make it to the Super Bowl, I'm gonna watch, and I'm gonna be shoutin' at the screen the whole time. The Bills make me wanna SHOUT! Not...always for the right reasons. Gimme the right reasons this year, team. Go, Bills!

THE PANDORAS: Melvin
THELMA HOUSTON: Don't Leave Me This Way


A song about a guy named Melvin, segued into a song originally done by an artist named Melvin. If that ain't art, there ain't art.

The Pandoras' "Melvin" is a gender-swapped cover of Them's punk classic "Gloria," but the switch didn't originate with the Pandoras. "Melvin" was first done in 1966 by the Belles, and the Pandoras brought the original's garage-girl grunge glory into their own '80s psych-revival milieu. We pray G-L-O-R-I-A and M-E-L-V-I-N are still together somewhere, and still spelling each other's name with a resilient spark in their eyes.


"Don't Leave Me This Way" was first done by Harold Melvin and the Blue Notes, and the Blue Notes' version (with its magnificent Teddy Pendergrass lead vocal) merits a chapter in my book The Greatest Record Ever Made! (Volume 1). Thelma Houston had the hit, which is far and away the best-known take on the song. Even when then-teen me hated disco, I still liked Thelma Houston's "Don't Leave Me This Way." We're ALL Melvin!

LIBRARIANS WITH HICKEYS: Hello Operator


I'm not sure if we've mentioned recently (nor often enough) how much we love the current Librarians With Hickeys album How To Make Friends By Telephone. "Hello Operator" was the album's first advance single a few months back, and it's still my favorite among a batch of How To Make Friends By Telephone favorites. SPOILER ALERT: We're gonna hear this track again on the countdown show. That's what phone-a-friends are for.

THE MONKEES: A Little Bit Me, A Little Bit You


Try as many a mastering engineer might, no CD reissue of this non-LP Monkees single has ever come within a light year of matching the sheer punch and power of the original Colgems Records 45. Most Monkees fans consider this a relatively minor entry in the group's history, a Neil Diamond composition that represented former producer/puppeteer Don Kirshner's last grasp of the Monkees' strings; B-side "The Girl I Knew Somewhere," written by Michael Nesmith and performed by the Monkees themselves rather than by session musicians, is ultimately more important, even though the A-side was the the hit. 

Kirshner's last stand? It's a really, really good last stand. And if consensus dismisses this as an inferior follow-up to Diamond's SuperMegaSmash Monkees hit "I'm A Believer," I actually like it better. Part of the reason is circumstantial: I just love the way the sound of my flea-market 45 jumps out of the speakers, loud and distorted in all the right ways, pounding and popping in a way no reissue has ever managed to recapture. "I'm A Believer" is a better song, and arguably a better record, but I feel a vibrant and pervasive connection to "A Little Bit Me, a Little Bit You," a connection its "Believer" big brother can't equal. 

(For a coincidental commentary on Kirshner's exit from the Monkees project, read the lyrics to this song as an approximation of what I think Kirshner shoulda said to the Monkees at the time. Except maybe not addressing the group as "Girl.")

THE COOKIES: Wounded

The Greatest Record Ever Made!

THE FLASHCUBES: Gone Too Far

Gone TOO far...?! Man, I'd say Syracuse's own power pop powerhouse the Flashcubes haven't gone far enough, at least not yet. There's some cool Cubic stuff brewing for 2025, so, y'know, don't go anywhere. Stay tuned.

THE 'B' GIRLS: Fun At The Beach


This week's shindig was our last regular show of 2024, with the annual Christmas and Countdown shows poised to kick us through December's final pair of Sundays. With seasonal sides taking over for now (and countdown tracks set to follow), our last regular non-Christmas/non-Countdown spin this year is "Fun At The Beach," a 1979 single by the 'B' Girls. Boys in bikinis! Girls with surfboards! Wait...that's the B-52's. Wrong B-band! Ah well. Surf's up nonetheless.

LISA MYCHOLS: Joy Is In The Giving

We devoted this week's final set to Christmas music. We rarely play Yuletunes outside of our Christmas show, but the Christmas show itself tends to get its stocking overstuffed very quickly, leaving no room at the Inn. We had a few new seasonal sides in need of at least one spin this year, so we grabbed a few rockin' holiday classics and mixed 'em with these pepperminty-fresh Ghosts Of Christmas Present to form this week's closing set.

That set commenced with "Joy Is In The Giving" by Lisa Mychols. It's not a new track--it appeared on the superfestive 2010 compilation album Hi-Fi Christmas Party Volume 3--but this year it's included on The Very Best Of Hi-Fi Christmas Party, which collects some of the brightest stars from that series in one neatly-wrapped package. Sales of this compilation benefit Versiti Blood Research Institute. Quoting from Versiti's mission statement: "From research and diagnostic testing to the sharing of lifesaving gifts, we advance the field of personalized medicine while providing care, comfort and support to our communities. We are blood health innovators who enhance lives through discovery, diagnosis and treatment (specializing in diseases and disorders of blood)."

Worthy music, worthy cause. And worth another spin next week.

MIKE BROWNING: It's The Most Wonderful Time Of The Year

Is it the most wonderful time of the year? Here's hopin'. With this week's closing spin, our pal Mike Browning sets us up for The 26th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show this coming Sunday night. And we'll hear Mike's rendition of "It's The Most Wonderful Time Of The Year" again at the top of that show. Good cheer provides its own justification. 

We also hope there will be cookies. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Monday, December 16, 2024

This Is Rock 'n' Roll Radio # 1264


About five years ago, I wrote a long history of our little mutant radio show. The specifics are ours, but the sentiment is shared by so many radio shows, blogs, podcasts, fanzines, and other efforts to raise the flag on behalf of music, on behalf of the love of music. Enthusiasm is its own reward, and it is worth the effort to make it happen. 

This is our last regular show of 2024, as special programming will take us through the calendar's final crumpled page. As we get set to start crumpling, I look back at a few things I wrote in that history of TIRnRR:

Music has power. It doesn't have unlimited power; it can't leap tall buildings in a single bound, and it can't heal the sick or balance your checkbook. It can't mend broken bones or broken hearts, and it can't persuade a soon-to-be-former soulmate to please, please give us one more chance. It can't buy us love. It can't even buy us lunch.

But music does have power. It can offer comfort, validation, inspiration. Catharsis. Companionship of a sort. Maybe it can't dry our tears, but it can grant us the freedom to weep without shame, to dance away the heartache, to twist and shout, to do the freakin' Freddie when only the Freddie will do. Music is there for us when we need it. I can't imagine a time when we don't need it.

The need to play music--to share music--lives and breathes at the core of any pop (or soul, or rock, or country, or jazz, or classical) radio show programmed by any music fan. This Is Rock 'n' Roll Radio is but one of thousands of shows that have embraced that ideal. We are legion, even if each of us feels like a lone voice wailing Turn it UP! The power of music connects us. The beat goes on.

Is that the power of music? Yeah. Yeah, it is. It's also the power of friendship, the power of belief, the power of radio. The joy of radio.

Power corrupts, and absolute power corrupts absolutely. Music can be absolute, but its power doesn't corrupt; it redeems. It can be a shared experience, a solitary experience, something as unique or as universal as our needs dictate. The power is sublime. The power is ours.

And Sunday nights from 9 to Midnight Eastern, we get to call on that power, and make it shine. Sight gags on the radio. The Greatest Record Ever Made. The American Beatles, Her Majesty's Ramones, our designated House Band the Kinks, and some unfamiliar but irresistible reminder that radio's job is to sell records. All of it, and more. 

Feel the power; it belongs to you, too.

This is our story. Maybe it's your story, too. This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

NEXT WEEK: The 26th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show. And IN TWO WEEKS: THE COUNTDOWN!! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO)

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get Carl's previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1264: 12/15/2024
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold.

JOEY MOLLAND: Better Tomorrow (Omnivore, Be True To Yourself)
THE BINGS: She's Got The Power (Bachelor, Power Pop Planet [The Lost Tapes])
THE CHI-LITES: (For God's Sake) Give More Power To The People (Brunswick, The Ultimate Chi-Lites)
THE DUKES OF STRATOSPHEAR: Vanishing Girl (Rhino, VA: Children Of Nuggets)
JUSTINE AND THE UNCLEAN: When I Stopped Loving You (Red On Red, The Signal Light)
THE NASHVILLE RAMBLERS: The Trains (Rhino, VA: Children Of Nuggets)
--
LYNDA MANDOLYN: I Love How You Love Me (Rum Bar, single)
RADIO MOSCOW: I Just Want To Make Love To You (Vivid Sound, VA: He Put The Bomp! In The Bomp)
PRINCE: I Could Never Take The Place Of Your Man (Warner Brothers, The Hits/The B-Sides)
THE ISLEY BROTHERS: Shout (Part One) (MOJO, VA: Songs The Beatles Taught Us)
THE DUKES OF EARL: Him Or Me (Vivid Sound, VA: He Put The Bomp! In The Bomp)
--
RANDY KLAWON: Even When She's Wrong She's Right (single)
NIKKI CORVETTE AND THE HELL ON HEELS: What A Way To Die (Vivid Sound, VA: He Put The Bomp! In The Bomp)
THE RAMONES: I Wanna Live (Sire, Halfway To Sanity)
THELMA HOUSTON: Don't Leave Me This Way (Spectrum, The Best Of Thelma Houston)
--
SLYBOOTS: If We Could Let Go (single)
THE TEENBEATS: I Can't Control Myself (Cherry Red, VA: 1979 Revolt Into Style)
LIBRARIANS WITH HICKEYS: Hello Operator (Big Stir, How To Make Friends By Telephone)
THYME: Time Of The Season (Big Beat, VA: A-Square [Of Course])
THE ZOMBIES: She Does Everything For Me (Big Beat, Zombie Heaven)
ELVIS COSTELLO AND THE ATTRACTIONS: You Belong To Me (Rykodisc, This Year's Model)
--
THE CYNZ: When We Were In Love (Jem, Little Miss Lost)
AMY RIGBY: Hell-O Sixty (Tapete, Hang In There With Me)
THE MIDNIGHT CALLERS: The Eraser (Jem, single)
BEN VAUGHN: Just A Little Bit Of You (Bar/None, Mono USA)
TAMAR BERK: Chicago (n/a, Good Times For A Change)
THE MONKEES: A Little Bit Me, A Little Bit You (Rhino, Headquarters [Deluxe Edition])
--
THE MIDNIGHT CALLERS: Baby Let Me Be (Jem, Rattled Humming Heart)
THE LEARS: The Byrd That Couldn't Fly (Not Lame, VA: Full Circle)
CARLA OLSON: I Can See For Miles (BFD, single)
CONTINENTAL DRIFTERS: Match Made In Heaven (Omnivore, Drifted: In The Beginning & Beyond)
SUNBUZZ: Desiree Today (n/a, Hello Again)
CUB KODA: Two Handed Love Affair (Blue Wave, Welcome To My Job)
--
The Greatest Record Ever Made!
THE COOKIES: Wounded (Warner Brothers, VA: 60's Girl Groups)
DAVE EDMUNDS: Get Out Of Denver (Wounded Bird, Get It)
IRENE PEÑA: A Light In The Dark [acoustic demo] (single)
DOLPH CHANEY: My Good Twin (Big Stir, This Is Dolph Chaney)
JUNIOR VARSITY: Where The Groove Is (Rum Bar, Where The Groove Is)
DWIGHT TWILLEY: Let Her Dance (Big Oak, The Best Of Twilley: The Tulsa Years 1999-2016)
--
THE FLASHCUBES: Gone Too Far (Northside, Flashcubes On Fire)
THE MILKSHAKES: Soldiers Of Love (Damaged Goods, Talkin' 'Bout...Milkshakes!/After School Session)
DEAN LANDEW: Build It Back Up (single)
THE MUFFS: Honeymoon [demo] (Omnivore, Happy Birthday To Me)
RICH ARITHMETIC: Troy Donahue Axe (n/a, Sleep In A Wigwam)
SHONEN KNIFE: Rockaway Beach (Good Chareamel, Osaka Ramones)
THE KINKS: I Took My Baby Home (Sanctuary, The Anthology 1964-1971)
THE B-GIRLS: Fun At The Beach (Other Peoples Music, Who Says Girls Can't Rock?)
--
LISA MYCHOLS: Joy Is In The Giving (Futureman, VA: The Very Best Of Hi-Fi Christmas Party)
SHOES: This Christmas (Black Vinyl, VA: Yuletunes)
THE WEEKLINGS: Gonna Be Christmas (Jem, Christmas)
LIBRARIANS WITH HICKEYS: Listen, The Snow Is Falling (Big Stir, "Jingle Jangle Heart" single)
GLENN ERB: Santa's In Jail (single)
THE PRETENDERS: 2000 Miles (Sire, The Singles)
DAVID WOODARD: Around The Power Pop Tree (Kool Kat Musik, Around The Power Pop Tree)
THE BEATLES: Christmas Time (Is Here Again) (Apple, "Free As A Bird" single)
--
MIKE BROWNING: It's The Most Wonderful Time Of The Year (single)

Sunday, December 15, 2024

Tonight on THIS IS ROCK 'N' ROLL RADIO!


Our last regular show of the year! Right before two weeks of special programming shove us facade-first into 2025, we'll spin a mix of compelling new and irresistible used music from LYNDA MANDOLYN, JOEY MOLLAND, THE BINGS, THE CHI-LITES, THE PLIMSOULS, THE RAMONES, THE PANDORAS, THE CYNZ, RANDY KLAWON, THE ISLEY BROTHERS, THELMA HOUSTON, LIBRARIANS WITH HICKEYS, TAMAR BERK, THE MIDNIGHT CALLERS, CARLA OLSON, DAVE EDMUNDS, DEAN LANDEW, SHONEN KNIFE, THE MONKEES, THE KINKS, AMY RIGBY, CUB KODA, ELVIS COSTELLO, DWIGHT TWILLEY, CONTINENTAL DRIFTERS, and more. And we'll set the stage for next week's celebration of The 26th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show with a closing set of holiday music, including new holly/jolly/occasionally surly sides from THE WEEKLINGS, GLENN ERB, DAVID WOODARD, and MIKE BROWNING, plus a track from the newly-released compilation THE VERY BEST OF HI-FI CHRISTMAS PARTY. We've got your stocking stuffers. We've got your stocking stuffers right here. Sunday night, 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FMhttps://sparksyracuse.org/, streaming on the Radio Garden app as WESTCOTT RADIO. The weekend stops HERE!

Saturday, December 14, 2024

10 SONGS: 12/14/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1263.

20/20: Spark

Any serious list of power pop's all-time definitive groups will include 20/20. Their 1979 track "Yellow Pills" is a recognized classic, and it inspired writer Jordan Oakes to start a cool power pop publication (and an essential subsequent series of various-artists pop anthologies) named after the song. In my exhausting...er, exhaustive history of power pop, I wrote of 20/20:

"20/20 was formed by guitarist Steve Allen and bassist Ron Flynt, both Tulsa natives who subsequently moved to L.A. They befriended fellow Tulsa expatriate Phil Seymour, and played on the demos that helped Seymour get his own record deal. Bomp! magazine’s Gary Sperrazza! recommended drummer Mike Gallo to the group, completing 20/20's initial configuration.

"The first 20/20 release was the Bomp! single 'Giving It All,' which was actually a Steve Allen solo track that predated the group. Guitarist Chris Silagyi joined 20/20 in time for the group’s eponymous debut album, released by Portrait in 1979.

"Though perhaps a bit too dominated by new wave synthesizer styles in spots, the 20/20 album was still a triumphant melange of catchy music with an occasional dark edge. The single 'Cheri' was pretty good, but 'Yellow Pills' and 'Remember The Lightning' were the real standouts. The album got no higher than # 138 on the Billboard chart, but it remains a pop classic.

"Mike Gallo had left the group by the time of 1981’s Look Out!, replaced on drums by Joel TurrisiLook Out! was not quite the equal of the debut, but it came very close (and charted slightly higher at # 127). The leadoff track, 'Nuclear Boy,' offered a signal that the band was delving further into the dark side hinted at on the first album, while 'The Night I Heard A Scream' deftly mixed its downbeat tale with a gorgeous, buoyant melody.

"20/20 was dropped by Portrait after Look Out!, and released a final record, Sex Trap, on the Mainway label in 1982. Although the group itself faded away, its legacy didn’t...."

And now, 20/20's legacy includes a forthcoming new album, Back To California, brought to you by the combined rockin' pop forces of Big Stir Records and SpyderPop Records. The legacy stands, and I'm kinda tickled that its release date coincides with my latest in a long line of birthdays on January 17th.

We've already played the title track from Back To California a couple of times as an advance single, and we'll have much further airplay from this album as 2025 barges its way into being. This week, we couldn't resist opening the show with a new 20/20 track that shares its name with our own beloved radio station. Here on Spark Syracuse, we are delighted to present new music from 20/20. Legacies begin with a spark. Sometimes, legacies can continue with a spark as well.

SPARKS: The Decline And Fall Of Me

Also couldn't resist following a song called "Spark" with a track by Sparks. Humor ain't exactly rocket surgery, man. 

THE MIDNIGHT CALLERS: The Eraser

YouTube sensation Matthew Street recently granted a big ol' video thumbs-up to my book The Greatest Record Ever Made! (Volume 1), so I figured we'd say Thanks, Matt! by spinning a little spin of one of Matt's favorite groups on the whole friggin' planet, the Midnight Callers. Matt, in turn, was so pleased with the reciprocal shout-out that he posted another video extolling the virtues of TIRnRR. Mutual admiration society here!

Our Matt requested another Midnight Callers gem for our next show. We'd already planned to repeat play of their single "The Eraser," but what the hell--TWO Midnight Callers tracks on the radio in Syracuse this coming Sunday night. It's the least we can do for a YouTube sensation.

THE CYNZ: Room Without A View

We've been playing the Cynz a lot this year, and I am dead certain they will have at least one track in our year-end countdown of TIRnRR's most-played tracks in 2024. We like the Cynz.

But somehow we never got around to playing this fantastic track from the group's current album Little Miss Lost until now. The precipitating event moving this onto our playlist was hearing Rich Firestone program it on Radio Deer Camp, right here on SPARK! I didn't even recognize that it was a song originally done by the Smithereens, 'Reens guitarist Jim Babjak's involvement in the remake notwithstanding. My brain no am function goodly. Thanks to Reechie for inspiring its play here, thanks to Dave Murray for pointing out That's a superb cover of A SMITHEREENS SONG, YOU DOLT!, and thanks to the Cynz and the Smithereens for being the Cynz and the Smithereens.

THE HUMBUGS: She's Not Sad
THE HUMBUGS: Be Careful What You Wish For


Two in a row by the Humbugs. The Humbugs THEN...and the Humbugs NOW!! "She's Not Sad" is an all-time TIRnRR classic, one of the defining tracks of this little mutant radio show's long and storied history, a gem introduced to eager listeners via the group's 2006 album Twist The Truth. LEGACY! 

Ah, but now the Humbugs have a new album, AM Operetta, and we've been playing its lead-off track "Be Careful What You Wish For." This calls for a two-fer! Then, now, always. Don't be sad. Your wish is granted with care.

JOAN ARMATRADING: Eating The Bear

The Greatest Record Ever Made!

ELENA ROGERS: Mercy Mountain

Like the Cynz, Elena Rogers seems a lock for an appearance on TIRnRR's year-end countdown. Also like the Cynz, it seemed high time to play something else beyond what we've already been playing. From Elena's current album Prelude To Whatever, "Mercy Mountain" is as audacious and accomplished as anything in pop music, stunning in both its inventive intricacy and its delightful accessibility. Yeah, just like the rest of Elena Rogers' work. Yet another example of the best of 2024.

SLYBOOTS: If We Could Let Go

THE best track of 2024. My favorite anyway. Buy it here.

THE FLASHCUBES: It's You Tonight

At the top of this week's 10 Songs, we celebrated the ongoing and expanding legacy of power pop heroes 20/20. We are so fortunate to have so many of our rockin' pop idols still active, still vital, still doing. In July, I finally got to witness a performance by the Rubinoos--dream come true! Paul Collins' 2024 album Stand Back And Take A Good Look is one of this year's best, the SpongeTones are working on new recordings, and for all of my fellow long-time fans of pop with power, our gods are in their Heaven and all is right with the world.

Syracuse's own power pop powerhouses the Flashcubes have always been at the toppermost of my poppermost, and they're still with us, too. Their 2023 all-covers album Pop Masters was my # 1 for that year, spinoff group the Half/Cubes (with 'Cubes bassist Gary Frenay and 'Cubes drummer/producer Tommy Allen) have their own exquisite 2024 covers collection Pop Treasures, and the Flashcubes (Gary, Tommy, and guitarists Paul Armstrong and Arty Lenin) have a few new tracks in the works. I've heard early mixes of two of those tracks, and I can't wait to share the finished versions on the radio in 2025.

I'm writing a book about the Flashcubes, Make Something Happen! The DIY Story Of A Power Pop Band Called THE FLASHCUBES. Similar in format to my 2023 book Gabba Gabba Hey! A Conversation With The Ramones, my Flashcubes book will be an oral history of the group, as recalled by the 'Cubes themselves and a few others who were there to witness and/or participate. There is yet another 'Cubes-related project percolatin' in the background. We'll hear more about that when we arrive at the right time to make something happen.

In the mean time, this week's radio rendezvous looks back to the spark--that word again--of the Flashcubes' resurgence. The Flashcubes formed in 1977, but the original line-up splintered in 1979 and the remaining 'Cubes retired the brand name in 1980. They came back in the '90s, all four of the founding members, and they've been with us ever since.

The first latter-day original Flashcubes recording was "It's You Tonight," a Gary Frenay song that dates back to the old days, but given a completely fresh full studio version circa 1993. The new recording was done at the request of Jordan Oakes for his first Yellow Pills compilation.

See how these power pop legacies interconnect?

From small things, Mama. We look back, we look forward, and we look at the splendor of all that dances around us in the here and now. Great records don't care what year it is. There's always room for something new. And there's always time to revisit a memory. It happens to me every time we meet. Legacy is its own reward.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Wednesday, December 11, 2024

THE GREATEST RECORD EVER MADE! Joan Armatrading, "Eating The Bear"

 Drawn from previous posts, this is not part of my current book The Greatest Record Ever Made! (Volume 1).

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

JOAN ARMATRADING: Eating The Bear
Written by Joan Armatrading
Produced by Steve Lillywhite
From the album Walk Under Ladders, A & M Records, 1981

Some days the bear will eat you. Some days you eat the bear. All due respect to the incredible Ms. Joan Armatrading, but there are days when I believe this even-handed ratio to be overly optimistic regarding our collective and individual odds of surviving wholesale consumption by ravenous ursines. I don't think the Ranger's gonna like this, Yogi. 

"Eating The Bear" was (I think) the first Joan Armatrading track I knew, a cut from her 1981 album Walk Under Ladders. It's not the best-known track on that record; both "I'm Lucky" and "When I Get It Right" wound up on her Greatest Hits collection, while "Eating The Bear" remained native to the original album only. I was exposed to all three of those tracks in the same time frame, so I can't say for sure which one I heard first. But, whichever one was first to cross into my sovereign airspace, "Eating The Bear" was the one that had impact. Its impact came via the radio. Of course.

In 1981, I was a recent college graduate (State University College at Brockport Class of 1980), living in an apartment with my girlfriend (who was still completing her undergrad studies at Brockport), working at McDonald's, drinking beer, listening to my music. Brockport is a small village on the Erie Canal. It's located in Western New York, about 19 miles west of Rochester, and the city of Buffalo sprawls another 64 miles or so farther away. We could usually get radio stations from Buffalo and even from Toronto. Buffalo had a generic album-rock station called 97 Rock, a bland AOR outlet that usually wasn't of much interest to me. Sunday nights were the exception. That's when this cookie-cutter rock station transformed itself temporarily into something greater: A weekly showcase called 97 Power Rock.

97 Power Rock claimed a more adventurous format, programming new wave rock and other fare that was presumably edgier than the station's prerequisite diet of Loverboy and Journey. 97 Power Rock played the likes of The Teardrop Explodes, U2, Psychedelic Furs, Viva Beat, Joy Division, Spandau Ballet, the Vibrators, Mission of Burma, old school rock by Andy Fairweather Low, even reggae by Dillinger. It was sufficiently eclectic and vibrant to secure my loyalty.

Joan Armatrading's music was part of that. Walk Under Ladders had a little bit of a post-punk vibe, partially attributable to Steve Lillywhite's production plus Thomas Dolby's synthesizer work on the album. That perceived level of cool opened 97 Power Rock's playlist for entry, and Armatrading's own songs, singing, playing, and pure presence did the rest. Man, this sounded fantastic on the radio. It didn't quite move me to buy the album--I was still a few years away from grasping Armatrading's brilliance--but it got my attention. I heard the songs, and a radio ad for the album, all of which prompted me to scrawl Walk Under Ladders in my spiral notebook, on the long, long list of LPs I wanted to buy once I'd accumulated enough burger-flippin' cash to buy all of the albums I wanted.

"Eating The Bear" was the Armatrading track for me. In 1981, I'd never heard the phrase Some days you eat the bear, some days the bear eats you, so I had no idea whatsoever of the song's subject matter, no proper understanding of its stubborn fatalism, its determined swig from a half-empty glass that we'll refill if we survive, and smash in the face of any critter that says we won't. I just thought it sounded great, and it still sounds great. 

For years, Armatrading's Greatest Hits was her sole representation in my music collection, and "Me Myself I" is discussed in my book The Greatest Record Ever Made! (Volume 1). "Eating The Bear" subsequently popped into my head again, and I snagged a CD of Walk Under Ladders, a wonderful album that I wish had made the transition from my notebook list to my record shelf forty-odd years ago. 

Better late than never. Sometimes it takes a while, but radio gets the job done eventually. Bear necessities. Mind your manners there, Yogi. I ain't a-gonna be in no pic-a-nic basket. I'll keep you off my menu if you keep me off yours.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.


Monday, December 9, 2024

This Is Rock 'n' Roll Radio # 1263


Big thanks this week to YouTube sensation Matthew Street. We've been corresponding with our man Matt for years and years, and he's always expressed his support for whatever the hell This Is Rock 'n' Roll Radio is and whatever the hell it is we're doing. And all we've gotta do is thank you, Matt. Thank you, Matt!

Recently, the esteemed Mr. Street devoted an enthusiastic episode of his video series to my current book The Greatest Record Ever Made! (Volume 1), and I am very nearly humbled. He even included a shout-out to TIRnRR. HuzZAH! You can witness Matthew Street's GREM! video right here, and we recommend you like, subscribe, and follow.

Isn't it great to be part of a community of people who love music? Fans, performers, pundits, podcasters, journalists, DJs, record labels, bloggers, vloggers, and everyone else who hears a song and sings along. We are legion. We are one. We are connected, and we are proud.

And we've got the music in us. 

This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO)

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get Carl's previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1263: 12/8/2024
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold.

SPARKS: The Decline And Fall Of Me (Repertoire, Angst In My Pants)
THE CHERRY BLUESTORMS: A Better Place (Roundhouse, Bad Penny Opera)
AMY RIGBY: Heart Is A Muscle (Tapete, Hang In There With Me)
AL GREEN: So You're Leaving (Hi, Let's Stay Together)
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THE MIDNIGHT CALLERS: The Eraser (Jem, single)
THE HALF/CUBES: Love's Melody (Big Stir, Pop Treasures)
POP CO-OP: Misfits (single)
THE KINKS: Here Comes Flash (Velvel, Preservation Act 1)
MAC AND KATIE KASSOON: Don't Do It Baby (Varese Sarabande, VA: Soulful Pop)
GEORGE HARRISON: I Don't Want To Do It (Varese Sarabande, VA: Porky's Revenge OST)
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DEAN LANDEW: Build It Back Up (Single)
THE ISLEY BROTHERS: You Better Come Home (Varese Sarabande, Shake It Up, Baby!)
THE PATTI SMITH GROUP: 54321/Wave (Arista, Wave)
THE CYNZ: Woman Child (Jem, single)
IGGY AND THE STOOGES: Gimme Danger (Virgin, IGGY POP: A Million In Prizes)
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THE CYNZ: Room Without A View (Jem, Little Miss Lost)
THE HOLLIES: Look Through Any Window (EMI, All The Hits And More: The Definitive Collection)
SATCH KERANS: Glad (single)
THE HUMBUGS: She's Not Sad (Oddvious, Twist The Truth)
THE HUMBUGS: Be Careful What You Wish For  (Oddvious, AM Operetta)
THE MUFFS: I Wish That I Could Be You (Honest Don's, Alert Today Alive Tomorrow)
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THE GYPSY MOTHS: Heart To Break (Rum Bar, single)
CONTINENTAL DRIFTERS: Crescent City [live] (Omnivore, Drifted: In The Beginning & Beyond)
THE COWSILLS: Under The Gun (Omnivore, Global)
THE BANGLES: I'll Never Be Through With You (Down Kiddie, Sweetheart Of The Sun)
THE SHANG HI LOS: Op-Operator (Rum Bar, single)
THE RAMONES: Don't Come Close (Rhino, Road To Ruin)
--
ROB MOSS AND SKIN-TIGHT SKIN: Slow Down (single)
THE GO-GO'S: Get Up And Go (IRS, Vacation)
MONOGROOVE: My Town (TapTunes, The Flip Side)
THE GRIP WEEDS: Strange Bird (Jem, single)
UPS AND DOWNS: The Living Kind (n/a, Stained Glass Memories)
ALLAH LAS: Could Be You (Mexican Summer, Calico Review)
--
The Greatest Record Ever Made!
JOAN ARMATRADING: Eating The Bear (A & M, Walk Under Ladders)
THE SMALL FACES: What'cha Gonna Do About It (Deram, The Decca Anthology 1965-1967)
LIBRARIANS WITH HICKEYS: Listening (Big Stir, How To Make Friends By Telephone)
THE MONKEES: Me & Magdalena [Version 2] (Rhino, Good Times! [digital version])
THE FOUR TOPS: I'm A Believer (Motown, Reach Out)
THE BEVIS FROND: Empty (Fire, Focus On Nature)
--
ELENA ROGERS: Mercy Mountain (Eats Dynamite, Prelude To Whatever)
THE BROTHERS STEVE: We Got The Hits (Big Stir, # 1)
JUNIOR VARSITY: Where The Groove Is (Rum Bar, Where The Groove Is)
MONDO TOPLESS: Anytime (Get Hip, Go Fast!)
IRENE PEÑA: A Light In The Dark [acoustic demo] (single)
THE PALEY BROTHERS AND THE RAMONES: Come On Let's Go (Big Beat, VA: Come On Let's Go! Power Pop Gems From The 70s & 80s)
--
SLYBOOTS: If We Could Let Go (single)
THE JAM: But I'm Different Now (Polydor, Direction Reaction Creation)
CARLA OLSON AND TALL POPPY SYNDROME: Is It True (Tres Melo Musique, single)
DAVID BOWIE: Let Me Sleep Beside You (Parlophone, Brilliant Adventure [1999-2001])
RICH ARITHMETIC: And Then You'll Love Me (Tonight) (n/a, Sleep In A Wigwam)
SUNBUZZ: Desiree Today (n/a, Hello Again)
THE FLASHCUBES: It's You Tonight (Northside, Bright Lights)
THE BEATLES: Penny Lane [mono US promo mix] (Apple, Sgt. Pepper's Lonely Hearts Club Band [deluxe])
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QUINT: Ballad Of Sharknado Rhapsody (BMG, VA: Sharknado 5 OST)