Not counting their collaboration with the Flashcubes on the latter's WAY fab 2016 remake of the Spongetones' "Have You Ever Been Torn Apart," this new single is the Spongetones' first group appearance on the Big Stir Records label. "Lulu's In Love" also serves as the recorded debut of the group's new drummer Eric Willhelm, joining bassist Steve Stoeckel and guitarists Jamie Hoover and Pat Walters as they devise the next step in the Spongetones' master pop plan. "Lulu's In Love" is the first of three new 'Tones studio singles, and Big Stir will be collecting all three singles later this year in a special package with some live music recorded at the Spongetones' 40th Anniversary gig. The Spongetones' legacy of beat music survives and thrives. No wonder Lulu loves them so.
BRUCE SPRINGSTEEN: Hurry Up Sundown
TAYLOR SWIFT: The Last Great American Dynasty [Long Pond Studio Session]
Here's to a pair of American folk heroes, Bruce Springsteen and Taylor Swift. Their celebrity gives them a forum if they choose to use it, and I'm delighted that they've both opted to speak out against homegrown tyranny. Even at their dizzying level of fame and acclaim, they are not necessarily insulated from the threat of pushback, and I respect them all the more for doing the right thing anyway. Born in the USA? It's a love story, so baby just say YES.
From the 2014 EP American Beauty, "Hurry Up Sundown" is one of my favorite Boss tunes. I've never been a Springsteen fan on the level of so many of my peers, but nor would I or could I ever deny the man's passion and accomplishment. He's recorded a number of things I like, a handful of works I love, and one song--"Girls In Their Summer Clothes"--that I just adore. My book The Greatest Record Ever Made! (Volume 1) includes a chapter on "Girls In Their Summer Clothes," and that articulates my feelings about Springsteen better than anything else I could ever attempt in that regard.
I'm not in Taylor Swift's demo, but I've come to appreciate her more and more, and I've even discovered a few of her tracks capable of annexing some pop-starved corner of my little wheelhouse. This is particularly true of "The Last Great American Dynasty," a stunning track from Swift's 2020 album Folklore; it's even more true of the alternate version of "The Last Great American Dynasty" found on Folklore: The Long Pond Studio Sessions, which feels more intimate and artful. As I said to a friend recently: I can't see anyone who likes Rumours-era Stevie Nicks disliking "The Last Great American Dynasty."
And I'm glad we have both Bruce and Taylor on our side.
THE BONGOS: The Beat Hotel
THE CYNZ: Heartbreak Time
THE GRIP WEEDS: Gene Clark (Broken Wing)
Tonight in Asbury Park, the Bongos--one of my many favorite bands of the 1980s--will be marking the release of their fabulous archival in-concert album The Shroud Of Touring: Live In 1985 with a reunion gig. TIRnRR Fave Raves the Cynz and the Grip Weeds are also on the bill with their Jem Records labelmates the Bongos, and I really, really wanted to be in attendance. Alas, I wasn't able to execute the logistics of making the trip, so I have to sit this one out. It's going to be an incredible show, and I'm bummed that I have to miss it. But we spin a track apiece from each of the three groups as a virtual long-distance cigarette lighter held high above our heads.
We've been programming the recent singles by the Cynz ("Heartbreak Time") and the Grip Weeds ("Gene Clark [Broken Wing]") anyway, and we've been on a weekly Bongos kick as well, starting with studio tracks then moving to live cuts from The Shroud Of Touring as soon as they were cleared for airplay. Other than a spin of the live "In The Congo"--probably my single favorite Bongos song--we've been sticking with Bongos numbers (with wings!) that have never made it to any previous TIRnRR playlist in either a live or a studio incarnation.
That continues with this week's airing of "The Beat Hotel" from The Shroud Of Touring. The studio version was the title track from an album the Bongos released when I was working at a record store in the '80s. I gave it a lot of in-store play, and I can't believe I never got around to playing it on the radio before including its live performance in this week's show.
We'll have another track from The Shroud Of Touring on our next show, a song we have played in its original studio version, but which wasn't originally credited as an official Bongos track. And we toast all of our friends in Asbury Park tonight. Wish we were there.
KISS: Calling Dr. Love
THE FLASHCUBES: Reminisce
Our regular listeners already know the song quite well. We've been playing "Reminisce" for months, each spin somehow even more enthusiastic than the last. After a few years celebrating the Flashcubes' prowess in covering other artists, it was imperative to remind all 'n' sundry of the magnificence to be found in the band's own songwriting catalog. Hence a tribute album, gathering a bunch of accomplished rockin' pop performers to offer their own interpretations of some Cubic classics.
I felt it was important--very important--that this tribute album should also include at least one newly-recorded original track by the Flashcubes themselves. Independent of what passes for my thought process, the 'Cubes were already working on three new tracks--"Reminisce" by Paul Armstrong, "If These Hands" by Arty Lenin, and "The Sweet Spot" by Gary Frenay (with the late B. D. Love)--so this was a match made in Bomp! magazine.
In addition to being the first single, "Reminisce" will open the album, kicking off this magic immersion in the Flashcubes' songbook, culminating in the Spongetones' album-closing cover of Arty Lenin's "Nothing Really Matters When You're Young." Make Something Happen! is a fantastic record, and I'm looking forward to the day you can hear it in its entirety. For now, we start with the single. June 27th will be your first opportunity to make something happen.
(An advance look at my liner notes for Make Something Happen! will be distributed privately to my $3-a-month paid Patreon supporters tomorrow, along with a mostly-unredacted look at the album's line-up. Wanna see it? Fund me, baby!)
THE RAMONES: Rockaway Beach
HEY!WE'RETHERAMONESANDTHISONE'SCALLED"ROCKAWAYBEACH!"
Outside of the Beatles, no band has ever meant more to me than the American Beatles, the greatest American rock 'n' roll band of all time, the Ramones. The Flashcubes are the only other band in my all-time pop Trinity. The Ramones were the subject of my first book, and the creators of the record that changed my life. It's Alive is my favorite live album.
This week's spin of "Rockaway Beach" comes from NYC 1978, a 2003 King Biscuit Flower Hour CD that preserves a January 7th, 1978 Ramones performance at the Palladium. That date was eight days after the London New Year's Eve performance captured on It's Alive, ten days before my 18th birthday (which was the day I bought the "Rockaway Beach" 45), and about a week shy of three months before the March 31st, 1978 Ramones/Flashcubes/Runaways Syracuse gig that was my first Ramones show.
There is no substitute for live Ramones. There's also no substitute for studio Ramones, but let's talk in-concert brudders for a sec. Both It's Alive and NYC 1978 offer essential shots of Joey, Johnny, Dee Dee, and Tommy in their natural element.
It's not hard, not far to reach. Everything is as it was then...except you are there. Take it, Dee Dee!
BEATLES: No Reply
Speaking of the Beatles:
If I were you I'd realize that I
Love you more than any other guy
And I'd forgive the lies that I
Heard before when you gave me no reply
Pop music's best bridge ever. Narrowly edging out the Beatles' "I Don't Want To Spoil The Party," which narrowly edges out Badfinger's Beatles-inspired "Baby Blue." Toppermost of the poppermost, lads.
DAVIE ALLAN AND THE ARROWS: Blues' Theme
Our old theme song! Before the late-evening dawn (What...?!) of This Is Rock 'n' Roll Radio at the very end of 1998, the first Dana and Carl radio shows were the short-lived 1992 series We're Your Friends For Now. The trek from We're Your Friends For Now through the first two decades of TIRnRR is chronicled in my mini-memoir Boppin' The Whole Friggin' Planet (The History Of This Is Rock 'n' Roll Radio).
On We're Your Friends For Now, our opening and closing theme song was usually Davie Allan and the Arrows' chopperrific classic "Blues' Theme." It's a track from the soundtrack of The Wild Angels, a 1966 biker flick starring Peter Fonda (as Blues) and Nancy Sinatra (as Blues' go'geous girlfriend Mike).
I saw The Wild Angels on a mid-'70s matinee double bill with The Born Losers, the 1967 film that introduced Tom Laughlin as Billy Jack. At the time, I didn't pay much attention to "Blues' Theme," and I don't recall what sequence of circumstance led me back to the song in the '80s. It became one of my top tunes, so I was more than all-in when Dana started playing it at the Hola! and Sayonara! spots in each week's exciting episode of We're Your Friends For Now.
And it still sounds great--and chopperrific!--ridin' into the sunset of this week's eleven-song 10 Songs. Hey, Blues! Tell Mike we said hi.
If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.
My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.
This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.
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