YOU REMEMBER LAST TIME, when I talked about my aborted telephone pitch to write for Harvey Comics. Let's pick up that story with my second and final attempt to sell my writing via a phone call to a comics publisher....
Revolutionary Comics was a comics publisher begun in 1989 by Todd Loren, commencing with its first (and initially only) series Rock 'n' Roll Comics. Each issue of Rock 'n' Roll Comics was an unauthorized biography of a rock or pop performer, beginning with Guns N' Roses in Rock 'n' Roll Comics # 1. Eventually billing itself as "unauthorized and proud of it," Rock 'n' Roll Comics survived attempted lawsuits and continued to cover acts ranging from New Kids On The Block to The Sex Pistols.
Rock 'n' roll. Comic books. Well! I figured I could write that!
It was probably 1990 or '91 (no later) when I called Todd Loren to pitch him on the idea of humble li'l me writing for Rock 'n' Roll Comics. My writing resumé was a tiny bit fatter than it had been when I pitched to Harvey Comics a few years before, and while it still didn't include any fiction sales, it did include nonfiction rock writing. And I knew just the band I would most want to cover in Rock 'n' Roll Comics. I'm sure you know it, too.
The Monkees.
Loren was not interested in that.
This was a few years after the MTV-fed resurgent Monkeemania of 1986. By the dawn of the '90s, most folks figured that The Monkees had fully used up their fifteen minutes of fame, and then used it up again, with little likelihood of a third quarter-hour looming. I knew better, at least on an artistic level. I believed that The Monkees' recorded and pop cultural legacies were underrated, and well deserving of examination and exploration. On those grounds, The Monkees would have been ideal candidates for study in an issue of Rock 'n' Roll Comics.
But on a commercial level, in the early '90s? I have to concede that Loren was probably correct in his decision to pass on the idea. It would have sold in 1986 or '87; it was, at best, an uncertain prospect in 1990 or '91.
With the pitch shot down, I never did any work on the idea of a comic-book biography of The Monkees. If I had been able to do it, I would have wanted it to read in a more compelling manner than the actual issues of Rock 'n' Roll Comics I'd seen up to that point. My ability to pull off such an ambition is in question, but I would have hoped to tell the story in a way that somehow incorporated the quick cuts and absurdity of the TV series and recreated them on the printed page, to convey the notion that The Monkees were more than a mere prefab four, that The Monkees were important, that The Monkees mattered.
Loren was a bit more open to my secondary idea of a comic-book biography of The Ramones, but not interested enough to commit to it. We parted amicably, but there was clearly no path there for me to get work with Revolutionary Comics.
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| Todd Loren |
The Revolutionary line (including Rock 'n' Roll Comics) continued for a short time after Loren's death, finally closing up shop in 1994. I had no further contact with Revolutionary after that single phone call to Todd Loren.
I do still think there's a market for a Monkees comic book. It may be a niche market, or it may be larger than that, but the market exists; I'm certain of it. The Monkees' fabulous 2016 album Good Times! was a # 1 hit, fercryinoutloud. Monkees fandom is under-served. We deserve better.
The Monkees' only latter-day comic-book appearance was a guest spot in The Archies # 4 in 2018, a welcome tribute to the benevolent vibe of Micky, Davy, Peter, and Michael. I wish for an ongoing Monkees comic book series, even if I'm not the one who gets to write it. There should also be a Batman Meets The Monkees story. And I have a specific idea for a Monkees mini-series that I'm a little surprised no one's proposed yet. I probably won't have any plausible opportunity to write any of this, but a guy can dream.
Decades after all those failed attempts to break into comics, I've finally made my first sales, with three prose short stories sold to AHOY Comics. One of 'em is a rock 'n' roll story. I'd still like to write some comics. I have ideas. Some may be worth developing. Some, alas, will remain unfinished and abandoned.
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Fans of pop music will want to check out Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio, a new pop compilation benefiting SPARK! Syracuse, the home of This Is Rock 'n' Roll Radio with Dana & Carl. TIR'N'RR Allstars--Steve Stoeckel, Bruce Gordon, Joel Tinnel, Stacy Carson, Eytan Mirsky, Teresa Cowles, Dan Pavelich, Irene Peña, Keith Klingensmith, and Rich Firestone--offer a fantastic new version of The Kinks' classic "Waterloo Sunset." That's supplemented by eleven more tracks (plus a hidden bonus track), including previously-unreleased gems from The Click Beetles, Eytan Mirsky, Pop Co-Op, Irene Peña, Michael Slawter (covering The Posies), and The Anderson Council (covering XTC), a new remix of "Infinite Soul" by The Grip Weeds, and familiar TIRnRR Fave Raves by Vegas With Randolph, Gretchen's Wheel, The Armoires, and Pacific Soul Ltd. Oh, and that mystery bonus track? It's exquisite. You need this. You're buying it from Futureman.
Hey, Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 100 essays (and then some) about 100 tracks, plus two bonus instrumentals, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1)
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