Friday, June 30, 2017

Blogkeeping: THIS IS ROCK 'N' ROLL RADIO CD, a vinyl radio show, and other coming distractions



Time is the enemy at the moment, as I find myself trying to do a number of things all at once. Here's what's going on right now and in the near future within this Boppin' world.



Our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 has hit a production delay that is slowing down...well, everything, but we still hope to have it available some time in July. It will be well worth the wait--it sounds terrific!--but I apologize for the snag nonetheless. Dana's working on the artwork, and should have a mock-up of the cover soon. For the final artwork, Dana is stuck waiting on my liner notes, but I can't get to them until next week. July 5th is my day to do them, and they will also be made available to my paid subscribers as July's bonus private post. (For as little as $2 a month, supporters of this blog receive a monthly bonus post, which is not available to the public until at least the following month. Wanna read an extra Boppin' ahead of the crowd?  Fund me, baby!)



Tomorrow's post here will be a piece called My 1970s. This is a retrospective of the then-contemporary music I listened to in the '70s, and it was previously available only to subscribers. It's a sequel of sorts to two previous pieces: a similar post about My 1960s, and a recollection of albums that affected me as a teen in the '70s (which I cleverly titled Teenage Wasteland). Tomorrow's post will largely ignore albums and concentrate on individual songs I heard on WOLF-AM, WNDR-AMWOUR-FM, college radio, TV shows, and stuff I hunted down after reading some kind of intriguing hype in Phonograph Record Magazine.



On this week's This Is Rock 'n' Roll Radio with Dana & Carl, Dana's taking the night off. Rather than fumble with the usual CDs for a solo show, I'm going to prerecord what is only our second-ever ALL-VINYL SHOW. The prerecording is a matter of necessary convenience: there's only one turntable in the cramped li'l closet we laughingly call the Westcott Radio studio, which makes vinyl-to-vinyl segues a practical no-no. So instead, I'm selecting tracks from the LPs and 45s I have at home, making analogue copies (in mono) on to mini-disc, and bringing those discs in to Westcott Radio to play on Sunday night. The show is about two-thirds done now, with music from The Beatles, The Kinks, James Brown, The MC5, Prince and the Revolution, and many more, from the '50s through 2017. With one notable exception, I'm avoiding LPs and 45s that I used in our previous All-Vinyl Edition in April (which you can still listen to here). That exception will open this week's show, and I hope you can join me: Sunday night, 9 to Midnight Eastern, www.westcottradio.org. The vinyl spins HERE!




As we announced on Thursday, The Ohms will be on the bill for The Flashcubes' 40th anniversary live show at Funk 'n Waffles in Syracuse on Friday, September 1st. Your hosts are Dana & Carl, and we'll be presiding over an unforgettable night of live rock 'n' roll, with The Ohms, The Trend, Maura & the Bright Lights, and TWO exciting sets from your four-decade fave raves, The Flashcubes. I fully expect a sellout, so I will announce ticket information as soon as it's available.



A number of posts are in various stages of not-quite-ready, including the ninth and (presumably) concluding chapter of Comic Book Retroview's reminiscence of DC Comics' 100-Page Super Spectaculars, the third edition of Batman's Degrees Of Separation (which links our Caped Crusader to such worthies as Raquel Welch, Nat King Cole, and Veronica Mars, and such unworthies as Charles Manson), and a piece on my 20 favorite Monkees songs. The Everlasting First will resume eventually with O is for The Ohio Express, though I reserve the right to change that if I decide to write about something else instead. 

And more? Always! A post a day, every day--that's the Boppin' way.






Thursday, June 29, 2017

THIS IS ROCK 'N' ROLL RADIO Flashback: The Isley Brothers

Much of my time this week is taken up by pre-recording tracks for this coming Sunday's all-vinyl edition of This Is Rock 'n' Roll Radio, plotting the liner notes for the forthcoming CD This Is Rock 'n' Roll Radio, Volume 4, and scheming about hype for The Flashcubes' 40th anniversary show on September 1st (with The Ohms, The Trend, Maura & the Bright Lights, and your hosts, Dana & Carl). Doesn't leave a lot of spare seconds for blogging, but please enjoy this TIRnRR playlist from June 14th, 2015, spotlighting our Featured Act, THE ISLEY BROTHERS!

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Every Sunday night on This Is Rock 'n' Roll Radio, Dana and I enter the studio with one dead certain conviction: that this will be another irresistible example of The Best Three Hours Of Radio On The Whole Friggin' Planet. We furthermore believe that each week's show stands a a good chance of being among the best we've ever done, and our success ratio with that belief is pretty damn good.

But we also know that each week we will fail in one aspect:  in a mere three hours, we will not have time to play all of the songs we want to play. That failure is especially true when we have a theme show or a featured artist, and it was certainly true with this week's show and our Featured Artist, The Isley Brothers. MAN, were there ever a lot more Isley Brothers records that we wanted to play! But we did what we could, mixing Isley Brothers greats with new music from The Jangle Band (with Australian pop god Joe Algieri), new music from Smile Factory (with ol' TIRnRR pal Keith Klingensmith), new music from Clockwork Flowers, and a bunch of other superb tracks that combine to honor our promise of The Best Three yadda yadda Friggin' Planet. We commemorated the 50th anniversary of the release of Beatles VI, and we played several won-won-wonderful records by The Beach Boys, the latter choices influenced by the new Brian Wilson biopic Love And Mercy, a film which we just adored. And we played THE ISLEY BROTHERS. We wanted to play more. We failed. But, to paraphrase Little Steven: we failed GLORIOUSLY. And this is what rock 'n' roll radio sounded like on a Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl streams live every Sunday night from 9 to Midnight Eastern, exclusively at www.westcottradio.org

TIRnRR # 781:  6/14/15

THE RAMONES:  "Do You Remember Rock 'n' Roll Radio?" (Rhino, End Of The Century)
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THE ISLEY BROTHERS:  "Listen To The Music" (T-Neck, 3 + 3)
JOE COCKER:  "Delta Lady" (A & M, Icon)
THE SPONGETONES:  "(My Girl) Maryanne" (Loaded Goat, Always Carry On)
THE BEACH BOYS:  "Good Vibrations [45 version]" (Capitol, Good Vibrations)
STEVE STOECKEL & HIS THIS IS ROCK 'N' ROLL RADIO ALL-STARS:  "Malaprop Girl" (unreleased)
PAUL WESTERBERG:  "Knockin On Mine" (Sire, 14 Songs)
--
THE JANGLE BAND:  "This Soul Is Not For Sale" (joealgeri.bandcamp.com)
CAPTAIN GROOVY & HIS BUBBLEGUM ARMY:  "Captain Groovy & His Bubblegum Army" (Varese Sarabande, VA:  25 All-Time Greatest Bubblegum Hits)
THE ISLEY BROTHERS:  "Nobody But Me" (Varese Sarabande, Shake It Up, Baby!)
THE SWING CATS:  "Little Sister" (Legacy, Special Tribute To Elvis)
HONEYCHAIN:  "This Year's Girl" (Spyderpop, VA:  Beyond Belief)
THE BEACH BOYS:  "Wouldn't It Be Nice" (Capitol, Pet Sounds)
--
SMILE FACTORY:  "There She Is" (Futureman, Man In a Minute)
THE PRETENDERS:  "Talk Of The Town" (Sire, The Singles)
THE ISLEY BROTHERS:  "Why When Love Is Gone" (Motown, Greatest Hits And Rare Classics)
ABBA VS. PETE SHELLEY:  "Does The Homo Sapien Know"
BLUE ASH:  "Abracadabra (Have You Seen Her?)" (Collectors' Choice Music, No More, No Less)
WARREN ZEVON:  "Poor Poor Pitiful Me" (Rhino, Genius)
--
THE BEATLES:  "Every Little Thing" (Capitol, Beatles VI)
THE BEACH BOYS:  "Sloop John B" (Capitol, Pet Sounds)
THE KINKS:  "Waterloo Sunset" (Essential, Something Else)
THE SMALL FACES:  "Tin Soldier" (Charly, Greatest Hits)
THE ISLEY BROTHERS:  "Summer Breeze" (Sony, VA:  A Tribute To Black Entertainers)
THE ROLLING STONES:  "Happy" (Universal, Forty Licks)
--
CLOCKWORK FLOWERS:  "Upside Down" (single)
THE WHO:  "The Kids Are Alright" (MCA, My Generation)
THE ISLEY BROTHERS:  "Put A Little Love In Your Heart" (T-Neck, Brother, Brother, Brother)
MATTHEW SWEET:  "The Tide Is High" (Bulletproof, VA:  How To Eat Fried Worms OST)
TAMMY & THE LORDS OF MISRULE:  "What Baby Wants" (Her Highness Porcupinus, King Maker)
DAVID BOWIE:  "Hang On To Yourself" (Virgin, Bowie At The Beeb)
--
GARY FRENAY:  "We Could Be Brothers" (Northside, File Under Pop Vocal)
MAURA KENNEDY:  "Coyotes" (Varese Sarabande, Villanelle)
THE ISLEY BROTHERS:  "Fight The Power Pt. 1 & 2" (T-Neck, The Heat Is On)
THE BEACH BOYS:  "God Only Knows" (Capitol, Pet Sounds)
THE BEACH BOYS:  "That's Why God Made The Radio" (Capitol, That's Why God Made The Radio)
THE BEACH BOYS:  "I Can Hear Music" (Capitol, Friends & 20/20)
--
THE GRIP WEEDS:  "Rainbow Quartz" (Jem, How I Won The War)
THE LOVED ONES:  "You Know" (Hightone, Better Do Right)
THE RAMONES:  "Swallow My Pride" (Rhino, Leave Home)
THE PRETENDERS:  "Kid" (Sire, Pretenders)
THE ISLEY BROTHERS:  "A Weakspot In My Heart" (Motown, VA:  A Cellarful Of Motown!)
JOE COCKER:  "High Time We Went" (A & M, Icon)
THE ISLEY BROTHERS:  "That Lady (Part 1)" (Rhino, VA:  Can You Dig It?)
ASTROPUPPEES:  "Over Her Head" (Manatee, Little Chick Tsunami)
THE ISLEY BROTHERS:  "Shout (Parts 1 & 2)" (Varese Sarabande, Shake It Up, Baby)
THE BEACH BOYS:  "Darlin'" (Capitol, Smiley Smile & Wild Honey)
THE ISLEY BROTHERS:  "It's Your Thing" (Motown, Greatest Hits And Rare Classics)
JOE COCKER:  "Woman To Woman" (A & M, Icon)
THE ISLEY BROTHERS:  "Twist And Shout" (Motown , Greatest Hits And Rare Classics)
THE BANGLES:  "Going Down To Liverpool" (Columbia, All Over The Place)
THE ISLEY BROTHERS:  "Got To Have You Back" (Motown, Greatest Hits And Rare Classics)
THE BEACH BOYS:  "Caroline, No" (Capitol, Pet Sounds)
THE BEACH BOYS:  "Pet Sounds" (Capitol, Pet Sounds)

Wednesday, June 28, 2017

The Return Of THE OHMS



I've been waiting a long time to reveal this secret, and I finally received appropriate confirmation and approval yesterday: the legendary Syracuse rock 'n' roll group The Ohms will perform a live set at Funk 'n Waffles in Syracuse on Friday, September 1st, as part of the 40th anniversary party for Syracuse's own power pop powerhouse The Flashcubes. This will be The Ohms' first appearance since...I dunno, 1980? Somewhere around that era, so yeah, it's been a while. The Ohms will join The Flashcubes, The Trend, and Maura & the Bright Lights for an epic celebration of what we call BRIGHT LIGHTS!, the late '70s/early '80s Syracuse punk/new wave/power pop/rock 'n' roll scene that The Flashcubes kickstarted four decades ago. And lemme tell ya: The Ohms have been at the very top of our wish list of acts to reunite, and we're simply giddy with this news.

Don't know The Ohms? Suffice it to say that this trio--guitarist/lead singer Zenny Caucasian, bassist Rick Suburban (later replaced by Keith Korvair), and drummer Ducky Carlisle--was one of the best rock 'n' roll acts this talent-rich area ever produced, a group with terrific live energy--OHM is WHO spelled upside down, don'tcha know--and great original songs. Trouser Press magazine raved about The Ohms' only release, the "Chain Letter"/"Teenage Alocohlic" single, but my favorite will always be the unreleased classic "License To Kill." Or maybe "Boppin' At The USO." Or "You're So Surreal," or...you get the picture. Awesome group, and we can't believe our good fortune that we're gonna get to witness 'em one more time.

There will be a full press release about the show forthcoming, and an announcement as soon as tickets go on sale. This show will sell out. How could it not? The Ohms! The Trend! Maura & the Bright Lights! And the 40th anniversary of my favorite power pop group, The Flashcubes! Syracuse. September 1st. You need to be here.

You can support this blog by becoming a patron on Patreon: Fund me, baby!

Tuesday, June 27, 2017

THIS IS ROCK 'N' ROLL RADIO Flashback: Those First 3 CDs We Did

As we work toward bringing our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 to market, here's a look back at a show we did shortly after the release of Volume 3 in 2013. Volume 4 is tentatively due out in July from Kool Kat Musik, as detailed here.

You can support this blog by becoming a patron on Patreon: Fund me, baby!




Tonight's show celebrates the release of our brand-new compilation CD, This Is Rock 'n' Roll Radio, Volume 3. And we celebrate with an irresistible mix of irresistible music from all three of our CDs.  We're Dana & Carl, this is The Best Three Hours Of Radio On The Whole Friggin' Planet, and this is the sound of This Is Rock 'n' Roll Radio.

This Is Rock 'n' Roll Radio with Dana & Carl streams live every Sunday night from 9 to Midnight Eastern, exclusively at www.westcottradio.org.

(Apologies to the many great tracks, from across three great compilations, that we didn't get 'round to tonight--we loves ya still, and hope you feel the same.  And there is one way to hear everything....)

Buy the music!  Here's how:

The new CD, THIS IS ROCK 'N' ROLL RADIO, VOLUME 3:  Kool Kat Musik



Physical CD of Volume 2:  http://www.cdbaby.com/cd/rnrradio2

TIRnRR # 681:  TIRnRR Volumes 1, 2, and 3  7/7/13

SCREEN TEST:  "Sound Of The Radio" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
--
LISA MYCHOLS:  "Make Believe" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
TIM ANTHONY:  "Maryellen" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE FINKERS:  "Last Thing On My Mind" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
BEAUTY SCENE OUTLAWS:  "Carl Cafarelli" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE BLONDES:  "Suzi Quatro" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
KURT BAKER:  "Emma Stone" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
--
THE FLASHCUBES:  "Carl (You Da Man" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
THE DIPSOMANIACS:  "Syd Barrett" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE CATHOLIC GIRLS:  "Should Have Been Mine" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
THE FLASHING ASTONISHERS:  "Period Exclamatory" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
EYTAN MIRSKY:  "I'm Losing You" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE CLICK BEETLES:  "Shut The TV Down" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
--
THE COWSILLS:  "She Said To Me" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE POPDUDES:  "Desperation Time" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
SOUNDS LIKE DIGGING:  "Every Day" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
MR. ENCRYPTO:  "The Last Time [a cappella]" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE OOHS:  "Mr. Cliche" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
HAWAII MUD BOMBERS:  "Office Crush" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
--
MAD MONSTER PARTY:  "Can't Stop Loving You" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
LO & THE MAGNETICS:  "Sooner Or Later" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
LUGLESS BOOTH:  "I Blame His Brother" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
STEVE STOECKEL & HIS THIS IS ROCK 'N' ROLL RADIO ALL-STARS:  "I Could Be Good For You" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
JOHN WICKS & THE RECORDS:  "Edges Of A Dream" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
THE LOLAS"  "Sticker" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
--
RONNIE DARK:  "Sarah" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
THE JOHNNY POPSTAR LUV EXPLOSION:  "Oh Renee" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
THE SPONGETONES:  "Anyway Town" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
UNCLE GREEN:  "I Don't Wanna Know About It" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
CHRIS RICHARDS:  "It Doesn't Sound Like You" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
THE GRIP WEEDS:  "Out Of Today" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
--
LANNIE FLOWERS:  "Everything A Man Could Want" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
HELLO HELEN:  "Fall's Far Away" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
THE B.A.R. [Babjack, Adlerman, Reil]:  "Katie's Shoes" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
SEX CLARK FIVE:  "She's The End/Great Sheiks" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
ANNY CELSI:  "Empty Hangers" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
THE CHARMS:  "Talk Is Cheap" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
--
MICHAEL CARPENTER:  "I've Been Loving You" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
PHIL ANGOTTI & THE IDEA:  "The Only Reason" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
CLOUD ELEVEN:  "Tokyo Aquarium" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
ASTROPUPPEES:  "Ride The Cowboy" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
CHRIS VON SNEIDERN:  "Lonely Tonight" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
GREGG YETI & THE BEST LIGHTS:  "My Narcoleptic Sara" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
--
THE TEARJERKERS:  "Syracuse Summer" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
THE JELLYBRICKS:  "She Can't" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
THE LEMON CLOCKS:  "Brand New Day" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
RAQUEL'S BOYS:  "Orange Soda" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 2)
DM3:  "1 x 2 x Devastated" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
MANNIX:  "Highway Lines" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
THE RICHARDS:  "Five Personalities" (Kool Kat Musik, VA:  This Is Rock 'n' Roll Radio, Volume 3)
LISA MYCHOLS:  "Cactus Boy" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
DANA & CARL [with DAVE MURRAY]:  "The Ballad Of Jah Clampett" (JAM, VA:  This Is Rock 'n' Roll Radio, Volume 1)
VARIOUS:  "The TIRnRR Volumes 1, 2, and 3 Music Medley"
--
THE TWEAKERS:  "Super Secret Mystery Track" (Kool Kat Music, VA:  This Is Rock 'n' Roll Radio, Volume 3 [Bonus Disc])

Monday, June 26, 2017

This Is Rock 'n' Roll Radio # 878



Rah rah rah, sis boom bah! This week's exercise in The Best Three Hours Of Radio On The Whole Friggin' Planet occurred one day after my 40-year high school reunion. I had a good time there, so it seemed appropriate to kick things off radio-wise with The MC5's own timeless salute to high school, and we were off and rantin'. We celebrated the 50th anniversary of the Our World broadcast of "All You Need Is Love" by The Beatles, exulted in the splendor of the new Big Star best-of set, and served up brand-new music from The Bookends. We also continued to shill for our own forthcoming compilation CD This Is Rock 'n' Roll Radio, Volume 4, including the world radio debut of a new track by the should-be-famous Chris von Sneidern. Who, come to think, may have gone to my high school. Rah rah rah!

NEXT WEEK: LPs and 45s ONLY! Yep, it's our second-ever All-Vinyl Show, adding back all the surface noise you've been missing in your dreary digital life. And this is what rock 'n' roll radio sounded like on a Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl streams Sunday nights from 9 to Midnight Eastern, exclusively at www.westcottradio.org

You can support this blog by becoming a patron on Patreon: Fund me, baby!

TIRnRR # 878: 6/25/17

[Tracks from This Is Rock 'n' Roll Radio, Volume 4 listed in bold.]

THE RAMONES: Do You Remember Rock 'n' Roll Radio? (Rhino, End Of The Century)
--
THE MC5: High School (Rhino, The Big Bang!)
JIMI HENDRIX: Hear My Freedom (Experience Hendrix, West Coast Seattle Boy)
THE RAMONES: Rock 'n' Roll High School (Rhino, Loud, Fast Ramones)
THE BEATLES: All You Need Is Love (Apple, 1)
THE MONKEES: Birth Of An Accidental Hipster (Rhino, Good Times!)
BIG STAR: In The Street [single mix] (Stax, The Best Of Big Star)
--
CHRIS VON SNEIDERN: Insomniac Summer (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
NICK LOWE: Cruel To Be Kind (Yep Roc, Quiet Please...)
THE CHURCHILLS: Everybody Gets What They Deserve (Abrupt, You Are Here)
GAME THEORY: America [demo] (Omnivore, 2 Steps From The Middle Ages)\
THE KINKS: The Village Green Preservation Society (Universal, The Village Green Preservation Society)
BIG STAR: Thirteen (Stax, The Best Of Big Star)
--
THE BOOKENDS: Far Away, But Around (unreleased)
THE LITTLE DARLINGS: Little Bit O' Soul (Ace, VA: You Heard It Here First!)
SPARKS: Tips For Teens (Rhino, Profile)
THE MO-DETTES: White Mice Disco (Cherry Red, The Story So Far)
RAY PAUL: I Need Your Love Tonight (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
CLOCKWORK FLOWERS: Uncle John (single)
--
TEEGARDEN & VAN WINKLE: God, Love And Rock & Roll (Ronco, VA: Do It Now)
BLUE SWEDE: Hooked On A Feeling (Mercury, VA: Pure 70s)
CHUCK BERRY: Johnny B. Goode (MCA, The Anthology)
CAST OF THE ROCKY HORROR PICTURE SHOW: Time Warp (Ode, The Rocky Horror Picture Show OST)
THEY MIGHT BE GIANTS: Ana Ng (Rhino, Dial-A-Song)
BARNES & BARNES: Fish Heads (Lumania, single)
--
MICHAEL LYNCH: Love To Love (7a, VA: Listen To The Bands)
FREDDIE & THE DREAMERS: I'm Telling You Now (EMI, The Definitive Collection)
LYNSEY MOON & THE SOMETHINGS: Me & Magdalena (7a, VA: Listen To The Bands)
BIG STAR: Don't Lie To Me [single version] (Stax, The Best Of Big Star)
THE CHARACTERS: Look Out (Here Comes Tomorrow) (7a, VA: Listen To The Bands)
WRECKLESS ERIC: Reconnez Cherie (Salvo, Hits, Misses, Rags & Tatters)
--
THE FLASHCUBES: She (7a, VA: Listen To The Bands)
VAN MORRISON: Midnight Special (Exile, The Authorized Bang Collection)
GARY FRENAY: Moonraker (Curry Cuts, VA: Songs, Bond Songs)
CLAUDE FRANCOIS: Ce Soir Je Vais Boire (Emperor Norton, VA: CQ OST)
FREDA PAYNE: Band Of Gold (Invictus, single)
GLORIA JONES: Tainted Love (Ace, VA: You Heard It Here First!)
--
CIRCE LINK: Yellow Dress (circelink.com, Enchanted Objects And Ordinary Things)
THE LOLAS: Sticker (JAM, VA: This Is Rock 'n' Roll Radio, Volume 1)
BRENYAMA: Things That You Do (Jem, Euphoria Love)
THE COWSILLS: She Said To Me (JAM, VA: This Is Rock 'n' Roll Radio, Volume 2)
MICHAEL CARPENTER: I've Been Loving You (Kool Kat Musik, This Is Rock 'n' Roll Radio, Volume 3)
BIG STAR: O, My Soul [single edit] (Stax, The Best Of Big Star)
--
VEGAS WITH RANDOLPH FEATURING LANNIE FLOWERS: The Weekend's Coming (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: Watch The Sun Rise [single version] (Stax, The Best Of Big Star)
THE SLAPBACKS: Make Something Happen (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: Back Of A Car (Stax, The Best Of Big Star)
IRENE PENA: Must've Been Good (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: I'm In Love With A Girl (Stax, The Best Of Big Star)
MICHAEL OLIVER & THE SACRED BAND FEATURING DAVE MERRITT: You Won't Do (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: Thank You, Friends (Stax, The Best Of Big Star)
CIRCE LINK & CHRISTIAN NESMITH: I'm On Your Side (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: Feel (Stax, The Best Of Big Star)
THE FLASHCUBES: No Promise [4 track] (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
BIG STAR: September Gurls [single version] (Stax, The Best Of Big Star)
TRANSLATOR: Cry For A Shadow (Columbia, Everywhere That We Were)

Sunday, June 25, 2017

Tonight On THIS IS ROCK 'N' ROLL RADIO!



We open with The MC5, and subsequently offer a brand new track from Chris von Sneidern (from This Is Rock 'n' Roll Radio, Volume 4) and a new track from The Bookends. There'll also be more from TIRnRR # 4, plus a lot of other stuff we can't tell you about, because we haven't thought about it yet. What's the hurry? We'll figure it out as we go! Sunday night, 9 to Midnight Eastern, www.westcottradio.org

Saturday, June 24, 2017

High School, Rah Rah Rah




Today, I am attending my 40-year high school reunion. Yeah, I'm surprised, too. Given the sheer volume of crybaby whinin' I've done over the years about how much I hated high school, one wouldn't expect me to embrace the idea of going back.

But it may be fun. I've been re-evaluating my attitudes of decades passed, and I've begun to realize some of the extent to which I contributed to my own malaise. I would have been weird, no matter what--oh no, they can't take that away from me--but the vast majority of my classmates were decent people. There were bullies, sure, but they were a minority. A lot of these folks could have been my friends if I'd been less suspicious and thin-skinned at the time, and I recall many of them as friendly acquaintances, at least. A few of them got past my defenses; a few of them were friends.

I'm happy to say I don't have an agenda today. I don't need closure, or redemption, or a rewrite of history. I'm not even seeking inspiration for a future blog post, because I probably won't write about this. I'm anticipating a pleasant day with peers, and a toast to those we've lost, from Tom to Linda.

This isn't my first reunion. I attended my five-year reunion in 1982, along with my friend Jay Hammond (Class of '76). I tripped on my way into the bar, and I felt the eye roll and heard the scorn of someone saying Carl Cafarelli. But I had a great time, reconnected with my pals Faith Berkheimer and Jim Creveling, and drank entirely too much. I also attended my ten-year reunion in 1987, with lovely wife Brenda by my side, and that was nice, too. Still, I avoided reunions after that, as I grew more critical of myself and disdainful of my high school memories.

I was wrong to do that. I was wrong when I did it in high school, and I was wrong when I continued with it later in life. Life is too short to be ruled by inner demons, to miss opportunities just for the silly fear of seeming inadequate. Turn up The MC5, man: I'm goin' to high school, rah rah rah, high school, sis boom bah.

The zit on my nose? That's just for authenticity.

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Friday, June 23, 2017

LOVE LETTERS TO ROCK 'N' ROLL: David Bowie




The cool site Love Letters To Rock 'n' Roll has reprinted my very first blog post, from all the way back on January 18th, 2016. The death of David Bowie affected me more deeply than I would have expected. I felt compelled to write about it, and then to start this daily blog to keep on writing about such things. From Boppin' (Like The Hip Folks Do) # 1:

Love Letters To Rock 'n' Roll: Dear David

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Thursday, June 22, 2017

Mastering Rock 'n' Roll


The picture above was taken by my co-host Dana Bonn at SubCat Studios in Syracuse yesterday, as we were mastering our new compilation CD This Is Rock 'n' Roll Radio, Volume 4. At the console is SubCat owner Ron Keck, and the Assistant Kibbitzer-In-Chief is, y'know...me. I didn't even realize that yesterday was Ray Davies' birthday; I just figured wearing a Kinks t-shirt would be good juju for the making of a rockin' pop CD.

I was right. Thanks to the pure pop wizardry of all of the artists who contributed tracks, and to the studio magic of Ron and SubCat, we have a terrific disc coming your way. We'll be tweaking the master a bit over the next few days, making sure everything snaps in the right place. Dana will be working on the graphics. I'll get started on the liner notes. Kool Kat Musik will make sure you have the opportunity to buy it. And then you'll know what we already know:

This disc just sounds friggin' great.

This Is Rock 'n' Roll Radio, Volume 4
Kool Kat Musik PURR 2061
Produced by Dana Bonn and Carl Cafarelli

1. MEGHAN JEAN CAFARELLI: Perseverance
2. THE SPONGETONES: (Our Guys) Dana & Carl [TIRnRR ID]
3. POP CO-OP: You Don't Love Me Anymore [new track]
4. RAY PAUL: I Need Your Love Tonight [new track]
5. CIRCE LINK & CHRISTIAN NESMITH: I'm On Your Side [first mass-market CD release]
6. VEGAS WITH RANDOLPH FEATURING LANNIE FLOWERS: The Weekend's Coming [new track]
7. THE SLAPBACKS: Make Something Happen [new track, covering The Flashcubes]
8. P. HUX: Better Than Good [from the album Kiss The Monster]
9. IRENE PEÑA: Must've Been Good [from new EP Trying Not To Smile]
10. MICHAEL OLIVER & THE SACRED BAND FEATURING DAVE MERRITT: You Won't Do [new track]
11. THE RUBINOOS: Nowheresville [first US CD release]
12. STEPFORD KNIVES: Her Reputation [new track]
13. THE GRIP WEEDS: Strange Bird [new remix of rare single]
14. POPDUDES: She Is Funny (In That Way) [first CD release]
15. JOSEPH R. BALINT JR.: Civitas Romanas [TIRnRR ID]
16. RONNIE DARK: '70s Van [new remix of rare regional track]
17. THE FLASHCUBES: No Promise [4-track] [first CD release]
18. CHRIS VON SNEIDERN: Insomniac Summer [new track]
19. THE BOTTLE KIDS: Let Me In On This Action [new track]
20. 1.4.5.: Your Own World [first CD release]
21. THE SMITHEREENS: Got Me A Girl [first mass-market CD release]
22. PAUL COLLINS BEAT: She Doesn't Want To Hang Around With You [from the album Ribbon Of Gold]
23. THE HIT SQUAD: Best Of Me [previously unreleased]
24. THE RULERS: I Want My Ramones Records Back [first CD release]
25. THE LEGAL MATTERS: Don't Look Back [first CD release]
26. MAURA & THE BRIGHT LIGHTS: Maybe Someday [first CD release]
27. MR. ENCRYPTO: Harmony Cathedral/Daisy Bang [TIRnRR ID]
28. MR. ENCRYPTO & THE CYPHERS: Home On The Radio [previously unreleased]
29. LISA MYCHOLS: Almost Didn't Happen [new track]

And the above track listing, stellar as it is, doesn't directly tell you that it also includes name-below-the-title work by Terry Draper of Klaatu, Herb Eimerman of The Nurk Twins, Karen Bassett of The Pandoras and Rebel Pebbles, Torbjorn Petersson of The Tor Guides, Ducky Carlisle, local legend B.D. Love, and John Wicks of The Records. We've got your pop stars all over this one. We hope to have it available for your imminent worship in July.

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Wednesday, June 21, 2017

This Is Rock 'n' Roll Radio, Volume 4: Track Listing




Today, Dana & Carl are at the mighty SubCat Studios mastering our forthcoming CD compilation This Is Rock 'n' Roll Radio, Volume 4. The disc is due out this summer on the Kool Kat Musik label, and hype will fly freely soon. Here, at long last, is the final track listing.




This Is Rock 'n' Roll Radio, Volume 4
Kool Kat Musik PURR 2061
Produced by Dana Bonn and Carl Cafarelli

1. MEGHAN JEAN CAFARELLI: Perseverance
2. THE SPONGETONES: (Our Guys) Dana & Carl [TIRnRR ID]
3. POP CO-OP: You Don't Love Me Anymore
4. RAY PAUL: I Need Your Love Tonight
5. CIRCE LINK & CHRISTIAN NESMITH: I'm On Your Side
6. VEGAS WITH RANDOLPH FEATURING LANNIE FLOWERS: The Weekend's Coming
7. THE SLAPBACKS: Make Something Happen
8. P. HUX: Better Than Good
9. IRENE PEÑA: Must've Been Good
10. MICHAEL OLIVER & THE SACRED BAND FEATURING DAVE MERRITT: You Won't Do
11. THE RUBINOOS: Nowheresville
12. STEPFORD KNIVES: Her Reputation
13. THE GRIP WEEDS: Strange Bird
14. POPDUDES: She Is Funny (In That Way)
15. JOSEPH R. BALINT JR.: Civitas Romanas [TIRnRR ID]
16. RONNIE DARK: '70s Van
17. THE FLASHCUBES: No Promise
18. CHRIS VON SNEIDERN: Insomniac Summer
19. THE BOTTLE KIDS: Let Me In On This Action
20. 1.4.5.: Your Own World
21. THE SMITHEREENS: Got Me A Girl
22. PAUL COLLINS BEAT: She Doesn't Want To Hang Around With You
23. THE HIT SQUAD: Best Of Me
24. THE RULERS: I Want My Ramones Records Back
25. THE LEGAL MATTERS: Don't Look Back
26. MAURA & THE BRIGHT LIGHTS: Maybe Someday
27. MR. ENCRYPTO: Harmony Cathedral/Daisy Bang [TIRnRR ID]
28. MR. ENCRYPTO & THE CYPHERS: Home On The Radio
29. LISA MYCHOLS: Almost Didn't Happen

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Tuesday, June 20, 2017

Virtual Ticket Stub Gallery: THE MONKEES

This post was originally published privately, for Boppin' (Like The Hip Folks Do) subscribers only, on February 2nd, 2017. This is its first public appearance. For as little as $2 a month, supporters of Boppin' (Like The Hip Folks Do) on Patreon receive one exclusive bonus post each month: Fund me, baby! 



I believe in daydreams.

Why wouldn't I? When you're a kid, the inspiration for flights of fancy is all around you, the stuff dreams are made of, the fodder for imagination, the spark of what may be, at least in your own evolving mind. You can be Batman; you can be Flash Gordon; you can be The Easter Bunny, traveling in his Bunnymobile (the subject of my first published writing, when I was seven). You can be a fireman, an astronaut, a sheriff, a general, a vampire, a giant, an eagle, a secret agent, a pirate, Santa Claus. You can be the president. You can be Popeye. You can dream it, and you can be it.

You can even dream of being The Beatles.



As we grow into adults, we're encouraged to put aside the foolish dreams of youth. But we don't, and we shouldn't. Granted, we probably oughtta refrain from running around the neighborhood in a cape and cowl looking to punch The Joker, but daydreams aren't a bad thing. And sometimes, on odd and infrequent, unlikely occasions, a dream can somehow slip into the realm of real life.

The Monkees dreamed of being The Beatles, at least in a sense. Micky DolenzDavy Jones, Peter Tork, and Michael Nesmith were cast in a TV show about a struggling band trying to be the next Fab Four, or to at least score a gig that would pay enough to keep their landlord, Mr. Babbitt, at bay. That dream came true. The Monkees became a bona fide group: puppets at first, real live boys before long, singing and playing, recording, touring, and gathering believers. 

I was a first-generation Monkees fan, since I did see and enjoy the TV show (and its music) when it was still in prime time. Reruns of the show in the '70s solidified my interest in The Monkees, and digging into the delight and wonder of The Monkees' albums made me an even bigger fan. By the time I was informed by scornful proto-hipsters that The Monkees were fake, prefab, didn't play their own instruments, yadda und yadda, I was already discovering Headquarters and Pisces, Aquarius, Capricorn & Jones, Ltd., albums where The Monkees themselves did indeed strum guitars, shake tambourines, pound on drums, tickle keyboards, and noodle Moogs. Dream, meet reality. Hey, Reality--how ya doin'? Doin' well, Dream, thanks for askin'.

And I dreamed of seeing The Monkees in concert.



It was perhaps not far-fetched, but still so far away. Peter Tork had left The Monkees in 1968, Nesmith ditched around '69, and Dolenz and Jones finally ceased Monkeeshines in 1970. But I read in Phonograph Record Magazine about Peter joining Micky and Davy on stage during their show at The Starwood in L.A. in '76 or '77, and I dreamed. I mean, c'mon--Simon & Garfunkel had a hit reunion single in 1975, The Beatles had almost reunited for Saturday Night Live in '76, and The Animals did a reunion album in 1977. In this generation, in this loving time, why couldn't The Monkees make the world shine one more time?

By the early '80s, as I'd grown into a (slightly) more eloquent and vociferous advocate for The Monkees, I saw The Peter Tork Project play at a nightclub in Buffalo. Even before that, I'd worn my Monkees t-shirt to a bar when a cool young band called The Insiders were playing; near the end of The Insiders' show, one of 'em said, "I hear there's a guy walkin' around in a Monkees t-shirt. Well, this is the song he's been waitin' for." It was the first time I'd ever heard any band play "(I'm Not Your) Steppin' Stone" live. Oh, what a great song, and a great song meant to be played at live rock 'n' roll shows. I dreamt of seeing The Monkees play live in a nightclub, specifically at The Rooftop on Seneca Street in South Buffalo, a rough but ready venue where I saw The Ramones, The Bangles, and Joan Jett & the Blackhearts. My mind could see The Monkees on stage at The Rooftop, just the four of 'em, singin' and playin' "Steppin' Stone" and "Pleasant Valley Sunday" and "Porpoise Song" and "What Am I Doing Hangin' 'Round?"



Micky, Davy, and Peter did reunite in 1986, and I saw them on that tour, and again in 1987. A dream come true? Yes and no. They were both fantastic shows; I wished Michael Nesmith were there, but it was still a thrill to finally see The Monkees live. Both of these shows were at outdoor venues, so I didn't expect the intimacy of a club show, and that was fine. And both seemed more...I dunno, show biz? More show biz presentation than rock 'n' roll show, I guess. They weren't exactly the Monkees live shows I'd dreamed about, but I can't say I wasn't satisfied.

Decades pass. Dreams grow older, rarely wiser, sometimes frailer, often more remote. Belief, like kicks, just keeps getting harder to find. 2011 was a bad year for me. At the age of 51, I suffered a midlife crisis that threatened to suffocate my dreams permanently. I sought counseling, and my social worker helped me a lot. As 2012 took over, I was starting to crawl tentatively forward, trying to dream again. When my Dad got sick, I could no longer find time for my therapy sessions. Dad died that April. I tried to keep standing. I tried to keep dreaming. I did both. Somehow, I did both.

Davy Jones also died in 2012. The news was a shock: the youngest of The Monkees, taken by a fatal heart attack at just 66 years old. No one saw that coming. Aside from the personal tragedy felt by Jones' family and friends, there was one mundane fact depressingly clear: there could never be another Monkees reunion.

Never. See, dreams don't recognize that word.

Michael Nesmith, often considered (for right or wrong) The Reluctant Monkee, had participated in a reunion album and UK tour in the late '90s; that ended acrimoniously, and seemed unlikely to ever recur. Peter Tork also had a public, bitter falling out with Dolenz and Jones in 2001, and Davy said in 2009 that he would never work with Micky Dolenz again. But those three eventually patched up their differences sufficiently for a well-received 45th anniversary tour in 2011. I wish I could have seen a show on that tour, but, y'know, I was too busy being kicked in the teeth by 2011. And now, in 2012, Davy's passing signified the permanent end of The Monkees. Presumably. Definitely. One would think.



In August of 2012, a new Monkees tour was announced. Dolenz, Tork, and Nesmith would be hitting the road in the fall. Davy Jones' memorial service had prompted those three to be in the same room again for the first time in years. Discussion of doing a memorial show in Davy's honor blossomed into plans for a tour. Cheer up, sleepy Jean--oh, what can it mean?

Many were immediately critical of Nesmith only agreeing to re-Monkee after Jones was gone. With all due respect to naysayers, none of us have any real idea or appreciation of the interpersonal dynamics of those four guys, of what they went through together, what battles they fought, what hurricanes they weathered. We. Don't. Know. We never will. I don't doubt that the relationships were complicated; hell, some of my relationships with peers are complicated, and none of us ever sold a zillion records. 

And I didn't care anyway. After the year and a half I had, I was gonna make a dream come true. I was going to see The Monkees, with Michael Nesmith.

The show was in Buffalo, on a Sunday night: November 18th, 2012. I called for tickets as soon as they were on sale, and scored a pair of decent seats in the center section, not far from the front. It was a no-brainer to cancel that week's edition of This Is Rock 'n' Roll Radio with Dana & Carl. When 11/18/12 rolled around, Dana and I shuffled off to Buffalo, ready to finally listen to the band.

Listen to the band. If the Micky, Davy & Peter shows had been more Broadway than Budokan, this Micky, Peter & Michael show was going to be a straight-up rock concert. There would be banter, there would be schtick, and there would be a large video screen above and behind the group, with vintage Monkees clips accompanying the live performance; but the focus was going to be on the music. Listen to the band. The Monkees had assembled a crack group to help fill in their sound, a band including Nesmith's son Christian on guitar, and Micky's sister Coco on backing vocals. The three Monkees themselves would also be playin' their own instruments throughout most of the show; there would even be a few fleeting instances when those three were the only players on stage. Listen to the band. Listen to the freakin' band!

The show was either a sell-out, or damned close to it. We left Syracuse with plenty of time to get to Buffalo, grab dinner at Mighty Taco (Dana's first-ever visit there), and get to the University Of Buffalo Center For The Arts before showtime. Dana took his seat while I stood in the long concessions queue to buy a Monkees tour t-shirt. And then, the lights dimmed, and the record played:

Here we come, walkin' down the street....

As the PA serenaded us with that familiar TV theme song, dark silhouettes took their places on stage. The three silhouettes at the front of the stage merited immediate applause, squeals of delight, a giddy, growing sense of excitement and anticipation. This group began on TV. So the ensuing sequence was appropriate:

Lights.

Camera.

Action!


Photo by Dana Bonn
The live sound of "Last Train To Clarksville" filled the immediate universe. Three older men stood in the space where some teen idols used to be. But time had stood still, even reversed its fatal crawl. If we closed our eyes, it was 1967. If we closed our eyes, Davy Jones was still on stage with his mates. Like lightning. Like magic. A mystic, transcendent jolt carried through the entire audience. We opened our eyes. It was The Monkees. And god damn it, we believed.

Micky Dolenz sang "Last Train To Clarksville." Michael Nesmith--Michael friggin' Nesmith!--sang "Papa Gene's Blues." Peter Tork, a cancer survivor, sang "Your Auntie Grizelda." From the crowd, a woman shouted I love you, Micky! Later, I'd discover the woman was Tina Peel, a former WBNY-FM DJ whom I'd followed faithfully when I lived in Buffalo in the '80s. And the hits just kept on comin'.

"She.""Sweet Young Thing.""I'm A Believer.""(I'm Not Your) Steppin' Stone." For all the stupid crap The Monkees received for being a manufactured group, they nonetheless generated a stellar catalog of tunes that can stand against just about any other motherlover. Seven songs in, and this was already one of the best concerts I'd ever been privileged to witness. Then, as the screen showed footage of our departed Davy, and his recorded vocal of "I Wanna Be Free" wafted through this electric air, the band transitioned into Headquarters.

The 1967 Headquarters album was The Monkees' bid for credibility, an attempt to prove they could be a real band, playing and singing in the studio like they were The Rolling Stones or The Kinks or that band they dreamed of being, The Beatles. It's a wonderful, still-underrated record. Its tracks would provide the centerpiece of this live show.



The countoff led into "You Told Me," which lead into "Sunny Girlfriend," which lead into "You Just May Be The One," a Michael Nesmith trifecta. The Monkees then reached back to the previous album, More Of The Monkees, for the Nesmith-written/Dolenz-sung "Mary, Mary," stopped at the non-LP B-side "The Girl I Knew Somewhere," and returned to Headquarters for Tork's shoulda-been-a-single "For Pete's Sake," followed by the exquisite "Early Morning Blues And Greens." The Headquarters set concluded with Micky Dolenz donning psychedelic kaftan and wailin' on timpani for a showstopping "Randy Scouse Git."

My favorite Monkees album, Pisces, Aquarius, Capricorn & Jones, Ltd., and its follow-up The Birds, The Bees & The Monkees, were both kinda given short shrift in the set list, represented by only three album tracks combined, plus the big hit single from each. But no matter. Some scripted schtick about Michael buying Micky a new Moog synthesizer led into a rendition of the PAC&J track "Daily Nightly," complete with Nesmith channeling his inner Yoko Ono to imitate the bleeps and blorps of the absent Moog. This was followed by "Tapioca Tundra" from The Birds, The Bees & The Monkees, and the non-album "Goin' Down." This set the stage for selections from The Monkees' sole feature film, Head.

Head is a dark, bitter, mesmerizing film. The Monkees' 2012 live set included all of the musical selections from the Head album, beginning with Carole King and Gerry Goffin's brilliant, majestic "Porpoise Song." If The Monkees had never done anything else before or after "Porpoise Song," they would still be one of my favorite groups just on the evidence of that one song. Micky Dolenz is rarely given the credit he deserves as one of the best pop vocalists of the '60s. When one considers that Dolenz was supposed to be an actor hired to play a singin' drummer on TV, his vocal chops and accomplishment seem all the more amazing. Nowhere is that skill more evident than on "Porpoise Song," and the live rendition lived up to the promise of the record.

For Harry Nilsson's "Daddy's Song," the band played live to Davy Jones' original vocal, as the video screen showed the corresponding scene from Head, Davy dancing with a cute young Toni Basil. Peter Tork followed with his own "Can You Dig It" (originally sung by Micky), and Micky returned to sing "As We Go Along."

I've been blessed with opportunities to see many of my musical heroes live. I never did get to see The Beatles, but I saw The Ramones nine times, and I saw The Flashcubes countless times. I saw The Kinks perform "Waterloo Sunset." I saw David Bowie sing "Life On Mars?" I saw Carl Wilson sing "God Only Knows" with The Beach Boys. I saw Prince, The Animals, The Searchers, and so many others, each a cherished memory that is not up for sale or trade.

I never saw a greater performance than Micky Dolenz singing "As We Go Along."

Photo by Dana Bonn
I mean it. Never. It was on a par with the above-mentioned "Waterloo Sunset" and "God Only Knows," and I might even give the edge to the Mick on this one. As he sang, my skin chilled, my jaw dropped, and my eyes just stared in...awe.

Open your eyes
Get up off your chair
There's so much to do in the sunlight
Give up your secrets
And let down your hair
And sit with me here by the fire light

The song concluded. Dana, stunned, turned to me and just said, Wow.

The Head set ended with Nesmith's raucous "Circle Sky" and Tork's "Long Title: Do I Have To Do This All Over Again." If anyone there had ever doubted The Monkees, doubt had been firmly and finally replaced by belief.

Since The Monkees felt that none of them should take over Davy Jones' lead on "Daydream Believer," Micky told the audience that the song didn't belong to the group anymore; he looked at us all, and said It belongs to you. An audience member was brought on stage to sing lead, accompanied by a concert hall full of misty-eyed, knot-throated believers. The Monkees closed the show with the great Pisces track "What Am I Doing Hangin' 'Round?" With that, The Monkees left the stage. They didn't go far, mind you; they knew they were getting an encore. Hell, if it were up to us, they'd be playing still!

Photo by Dana Bonn
But we could only get one encore, and I think we all knew what it would be. The Monkees returned to the stage for Nesmith's "Listen To The Band," allowing individual recognition of each of the amazing players plying their craft as Deputy Monkees. And then Nesmith played the riff, that approximation of George Harrison's "I Want To Tell You" made even more pop, more immediate, and yet truly immortal. And Micky sang:

The local rock group down the street is trying hard to learn their song
They serenade the weekend squire who just came out to mow his lawn
Another Pleasant Valley Sunday
Charcoal burning everywhere
Rows of houses that are all the same
And no one seems to care

We cared, and we showed it. The Monkees acknowledged our accolades, and waived goodbye. The show was over, but the enchantment endured. Another band would have said it was a splendid time guaranteed for all. We knew it was a daydream. And we believed.

In 2011, I hit a skid, and it seemed like it might do me in. In 2012, I lost my dad. But I fought back. I sought help. I tried to become better. And I survived, with my mind, my heart, and my family intact. I built no walls, and burned no bridges. I delivered a eulogy for Dad. I told my wife and daughter how much I loved them. I told my family how much they meant to me. I visited Brockport. I visited Spain. I saw some old friends. I saw some basketball. I saw The Flashcubes. I saw a path forward.

And I saw The Monkees. I dreamed. I believed. And I kept walking down the street. Funny looks? I'm too busy dreaming to put anybody down.