Showing posts with label Tamar Berk. Show all posts
Showing posts with label Tamar Berk. Show all posts

Saturday, April 12, 2025

10 SONGS: 4/12/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1280

THE GO-GO'S: Vacation

On March 22nd of 2020--yeah, THAT year--I posted this announcement:

"The building that houses the palatial SPARK! studios will be closed until further notice, placing This Is Rock 'n' Roll Radio on hiatus for the time being...Stay safe, with clean hands and the clean or dirty mind you prefer...."

The next day, I posted an imaginary TIRnRR playlist, an Isolation Edition assembling a sequence of songs to reflect my mood at that troubled time. That Isolation Edition opened with the Go-Go's insisting a vacation was all they wanted, the song's bittersweet ache leading perfectly into the mix of anxiety, hope, loss, and catharsis I was seeking at that precise flashpoint of doubt and dread.

Our vacation from the studio turned out to be permanent. We never returned, and that space is no longer ours.

A couple of weeks later, when we made a last-minute decision to try recording the show from our remote locations at home, Dana took the imaginary playlist and made it so. I added back announcements recorded on my iPhone. This became our method going forward, minus the "last-minute" part. What had been a fake playlist became a real radio show, broadcast on April 5th, 2020. Five years ago this past weekend.

Five years and one day after returning to the airwaves via remote control, we haven't missed a week yet. And we began home-schooled TIRnRR Year Six with another spin of the magnificent Go-Go's pining for the unattainable.

It still suits my mood. But its catharsis remains welcome. All I ever wanted? Not quite. It's gonna have to suffice anyway.

(One member of the Go-Go's--bassist Kathy Valentine--will be back on our next show with a solo track, a track featuring the pounding prowess of one of our favorite drummers, the late Clem Burke. We've threaded an extended tribute to Clem Burke throughout the show this coming Sunday night, with four Blondie tracks plus more Burke-propelled treats by the Plimsouls, the Romantics, the Empty Hearts, Steve Conte, Ray Paul, Chequered Past, Dan Markell, the Tearaways, Joan Jett, John Easdale, and Tall Poppy Syndrome. That's gonna crowd out a lot of our recent Fave Raves, but they'll be back, and I think we managed to pull off an absolutely kickass tribute to Clem Burke. We're opening the show with one of the specific Blondie tracks you would expect to open a tribute to Clem Burke. Man, I bet you can hear his drum intro to that in your head right now.)

TAMAR BERK: Permanent Vacation

Well, yeah, why take just A vacation when you can take a PERMANENT vacation? Tamar Berk has the right idea. "Permanent Vacation" comes to us from Tamar's 2023 album tiny injuries. We've since likewise hit the beach with Tamar Berk's 2024 release Good Times For A Change, and we're eagerly anticipating the chance to catch more rays with her forthcoming new album. We have a permanent fixation on pop music, so we're set to crank up some Tamar Berk and hit the road with righteous aplomb. 

CHUCK BERRY: Promised Land

I confess there was originally a different track ("Route 66" by the Rolling Stones) programmed in this spot, but it turned out I didn't have the track on the immediate hand I needed, so Mr. Chuck Berry fit in just fine instead. Permanent vacation route on Route 66 versus vacation destination in the promised land? Can't go wrong either way, and "Promised Land" is my favorite Chuck Berry song. From my book The Greatest Record Ever Made! (Volume 1):

"...Chuck Berry knew well the travails of the downtrodden. Dark skin, humble origin, and destined to transcend everything to become one of the most significant performers in the history of rock 'n' roll. His mind was quick, his fingers precise, wedding intricate, unforgettable wordplay to a guitar he played like a-ringin' a bell. He struggled. He pushed. He got noticed. He got pushed back. He kept pushing back in turn, smiling and duck-walking, while seething behind his flamboyant mask. A nice man? Possibly not, but beside the point. An important man? If you've ever loved rock 'n' roll, you should be ashamed to even ask that question...

"...Into this tinderbox, Chuck Berry brought an electric match: Black music that made white kids dance. He wrote in code—most famously, the irresistibly potent brown-skinned handsome man who became (wink) a brown-eyed handsome man—but he crafted and chronicled the American teen-age dream with greater eloquence than anyone else, black or white...."

THE FLASHCUBES: Reminisce

I'm dying to tell you more about who's gonna be on Big Stir Records' forthcoming various-artists celebration Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. We've established that the album will open with the Flashcubes' own ace new track "Reminisce" (one of three new 'Cubes songs on Make Something Happen!), this week's show also served up 'Cubes tribute album treats by Pop Co-Op and the Kennedys, we've previously pummeled your grateful senses with Cubic covers by the Spongetones, sparkle*jets u.k., Joe Giddings, and Super 8 Featuring Lisa Mychols, and we've already revealed that the tribute album will also include contributions from Chris von Sneidern, Hamell On Trial, and Callan Foster.

And there's more. I'm dying to tell you about it, especially about the veteran British rock whose music I loved hearing on the radio when I was in high school, and who just completed his vocal tracks for a cover of the Flashcubes’ "Pathetic." And I just heard a flat-out astonishing ‘Cubes cover by some New York power poppers I’ve been following for nearly as long. Time ain't right for further announcements, at least not quite yet. 

Soon. Very soon. We can look forward and still reminisce at the same time.

THE GRIP WEEDS: Conquer And Divide
THE BYRDS: Lady Friend
THE GREEK THEATRE: Byrd Of Prey

Sometimes the segues just decide for themselves. We've been playing a different track ("Flowers For Cynthia") from the Grip Weeds' current teaser EP Early Clues. Recognizing that a number of other worthy radio outlets (including our SPARK! Radio colleague Rich Firestone on Radio Deer Camp and Bill Kelly and the other boss jocks at Underground Garage) have been playing the EP's opener "Conquer And Divide," we figured we oughta also get in on that action. Willful square-peg status will only get you so far, man.

Given how much TIRnRR airplay has been annexed by the Grip Weeds' divine cover of "Lady Friend" (from the Grip Weeds' divine cover album DiG), Dana automatically followed my spin of new Grip Weeds with the Byrds' original version. Had to be done. 

And given the Byrds taking flyte at that point, I moved the song "Byrd Of Prey" (a jangly number found on the Greek Theatre's new album A Deeper Scar) from its presumed place later in the playlist into, y'know, this spot right here. It's Byrderrific! The science of playlist-building. Don't question science.

STIV BATORS: It's Cold Outside

The Greatest Record Ever Made!

LIBRARIANS WITH HICKEYS: You Don't Know Me

As noted a few column inches north of here, accommodating  a proper salute to Clem Burke is going to occupy a lot of the slots on our next playlist. That means the fab Librarians With Hickeys will get a rare week off from TIRnRR, so let's state again that we just plain adore their latest album How To Make Friends By Telephone. And we just plain adore Librarians With Hickeys, so much so, in fact that...that...

...LIBRARIANS WITH HICKEYS ARE GOING TO BE ON THE FLASHCUBES TRIBUTE ALBUM! I've heard a rough of their track! I can't wait to get hold of the finished version and play it on the radio! And....

You know me. I'm dying to say more. Apologies if I've already gone too far.

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

Pop radio, turn it up! We've been programming the current Super 8 Featuring Lisa Mychols single "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're playing it again on our next show, and we're also debuting some new SPARK Radio promos that Trip 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

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My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, August 25, 2023

10 SONGS: 8/25/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1195. This show is available as a podcast.

TAMAR BERK: Sunday Driving

The commentary accompanying this week's posted playlist waxes rhapsodic over Tiny Injuries, the new album from Tamar Berk. We've been playing Tamar's music for a few years now, beginning with "Skipping The Cracks" in 2021. Her song "Real Bad Day" was one of our most-played tracks in 2022, placing at # 16 on our year-end countdown. Tamar has a new album out? Well, yeah, of course we're gonna play it. It's what we do. And we'll hear another track from Tiny Injuries on our next show.

THE FLASHCUBES: Forget About You

The word's getting out about Pop Masters, the fabulous new all-covers album by Syracuse's own power pop powerhouses the Flashcubes. Now, no one should expect me to be unbiased about this; the 'Cubes have meant a great deal to me for a very long time, and, as I've said in other context elsewhere, why in the world would anyone ever want to be objective about pop music? That's no friggin' fun at all, my friends. Staple heart to sleeve. Testify. Believe.

I will direct you to someone else's testimony on behalf of Pop Masters: YouTuber Matthew Street, who preaches about Pop Masters in this video. Matt also spoke at length with 'Cubes guitarist Paul Armstrong here, and this proudly biased 'Cubes fan appreciates it. Go, Matthew! Go, FLASHCUBES!!

THE NUMBERS: Can't Sleep At Night

Matthew Street also digs the Numbers, and he's right on that count as well. The Numbers were an early '80s combo whose lone album Anthology '64-'67 presented them as if they were a long-lost band from the '60s rather than Reagan-era garage pop kings besotted with the sounds that flourished a decade and a half before them. The LP's liner notes even claim that the Numbers passed on the opportunity to star as the Monkees, leaving the prospect of televised Monkeeshines for, y'know, the actual Monkees. All in good (clean) fun. Anyone who refers to this as a hoax isn't paying attention. It's not a hoax if the intended audience is fully aware of the put on.

Anthology '64-'67 includes covers of the Easybeats' "You Said That," the Tremeloes' "Here Comes My Baby," and--of course!--the Monkees' "Take A Giant Step," plus a passel o' like-minded originals. Album opener "Can't Sleep At Night" is nothing short of magnificent. This album is long, long overdue for a reissue.

JOSIE COTTON: Here Comes My Baby

Hey, speakin' of "Here Comes My Baby," apparently the Tremeloes and the Numbers weren't the only ones to turn in able covers of this Cat Stevens composition. Josie Cotton's version comes from her originally-unreleased 1986 album Everything Is Oh Yeah. That album was finally released in 2010, and it's been a frequent 'n' lovable playlist resource for TIRnRR. Look! Here she comes NOW!

LIBRARIANS WITH HICKEYS: I Better Get Home

It's the HEY!, man. Seriously. Never underestimate the power of HEY!

THE PATTI SMITH GROUP: So You Want To Be A Rock 'n' Roll Star

True story: When country superstar Garth Brooks did his brief conceptual rocker turn under the alias Chris Gaines in 1999, I summoned all my practiced snark with an intention to open that week's TIRnRR with a spin of the Patti Smith Group's cover of the Byrds' "So You Want To Be A Rock 'n' Roll Star," dedicated to ol' Chris. Clever? That's me! BUT! We didn't have a digital copy of the track handy, and the studio's turntable was unreliable. We let the notion slide and moved on with something else.

Nowadays, I'm more appreciative of Brooks as a person, even if his music ain't quite my cuppa. What was the recent meme? In a world full of Jason Aldeans, be more like Dolly Parton, Willie Nelson, and Garth Brooks. Something like that. In this context, Dolly, Willie, and Garth are rock stars. Hell, I may even track down the Chris Gaines thing, just to see if I might like it. Ya never know until you try that, in any size town.

As for "So You Want To Be A Rock 'n' Roll Star," I think I prefer the Byrds to Patti Smith here, but it's pretty damned close between 'em. The great Syracuse new wave combo the Most used to include it in their live sets, hewing closely to Smith's arrangement. The money. The fame. The public acclaim. Don't forget who you are...

...no. Screw being what others expect you to be. Be who you wanna be. Come back, Chris. All is forgiven.

ARTHUR CONLEY: Sweet Soul Music

Sweet soul music. TIRnRR will be returning to this subject in force very, very soon.

THE EVERLY BROTHERS: Gone, Gone, Gone

The Greatest Record Ever Made!

KISS: Anything For My Baby

I've started writing a 5 Above blog post about my five favorite KISS tracks. You wanted the best? You got...well, me, but I work cheap. Four out of my five KISS picks are obvious big crowd-pleasers among the band's fans; "Anything For My Baby" is the exception, an LP track from KISS' third album, 1975's Dressed To Kill. Yeah, the album that introduced the world to a li'l sumpin called "Rock And Roll All Nite," which [SPOILER ALERT!] is also part of my 5 Above KISS piece. You wanted the best....

And "Anything For My Baby" is absolutely among the best of KISS. Shoulda been a single. Shoulda been a hit.

THE MONKEES: She's Moving In With Rico

Sometimes the jokes just write themselves. And as our Patti Smith entry a few paragraphs north of here proved: There has never been a joke so banal or obvious I wouldn't use it anyway. In the immortal words of Davy Jones as she moves in with Rico, "What can I say? This is the end."

Beginning of the end, anyway. At least I hope it is.

For dramatic purposes, the role of our accused RICO offender will be played by famous criminal mastermind Lex Luthor...although Luthor is way, WAY smarter than that

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, April 14, 2022

10 SONGS: 4/14/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1124.

TAMAR BERK: Real Bad Day

Hey, remember last week, when I said Tamar Berk's new single "Tragic Endings" was my favorite among the tracks I've heard from her so far? Ah, those were the days. Since then, I've heard more of Tamar's forthcoming new album Start At The End, and the surly swagger of its track "Real Bad Day" propels it to the tippytop of my Tamar Berk's Greatest Hits chart. I'm not fickle; I'm open-minded. Great li'l number, and I expect we'll be playing it again on TIRnRR. And again. And again. I betcha we'll also give a repeat spin to "Tragic Endings." Dear, dear "Tragic Endings." I hope we can still be friends, 

GARY FRENAY: Just Like Me

Gary Frenay's "Just Like Me" was among my many favorite Screen Test songs. It only existed as a demo in the '80s, and I always wished they would revisit it. And now, they have! The new recording is by Screen Test--Gary with Arty Lenin and Tommy Allen, their efforts supplemented by Gary's talented son Nick Frenay--but it will be billed as a Gary Frenay solo track when it appears on his next album (presumably in 2023). Wonderful, wistful song under any name.

THE IDES OF MARCH: Girls Don't Grow On Trees

The Ides of March are considered one hit wonders for their 1970 smash "Vehicle." I hate that song. BUT! Before warbling about the friendly, creepy stranger in the black sedan, the Ides of March were a better'n decent '60s garage pop combo. I absolutely adore the group's undeservedly obscure 1966 single "Roller Coaster," and I intended to play that on this week's show. Instead, I figured we ought to spin an Ides of March track we ain't ever played before, and plucked this ace number "Girls Don't Grow On Trees" from my handy-dandy copy of Sundazed Records' pre-"Vehicle" Ides compilation Ideology. Listening again to their '60s beat output reinforces my regret that the world at large only remembers them for "Vehicle."

THE CHELSEA CURVE: Jamie C'mon

The Chelsea Curve's freshly-released debut album All The Things performs the public service of collecting the group's assorted singles (including past TIRnRR Fave Raves like "Top It Up" and "Better Way"). But WAIT! There's MORE! I mean, it wouldn't be ALL the things if there weren't more, right? The album kicks off with the blood-pumpin' rush of the Chelsea Curve's brand-new single "Jamie C'mon," then drags (in-joke) you along for an album's worth of rock 'n' roll kicks run on guitars, drums, amplifiers, lipstick, hormones, and two-for-one well drinks. C'mon! All the things can't just dance with themselves, ya know.

THE JIVE FIVE: My True Story

Although "My True Story" was the Jive Five's only big pop hit (Billboard Hot 100 # 3 in 1961), we've been far more likely to play "What Time Is It?," their # 67 single from '62. This is further illustration of my conviction that the phrase "one hit wonder" doesn't have to be a pejorative. Like the Easybeats, the Bobby Fuller Four, the Knickerbockers, Fontella Bass, and so many other fine acts, the Jive Five created a number of interesting tracks, and it's the pop world's loss that these records didn't receive more recognition and acclaim in their day.

But sometimes (and unlike the case of the above-mentioned Ides of March), there is something to be said for the big hit. "What Time Is It?" is probably on my own all-time Hot 100, but "My True Story" is my # 1 in the broad category of doo-wop records. Now we must cry CRY cryyyyyyyyy oh whoa our blues away. And its Dragnet-inspired conceit--The names have been changed, dear, to protect you and I--make this Joe Friday's greatest hit by default.

THE FLASHCUBES: Gone Too Far

I make no apologies for my ongoing devotion to the music of the Flashcubes. Paul Armstrong, Tommy Allen, Gary Frenay, and Arty Lenin. My hometown heroes, Syracuse's own power pop powerhouse, one third of my all-time rockin' pop Trinity (with the Beatles and the Ramones). Mere hyperbole? Nope. I wouldn't be who I am without the Flashcubes.

As a club-goin' teen at Flashcubes shows in the late '70s, I believed there were a ton of hit-worthy original 'Cubes songs. Arty Lenin's "Gone Too Far" was for damned sure one of those, a pure pop confection that Gary once said reminded him of the Monkees. The group demoed the song at the time (as heard in remixed form on the Bright Lights anthology), but neither that version nor the live 1978 version I had on a bootleg cassette quite captured its effervescent vitality.

Finally, "Gone Too Far" achieves its full potential on Flashcubes On Fire, the recently-released archival live CD of the Flashcubes in their 1979 rock 'n' roll prime. This is the song I fell in love with when I was 18 and 19, reeling under the brightly dim lights at Central New York nightclubs. 

Gary said this reminded him of the Monkees? That's high praise in my book. Micky Dolenz coulda sung it, and he still could. I don't think even the mighty Mick could outdo Arty and his fellow 'Cubes on "Gone Too Far."

THE RUNAWAYS: Heartbeat

"Heartbeat" is a power ballad, which makes it something of an anomaly among the Runaways' recordings. The Runaways weren't a punk group, but they were on punk's periphery, and most of their material favored the I-love-rock'n' roll approach that would subsequently propel founding member Joan Jett to solo stardom (and The Rock And Roll Hall Of Fame). 

"Heartbeat" isn't the only slower number in the Runaways' catalog, but it was the one I noticed. It was among my favorite tracks on the 1977 Queens Of Noise album, the second (and last) LP to include original lead singer Cherie Currie. Currie was underage at the time, and "Heartbeat" is about a tryst with an unidentified singer. Backstage, lied about my age/Didn't care that you were older. The story may be fiction, but it has an aura of truth, and probably is true. Stop. Look. Listen.

SUZI QUATRO: Paralysed

Suzi Quatro was my # 1 teen crush; that story was told here, and has since been revamped for my long-threatened book The Greatest Record Ever Made! (Volume 1). But even then, I didn't like Suzi Q's 1975 album Your Mama Won't Like Me. Renowned Radio Deer Camp DJ Rich Firestone joked that she should reissue the album under the new title Carl Won't Like This. I ought to go back and listen to the album again, just to see if my opinion revises itself.

"Paralyzed" (or "Paralysed" in the UK, and as it's listed on my CD of The Essential Suzi Quatro) was the one Your Mama Won't Like Me track I did like. I'm gonna spin my web all over this town/If I catch you with your trousers downI played it often, and now we play it again. The stories you've heard are gonna be confirmed/You won't believe your eyes....

THE JAYHAWKS: I'm Gonna Make You Love Me

The Greatest Record Ever Made!

IRENE PEÑA: In This Room

It's not easy to pick one single favorite Irene Peña track. I'm doing it anyway. Eternal thanks to the mighty Big Stir Records label for making the eleven tracks from Irene's 2011 debut album Nothing To Do With You available as individual digital singles, and thereby introducing grateful me to the sublime "In This Room." The track has never been on a CD release. One hopes that will change very soon.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl



Thursday, April 7, 2022

10 SONGS: 4/7/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1123.

MICHAEL SIMMONS: This Time Tomorrow

Singing In My Heart, the new covers album from the pristine pop force of Michael Simmons, is indeed cause for singing, dancing, and carrying on at all hours. It is, to put a word on it, good. Really good. Targets acquired include material previously done by Squeeze, Steely Dan, the Beach Boys, Sloan, Paul McCartney, Crowded House, and more. Knowing we were going to kick this week's extravaganza into fab gear with a track from Singing In My Heart, I automatically gravitated to "This Time Tomorrow," which I figured hadda be a cover of the Kinks' song with that same title. 

But NO! It was a different "TTM," originally done by the Move, and although the Move's version has been in my music library for years and years, I had completely forgotten about it. And, as much as we love the Move here on TIRnRR, I've gotta say I think I like Michael Simmons' take on "This Time Tomorrow" even more than I dig the original. It will be back on the radio again next week.

CURTIS MAYFIELD: Superfly

Our first-set spin of "Superfly" prompted intrepid TIRnRR listener Joel Tinnel to say, "Let us pause now to reflect on the majesty of the late, great Curtis Mayfield." Yep. I don't remember if "Superfly" was a staple of my AM Top 40 radio devotion contemporary to its 1972 hit reign (probable, along with Mayfield's "Freddie's Dead"), or if I grew to embrace the song later, via its inclusion on the 2-LP oldies compilation Dick Clark 20 Years Of Rock N' Roll (possible, though I do think it was the former; AM radio friggin' ruled). Either way: of course Joel is right. The man of the hour has an air of great power. SUPERfly!

TAMAR BERK: Tragic Ending

When Tamar Berk made her TIRnRR debut with a spin of her song "Skipping The Cracks" in May of 2021, I wrote:

"Singer-songwriter-musician Tamar Berk joins our little Play-Tone Galaxy Of Stars with 'Skipping The Cracks,' the leadoff track from her new release The Restless Dreams Of Youth. The song earworms its way into the ol' cranium, recalling Penelope HoustonTIRnRR Fave Rave Irene Peña, and a shinier (and FCC-friendly) version of early Liz Phair. There is an oh-so-sweet bitterness in play, and it makes for a radio-ready rush of catharsis. (And note that Tamar insists that she didn't step on the cracks; if you happen to be a faithless lover suddenly afflicted with a broken back, well, it's your own stupid fault, ya jerk.)"

Nearly a year later, our Tamar is prepping a new album, Start At The End, and we repeat our above-stated breathless enthusiasm for its leadoff single "Tragic Ending." And we'll have another new Tamar Berk track on next week's show. The Tamar Berk generation starts HERE!

THE SUPREMES: A Hard Day's Night

An illustration of how much pop culture has changed since the '60s. Can you imagine one of today's most popular recording acts--say a Billie Eilish, or someone of comparable current star power--recording an album covering contemporary material, as in other artists' recent hits? I don't see it happening, and that's probably a sensible thing. Eilish doesn't need to cover Olivia Rodrigo or Silk Sonic; why would she do that?

But in the '60s, pop music had a presumed element of disposability. If much of that music now seems destined to be immortal, it doesn't change the fact that virtually no one at the time believed this stuff would last. It was about NOW, not about posterity. Strike while the iron is hot.

In that environment, it wasn't unusual for the Beatles in '63 to cover a Miracles song, "You Really Got A Hold On Me," from '62. Just a few years later, it wasn't terribly odd (though it was ill-advised) for both the Beau Brummels and the Standells to release entire albums covering recent hit songs. In the film That Thing You Do!, which is set in 1964, it may seem weird to us when Play-Tone Records exec Andrew White (played by Tom Hanks) insists that teen sensations the Wonders will have to record covers of songs by other Play-Tone artists, but it's perfectly plausible within the real-world parameters of 1964.

Motown was a savvy label. When the young American record-buying public went potty for the British Invasion, Motown's biggest stars the Supremes tapped that market with 1964's A Bit Of Liverpool LP. The album wasn't strictly Merseybeat; it included covers of London's Dave Clark Five and Newcastle's Animals, as well as two songs--"Do You Love Me" and the above-mentioned "You Really Got A Hold On Me"--that had originally been Motown cuts before respective appropriation by the DC5 and the Beatles. The rest was all Liverpool, mostly Beatles. with fellow Liverpudlians Gerry and the Pacemakers represented by their first hit "How Do You Do It?" It's very 'cross the Mersey!

So yeah (yeah yeah): cash grab, pure and simple. Cash grabs have evolved over the ensuing decades. But let's hear it for Philistine hucksterism anyway. This one was kinda fab.

BROWNSVILLE STATION: Smokin' In The Boy's Room

"Smokin' In The Boys' Room" was the lone big hit for Brownsville Station, the ace '70s rock 'n' roll combo fronted by everyone's favorite rekkid collector, the late Cub Koda. We've certainly played Brownsville Station before--principally their cover [upgrade!] of Gary Glitter's "I'm The Leader Of The Gang"--but I had it in my head that we'd never gotten around to playing the hit. Oops? As we played it on this week's show, our intrepid stats man Fritz Van Leaven informed us that we've played the track on five previous occasions--not as many times as "I'm The Leader Of The Gang," but waaaay more than I thought. 

And I tell ya, it was a surprise to learn that we've played it that often. I mean, everybody knows that smokin' ain't allowed in school.

LAURIE BIAGINI: Do What You Gotta Do

We have long been fans of Laurie Biagini's luxurious sunshine pop. As she teases the release of a new album called Stranger In The Mirror, we've been playing each of its advance singles as soon as it's released. Surf's UP! "Do What You Gotta Do" is the latest and greatest, we played it this week, we're playing it next week, and the sun shines on. It is, after all, what we gotta do.

GEORGE HARRISON: Cheer Down

Happy coincidence: Sunday night was Grammys night, and we happened to play a track from one of 2022's Grammy winners, albeit a posthumous Grammy awarded to the great George Harrison for the deluxe reissue of his classic All Things Must Pass. Ah, my sweet serendipity!

Granted, we didn't play a track from All Things Must Pass, either in its classic form or its newfangled form. Instead, we skipped the Me Decade and went to the we-was-fab decade of the '80s for "Cheer Down," the song George contributed to the soundtrack of 1989's Lethal Weapon 2. There...is something incongruous about that. But consider it an early clue to the new direction. 

THE FLASHCUBES: Christi Girl

"Christi Girl" was the Flashcubes' first record, a 45 (backed with "Guernica" and "Got No Mind") released in 1978. It's a pretty pop ballad written by 'Cubes guitarist Arty Lenin, and it also made its way to a Bomp Records various-artists set called Waves, Vol. 1, and years later it was exhumed for a Rhino Records power pop compilation CD. Since the Flashcubes only released a grand total of two records during their original late '70s run--1979's "Wait Till Next Week"/"Radio" 45 was the other one--"Christi Girl" was, by default, the Flashcubes' best-known song, at least to the extent that any Flashcubes song could be described as "best-known."

But "Christi Girl" wasn't representative of the Flashcubes' sound. Don't get me wrong--I love this record, always have, always will--but the 'Cubes came out of the punk scene. Even if we can debate whether or not he Flashcubes were ever really a punk band (as long as we agree that you're wrong if you say they weren't), their brand of power pop was absolutely rooted in the raucous. Loud. Proud.

The "Christi Girl" record is sublime. The live "Christi Girl," as heard on the Flashcubes' recent archival 1979 live release Flashcubes On Fire, is the real "Christi Girl." The live take is faithful, but with all the added oomph that transforms pure pop into power pop. A special place where nobody else can go. We'll hear two more Flashcubes On Fire tracks on next week's show.

THE DAVE CLARK FIVE: Any Way You Want It

The Greatest Record Ever Made!

THE KINKS: This Time Tomorrow

Yeah, that case of mistaken song ID at the top of the show leads us to close this week's proceedings with the Kinks song I thought Michael Simmons was covering. That worked out pretty well this time.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl