Showing posts with label Michael Nesmith. Show all posts
Showing posts with label Michael Nesmith. Show all posts

Friday, April 1, 2022

10 SONGS: 4/1/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1122.

MICKY DOLENZ: Some Of Shelly's Blues


Micky Dolenz returns with a four-song sequel to Dolenz Sings Nesmith, which was one of my favorite albums of 2021. Like its full-length predecessor, the 2022 release Dolenz Sings Nesmith--The EP collects new recordings of Dolenz performing songs written by his friend Michael Nesmith, whom we lost in December. One of the EP's tracks, "Grand Ennui," appeared on the album's CD issue (and was played on TIRnRR), while the other three are previously unreleased. One of the songs, "Soul-Writer's Birthday," has never been released by anyone, but we figure our pal Rich Firestone might wanna spin that on Radio Deer Camp afore we get to it. We cede the dibs to you, Reechie. That leaves us with "The Crippled Lion" and "Some Of Shelly's Blues," and we happily opened this week's show with the latter.

SYD STRAW: Think Too Hard


Although Syd Straw also sang with the Golden Palominos, her 1989 MTV hit "Future 40s (String Of Pearls)" was my conscious introduction to her music. I didn't realize (or didn't remember) that she sang on the dB's' 1987 album The Sound Of Music, but I did know (and remember!) that she covered "Think Too Hard," a song from that very dB's album. With a recent acquisition of a used CD copy of her '89 debut solo album Surprise, I figured it was overdue for our Syd to return to the TIRnRR playlist, for the first time in a long time. I didn't realize just how long a time until our friend and intrepid stats man Fritz Van Leaven pointed out that we hadn't played her since...wait, 2016?! Oy. She'll be returning to the ol' playlist in a far more timely manner now.


Presumably. I don't want to think too hard.

AMOEBA TEEN: New Material World
ADDISON LOVE: Wee & Nancy Lee
THE FLASHCUBES FEATURING SHOES: Tomorrow Night


Courtesy of the mighty Big Stir Records label, the single release of Amoeba Teen's "New Material World" (just barely in advance of the group's new eponymous album) compelled immediate airplay. So "New Material World" opened our second set this week, and Dana followed it with another Big Stir release, "Wee & Nancy Lee," from the Addison Love album that asks that musical question, Thoughts On Lunch? Sensing the inevitable allure of a stand-up triple, I followed "Wee & Nancy Lee" with "Tomorrow Night," the recent Big Stir single from the combined forces of the Flashcubes and Shoes. We're ALL winners in this 1-2-3 play. More from the new Amoeba Teen album on next week's show.

SLY AND THE FAMILY STONE: Everyday People


I confess to being a Sly and the Family Stone dilettante, in that I'm mainly aware of the singles rather than deep cuts. But man, those singles! I owe myself a more extensive dive into the group's albums. My favorite is "Everybody Is A Star," which was actually the B-side of "Thank You Falettinme Be Mice Elf Agin," the record I suspect may have taught the British band Slade how to spell. Like "Everyday People" says: Different strokes for different folks

THE FLASHCUBES: She's Leaving


I continue to pummel the console on behalf of Flashcubes On Fire, the new archival set preserving a pulse-pounding 1979 live show by my favorite power pop group. The 'Cubes were blessed with three prolific songwriters--bassist Gary Frenay and guitarists Paul Armstrong and Arty Lenin--with drummer Tommy Allen power-shifting the tunes into transcendent overdrive. Especially in a live setting.

The wealth of material at the Flashcubes' disposal meant a lot of great songs got left behind, many of them not even making it to demo stages. Flashcubes On Fire rescues Arty's Big Star-inspired "Cycle Of Pain" and Paul's "You For Me" and "Face In The Crowd," three flowers in the dustbin. The album also includes Gary's "Suellen," which he subsequently recorded as a single with the post-'Cubes combo Screen Test.

Three other songs on Flashcubes On Fire are familiar from studio versions found on Bright Lights, the 1997 compilation that resurrected 'n' refurbished some of the group's original '70s demos. As heard on Bright Lights, though, Arty's "Angry Young Man," Gary's "Beverly," and Paul's "She's Leaving" were new '90s recordings, not old demos. Originally, each of those Flashcubes favorites was as forgotten as "Driving Me Away," "Got To Have A Reason," or "I'm Not The Liar." Still, a song is only forgotten until someone remembers it, and does something to preserve it.

"She's Leaving" is one of my favorite Paul Armstrong songs, maybe my # 1 favorite. I love the version on Bright Lights, but I've always preferred it in its original live arrangement. I had it on a live bootleg cassette (my main Flashcubes artifact during the lean years until the 'Cubes archive started to open in the '90s), and I'm delighted that everyone can now hear it in that invigorating form. 

THE BEATLES: Slow Down


A few years back on this blog, I fabricated a fictional album called Leave My Kitten Alone!, which was a collection of some of the cover songs recorded by the Beatles. The Beatles did some killer covers, and my favorite among those is their rendition of Larry Williams' "Slow Down." (Runners-up: covers of Buddy Holly's "Words Of Love," Chuck Berry's "Rock And Roll Music," the Top Notes' [via the Isley Brothers] "Twist And Shout," and their other two Larry Williams covers, "Dizzy Miss Lizzy" and "Bad Boy." Honorable mention to "Please Mr. Postman.")

THE SEARCHERS: Hearts In Her Eyes


THE SPORTS: Who Listens To The Radio?
Who listens to the radio? With us, that may be a rhetorical question.


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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, January 6, 2022

10 SONGS: 1/6/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1110.

MICHAEL NESMITH: Rising In Love

When the news of Michael Nesmith's death broke on December 10th, we had already recorded our 12/12/2021 edition of TIRnRR. That show happened to include a spin of the Monkees' "You Just May Be The One," and we had time to go back and insert a comment that "This Is Rock 'n' Roll Radio remembers Michael Nesmith" before that song played. That particular song has long been among my favorites, its appeal enhanced by the fact that it's a Nesmith song performed by the Monkees themselves--Michael, Micky Dolenz, Davy Jones, and Peter Tork--as a self-contained band, with only producer Chip Douglas helping out on backing vocals. Too busy singing and playing to put anybody down.

My mother passed the day before Nesmith did. On December 10th, I was sitting in our old family house, gathered in the kitchen with my wife, daughter, sister, and my daughter's fiancé, trying to postpone the need to discuss funeral plans. A glance at my phone delivered the extra gut punch that the world had lost Nesmith. While the death of an artist you never met can't be compared to the immediate ache of having to say goodbye to a loved one, the loss is still palpable. The people and things we love affect us; our art and our culture affect us. Family affects us. Love affects as, it should. As it must.

(I lost my Uncle Carl--Mom's younger brother, and the source of my own name--exactly two weeks after Nesmith checked out, in the wee hours of Christmas Eve morning. 2021 was not my favorite year. December 2021 in particular can suck it.)

Dana and I take this silly little mutant radio show seriously, or at least as seriously as one can take a silly little mutant radio show. We wanted to pay tribute to Nesmith, but the end of the year was locked into special programming, with the 23rd annual TIRnRR Christmas show on the 19th and our year-end countdown show on the 26th. The Christmas show included the Monkees' "Riu Chiu" (as well as Angela Lansbury's "We Need A Little Christmas" from Mame, in memory of Mom), and we played the Monkees' "You Told Me" (NESMITH!) on the countdown show to represent the Monkees' place at # 2 on the list of our most-played artists in 2021, second only to those four kings of EMI, the Beatles. We also played "Sometime In The Morning," which was our 40th most-played track during the year.

That left January 2nd as the date for TIRnRR's Nesmith tribute. We made Nesmith both our featured performer and our featured songwriter, with each set including at least one Nesmith performance (solo, with the Monkees, with the First National Band, etc.) and at least one track by another artist doing a song Nesmith wrote.

There was never any question of how the show should open. "Rising In Love"--from Nesmith's 1992 album "...tropical campfire's..."--is such an uplifting number, and a long-time go-to on this show. Over the years, we even tried to get Nesmith's permission to use the track on one of our TIRnRR compilation albums, but there was no real chance of that; he didn't know us from the rest of the mass of people inundating him with requests for time, stuff, benediction, and/or attention. He didn't know us at all.

But we knew him. Not in the sense of those close to him, not like the folks for whom his passing isn't the loss of a hero, but the more devastating loss of family or friend; I know that dreadful feeling in my own family. Still, as fans and admirers, we all knew Michael Nesmith in our own capacity, from afar. We grieve with his family, with respect and love. That love rises. Rising, rising, rising up again.

MICKY DOLENZ: Circle Sky

2021 saw the Monkees--with just our Micky and Michael remaining from the original quartet--hit the road for their farewell concert tour. The year also brought Micky's album Dolenz Sings Nesmith, a delightful collection of Micky singing songs written by his good friend Mike. The album was produced and directed by Michael's talented son Christian Nesmith, with Christian's wife Circe Link on board to help make the whole thing sound exquisite. "Circle Sky" was originally performed live by the Monkees in their 1968 film Head. Christian Nesmith rearranged the song for Dolenz Sings Nesmith, altering its previous hard rock approach into something more ethereal, yet no less rocking. Listeners of Little Steven's Underground Garage voted this The Coolest Song In The World for 2021. We approve of this message.

POP CO-OP: The Only Thing I Really Want

Steve Stoeckel! Bruce Gordon! Stacy Carson! Joel Tinnel! Four adventurers who cheated death! Four men living on borrowed time! These are THE CHALLENGERS OF THE UNKNOWN!

Wait. That ain't right. These guys aren't the Challengers of the Unknown; they're POP CO-OP! And no offense to Challengers Ace, Rocky, Prof, and Red, but the act of being a compelling rockin' pop combo is at least as essential as saving the world in DC Comics

The lads of Pop Co-Op have been doing their part to save this world from boredom and banality, with their invigmoratin' records Four State Solution (Your Favorite Album of 2017) and Factory Settings (Your Favorite Album of 2020), as well as contributions to sundry snappy compilation records (like, for example, This Is Rock 'n' Roll Radio, Volume 4). As they pursue their current goal of unleashing Your Favorite Album of 2022, they've graced us with "The Only Thing I Really Want," from the recent compilation Happy Holidays 2021 From Futureman Records!! What's next for Pop Co-Op? The answer to that challenge is unknown...for now.

THE NITTY GRITTY DIRT BAND: Propinquity

Featuring Nesmith as a songwriter gave us opportunities to include tracks by the Continental Drifters, Susanna Hoffs, Michael Carpenter and the Cuban Heels, the Paul Butterfield Blues Band, Gary Owen, and even Floyd Cramer covering Nesmith. And it gave the Nitty Gritty Dirt Band their TIRnRR debut, with this lovely rendition of "Propinquity."

IRENE PEÑA: Shut It Down

Throughout 2021, America's Sweetheart Irene Peña commemorated the tenth anniversary of her debut album Nothing To Do With You by releasing each of its tracks one by one in a monthly series of digital singles. December brought us the 11th and final single, "Shut It Down." They're all great, and hearin' 'em all now makes us further regret that it took us so damned long to discover the magic of Irene. Where have we been all this time? We coulda been Irene Peña fans years before our 2016 initiation into those ranks! Oh, the humanity! Awright. At least we're fans now, and any record you ain't heard is a new record. We presume the mighty Big Stir Records will be reissuing Nothing To Do With You as a physical release, so sign us up for that.

MICHAEL NESMITH: Rio

Growing up--okay, theoretically growing up--I listened to radio all the time. Duh. Until my late teens, that meant AM Top 40, but by the time of my senior year in high school, the wider vistas of FM started to woo me away from AM. WOUR-FM in Utica stole my loyalty from Syracuse's WOLF-AM and WNDR-AM.

In the '70s, it was not considered cool to dig the Monkees. I will leave it to your imagination to figure out my two-word reply, then and now, to anyone who tried to tell me what I could or couldn't like. 

I don't remember whether or not I ever heard the Monkees on WOUR; the station had an absolutely killer Friday night oldies show, and its daily fare would often mix '60s sides by the likes of the Animals, the Rascals, and the Dave Clark Five with its program of then-recent '70s stuff, so it's possible the Monkees got a spin or two somewhere in there.

But I do remember that OUR played Michael Nesmith. "Rio," from Nesmith's 1977 album From A Radio Engine To The Photon Wing, got regular airplay, and I recall a WOUR DJ expressing appreciation for Nesmith's clever 'n' catchy album titles. WOUR was cool; a cool station playing music by a former Monkee implied that the Monkees were cool...but I already knew that, didn't I? Nesmith was as much a part of my 1977 WOUR-FM experience as the KinksGraham Parker, the J. Geils Band, the Bonzo Dog Band, the Yardbirds, the Greg Kihn Band, the Rubinoos, Starz, Nick Lowe, John Lennon, Joan Baez, and the Sex Pistols, old and new stuff playing together, as a benevolent God intended. Thou shalt dig whatever seems dig-worthy. 

Including Michael Nesmith. And including the Monkees.

ORBIS MAX: On Time

This is really cool. The latest track from that prolific pop resource Orbis Max is a cover of "On Time," a song written by Vinnie Zummo and Dave Kaufman, the latter aka renowned NYC pop DJ Dave the Boogieman. I don't know the precise back story, but I gather that Vinnie and Dave were in a group called Stone Ridge in the late '60s and early '70s. Orbis Max's new version of Stone Ridge's "On Time" comes from Stone Ridge 2022 Tribute, a new compilation from Power Popaholic Productions. In the spirit of Rhino Records' much-loved set The Best Of Louie Louie, Stone Ridge 2022 Tribute serves up different versions of just the one song, with the Pozers, Joe Ricardello, Jose Estragos, Vinnie Zummo, and Dave Kaufman also appearing alongside the Orbis gang to take their own shots at "On Time." Estragos supplies two versions, one in English and one in Spanish. ¡Bueno! We'll hear the Orbis Max track again on next week's TIRnRR.

THE STONE PONEYS: Different Drum



From a previous edition of 10 Songs:

It tickles me how I still occasionally run into folks who are amazed or amused that Michael Nesmith of the Monkees wrote "Different Drum," the 1967 Stone Poneys hit that introduced that group's lead singer Linda Ronstadt to the world at large. On the "Two Many Girls" episode of the Monkees' TV series, Nesmith even performs a brief version of the song as a parody of a bumbling folk singer, Billy Roy Hodstetter. (That particular episode is otherwise notable for TV censors' decision to blur actress Kelly Jean Peters' cleavage, lest American youth be, I dunno, too busy gawking to put anybody down.)

Cheer up, Kelly Jean! Oh what can censors mean to an unblurred believer...?

Ronstadt herself is dismissive of "Different Drum," associating the song with her memory of its recording and her unhappiness with the process. But it's a wonderful, wonderful pop song, and no one has yet matched her rendition of it. No, not even Billy Roy Hodstetter. And not even Nesmith, whose own version was rootsier and perhaps more authentic in its approach, but not as striking. Nesmith wrote it; he wrote a lot of great songs, and performed the definitive versions of many of them. But "Different Drum?" Linda Ronstadt owns that one.

MICHAEL NESMITH AND THE FIRST NATIONAL BAND: Joanne

For all of the Monkees' success in the '60s, the group's fame and fortune did not survive intact into the next decade, at least in terms of the public's perception. The Monkees' music and legacy would eventually prove to be more resilient than seemed likely at the time--there are very good reasons why we're still talking about the Monkees now, decades after the TV show was cancelled--but in 1970, the Monkees' days at the top of the pops had ceased.

Micky Dolenz never had a solo hit. Davy Jones never had a solo hit. Peter Tork never had a solo hit. But, while Top 40 singles certainly weren't Michael Nesmith's primary (nor even secondary) ambition, he got one anyway. His 1970 single of "Joanne," credited to his group Michael Nesmith and the First National Band, was a modest hit, peaking at # 21 on the Hot 100, but it was a former Monkee still on the radio at the dawn of the Me Decade. Its mournful Americana echoed across the land.

It still echoed in 1977. Riding with my Mom and Dad to visit my brother Art and his family in Nashville over Christmas break, "Joanne" came on the radio as Dad drove through Virginia. From my perch in the back seat of our Impala, I asked Mom to turn the radio up a bit, and told her the voice we heard belonged to Mike Nesmith, from the Monkees. She edged the volume slightly North (as we headed South), just enough for the sound of Nesmith and his First National Band to fill the car. Mom remembered the Monkees, but was a bit surprised that one of them was singing country music on the radio. She liked the song--not in the way she liked Pete Fountain or Frank Sinatra, but, y'know, little victories, man. Nesmith's lament of "Joanne" spurred us on toward Tennessee. 

In this far future environment of the 21st century, Mom was a fan of this blog. Every day, when I'd visit her, she asked me to read her whatever I'd posted that day, or what I'd posted over the past few days, once the damned COVID limited my visits to her nursing home. My brother Rob would also read her my blog posts during his own visits. Mom was proud of me, and I wish I could read this to her right now.

Because I remember the road that got us here, through time and trouble, smiles and tears. There was music playing all along the way. One time, that music happened to be a country tune sung by a Monkee. I can still hear it. Thanks for turning the radio up, Mom.

THE MONKEES: Listen To The Band

Weren't they good? They made me happy. I've been quoting that line from Nesmith's "Listen To The Band" a lot. In this uncertain world of wonder and woe, happiness is a treasured commodity. For my Mom, my Uncle Carl, my Dad and all we've lost in years gone by, for all you have lost, and for Michael Nesmith, and Davy and Peter, among others: we were happy to have you in our lives. You were good. You made us happy. I'm not sure, but I think we can make it alone.

If we have to.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Monday, January 3, 2022

This Is Rock 'n' Roll Radio # 1110

"Wool Hat." The producers of a TV show wanted to call him "Wool Hat."

Michael Nesmith would have none of that.

Nesmith had been cast alongside Davy Jones, Micky Dolenz, and Peter Tork as the co-leads of a weekly TV sitcom. They played a fictional group called the Monkees. The fact that these made-for-TV Monkees also became a real-life group was thanks in no small part to Nesmith's stubborn determination. It would be a mistake to give Nesmith a disproportionate amount of the credit here--each of the four Monkees was integral to the process of transcending limitations, of making the Monkees matter--but there's simply no way in hell it could have happened without Nesmith's own strong will as catalyst.

"Wool Hat?" Please. The name was Michael. Michael was the one who brought his laundry with him to his audition, the one who immediately insisted that this (originally) prefab project include songs he'd written, and that he be the one to produce the sessions for his songs. When the Monkees began to seek some measure of autonomy, to play on the records that bore their name, it was Michael who responded to corporate resistance by putting his fist through a wall, looking a suit square in the eye, and warning, "That could have been your face." 

(Nesmith added a multi-syllable word at the end of that statement, but decorum suggests we only reveal that the word started with "Mother.")

The make-believe Monkees became real. We can't say that was all Nesmith's doing, because it wasn't. But nor can we imagine that sequence of events without him. And his fist.

Of course, Nesmith was more than merely ("merely...?!") a Monkee. He was a songwriter, a musician, a producer, a visionary, an entrepreneur, a businessman, an author, a dreamer, a realist, a personality, a person. Darkened rolling figures move through prisms of no color. He wrote Linda Ronstadt's first hit. He invented the concept of MTV. He was the recipient of the first-ever GRAMMY Award for a video album. He was the only member of the Monkees to have a U.S. Top 40 single outside of the Monkees' aegis. He ran a company. He produced videos and films. He wrote books. He was respected. He was admired.

And he was also a Monkee. Perhaps he was once a reluctant Monkee, but he came to understand, to accept, and to appreciate the fortune he found beneath a wool hat. Weren't they good? They made me happy. That would have been enough. But he gave us more. Rising, rising, rising up again. We tip our own wool hats in tribute, and in gratitude. Godspeed, Michael Nesmith. Here's to the beat of a different drum.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at  http://sparksyracuse.org/ You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO)

TAX DEDUCTIBLE DONATIONS are always welcome.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

PS: SEND MONEY!!!! We need tech upgrades like Elvis needs boats. Spark Syracuse is supported by listeners like you. Tax-deductible donations are welcome at
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TIRnRR # 1110: 1/2/2022
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold

THE RAMONES: Do You Remember Rock 'n' Roll Radio? (Rhino, End Of The Century)
--
MICHAEL NESMITH: Rising In Love (Pacific Arts, "...tropical campfire's...")
THE BENT BACKED TULIPS: Sweet Young Thing (eggBERT, Looking Through...)
MICKY DOLENZ: Circle Sky (7a, Dolenz Sings Nesmith)
SUSANNA HOFFS: You Just May Be The One (n/a, Bright Lights)
MICHAEL NESMITH & THE FIRST NATIONAL BAND: Nevada Fighter (Awareness, Nevada Fighter)
THE MONKEES: Sunny Girlfriend [acoustic remix of master vocal] (Rhino Handmade, Headquarters Sessions)
--
POP CO-OP: The Only Thing I Really Want (Futureman, VA: Happy Holidays 2021 From Futureman Records)
THE ENGLISH BEAT: Best Friend (Shout Factory, Keep The Beat)
MICHAEL NESMITH WITH RED RHODES: Grand Ennui (7a, Cosmic Partners--The McCabe's Tapes)
HOLLY GOLIGHTLY: You Ain't No Big Thing (Vinyl Japan, Laugh It Up!)
THE CONTINENTAL DRIFTERS: Some Of Shelly's Blues (Razor & Tie, Continental Drifters)
THAT PETROL EMOTION: It's A Good Thing (Rhino, VA: Children Of Nuggets)
--
THE MONKEES: Nine Times Blue (Rhino Handmade, Instant Replay)
THE ZOMBIES: Hung Up On A Dream (Big Beat, Zombie Heaven)
JIM BASNIGHT & THE MOBERLYS: Ugly Side (Power Popaholic, Seattle-New York-Los Angeles)
THE WHO: Armenia City In The Sky (MCA, The Who Sell Out)
MICHAEL CARPENTER & THE CUBAN HEELS: Tapioca Tundra (Big Radio, By Request--Vol. 2)
ONE IN A MILLION: Fredereek Hernando (Grapefruit, VA: Think I'm Going Weird)
--
JEREMY: Live For Today (JAM, Live For Today)
THE OUTSIDERS: Bend Me Shape Me (Ace, VA: You Heard It Here First! Volume 2)
MICHAEL NESMITH & THE SECOND NATIONAL BAND: Mama Rocker (Awareness, Tantamount To Treason Volume One)
D.B. COOPER: Ram On (Rhino, Buy American)
THE NITTY GRITTY DIRT BAND: Propinquity (Capitol Nashville, Uncle Charlie & His Dog Teddy)
THE ATLANTICS: Teenage Flu (Something Hot Communications, Power Pop)
--
IRENE PEÑA: Shut It Down (Big Stir, single)
DAVID BOWIE: Andy Warhol (Virgin, Bowie At The Beeb)
GARY OWEN: The Girl I Knew Somewhere (7a, VA: Listen To The Bands)
THE WEEKLINGS: Baby You're A Rich Man (Jem, 3)
MICHAEL NESMITH & THE FIRST NATIONAL BAND REDUX: Calico Girlfriend (7a, Live At The Troubador)
CHRIS SPEDDING: Bedsit Girl (Cherry Red, VA: Surrender To The Rhythm)
--
MICHAEL NESMITH: Rio (Rio, From A Radio Engine To The Photon Wing)
JUNIPER: Best Kept Secret (Confidential Recordings, Juniper)
BO DIDDLEY: Bo Diddley 1969 (MCA, The Chess Box)
MICKY DOLENZ: You Are My One (7a, Dolenz Sings Nesmith)
THE VELVET UNDERGROUND: Sweet Jane (Polydor, Peel Slowly And See)
--
COCKEYED GHOST: About Jill (Big Deal, Keep Yourself Amused)
MICHAEL NESMITH & THE FIRST NATIONAL BAND: American Airman (Real Gone Music, Different Drum: The Lost RCA Victor Recordings)
THE PRETENDERS: Message Of Love (Sire, The Singles)
THE PAUL BUTTERFIELD BLUES BAND: Mary, Mary (Elektra, East-West)
R.E.M.: Love Is All Around (TAG Recordings, VA: I Shot Andy Warhol)
--
MICKY DOLENZ: Don't Wait For Me (7a, Dolenz Sings Nesmith)
BIG STAR: I'm In Love With A Girl (Ardent, # 1 Record/Radio City)
FLOYD CRAMER: Papa Gene's Blues (RCA, Floyd Cramer Plays The Monkees)
CILLA BLACK: A Shot Of Rhythm & Blues (Ace, VA: She Came From Liverpool!)
MICHAEL NESMITH: Release (Rio, Pretty Much Your Standard Ranch Stash)
THE ROLLING STONES: Not Fade Away (Abkco, Singles Collection: The London Years)
--
THE MONKEES: Me & Magdalena (Rhino, Good Times!)
SHOES: The Things You Do (Elektra, Tongue Twister)
SPARKS: Lawnmower (BMG, A Steady Drip, Drip, Drip)
MICHAEL NESMITH & THE FIRST NATIONAL BAND: Silver Moon (Awareness, Loose Salute)
SQUEEZE: Farfisa Beat (A & M, Argybargy)
THE STONE PONEYS: Different Drum (Rhino, LINDA RONSTADT: Greatest Hits I & II)
MICHAEL NESMITH & THE FIRST NATIONAL BAND: Joanne (Awareness, Magnetic South)
THE MONKEES: Listen To The Band [single version] (Rhino, 50)

Thursday, December 16, 2021

10 SONGS: 12/16/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1107.

THE KINKS: Days

As many of you know, I lost my Mom a week ago today. It was not unexpected, which doesn't make it any less sad. She was still with us when we prerecorded Sunday's show, but the certainty of her imminent passing influenced several of the song selections.

When my Dad died in 2012, I included lyrics from the Kinks' song "Days" as part of the eulogy I gave at his funeral. It's one of my favorite songs, but the shift in its specific meaning for me has made me reluctant to listen to it much over the last...jeez, almost a decade. Yeah, time is the enemy.

But as I prepared to say goodbye to Mom, it felt imperative to open this week's show with "Days." Because we are grateful for what we've had: those endless days, those sacred days. We bless the light. Thank you for the days.

THE BEATLES: Two Of Us

Let It Be was one of the first Beatles LPs I ever owned, a Christmas gift from my parents in...1975? Yeah, that should be right. It was bundled in its giftwrap with Introducing The Beatles, unintentionally presenting their own Beatles Alpha-Omega, with the first U.S. album and the last U.S. album. I was 15, about three weeks shy of my 16th birthday, and although I was absolutely enthralled by the Beatles, I was still early in the process of learning much of their music. The only songs I knew on Let It Be were the title track, "The Long And Winding Road," and "Get Back." Y'know...the hits. I don't think I even knew "Across The Universe" yet. 

I've heard quite a bit more of the Beatles' music since then. I saw the Let It Be film not long thereafter, on a double bill with Magical Mystery Tour at the Hollywood Theater in Mattydale, NY. More recently, I've begun watching the fascinating three-part Get Back series on Disney +, but I've only found time to see Part 1 so far. On this week's show, Dana selected "Two Of Us" to follow my opening spin of "Days," and it seemed to fit my own mix of melancholy and acceptance. We're on our way home.

LIBRARIANS WITH HICKEYS: Listen, The Snow Is Falling

In a way, I feel bad that we've so gravitated toward Librarians With Hickeys' sublimely inviting cover of Yoko Ono's "Listen, The Snow Is Falling." It is, after all, just a B-side, the virtual flip of the group's new holiday digital single "Jingle Jangle Heart." The A-side's very good; we oughtta be playing that. But we keep coming back to the beautiful ache of "Listen, The Snow Is Falling." Beautiful ache? Yeah. The soundtrack to beautiful ache. Listen.

THE MONKEES: The Door Into Summer

On Friday, my wife and I were at my sister's house in North Syracuse--the house of my childhood, the house that used to belong to Mom and Dad--sitting in the kitchen with my sister and my daughter. I picked up my phone, and let out a gasp as I learned that Michael Nesmith had died. Mortality is really, really overrated. Under normal circumstances, I would have grieved the loss of yet another of my rockin' pop heroes; as it was, my brain could only spare just enough bandwidth to acknowledge the grief before returning to the matter of Mom's funeral plans.

The Monkees' appearance on this week's show was a coincidence; we play the Monkees pretty frequently on TIRnRR. "The Door Into Summer" has long been among my favorite Monkees tracks, and I'm glad we did have a Nesmith lead vocal airing as the world mourned losing him. This Is Rock 'n' Roll Radio will attempt a proper tribute to Michael Nesmith when regular programming resumes in January.

THE RAMONES: I Don't Want To Grow Up

Nope. I don't see the point in doing that.

CHUCK BERRY: Promised Land

Mom was from Southwest Missouri, a child in the rural Midwest during the Great Depression. In my long-threatened book The Greatest Record Ever Made! (Volume 1), a chapter on Chuck Berry dovetails a discussion of his song "Promised Land" with the Westward movement of the fictional Tom Joad in The Grapes Of Wrath and with the similar California-bound trek of some of my own kin in that time frame:

"In John Steinbeck's The Grapes Of Wrath--perhaps the great American novel--the Joad family leaves its home in Oklahoma during the ruinous Dust Bowl devastation of the Great Depression, seeking a better life in California. Some of my mother's family, living in Southwest Missouri during that economic calamity, took a similar dusty blue road west, and encountered much of the same bitter resistance that the fictional Joads suffered. The folks from Oklahoma were described derisively as Okies; the Williamses and Stouts of Missouri were called Pukes, and God damn any self-righteous mutha who ever dared to refer to my family that way. The beleaguered persisted, hell-bent on reaching the promised land...

"...Swing low chariot, come down easy, taxi to the terminal zone. The road still leads to an everlasting somewhere. For the Okies. For the Pukes. For Tom Joad and for my kin, for the brown-eyed handsome men and the ladies who love them, the American dreamers, the poor boys, and the poor girls, too. Chuck Berry wrote a song for you. Chuck Berry wrote a song for all of us."

SLY AND THE FAMILY STONE: Everybody Is A Star

If we are lucky, we will have the support of family who believes in us, parents who encourage us to achieve whatever measure of greatness the heavens allow. Everybody is a star. I was lucky to have parents who believed.

EYTAN MIRSKY: This Year's Gonna Be Our Year

It's not ironic. It's not snarky or self-deprecating, it's not too-cool-for-school, nor any other nonsense that could detract from the purity of its message. Eytan Mirsky's "This Year's Gonna Be Our Year" is the audio equivalent of getting up in the morning, grabbing our coffee, and facing the day. Frequently, the day--the year--is gonna kick the livin' chicklets out of us. But we keep going. And we say to ourselves, "This year." We believe it in spite of all evidence to the contrary, and someday it may even be true. The year is what happens while we're busy making other plans. My Mom was proud of me. I intend to keep right on trying to justify that pride, in my own mind, year after year. Testify, Brother Eytan. Testify.

THE SPONGETONES: Carol Of The Guitars

Yesterday offered me the weird dichotomy of recording a Christmas radio show and helping to write an obituary in the space of single day. See, I'm a Renaissance slacker. But we need a little Christmas--I need a little Christmas--so get set for The 23rd Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show on Sunday, December 19th. As preamble, we closed this week's show with "Carol Of The Guitars," the Spongetones' delightful rock-combo rewrite of "Carol Of The Bells." 

THE MONKEES: Riu Chiu

Finally, postproduction this week allowed us to insert a quick word that "This Is Rock 'n' Roll Radio remembers Michael Nesmith" before "The Door Into Summer" played, and to add the Monkees'"Riu Chiu" at the very, very end of the show. SPOILER ALERT: we'll hear this song again next week, on the Christmas show. It has not been a great month. But still, we look to the skies. We wish. And we believe.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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