Showing posts with label Black Orchid. Show all posts
Showing posts with label Black Orchid. Show all posts

Wednesday, February 2, 2022

POP-A-LOOZA: Batman In THE BRAVE AND THE BOLD [annotated]

 
Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is an expansion of a previous shared post, annotating my pipe dream of a writing a 12-issue series of Batman in The Brave And The Bold.

Both of these posts frolic 'n' gambol within my imaginary Old 52 pre-Crisis continuity, a never-gonna-happen notion of new DC Comics universe based on what the company published prior to the line-changing Crisis On Infinite Earths series in 1985-86. All three pieces are purely intended as exercises in creative nostalgia, nothing more, nothing less. 

So: just imagine! It's okay to imagine. My flight of fancy crafting a year in the Bronze Age life of the Batman and his Brave And Bold co-stars serves as the latest Boppin' Pop-A-Looza.

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Friday, May 25, 2018

Batman in THE BRAVE AND THE BOLD [annotated]



Following up on my recent post The Notebook Notions: Batman in THE BRAVE AND THE BOLD, here's a slightly expanded look at what DC superstars would appear as guests in each issue of this imaginary twelve-part series.

When editor Murray Boltinoff and writer Bob Haney planned out what would happen in The Brave And The Bold in the '60s and '70s, I would presume they picked a guest star first. My fancies here started out that way for the first seven chapters; for the four final chapters, I switched to story idea first, as I expanded on the notion of all of this as an inter-related serial. Chapter 8 was a last-minute add-on.

I rejected a few ideas along the way. "World's Finest!" would have been a gathering of the Superman family (Lois Lane, Jimmy Olsen, and Supergirl, plus the Man of Steel himself) and the Batman family (Robin and Batgirl), a nod to the Superman Family and Batman Family series DC ran in the mid '70s. "A Piece Of The Outer Space Action" was originally a DC Comics Presents idea, teaming Superman and Green Lantern in a story concocted specifically so the villain could channel Donovan while protesting, "Superman and Green Lantern ain't got nothin' on me, see?" I am too cute for casual description, but my mind couldn't see that as a Batman story. A Justice League of America story called "The Trial Of Dr. Light!" was actually among my many failed DC submissions, and it didn't fit here, nor did Batman solo stories "Nightmare Resurrection" and "The Day I Met The Batman." I considered "Bounty Hunter's Back In Town," reprising a one-off hired assassin created by Haney for The Brave And The Bold # 101, and "When Gotham Freezes Over," continuing Mr. Freeze's quest for revenge from "The Undersea World Of Mr. Freeze." The latter story would have to be told in this series, but could be chronicled within the events of the later chapters.

Among the other guest stars I considered for this hypothetical B & B exercise: Jimmy Olsen, Blue Beetle, The Crimson Avenger, The Martian Manhunter, The Challengers of the Unknown, Dolphin, Kid Eternity, Doll Man, and The Seven Soldiers Of Victory. Now, let's have a look at the twelve chapters I decided to include.



BATMAN & AQUAMAN:
"The Undersea World Of Mr. Freeze"

The only chapter I've ever completed, and I'm crazy, stupid proud of it. I think this can stand alone as a purple prose Batman pulp short, but it also serves as the spark for this series.




BATMAN & WONDER WOMAN:
"Paradise Does Not Believe In Tears"

My satisfaction with "The Undersea World Of Mr. Freeze" led me to think about expanding that storyline. Picking up on Steve Trevor's cameo in the Mr. Freeze story made Wonder Woman a logical candidate to guest star in Chapter Two, for which I wrote a teaser intro. I also wanted to incorporate the amoral Ruby Ryder, whom Haney created for The Brave And The Bold # 95, one of my favorite issues. Ryder appeared in several subsequent issues of B & B, and I think she's the only B & B-specific supporting character Haney ever re-used.



BATMAN & SHAZAM!
"Between Arkham And Eternity"

The billing says "Shazam, " but we're referring to The World's Mightiest Mortal, the original Captain Marvel. I became a fan of Captain Marvel in the early '70s, and ol' Cap was likely the guest star I would have most wished to see in The Brave And The Bold. In an interview many years later, B & B artist Jim Aparo agreed that he would have enjoyed drawing Captain Marvel (or, even better, Cap's younger pal Captain Marvel Junior) in B & B, and didn't know why that never happened. I suspect licensing concerns may have complicated things: DC was still just leasing the character from original publisher Fawcett Comics at the time, and wouldn't get around to owning the character outright until the '90s, I think.



BATMAN & THE SANDMAN
"Bring Me No Dreams"

Golden Age comics greats Joe Simon and Jack Kirby reunited for the 1974 one-shot The Sandman # 1, starring a new titular character with no connection to the previous DC hero of the same name. It was very goofy, very out of place in the milieu of '70s superhero comics, but it had an energy that was sorta kinda fun. From what I've read elsewhere, I gather that some glitch in sales reports led DC honchos to the erroneous conclusion that The Sandman # 1 was a smash hit on the spinner racks, prompting an order to series. Neither Simon nor Kirby stuck around for the unexpected second issue, leaving the reins to writer Michael Fleisher and artists Ernie Chua and Mike Royer. Kirby returned with the fourth issue, and Neil Gaiman much later incorporated the character as a tangent to his own acclaimed Sandman series. Writer Len Wein provided my favorite use of the character in 1983's Justice League Of America Annual # 1.




BATMAN & RIMA THE JUNGLE GIRL
"Welcome To The Jungle"

As comics sales seemed destined to dwindle to a vast and empty void throughout the '70s, DC publisher Carmine Infantino scrambled to find ways to scrounge up sales, trying different formats, different genres, any damned thing that might stick. One half expected a new DC title called The Kitchen Sink. Jungle girls (particularly the iconic Sheena, Queen Of The Jungle) had been popular in comics in the '40s; Marvel Comics started its own latter-day Sheena counterpart Shanna The She Devil in 1972. Rima the Jungle Girl was a public domain character, from the 1904 novel Green Mansions by W. H. Hudson. Artist Nestor Redondo rendered Rima as a strikingly beautiful character in the DC comics version, while still avoiding the cheesecake good girl art style of the classic Sheena. Batman and Rima would be an odd team-up indeed, probably involving time travel, and (if I were writing it) definitely featuring Poison Ivy as the big bad.



BATMAN & ?
"The Phantom Of Gotham City"

No, it ain't The Riddler (though maybe I should make him the villain of the piece, just 'cuz). The mystery guest-star concept of "Batman And ?" was first used in The Brave And The Bold  # 95 (the same issue that introduced Ruby Ryder), and reprised for The Brave And The Bold # 150. At this time, I have no intention of telling you who my Super Secret Mystery Guest Star would be. I will say that I'm playing fair with the selection itself: it's a DC Comics character, one who was part of DC continuity in the mid '70s milieu I've chosen for this Brave And Bold project. And '70s B & B letter columns indicated that there had been requests for this character to appear as B & B co-star, requests that were never answered...until NOW! Sort of. Fans familiar with Silver Age DC continuity might find a clue in the "Phantom" part of this story's title. That's all you're gettin' outta me about it today.



BATMAN & THE BLACK ORCHID
"Who Is The Black Orchid?"

The Black Orchid's three cover-featured appearances in Adventure Comics made her a star in my eyes, and I followed her subsequent appearances as a back-up strip in The Phantom Stranger. The Black Orchid's true identity was a mystery, to crooks and to readers, and I always figured this had to be a job for the World's Greatest Detective, Batman. In her original '70s incarnation, The Black Orchid never interacted with the rest of the DC universe, though I think writer E. Nelson Bridwell, bless 'im, used her--and Rima the Jungle Girl!--in Super Friends.




BATMAN, OMAC & SGT. ROCK
"Our One Man Army At War"

As noted above, this was a last-minute choice, and I began to second-guess it immediately. OMAC--Jack Kirby's One Man Army Corps--much, much later became a large part of Batman and DCU continuity, though I would ignore all of that here. But I don't feel any real affinity for the idea either. "One Man Army Corps" put me in mind of DC's long-running war book Our Army At War, and its star (and frequent Batman B & B co-star) Sgt. Rock. Rock doesn't work for me outside of a World War II setting, so the only Batman-Sgt. Rock team-up I really liked was the first one, 1969's "The Angel, The Rock And The Cowl" in B & B # 84, which was set in WWII. (I didn't see B & B # 162 until years later; it was published in 1980, during the brief period when this cash-strapped college student stopped buying comics altogether. Its Batman-Sgt. Rock story also went back to the '40s, but it was written by Bill Kelley, not Haney.)



BATMAN & THE SPECTRE
"The Judgement Of Gotham"

One of my favorite characters since I was a kid, the ghostly avenger The Spectre replaced The Black Orchid as the star of Adventure Comics in a new series of stories by Michael Fleisher and Jim Aparo, stories which became notorious for their grim and gritty revenge fantasies. Brrrr! "The Judgement Of Gotham" was a title in my original notebook notions of half-baked story ideas, and it was intended to introduce my new villain Torquemada, a fire 'n' brimstone zealot determined to cleanse Gotham's sins in a funeral pyre. The Spectre vs Torquemada? A match made in Purgatory!



BATMAN & THE JOKER
"The Death Of The Joker"

One of the many little bits that delighted me in the creation of "The Undersea World Of Mr. Freeze" was my idea of The Joker putting himself into a catatonic state at will, allowing himself an opportunity to re-invent himself according to whatever his mad whims dictate. A line early in "Paradise Does Not Believe In Tears" tells us that The Joker had awakened from his slumber, but had been affected by the emotional miasma felt worldwide at that first story's climax. What if this made The Joker...sane? What if it gave him a soul, a conscience, and an overwhelming sense of guilt over his own murderous actions? What if The Joker felt that, in penance, it was time for him to die?

And what if The Batman disagreed?



BATMAN & HIS GREATEST FOES
"A Superstitious And Cowardly Lot"

The events of both "The Undersea World Of Mr. Freeze" and "The Death Of The Joker" would culminate in "A Superstitious And Cowardly Lot," a free-for-all finding Batman battling alongside some of his enemies, including The Riddler, Poison Ivy, The Penguin, Two-Face, and Catwoman.



BATMAN & 4 FAMOUS CO-STARS
"Hope In Crime Alley"

Writer Dennis O'Neil's "There Is No Hope In Crime Alley" (Detective Comics # 457, cover-dated March 1976) is one of the all-time classic Batman stories, a perfect balance of the tragedy that birthed The Batman and the undying hope that belies the story's title. There is hope, or at least there can be, even in dark circumstances. The original story introduced Leslie Tompkins, a woman who comforted young Bruce Wayne in the moments after he'd witnessed his parents' murders. Tompkins has been brought back in many, many later stories, but "There Is No Hope In Crime Alley" is the only time her character was ever done right. In my opinion. Harrumph.

I can't say whether or not my own indirect sequel "Hope In Crime Alley" would render Tompkins correctly, but the story would build on the feeling of hope Gotham needs after all that its citizens have been through in the year since Mr. Freeze attempted and failed to conquer death. The "4 Famous Co-Stars" billing was first used for The Brave And The Bold # 100, then referring to Robin, Green Lantern, Green Arrow, and Black Canary. Here, our fab four is Wildcat (opening a youth gym in the Crime Alley neighborhood, to help give direction and purpose to the children of its streets), Plastic Man (using his own experience as a reformed criminal to inspire marginal individuals to better themselves), Robin the Teen Wonder (to help his mentor retain the hope he needs), and Wonder Woman (because...well, that would be telling). Challenges would arise. Despair would threaten. Hope would prevail. The Batman, as always, will make damned sure of that.






And there's my twelve-part fantasy edition of The Brave And The Bold. And though it's been said many times, many ways, it bears repeating: B & B seeing you!

In this issue, a future blogger identified as "Carl Cafrelli" suggests Batman be teamed with The Shadow. I do not recall making that request. And no, The Shadow is not the co-star in "The Phantom Of Gotham City."







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Thursday, July 13, 2017

COMIC BOOK RETROVIEW: Joe Orlando's ADVENTURE COMICS [Complete]

Originally published on this blog in two parts in October 2016, here's my complete look back at editor Joe Orlando's run on Adventure Comics in the '70s.




By the early 1970s, Adventure Comics had become the longest-running continuously-published American comic book series. The title began as New Comics in 1935, became New Adventure Comics in 1937, and finally settled on the name Adventure Comics in 1938. It was the second series published by a company then called National Allied Publications; the company's first comic had been New Fun Comics (later called More Fun Comics), and its third would be Detective ComicsDetective Comics is the only one of those first three titles to still survive today, and that book's initials gave its publisher the name by which it would ultimately become best-known: DC Comics.






The Adventure Comics story is a long one, and we're not going to detail it here. But we do need a brief preamble before we pick up our story in the '70s. Unlike Detective Comics (starring The Batman) or Action Comics (with Superman), Adventure Comics wasn't really the home to any breakout comic-book success story in the '40s. There were some notable heroes featured in its pages--SandmanHourmanStarmanManhunter--but nothing blockbuster. That status changed a bit in the late '40s, when More Fun Comics switched to a humor format, and Adventure picked up a few of More Fun's cast of characters: AquamanGreen Arrow, and cover feature Superboy, "The Adventures Of Superman When He Was A Boy!" From there, Adventure would remain super until the dawn of the Watergate era; in the early '60s, Superboy moved over to make room for his pals The Legion Of Super-Heroes, who then ceded the space to Supergirl in the late '60s. Supergirl remained Adventure's cover star until she migrated to her own solo title in 1972.

Comic book sales had declined precipitously from their heyday; for newsstand proprietors, comic books were a low-profit, low-priority item, hardly worth the effort since there was more money to be made selling...well, virtually any other kind of magazine, especially skin mags like Playboy and PenthouseMarvel Comics had overtaken DC as the industry's kingpin, and there was additional competition in the form of more expensive black-and-white horror comics magazines, particularly those put out by Warren Publications (CreepyEerie, and Vampirella).  Although mainstream comics couldn't compete with the more graphic nature of Warren's books, the Comics Code Authority had loosened its restrictions enough for the folks at DC and Marvel to try their hands in the horror comics field. Both companies had some success in that area.

Adventure Comics editor Joe Orlando also edited DC's horror line. Orlando had been an artist for EC Comics, the legendary line known for its horror titles in the '50s (and for Mad, which survived the death of EC's comics line to become a mega-successful magazine in its own right). As Supergirl departed the pages of Adventure, a decision was made to make Adventure an anthology title, more akin to books like House Of Mystery and The Witching Hour than anything with capes or Kryptonians.



The first few issues in Adventure's new direction were nondescript. Adventure Comics # 425 sported a gorgeous Michael Kaluta cover, and some wonderful interior art by comics legends Alex Toth and Gil Kane. But the stories were stand-alone suspense yarns, a mix of science-fiction and fantasy, and nothing terribly memorable. That issue also featured the debut of Captain Fear, a Caribbean pirate series written by Robert Kanigher and drawn by Alex Nino. Other than Captain Fear, these would all seem to be inventory stories (whether they actually were or not). Captain Fear returned in the following issue, joined by two more ongoing features: The Adventurer's Club (really just a framing device for more typical suspense fare, but with irresistible art by Jim Aparo) and a revival of The Vigilante. The Vigilante, a modern-day masked cowboy hero, had been a regular feature in Action Comics in the '40s. With artwork by Mike Sekowsky and Dick GiordanoThe Vigilante was clearly my favorite here.




These same three features returned in Adventure Comics # 427, but were replaced with a new cover star in Adventure Comics # 428: The Black Orchid! The Black Orchid was a mysterious, super-powered heroine and master of disguise, and her appearances in Adventure Comics thrilled me no end when I was 13. We never did learn much about her back story--one of my unwritten Notebook Notions at the time included my idea for a Black Orchid appearance in The Brave And The Bold, with The Batman attempting to answer the question, "Who Is The Black Orchid?"--but the stories nonetheless conveyed a sense of tension and supernatural intrigue. Alas, she was gone from Adventure after a mere three issues. (The back-up slots in those three issues were filled by one appearance each of Dr. 13--The Ghost Breaker [starring a supporting character from The Phantom Stranger], Captain Fear, and The Adventurer's Club.)

But the announcement of what had been chosen to replace The Black Orchid assured me that I wouldn't miss her as much as I thought; The Spectre took over with Adventure Comics # 431.

Yes!!



PART 2



The Spectre had been one of my (many) favorite characters for years. Originally created in the '40s (by Superman co-creator Jerry Siegel and artist Bernard Baily) as a near-omnipotent ghostly force of vengeance, I discovered The Spectre when his solo title debuted in 1967. The Silver Age interpretation of The Spectre eschewed the bloodthirsty eye-for-an-eye (and then some!) retribution of the character's earliest appearances, and opted instead for cosmic adventure and thrills. It was one of my favorite comic books when I was seven or eight, but it was cancelled after ten issues. The Spectre had last been seen in Justice League Of America # 83 in 1970, as the Astral Avenger sacrificed his afterlife to save the multiverse.





In between the publication of JLA # 83 and The Spectre's reappearance in Adventure Comics, I had my first opportunity to read a couple of The Spectre's somewhat grislier Golden Age adventures. The 1940s Spectre stories reprinted in DC Comics 100-Page Super-Spectacular and Jules Feiffer's book The Great Comic Book Heroes showed The Spectre as a merciless, Old Testament angel of swift, deadly justice; he made lethal, shoot-first pulp heroes like The Shadow and The Spider seem almost namby-pamby by comparison. These earliest stories would be the inspiration for the new approach to The Spectre, beginning in Adventure Comics # 431 (January-February 1974):

His fellow policemen know him as Detective Jim Gordon, the toughest cop on the New York force--but Jim Corrigan is not just another tough cop. For Jim Corrigan is a dead man...a ghost...a man murdered by gangsters who has returned from beyond the grave to battle crime with powers far beyond the ken of mortal men. But you needn't tremble, gentle reader. Only the vermin of the underworld need fear...THE WRATH OF...THE SPECTRE!

Scary. And cool!

Writer Michael Fleisher, collaborating with Russell Carley for the first seven of The Spectre's appearances in Adventure, pulled out all of the stops to craft a series of chilling, over-the-top revenge fantasies in which heartless murderers met their awful (but deserving) ends. Killers were melted, reduced to skeletons, cut in half by giant scissors, turned to glass (and then shattered), and transformed into wood and run through a buzzsaw. The Spectre was nasty, almost like a comic-book precursor to the purposeful serial killer Dexter. Mercy? From The Spectre?! Oh, you naive sinner...!
This was all very graphic by the standards of a mainstream American comic book at the time, and it was just endlessly thrilling to this young teen as I bought 'em fresh off the rack from '73 to '75. Irresistible artwork by the great Jim Aparo combined with Fleisher's compelling, macabre storytelling to make Adventure Comics my favorite comic book.




Although Adventure Comics had seemed like a tryout book in search of a star, the letters columns indicated that The Spectre might become that star. Sales of The Spectre's appearances in Adventure Comics were said to be encouraging. With issue # 433, the covers unofficially amended the book's title to become Weird Adventure Comics, hoping to draw more horror comics fans to the gritty, gory pleasures of The Spectre's exploits. Editor Joe Orlando continued to search for the right back-up strips; # 431 featured the Alex Toth-drawn one-off "Is A Snerl Human?," a Captain Fear two-parter appeared in # 432-433, followed by a book-length Spectre story in Adventure Comics # 434.



Adventure Comics # 435 gave us the first Adventure back-up to matter: a revival of Aquaman, DC's King Of The Seven Seas, who was then appearing on TV in the Super Friends cartoon show. Outside of his adventures with The Justice League of America, Aquaman had been without an ongoing comic-book home since his own title had been cancelled in 1971. The 1968-1971 run of Aquaman, written by Steve Skeates and drawn by Jim Aparo, had been (and remains) one of my all-time favorite comic books. So I was delighted to see the Sea King return in Adventure; Skeates returned as scripter, but Aparo was too busy with The Spectre (and with the Batman team-up book The Brave And The Bold) to return to Atlantis, so Mike Grell became the new Aqua-artist. I remember reading Adventure Comics # 435 on a flight from Pensacola to Syracuse that summer of 1974, and thinking this was just the best time ever to be a comics fan. And Adventure Comics was one of my prime pieces of evidence in making that case.





Aquaman completed his three-issue trial run in the back of Adventure Comics, followed by the beginning of a Seven Soldiers Of Victory serial in Adventure # 438. The Spectre continued to wreak deadly havoc on evildoers, and all seemed right with Adventure Comics. And then, seemingly without warning, The Spectre was gone.



Wait. What...?!



I suspect a rat.

Were earlier reports of The Spectre's encouraging sales incorrect? Or had DC succumbed to complaints about the harrowing, grisly nature of The Spectre's cold, cruel punishment? I was delighted to see Aquaman return; I was sad to see The Spectre go.


 
 
 


The good news was that Jim Aparo was now able to return to drawing Aquaman, though Skeates was replaced (initially) by writer Paul Levitz. I continued to read and enjoy Adventure Comics (as evidenced by my letter of comment in Adventure # 444), but lost interest in it when Aquaman moved to his own title, and Superboy renewed his long-standing residency as the star of Adventure with issue # 453.

Looking back, my only regret with this era of Adventure Comics is that I wish there had been more. The title was only popular enough to merit bi-monthly status; imagine if there could have been twice as much good stuff to enjoy with a monthly Adventure. More Spectre! More other characters! And more Spectre! It would have been nice if Adventure could have also been converted to DC's 100-Page Super-Spectacular format, with these new Spectre and back-up strips bookending a choice selection of Golden Age reprints from DC's vast archives. It would have been fun. It would have been awesome! But the truth is, it was already all of that. It was Adventure. Can't ask for more than that.