Showing posts with label NorthCaster. Show all posts
Showing posts with label NorthCaster. Show all posts

Sunday, July 19, 2026

This Is Rock 'n' Roll Radio # 1346


This coming weekend, I'll be attending a 50th anniversary high school reunion. Not MY 50th anniversary reunion; I won't be that old until, y'know, next year. Let's not rush this aging thing, people. But I had friends in the Class of 1976 (including two people who remain among my all-time best buds), and I've been given the opportunity to crash the 1976-2026 celebratory soiree. It should be a good time, and I'm looking forward to it.

As this event approaches, I've started to think (again) about who I was in 1976. I was sixteen. By then, I'd already determined that I wanted to be a writer, and I was the assistant editor of our high school...newspaper? Literary magazine? The NorthCaster was closer to the latter description, and our work in '76 earned some kind of official recognition from the Empire State School Press Association (top twenty in the state, or something like that). My main interest was getting my own writing published, usually humor pieces that were--trust me!--hilarious. No, really. The one time I got forced into approximating journalism (a puff piece about the school bookstore), I went out of my way to inject dollops of humor and personality. I was a failure at most mundane tasks. Writing was the only thing I could do well.

(I remember collaborating with my friends Beth [Class of '76] and Dan [Class of '77, and the editor I theoretically assisted] on a snarky faux teen multiple-choice questionnaire they'd concocted. The only specific bit I recall from that piece was their set-up of I have poked myself in the eye with a coke spoon? A) Yes B) No, to which I added C) I'm sorry, I can't see the question. I'm pretty sure this wasn't published.)

I did not have a girlfriend. i did have friends (boys and girls), and in the popular parlance of the '70s, I had begun to party. I took Driver's Ed in the summer. I read comic books, pulp paperbacks, and as much Harlan Ellison as I could. I listened to music, mostly oldies from the 1960s, and my radio allegiance began to shift from AM Top 40 to freer-form FM. The end of that year would commence my 1976-77 rock 'n' roll crucible, as I saw my first rock concert (KISS) and discovered acts like the Kinks, the Ramones, Graham Parker, Nick Lowe, the Rubinoos, the Sex Pistols, Greg Kihn, Blondie, the Runaways, Patti Smith, Television, the Dictators, and more.

And I started to get girlfriends. A gentleman should offer no further details.

High school was not a good time, though I guess it really wasn't worse than any other time. I've always dealt with feelings of self-doubt and occasional depression, and none of that is unique to me, nor unique to high school. Several years ago, I said to my counselor, "You know, I tell people that our sessions consist of you shaking me by the shoulders and yelling, HEY! Cheer the fuck up! She laughed and replied, "Yeah, and then I slap you one, right?" She was cool, and she was helpful. I needed help, and I got it.

So why am I going back for a high school reunion? Because there were indeed some good times during my sentence at North Syracuse Central High School. I know it now, and I even knew it then, my sense of malaise notwithstanding. I survived high school and college, failed a lot, and succeeded a bit, too. I got married, stayed married, and became a father--my happiest achievement! There were forks in the road, something lost, something gained, as well as the permanent losses a mortal world inflicts upon us all.

I kept writing, finally started to sell some of my writing, and wrote more. I got into this indie radio thing, elevating my stature by many, many inches. I've now written three published books, including my first fiction collection Guitars Vs. Rayguns!! Short Stories And Other White Lies, which is currently plummeting down the Least Sellers list. 

Yet I'm proud of it. And I don't get to any of this without the experience of high school.

Perhaps attending a reunion for a class other than my own takes some pressure off. I don't think I'll feel any specific need to try (and fail) to impress anyone. I am, after all, just a pesky underclassman. We'll all share a toast. Maybe I'll wear my WIN button. Maybe...not.

Here's to ya, my fellow Northmen and Northchicks. GO, NORTHMEN! And even though my sixteen-year-old self only knew five of the acts on the playlist below, this is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO). You can follow Carl's daily blog at Boppin' (Like The Hip Folks Do).

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's new book Guitars Vs. Rayguns!! Short Stories And Other White Lies is available! Read about it here. Autographed copies of Carl's previous book The Greatest Record Ever Made! (Volume 1) are available here, and you can still get Carl's previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1346: 7/19/2026
TIRnRR FRESH SPINS! Songs we think we ain’t played before are listed in bold

THE AMPLIFIER HEADS: A Girl Named Chop Suey (Rum Bar, Super 8)
BEN VAUGHN: Just A Little Bit Of You (Bar/None, Mono USA)
THE MONKEES: A Little Bit Me, A Little Bit You (Rhino, Headquarters & More)
THE BIG SIX: Twentieth Century Boy (Milan, VA: The Truman Show OST)
RAMSEY LEWIS: Day Tripper (Cadet, Wade In The Water)
ROBERT FRIPP: You Burn Me Up I'm A Cigarette [2021 Steven Wilson mix] (Uncut, VA: Good Evening, Hippies [Frippertronics, Collaborations And Rarities])
--
TAXI GIRLS: Midnight Mixtape (Stomp, Static)
SUPREMIUM: What She Needs (Smile, Tales)
SEGARINI: Gotta Have Pop (Permanent Press, Gotta Have Pop)
THE SPONGETONES: Lifetimeline (Big Stir, single)
RAY PAUL: Pretty Flamingo (Permanent Press, Whimsicality)
--
STAR COLLECTOR: Black Nostalgia (n/a, Everything Must Go!)
THE CHESTERFIELD KINGS: She Told Me Lies (Rhino, VA: Children Of Nuggets)
SARA BAREILLES: Opening Up (Epic, What's Inside: Songs From Waitress)
LYRES: Help You Ann (Matador, On Fyre)
THE TAMS: I've Been Hurt (Acrobat, Be Young Be Foolish Be Happy)
--
TIGER BOMB: Run Away (Get Hip. 15 Super Hits)
THE PLIMSOULS: Everyday Things (Rhino, The Plimsouls...Plus)
THE BLUE HERONS: Demon Slayer (Shelflife, Demon Slayer)
THE ENGLISH BEAT: Ranking Full Stop (IRS, I Just Can't Stop It)
BETH PEABODY: Out And About (single)
ELVIS COSTELLO AND THE ATTRACTIONS: You Belong To Me (Rykodisc, This Year's Model)
--
DAVID MYRH: Take A Run At The Sun (Oglio, single)
AMY RIGBY: Heart Is A Muscle (Tapete, Hang In There With Me)
THE FLASHCUBES: Sold Your Heart (Northside, Bright Lights)
THE BEE GEES: Such A Shame (Polydor, Idea)
THE PARTIES: Cryin' Shame (Rainbow Quartz, Cryin' Shame)
PHIL SEYMOUR: It's A Shame (Sunset Blvd, Phil Seymour 2)
--
RANDY KLAWON: Will You Go Away (single)
THE JAM: Away From The Numbers (Polydor, Direction Reaction Creation)
THE BANDWAGON: People Got To Be Free (Kent Soul, Breakin' Down The Walls Of Heartache: The Best Of 1968-1975)
ROXY MUSIC: Dance Away (Atco, Manifesto)
THE CONTOURS: Do You Love Me (Motown, The Very Best Of The Contours)
THE WHO: Don't Look Away (MCA, A Quick One)
--
The Greatest Record Ever Made!
CIRCE LINK AND CHRISTIAN NESMITH: I'm On Your Side (Kool Kat Musik, VA: This Is Rock 'n' Roll Radio, Volume 4)
THE SMITHS: The Boy With The Thorn In His Thigh (Rhino, The Sound Of The Smiths [deluxe edition])
THE HIGH FREQUENCIES: Subterranean Homesick Blues (Jem, VA: Jem Records Celebrates Bob Dylan)
THE ANIMALS: The Other Side Of This Life (MGM, Animalism)
PRINCE: When You Were Mine (Warner Brothers, The Hits/The B-Sides)
THE SMALL FACES: Wham Bam Thank You Mam (Sanctuary, Ultimate Collection)
--
MONOGROOVE: Back To School (Kool Kat Musik, Anthology)
THE MnM'S: I'm Tired (Burger, Melts In Your Ears 1980-81)
P. J. SOLES: Rock 'n' Roll High School (Sire, VA: Rock 'n' Roll High School OST)
THE MUFFS: That's For Me (Omnivore, No Holiday)
THE RUNAWAYS: School Days (Hip-O Select, The Mercury Albums Anthology)
THE RAMONES: 7 And 7 Is (Radioactive, Acid Eaters)
THE COASTERS: Charlie Brown (Warner Platinum, Yakety Yak--The Coasters Collection)
JUNIPER: Boys! Boys! Boys! Boys! Boys! (Confidential Recordings, Juniper)
--
THE HOVERING SPOOKS: More Than You Like Me (n/a, single)
TOM PETTY AND THE HEARTBREAKERS: Don't Do Me Like That (MCA, Anthology: Through The Years)
THE SELECTER: On My Radio (EMI, Greatest Hits)
WAINWRIGHT'S GENTLEMEN: Ain't That Just Like Me (Edsel, VA: Eddie Piller Presents British Mod Sounds Of The 1960s)
EMPEROR PENGUIN: I Wouldn't Put It Like That (Kool Kat Musik, Gentlemen Thieves)
THE GREENBERRY WOODS: Waiting 'Round For Something To Go Wrong (Big Stir, It's All Good, Sugar)
THE BEATLES: I'm A Loser (Capitol, Beatles '65)
--
SKOOSHNY: Crossing Double Yellow Lines (Think Like A Key Music, The Recordings 1971-1981)

Friday, April 24, 2020

He THOUGHT He Was An Artist! (Memoirs From Back At The Drawing Board), Chapter 2: Hero

Dark and gritty, 1976. Eat your heart out, Frank Miller!

When I was a teenager, I wanted to be an artist almost as much as I wanted to be a writer. I kept writing, and I got better at it; I didn't really stick with the art to the extent that would have been necessary, so those skills never improved. 

I think that Hero, my 1976 attempt at dark 'n' gritty superhero storytelling, slightly predates Agent 690: Man Of Action!, the over-the-top action hero comedy detailed in this spot last time. Both were done for Mr. DeAngelo's art class when I was 16, in my junior year at North Syracuse Central High School. They may have even been related assignments, like, "Do something serious, then do something funny." Maybe not. That specific memory is not gonna repair itself, so we're stuck with guessing. Whatever path its origin tripped over, let's have a look at my oh-so-dramatic, tortured superhero called...um, Hero.



Looking back, I am reasonably certain that no one working at Marvel or DC was worried about competition from me. Actually, this would have been around the time DC rejected a Batman script I had submitted, a tone-deaf story called "Nightmare Resurrection." "Nightmare Resurrection" was an inept attempt to slap together--the word "craft" would be inappropriate here--a tense and mature take on The Batman, and the attempt failed miserably. It was self-conscious, it was violent, and it--what's the word?--sucked. I am not being too hard on myself in this assessment. Seriously, I'm a big fan of me. I've done a lot of work that's pretty good, and I'm not shy about putting that stuff out there. But "Nightmare Resurrection" wasn't good, and DC was right to reject it.

Hero was perhaps similarly misguided, but I think it kinda works as a one-off art project. I don't think I ever had any intent or interest in expanding it into a complete story; it was meant to be a conceptual snapshot, a snippet of a tale already in progress, no beginning, no end. I like it in that limited context.

That said, Hero was obviously created by someone whose talent did not match his vision. That's okay; I was 16, and trying things out is how you improve. The writing is stiff and pretentious, but I think it shows promise. The artwork is even stiffer, clunkier, but I view it now without shame. Well, other than the clumsy application of Wite-Out. That's a little embarrassing. 



And sure, the faults are glaring: no backgrounds, not even an attempt at creating a scene for the characters to frolic and fight within; the tacit admission that backgrounds and scenes were well beyond my ability to execute; no evidence of a working knowledge of anatomy; shaky use of panel structure, inhibiting the flow of visual storytelling; the sloppiness of a would-be artist lacking any discernible finesse. But the effort's there, the experiments with lighting and shading, the attempt to vary perspective. It was all mine. I wish I'd thrown in some swipes to make it look better, but if I did this work in the classroom, I probably wouldn't have gotten away with propping open a comic book so I could try to copy some Neal Adams figures, nor an anatomy book so I could try to get some plausible feel for how human beings should look in various poses and positions.

But again: it was mine. 

I was not a particularly good art student. Mr. DeAngelo didn't discourage me, but I clearly lacked the motivation, dedication, and work ethic to hone whatever skill I may have had. Although I've never stopped drawing, I realized in high school that art could never be my primary creative endeavor. I could write, and I could improve as a writer. That possibility was potentially within my reach. I could never be great as an artist.

The package I submitted to DC also included art samples by my friend Mike DeAngelo, Mr. DeAngelo's son, who was a far more accomplished art student than I ever was. Alas, those few pages weren't sufficient to catch an editor's interest, and they were rejected right along with the mistake I called "Nightmare Resurrection." 



As noted in our previous chapter, Mike and I worked together on a few comic strips for the high school literary magazine The NorthCaster. I wrote, Mike drew. I think the depiction of The Shadow shown above was the only artwork I ever did for The NorthCaster. The Cafarelli-DeAngelo collaborations were all humor; I don't think we ever tried to do any adventure or science-fiction for The NorthCaster. The closest we came was a one-page pirate story called "The Jolly Roger," about a masked pirate who plundered other pirates, but it all built to a gag ending. It was also the impetus for Mike and I being kicked off the paper in '75, when a dirty word made its clandestine way to the bottom of the published page. It was a stupid stunt, and I regretted it immediately. The editor wouldn't even speak to me again after that, and I don't blame her. Karmen, wherever you are, I am sorry. I was sorry then, and I still am. You were right to be pissed at me.

We were allowed to return to The NorthCaster the following year, chastened and humbled. We did a little more work together, but the new editor definitely preferred for me to concentrate on prose humor rather than comics. Mike graduated in '76, and I did the same in '77. We remained friends, though our paths eventually diverged, as paths tend to do. Those paths did merge a time or two in subsequent decades. That's a story for another day. I have great fondness for the DeAngelo family, for Mr. and Mrs. DeAngelo, for Mike, for his sister Lissa (who became one of my closest friends after Mike graduated), and for their younger brother Mark, whom I barely knew, and who left this world at an ungodly young age. That's a story I'm not qualified to tell. Its memory saddens me anyway. I caught up a bit with Lissa at Mr. DeAngelo's wake in 2007, and Mike was one of the dedicated caregivers helping my Dad in hospice at the VA in 2012. Mike and I had a short conversation via Facebook just yesterday. The connection remains.

As years went by, as I wrote more and drew less, I continued to doodle, usually pictures of Batman. Go figure, and that still hasn't changed. In the '80s, I bought myself a sketch book. We'll talk about that sketch book when He THOUGHT He Was An Artist! returns.


TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 134 essays about 134 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Thursday, April 23, 2020

He THOUGHT He Was An Artist! (Memoirs From Back At The Drawing Board), Chapter 1: Agent 690, Man of Action!



When I was a teenager, I wanted to be an artist almost as much as I wanted to be a writer. I kept writing, and I got better at it; I didn't really stick with the art to the extent that would have been necessary, so those skills never improved. 

This is a piece I did for art class in 1976, when I was 16, a junior in high school. Honestly, although that date felt accurate, my unreliable memory didn't think I took an art class during my junior year. But I did, and this was from that class: 



The character of Agent 690: Man Of Action! was created by my friend Michael DeAngelo, intended as a one-off gag depicting me as an ass-kickin' adventurer. Mike was a senior, and a much more accomplished artist than I was. We collaborated on comic strips for our high school literary magazine The NorthCaster. Those collaborations were strictly writer-and-artist, with me cobbling together the words and situations and Mike providing the pretty or gritty pictures necessary to tell the story. I had hoped we could take that collaboration to a higher level, working for DC Comics as the next Denny O'Neil and Neal Adams, but the good folks at DC did not share my enthusiasm, and our Batman submission drew nothing more than a polite rejection slip.

Mike's father Richard DeAngelo was my 11th-grade art teacher, and possibly my 10th-grade art teacher, too. Mr. DeAngelo was NOT--big letters, in italics, and what the hell, let's put it in bold NOT--the high school art teacher referenced in my reminiscence The Jack Mystery Story, the teacher who told my parents he had to break me. No, no, no. Mr. DeAngelo may not have been terribly impressed with my prowess as an art student, but he never really discouraged me; that was my freshman art teacher, who I guess figured it was his job to crush the uppity art-makin' aspirations previously nurtured by my eighth grade art teacher John DiGesare. Mr. DeAngelo did throw me out of his house once--I spent quite a bit of time there, visiting Mike and later on his younger sister Lissa--but that's another story. 



(There's also a story--perhaps apocryphal--that Mr. DeAngelo, as an active member of the local arts community, invited John Lennon and Yoko Ono to his house when Yoko's This Is Not Here exhibit was at the Everson Museum in 1971, and that they accepted his invitation. But I digress.)

Anyway. I don't remember whether or not I asked Mike if I could use Agent 690 for my own one-off art project, but use him I did. The result was silly and inconsequential, but I was 16, and I look back upon it fondly.

When He THOUGHT He Was An Artist! returns: before Agent 690, I did another one-off comic strip for Mr. DeAngelo's class, a dark 'n' gritty superhero tale called Hero. My apparent lack of shame means it will post here soon.



TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Hey, Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 134 essays about 134 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Friday, August 2, 2019

THE EVERLASTING FIRST: The Shadow

Continuing a look back at my first exposure to a number of rock 'n' roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it's the subsequent visits--the second time, the fourth time, the twentieth time, the hundredth time--that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every story still needs to begin with that first kiss.

THE EVERLASTING FIRST: The Shadow



Who knows what evil lurks in the hearts of men?
THE SHADOW knows!

The laughter that follows seems threatening, sinister. Its implied menace is daunting and intimidating, but only the wicked need ever fear it. The innocent will be protected. The guilty will be punished. Vengeance is swift and just. The Shadow knows.

My peripheral introduction to The Shadow came via the most incongruous means: Mad magazine and a comic book based on a television sitcom. Yeah, I'd say my path to The Shadow was unique. More conventional exposure would follow soon enough.


The great cartoonist Sergio Aragones was a regular contributor to Mad magazine. One of Aragones's recurring features in Mad was called "The Shadow Knows," a series of single-panel gags imagining the comic results if a person's shadow could reveal the unchecked impulses of his or her id. Mad's "The Shadow Knows" had nothing whatsoever to do with the pulp and radio hero that inspired its title, but it did nick its tag line from that inspiration: "Who knows what evil lurks in the hearts of men? THE SHADOW KNOWS."

And that was my outta-left-field, second-hand introduction to The Shadow.

It was probably in the very early '70s. I don't remember if I was reading an issue of Mad or thumbing through one of the many Mad paperback collections. It may have even been The Ridiculously Expensive Mad, a hardcover anthology that I received as a gift from my parents (who inscribed it, "Happy Birthday, Carl E. Neuman." My parents were pretty cool).



By whichever means I first encountered Sergio's Shadow gags, I do remember sharing the experience with Mom and Dad, who responded that those "Who knows what evil?" and "The Shadow Knows" lines came from a popular old radio show. They added their recollection of a fill-in Shadow announcer who once screwed up the introduction: Who knows what evil lurks in the hearts of men? The Shadow do! I laughed (I think), and said it should have been The Shadow does

Eh. Close enough.

This gave me only the barest, broadest strokes of The Shadow. And as weird a beginning as that was, my path to The Shadow gets even weirder after that, as it passes by one Reuben Kincaid, the fictional manager of TV's fictional family band The Partridge Family.



I told you it was weird.

In the early '70s, Charlton Comics had the license to produce a comic book based on the hit ABC-TV sitcom The Partridge Family. I was a fan of the show, and I was a fan of comic books, but the only one of those Partridge Family comic books I ever read was The Partridge Family # 5 from 1971. One of the stories in that issue found ol' Reuben reminiscing about the old-time radio shows that thrilled him when he was a mere lad and a beardless youth. Reuben described each of his radio faves without actually naming them (because, in the words of The Beatles' Christmas Album, Copyright, John!), and artist Dan Sherwood gave us pictures to go with the words: The Lone Ranger. Fibber McGee and Molly. Jack, Doc, and Reggie from I Love A Mystery. And, of course, the hidden face of the mysterious stranger who knew what and where evil lurked.


And that was my first conscious glimpse of The Shadow.

As I look back upon the subsequent expansion of my awareness of The Shadow in the early '70s, the timeline gets a little jumbled. My Dad liked to quote a line he remembered from The Shadow's radio adventures: He said he didn't remember; The Shadow knows! I heard my first radio adventure of The Shadow courtesy of a weekly program called Radio Rides Again, which I managed to catch on WDDS-FM in Syracuse. That specific episode provided me with another catchphrase for this (apparently sloganeering) Dark Knight: when frightened criminals stammered their question of where that spooky, disembodied voice was coming from, The Shadow sneered his response: HERE! In the SHADOWS!

Yeah. Yeah!

A couple of books at the library--Steranko's History Of The Comics and Jim Harmon's The Great Radio Heroes--offered more background information. I fell hard for the allure of pulp magazines, starting with Doc Savage. The mail-order ads in the back of Vampirella prompted me to buy an LP featuring two original radio broadcasts of The Shadow, and a Shadow jigsaw puzzle. Somewhere in there, I may have seen one of Archie Comics' ill-advised attempts to turn The Shadow into a traditional superhero in the '60s. And it all shifted into overdrive for me when DC Comics announced it would be publishing its Shadow comic book.




Berni Wrightson drew the ad, but it was Michael Kaluta who handled the exquisite artwork for DC's The Shadow # 1. The book was cover-dated October-November 1973, but it was on the racks during the summer of '73. I bought it at a bus station in Springfield, Missouri, and read it and re-read it, oh, a billion times or thereabouts. Writer Denny O'Neil captured the bloodthirsty noir zeitgeist of the pseudonymous Maxwell Grant's original pulp novels of the '30s and '40s. I was fully, hopelessly hooked. I never missed an issue, not even when Frank Robbins took over for Kaluta (and I like Robbins's work much more now than I did then). And when The Shadow met his protégé The Batman in Batman # 253 and 259, I was in my heaven. The weed of crime bears bitter fruit. Crime does not pay! The Shadow knows!





(Although it was well-known that The Shadow was the single biggest influence on the creation of Batman, it wasn't until decades later that we discovered that Batman co-creator Bill Finger's script for the first Batman story, "The Case Of The Chemical Syndicate" from 1939's Detective Comics # 27, was, um...inspired by a Shadow novel called "Partners Of Peril." Even without that bit of literary larceny, there would be no Batman without The Shadow coming first. It's fitting that Walter Gibson, the prolific writer responsible for most of the Shadow novels credited to the fictitious Maxwell Grant, would finish his long career with a Batman prose short story, "Batman Encounters Gray Face," in Detective Comics # 500 in 1981.)



Radio, comics, and history. That left only the pulp novels themselves for me to discover. Pyramid Books began a series of paperback reprints of The Shadow's pulp adventures, usually with a gorgeous Steranko painting on the cover. I also picked up a trade paperback reprinting two Shadow pulp novels (complete with the original pulp magazine illustrations) on a flea-market mission in the mid '70s. And I joined The Shadow Secret Society. I still have my membership button.



I thought enough of The Shadow to try to write some of my own Shadow adventures. My first attempt was an awful Justice Society of America story guest-starring The Shadow. In 1975, I wrote two Shadow short-shorts for my high school newspaper The NorthCaster.

Maxwell Grant wasn't worried about competition from me. But at least North Syracuse Central High School was safe, thanks to The Shadow.

DC's The Shadow was cancelled with its twelfth issue, also in 1975. The paperback novels got harder and harder to find: I bought them when I could, but missed most of them. Nostalgia moved on. The Shadow faded away.

He would be back. I confess that I've never enjoyed latter-day attempts to revive the character, whether in comic books or on film. But the original pulp novels continue to be available in lovely two-in-one softcover editions curated by Anthony Tollin, The Shadow's # 1 fan. The weed of crime still bears bitter fruit. And there's no question where we can find the one who knows:

Here. In the shadows!


WHEN THE EVERLASTING FIRST RETURNS: T is for



TIP THE BLOGGER: CC's Tip Jar!

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Fans of pop music will want to check out Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio, a new pop compilation benefiting SPARK! Syracuse, the home of This Is Rock 'n' Roll Radio with Dana & CarlTIR'N'RR Allstars--Steve StoeckelBruce GordonJoel TinnelStacy CarsonEytan MirskyTeresa CowlesDan PavelichIrene Peña, Keith Klingensmith, and Rich Firestone--offer a fantastic new version of The Kinks' classic "Waterloo Sunset." That's supplemented by eleven more tracks (plus a hidden bonus track), including previously-unreleased gems from The Click BeetlesEytan MirskyPop Co-OpIrene PeñaMichael Slawter (covering The Posies), and The Anderson Council (covering XTC), a new remix of "Infinite Soul" by The Grip Weeds, and familiar TIRnRR Fave Raves by Vegas With RandolphGretchen's WheelThe Armoires, and Pacific Soul Ltd. Oh, and that mystery bonus track? It's exquisite. You need this. You're buying it from Futureman.

Hey, Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 100 essays (and then some) about 100 tracks, plus two bonus instrumentals, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Our most recent compilation CD This Is Rock 'n' Roll Radio, Volume 4 is still available from Kool Kat Musik! 29 tracks of irresistible rockin' pop, starring Pop Co-OpRay PaulCirce Link & Christian NesmithVegas With Randolph Featuring Lannie FlowersThe SlapbacksP. HuxIrene PeñaMichael Oliver & the Sacred Band Featuring Dave MerrittThe RubinoosStepford KnivesThe Grip WeedsPopdudesRonnie DarkThe FlashcubesChris von SneidernThe Bottle Kids1.4.5.The SmithereensPaul Collins' BeatThe Hit SquadThe RulersThe Legal MattersMaura & the Bright LightsLisa Mychols, and Mr. Encrypto & the CyphersYou gotta have it, so order it here. A digital download version (minus The Smithereens' track) is also available from Futureman Records.