Showing posts with label Non-Prophets. Show all posts
Showing posts with label Non-Prophets. Show all posts

Saturday, January 3, 2026

10 SONGS: 1/3/2026--This Is Rock 'n' Roll Radio's Most-Played Tracks In 2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1317: The Countdown Show. These are TIRnRR's ten most-played tracks in 2025, and the individual entries are mostly drawn from previous 10 Songs features.

10. SLY AND THE FAMILY STONE: Hot Fun In The Summertime

I have previously written that Sly and the Family Stone's "Hot Fun In The Summertime" is "as inviting and idyllic as any June-July-August embrace ever committed to wax, a comforting groove that shines in the daytime and sways with the shadows of twilight." I later added, "If memory serves, a poll of Trouser Press magazine readers in the early '80s named 'Hot Fun In The Summertime' as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly."

It would probably be a stretch to suggest that Sly Stone wrote "Hot Fun In The Summertime" under the influence of Brian Wilson. I don't quite believe any of Sly and the Family Stone's brilliant work was shaped by Wilson's pet sounds of the soul, at least not willfully. But it would also be a stretch to insist that Wilson wasn't a possible influence; Sly Stone was aware of everything going on in pop music in the '60s, and--to paraphrase something famously uttered by someone else in the Wilson family--Sly Stone was a genius, too. "Hot Fun In The Summertime" doesn't sound like the Beach Boys. Doesn't matter. Sly and Brian sound great in the same radio show. Hot fun, fun, fun in the summertime.

9. THE NON-PROPHETS: Alibi

We're as punched as pleased to welcome the Non-Prophets back to the TIRnRR playlist. The Non-Prophets are the dba of our bud Allan Kaplon, who scored some significant airplay here with his solo album Notes On A Napkin. Our Allan returns to the collective Non-Prophets billing for "Alibi." For this track, the Non-Prophets also include Stacy Carson and Bruce Gordon (half of TIRnRR Fave Raves Pop Co-Op), it's produced by Don Dixon, and it's a match made in Heaven's boppin' li'l nightspot. We believe this particular "Alibi."

8. SUPER 8 FEATURING LISA MYCHIOLS: Pop Radio

This Is Rock 'n' Roll Radio is a pop radio show. There's a new Super 8 Featuring Lisa Mychols track called "Pop Radio?" We're playin' it. It's what a good pop radio show does. "Pop Radio" is a delicious ditty which serves as manifesto for TIRnRR in all our imaginary glory, a manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

Throughout 2025, we played "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're also playing some new SPARK Radio promos that Super 8 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

7. THE SPONGETONES: Nothing Really Matters When You're Young

"Nothing Really Matters When You're Young" is a song by Flashcubes guitarist Arty Lenin. It was first performed by the Flashcubes in 1979, demoed by the 'Cubes, subsequently recorded and released by Flashcubes offshoot Screen Test, and eventually redone in this brightly-lit new century for the Flashcubes' 2003 album Brilliant. The song's lyrics are among the most effective expressions of teen alienation I've ever heard, a clique-inflicted miasma buoyed and ameliorated by the transcendence of its pop. Even now, listening to it with senior-citizen ears that are more years removed from high school than the onset of Beatlemania was removed from America's entry into World War I, "Nothing Really Matters When You're Young" can still make me feel the snub and the sting of my time serving that sentence in teen purgatory. Yet I love the song. That's the power of art, the power of music.

The Flashcubes' fellow Power Pop Hall of Famers the Spongetones' new rendition of "Nothing Really Matters When You're Young" lives up to its incredible Cubic legacy. I'm stunned, I'm grateful, and I'm thrilled that Dana and I have the opportunity to play this on the radio.

2025 was the year of Make Something Happen! A Tribute To The Flashcubes, the various-artists blockbuster I curated for release on the mighty Big Stir Records label. As we exult in the legacy of the Flashcubes and how much their music has meant to me over a span of nearly five decades, I dig the flow and symmetry of opening a Flashcubes tribute album with the new Flashcubes track "Reminisce" (see below) and barreling our way to the Stongetones' authoritative closing statement "Nothing Really Matters When You're Young" at the end. Reminisce. Nothing Really Matters When You're Young. Look back. Reflect. And rock out with fist raised. 

A great album's final track has to be as vital and compelling as a great album's first track. Mission accomplished here. It matters. It always will.

6. JOE GIDDINGS: Tonite Tonite

Early in 2025, we played "Adrenalin," an advance track from Star Collector superstar Joe Giddings' then-forthcoming new album Stories With Guitars. Great as that was, I was further blown away when I heard "Tonite Tonite," another track from the same album, kick off the February 7, 2025 edition of The Spoon podcast. Hey HEY! I've since heard the whole album, and I say it's a strong candidate for one of 2025's best. See, ya learn stuff listening to The Spoon.

5. THE FLASHCUBES: If These Hands

More than a year's work paid off with the September 12th release of Make Something Happen! Poundin' the console on behalf of Syracuse's own power pop powerhouse is technically work, and it's also a calling. Plus it's fun! Given all the fabulous covers the Flashcubes have recorded and released over the past several years, I wanted to call more attention to the wonder of the Flashcubes' own brilliant songbook. A various-artists Flashcubes tribute album seemed the best way to accomplish that, so we gathered a bunch of talented artists, matched them with a bunch of songs written or co-written by members of the Flashcubes, and sent 'em off with one simple directive:

Make something happen.

"If These Hands" was the third and final single in advance of this tribute. Back in 1978, the Flashcubes' first 45 was "Christi Girl," a ballad written by Arty Lenin. In 2025, Arty closes this portion of the Flashcubes' singles discography with this song, another lovely ballad that serves as a yearning bit of folk rock that would have sounded right at home on one of the Searchers' irresistible late '70s/early '80s albums. 

In planning a Flashcubes tribute album, I was determined to include at least one new track by the Flashcubes themselves. In fact, we have a 'Cubic trinity of fresh Flashcubes offerings, one apiece written or co-written by Arty, guitarist Paul Armstrong, and bassist Gary Frenay

We naturally talk about the songwriters, as befits an album intended as a salute to a group's original songs. Let's also throw in a bit of praise for Flashcubes drummer Tommy Allen, not just for his incomparable percussive skill, but for the sheer pop and power he brings to this material as a producer. This stuff sounds amazing, and that's due in large part to our boy Tommy.

Putting this album together was a lot of work, and there's a long, long list of people who deserve credit for making this particular something happen. Even though others did most--almost all--of the heavy lifting here, I find myself exhausted in its aftermath. 

Exhausted, but proud. 

If memory serves, the last original song recorded and released by the Flashcubes prior to these three new singles was "Carl (You Da Man)" for This Is Rock 'n' Roll Radio, Volume 1 more than twenty years ago. As flattering and fulfilling as it was that this band that's been so important to me wrote and recorded a killer song about Dana and me, I could not allow that to stand as the last word in original Flashcubes recordings.

It isn't the last one anymore. "Reminisce." "The Sweet Spot." Maybe "If These Hands" will be the Flashcubes' final recording, or maybe there will be more yet to come. I hope so. Either way, man, we made something happen. It was well, well worth the work.

4. THE FLASHCUBES: The Sweet Spot

Gary Frenay co-wrote "The Sweet Spot" with the late B.D. Love, who was also known to long-time Syracuse music fans as Buddy Love. That's not the NYC pop performer of the same dba, nor is it Jerry Lewis for that matter. Our Buddy/B.D. fronted Buddy Love and the Tearjerkers and My Sin, and he was an integral part of our local scene in the new wave era.  

Other than the times 'Cubes guitarist Arty Lenin sat in on drums for Buddy Love and the Tearjerkers, I believe "The Sweet Spot" is the first Flashcubes-B.D. Love collaboration. And oh, it's something sweet. We are honored to be able to honor B.D. Love's memory by including this track on Make Something Happen! 

Sweet. Sweet. Sweet.

3. THE MUFFS: That's For Me

The Muffs' eponymous debut album was released in 1993, the year after the short-lived first Dana & Carl radio series We're Your Friends For Now completed its rapid Vini, Vidi, Vacuum into the abyss. By the time we returned on even more modest terms as Radio Peace in 1994, the Muffs' "Saying Goodbye" had already established itself as my favorite track of the '90s, and I'm pretty sure we played it on the very first Radio Peace. And I'm positive we played both "Saying Goodbye" and the Muffs' "Sad Tomorrow" on the inaugural edition of This Is Rock 'n' Roll Radio on December 27th, 1998. TIRnRR has lasted a tiny bit longer than any of our previous series.

After the pop world lost the vibrant and irresistible talent of the Muffs' Kim Shattuck in 2019, the subsequent release of the group's farewell album No Holiday became a prevailing and pervasive fixture on our playlists. The No Holiday track "On My Own" was our # 1 most-played track in 2020, the Muffs were our # 7 most-played artist in 2025, that status led by the short 'n' sharp No Holiday nugget "That's For Me." That's for Kim. Man, that's for all of us.

2. AMY RIGBY: Heart Is A Muscle


We have heard that Amy Rigby wasn't all that enthused about her song "Heart Is A Muscle," that maybe she almost chose not to record it, and that she probably wasn't sure about releasing it once she did record it.

Well.

For whatever it's worth, this track from Amy's oh-so-nice 2024 album Hang In There With Me was one of TIRnRR's most-played tracks last year; by summer of 2025, it had already accrued sufficient fresh spins to guarantee a berth on this year's year-countdown show, and it kept right on a-pumpin' all the way to the # 2 spot. Gotta keep the ol' heart exercised. Terrific track, but then again, we always expect terrific stuff from Amy Rigby.

1. THE FLASHCUBES: Reminisce

"Reminisce" was written by Paul Armstrong, with lyrics that look back in wonder at the heady days of the Flashcubes' brilliance under the bright lights in the late '70s. The music struts and commands like a Flashcubes song oughta, and the chorus is just magnificent, jaw-dropping, a compelling incitement to raise the ol' fist and be there like you wuz there.

Man, I was there. "Reminisce" captures what it was like.

Make Something Happen! A Tribute To The Flashcubes opens with "Reminisce." It's such a great track, and it provides an irresistible introduction to a passion project that--false modesty be damned--I regard as one of THE best compilation albums released this year.

"Reminisce" is also my favorite individual new track of 2025. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, in 2024 PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will! The Flashcubes have meant an awful lot to me, and to this show. "Reminisce" is the perfect song to open an album and close out a celebration, looking back while facing front at the same damned time.

It's all I wanna do. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Friday, January 24, 2025

10 SONGS: 1/24/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1269

BOB DYLAN: I Want You

I'm not a Bob Dylan fan to the extent that many of my peers are Bob Dylan fans. I respect him, and sometimes I even like him, but I don't listen to his work with any discernible frequency. My Dylan spin count would uptick slightly if we include his time as a Traveling Wilbury. Otherwise, it's a relative rarity for me to play a record by Bashful Bobby Dylan.

(That's my Marvel Comics name for the Bard of Hibbing, Minnesota: Bashful Bobby Dylan. Surely Stan Lee would approve.)

Don't let any of the above mislead you into thinking I don't appreciate Dylan's talent and (especially!) his impact. In my book The Greatest Record Ever Made! (Volume 1), I devote a chapter to "Like A Rolling Stone," my favorite Dylan track:

"...Bob Dylan bulldozed the boundaries of what a pop song could be. He wasn't the first;
the folk tradition contains a rich history of social commentary, and Billie Holiday's 1939
rendition of the anti-lynching lament 'Strange Fruit' was as daring and incendiary as
any song ever released. But Dylan's ambitious lyrical rap and proto-punk arrogance
steamrolled the fences and rewrote the freakin' map. Like Chuck Berry and Elvis
Presley bringing R & B to white kids, Dylan brought a raised expectation of what pop
lyrics could or should be...

"...As a teenager in the '70s, I became a Dylan fan, though I claimed to be more
serious about it than I ever really was. I was supposed to like Dylan. The quest for
Dylanesque authenticity also led me to Arlo Guthrie, Woody Guthrie, and Phil Ochs,
though in each case I responded more viscerally to the innate pop appeal of specific
songs, all the while claiming I was connecting with the deep meaning of works of
substance. Or the deep substance of works of meaning. Or hoping to sleep with a folkie
chick.

"The onset of punk dealt a crippling blow to my interest in Dylan, and seeing a Dylan
concert in 1978 put that interest in its grave. I don't know what I was expecting, but I
didn't expect Bashful Bob to hit the stage wearing pants adorned with lightning bolts on
the legs. I resisted any urge to yell JUDAS! Coupled with Dylan's lackluster performance (exacerbated by my nosebleed seats), this wardrobe choice was off-putting. Yeah, even though it was less than two years after I saw KISS, the same year I saw the Ramones, the Runaways, the Kinks, the Flashcubes, and Elvis Costello and the Attractions. And Herman's Hermits. I wasn't opposed to a little pizazz, and I was eager for excitement. But it felt wrong--jarringly wrong--at a Bob Dylan show. Doesn't matter if that's unfair. How does it feel? It feels like I'd rather be at another Ramones show...."

With all that said, the Dylan biopic A Complete Unknown prompted Dana to dip into the Zimmerman library on two consecutive weeks, and Dana's picks (Blonde On Blonde cuts "Most Likely You Go Your Way [And I'll Go Mine]" last week, "I Want You" this week) sounded absolutely aces on the playlist. I finally saw the film on Sunday, and it was fascinating, with flawless performances and a compelling narrative. I've been singing Dylan songs to myself ever since.

In the '70s, my sister Denise had a Dylan poster, and my brother Rob had some Dylan LPs (Greatest Hits, Self Portrait, possibly Blonde On Blonde) that I borrowed and played in my teen years. Dylan was on Top 40 AM radio with "Lay Lady Lay" and "Knockin' On Heaven's Door." I didn't own any Dylan until I much later acquired a beat-up used copy of Greatest Hits

I still have that. Maybe it's due for another spin.

THE NON-PROPHETS: Alibi

The Non-Prophets' CBO (Chief Boppin' Officer) Allan Kaplon was thrilled to hear us describe "Alibi" as "their current hit single." We calls 'em as we sees 'em, my friend, and "Alibi" looks and sounds like a hit to us. It will return to TIRnRR on Sunday. That's what hit singles do.

JIM BASNIGHT: Gotta Get Straight

A new single from Jim Basnight? We play those! Always! We're fans. And like us, Jim is himself a fan of rockin ' pop music, his deep interest in all things a-thumpin' and a-janglin' informing his work as he creates more fine things that go a-thumpin' and a-janglin'. It's a process. Respect the process! Gotta get straight, man. And while we're at it, gotta get it on the radio again.

20/20: Remember The Lightning
20/20: Springtime Love Song

With the January 17th release of the fabulous new 20/20 album Back To California, it seemed a good time to program two-in-a-row from these Power Pop Hall Of Fame figures. 20/20 THEN....and 20/20 NOW!!! I...betcha we did the same thing when the album's first advance singles came out last year. 20/20 hindsight. But why re-invent the wheel? We have pop music to play!

"Yellow Pills" is considered 20/20's signature tune, but I like "Remember The Lightning" even more. Both songs inspired the titles of essential power pop publications, Jordan Oakes' well-remembered Yellow Pills (which has been preserved in book form, worth grabbing if you can track it down), and S. W. Lauden's current quarterly Remember The Lightning (and his Substack of the same name). Jordan may recall that I wasn't all that much of a fan of 20/20 initially, but lemme declare that I came around to the 20/20 vision years ago. Everybody's feeling groovy!

And I love the new album. "Springtime Love Song" is, I believe, the sixth different Back To California track to achieve TIRnRR airplay, with a seventh choice primed for a playlist berth this coming Sunday night. It may not be springtime yet, but love is in the air: 20/20 then, and 20/20 now. 

SORROWS: Out Of My Head

Speaking of long-established rockin' pop acts still serving up new releases: New York City's phenomenal pop combo Sorrows have an album called Parting Is Such Sweet Sorrow due out in the near future, with advance single "Out Of My Head" released today. Today? Hooray! 

Both the single and album are new to us, but the material was recorded during Sorrows' 1981 hey-hey-HEYday, and unheard by the public until now. On the crunching and triumphant basis of "Out Of My Head," I'd say this stuff has been worth the 44-year wait. Repeat the mantra: Any record you ain't heard is a new record. I'm very much primed to lodge this new record into my head. We'll hear the single again on our next show.

(Word via the grapevine suggests that Sorrows will be recording at least one new track this year, a cover of a song originally recorded by the Flashcubes. If so, it provides a fitting symmetry for me: My introduction to the wonderful world of Sorrows came via my purchase of the "Jealousy"/"She's Got It" 45 by Sorrows precursors the Poppees, a single I bought from Sam Goody at Smithtown Mall a day or two after seeing a Flashcubes show on Bowery in 1979. The Flashcubes are in The Power Pop Hall Of Fame; one hopes that someday Sorrows will be in as well.)

THE DENTISTS: You Make Me Say It Somehow

Here again: Any record you ain't heard is a new record. I don't recall whether or not I'd ever heard the music of the Dentists before Brett Vargo rhapsodized about the group's 1985 album Some People Are On The Pitch They Think It's All Over It Is Now on a recent episode of the Only Three Lads podcast. Brett's recommendation and accompanying song snippet were sufficient inspiration to get me to buy the album (which I downloaded because I'm--in-joke!--a newfangled fancy-pants). Jeez, this record has TIRnRR written all over it, which is a neat trick for a digital album to have something written all over it. Thanks for the tip, Mr. Brett! We'll play another track from this long-titled album on our next show.

THE SMITHEREENS: Face The World With Pride

The Greatest Record Ever Made!

THE CYNZ: You Would Not Miss Me

Notwithstanding the considerable TIRnRR airplay accrued by the Cynz in 2024--they were our # 5 most-played artist, and two of their songs ("Just A Boy" and "Woman Child") were among our most-played tracks--I don't think I fully appreciated the sheer overall oomph of their 2024 album Little Miss Lost until it was kinda late in the game. That happens sometimes; we get caught up in individual tracks and lose sight of their magnificent brethren and sistren. We've recently started to pick up and play a few of the Little Miss Lost gems we missed before, including (fittingly) this fine number "You Would Not Miss Me." Little Miss Lost was definitely one of 2024's best albums, and we look forward to a new Cynz album due some time this year.

We will take great care not to miss that one.

SAM AND DAVE: Soul Man

It felt imperative to pay at least some tribute to the late, great Sam Moore this week. Sam and Dave--Moore with the late Dave Prater--were powerhouses of 1960s Stax Records soul, and I wish I could claim I was aware of them before the Blue Brothers covered "Soul Man" in the '70s. But I got there eventually. We played Sam and Dave's lesser-known hit "Said I Wasn't Gonna Tell Nobody" in our opening set, and circled back to the original classic "Soul Man" near the show's end. From my book The Greatest Record Ever Made! (Volume 1):

"...The song itself is an extended boast. But it's a boast backed up by its collective prowess. Responding to Sam and Dave's command Play it, Steve!, Steve Cropper's guitar work cuts and advances like an agile offensive line, its easygoing sway belying the force and efficiency of its piledriving advance. The Memphis Horns add bounce to spare. Resistance is futile.

"And, above it all, our soul men Sam Moore and Dave Prater testify.

"Isaac Hayes, who co-wrote 'Soul Man' with David Porter, said the song was inspired by the aftermath of a race riot in Detroit in 1967. An expression of defiant pride during troubled times, 'Soul Man' still resonates now as it did then, as an indomitable declaration of will and confidence. Close your eyes, right now, and let your mind conjure Cropper's distinctive guitar lick; you may suddenly feel more sure of yourself than you did just a moment before. 

"Most of are neither Sam nor Dave. I know I'm not. Hell, I'm not even Jake or Elwood. Nonetheless, as we listen to this great soul duo reign o'er the musical majesty the Stax studiomen have provided them, their determination...well, it doesn't quite become ours, but we feel it. It's 1967, and all points forward. Faith. Certainty. Walls are gonna fall, change is gonna come. Comin' to ya, on a dusty road. It ain't braggin' if you can do it. They're not called soul men for nothing."

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Wednesday, January 15, 2025

10 SONGS: 1/15/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1268

THE NON-PROPHETS: Alibi

We're as punched as pleased to welcome the Non-Prophets back to the TIRnRR playlist. The Non-Prophets are the dba of our bud Allan Kaplon, who scored some significant airplay here with his solo album Notes On A Napkin. Our Allan returns to the collective Non-Prophets billing for "Alibi." For this track, the Non-Prophets also include Stacy Carson and Bruce Gordon (half of TIRnRR Fave Raves Pop Co-Op), it's produced by Don Dixon, and it's a match made in Heaven's boppin' li'l nightspot. "Alibi" opens this week's show, and it will be back next week. We believe this particular "Alibi."

THE OSMONDS: Crazy Horses
WONDERBOY: Down By The Lazy River


The passing of Wayne Osmond prompted us to program a few tracks by the Osmonds. I wasn't much of an Osmonds fan during my prime AM Top 40 era in the early- to mid-'70s, but I later came to appreciate some of the group's harder rock efforts.

It's no joke to combine "the Osmonds" and "harder rock efforts" in the same sentence. The title tune from the group's 1972 Crazy Horses proved that Led Zeppelin had nothing on them Osmonds. We've played "Crazy Horses" before, and we've played similarly head-bangin' Osmonds nuggets like "Yo Yo" and "Hold Her Tight." This week, it felt imperative to bang the noggin once again to the sturm und drang of "Crazy Horses," as This Is Rock 'n' Roll Radio remembers Wayne Osmond.

(The Osmonds also opened our second set this week, with a spin of "One Way Ticket To Anywhere" from their 1973--ahem--CONCEPT ALBUM The Plan. We circled back to the Osmonds in the show's last hour, when we finally got around to one of their biggest hits, the superswell bubblesoul classic "One Bad Apple [Don't Spoil The Whole Bunch]." Oddly enough, of our three Osmonds selections this week, "One Bad Apple"--the best-known of that whole bunch, girl--is the only one we had never played before.)

One Osmonds hit that I did enjoy contemporary to its chart life was 1971's "Down By The Lazy River." I was eleven years old, and it may have been the first instance of me realizing that I liked a song or group that wasn't considered cool, but I didn't care--I liked it anyway. There's your blueprint for my life, right there, the precursor of when I was in college a few years later, with a Bay City Rollers poster tacked on my dorm room wall as a conscious act of defiance (and of many decades proudly sneering in the face of any sucker who tried to tell me I couldn't love the Monkees). Get thee behind me, hipsters!

"Down By The Lazy River" is represented on the playlist by a faithful, rollickin' cover performed by TIRnRR superstars Wonderboy. Wonderboy's ace rendition appeared on the fantastic 2002 various-artists set Right To Chews: Bubblegum Classic Revisited, and it's also available as a digital single.

THE COOLIES: Pathetica
THE FLASHCUBES: Pathetic

As experienced rockin' pop radio programmers, Dana and I know better than to shy away from a good segue, no matter how obvious the segue is. Sometimes the obvious choice is the unerringly proper choice. We pursued that notion in this week's show with a four-play of tambourine-related ditties by the Tambourine People, Johnny Johnson and the Bandwagon, the Lemon Pipers, and ABBA, and again a bit later in the playlist, as Dana's selection of Amy Rigby's coiffure-related cut "Bangs" compelled me to follow with the Cowsills' follicly-focused gem "Hair." We are SO damned clever.

By the same literal-minded token, it seemed imperative to tailgate the paradoxically righteous self-doubt of the Coolies' "Pathetica" with the Flashcubes' disdainful dismissal "Pathetic." The former was written by the late, great Kim Shattuck, and is native to the Coolies' certified great EP Uh-Oh! It's...The Coolies, the latter penned by 'Cubes guitarist Paul Armstrong and featured on the Flashcubes' 2003 album Brilliant. Opposing POVs, but they go great together.

(Speaking of the Flashcubes' "Pathetic:" A persistent rumor--if not quite the Rumour--suggests we can look forward to a newly-recorded cover of "Pathetic," courtesy of a British singer, songwriter, and performer of some note. We must note that rumour...er, rumor is not yet confirmed.) 

ELVIS PRESLEY: Heartbreak Hotel

The Greatest Record Ever Made!

THE SPONGETONES: Nothing Really Matters When You're Young

As debuted on last week's show: The SpongeTones cover the Flashcubes. This track is not yet available to the general public. The same can be said of as-yet-unreleased Flashcubes covers by sparkle*jets u.k., the Kennedys, and Pop Co-Op, each of which we've already played here, and forthcoming dives into the Cubic songbook courtesy of such fabulous acts as...well, that would be telling. For now: [REDACTED]. But perhaps not redacted for very much longer. At some point, you've just gotta make something happen.

THE ON AND ONS: Been There

The On and Ons' new album Come On In is officially released this Friday, January 17th. Hey, Happy Birthday to ME!! I celebrate with pop music. And pop music from the On and Ons is for damned sure worth celebrating. Nonetheless: Get off my lawn, you kids. 

20/20: King Of The Whole Wide World

20/20's new album Back To California is officially released this Friday, January 17th. Hey, another Happy Birthday to me! I am indeed worth it. The celebration continues. Hell, I guess the kids can stay on my lawn if they really want to.

THE RAMONES: I Don't Want To Grow Up

As I near the completion of my 65th solar orbit, my thoughts on the strange concept of Growing up...?! remain resolute and unchanged:

Don't want to. 

Won't need to. 

Ain't gonna.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.