10 SONGS: 2/18/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1324

MIKE BROWNING FEATURING ELENA ROGERS: Over And Under And All Around

THIS IS ROCK 'N' ROLL RADIO TEAM-UP! Like the first time Marvel Comics bowslinger Hawkeye joined forces with Marvel Comics bowslinger other Hawkeye, TIRnRR Fave Raves Mike Browning and Elena Rogers pool their mighty talents for the amazing, fantastic, and incredible new single "Over And Under And All Around." I can do this all day, and I can play this all day. AVENGERS ASSEMBLE!

DAVID RUFFIN: I've Got A Need For You

From a previous 10 Songs: 

"I continue to be mystified about why Motown Records didn't release David Ruffin's proposed album David in the early '70s. It's such a fantastic record, and I wish we'd been able to experience it fifty years ago...

"...Sublime stuff. It borders on heresy, but I may even prefer the tracks on David to Ruffin's classic work with the Temptations."

From the originally-unreleased David, Ruffin's exquisite take on the Jackson Five's "I Want You Back" earned a chapter in my book The Greatest Record Ever Made! (Volume 1), and we've programmed a number of the album's other tracks at various times here on TIRnRR. Stellar, stellar album. I can't fathom what Motown execs were thinking when they shelved it. 

MICHAEL SIMMONS: America

America feels like a dream to me now.

As duly ranted here, I'm in absolute thrall to Fun Where You Can Find It, the recent all-covers album by Michael Simmons. Among its garden of earthly sweets 'n' treats, my go-to selection has become Michael's lovely and moving version of Simon and Garfunkel's "America." Much of this interest is driven by the need for comfort in the midst of the country's spiraling miasma. The song provides some of that comfort, at least to the extent that a record can provide comfort. 

GLADYS KNIGHT AND THE PIPS: I Heard It Through The Grapevine

Most music-lovers likely consider Marvin Gaye's performance of "I Heard It Through The Grapevine" definitive, and I would agree. If I understand the story right, Gaye recorded the song before Gladys Knight and the Pips did, but Gladys's "Grapevine" reached retail well before Marvin's, and it became a hit. Years ago, and for many years thereafter, I dismissed the Pips' take as too...show biz? Vegas, even? That was nonsense--nonsense!!--and I disavow my former POV as the hopelessly chuckleheaded take it was. Stupid young punk! 

WORMSTEW: Spinning

SUPERgroup! SoCal pop combo Wormstew has been around for ages honestly, originally as a solo DIY recording project for songwriter Mike Schnee. Now a trio, with the right honorable Mr. Schnee joining forces with longtime TIRnRR stalwarts Teresa Cowles and the above-mentioned Michael Simmons, Wormstew's new digital single "Spinning" heralds the release of their forthcoming album Last Days Of Loma. We're spinning! It's what good DJs do.

THE FLASHCUBES: Reminisce

The Greatest Record Ever Made!

THE HALF/CUBES: Whenever You're On My Mind

As we continue to bliss out with the pristine perfection of the Half/Cubes' current album Found Pearls, a long-player filled t'burstin' with nonpareil covers of underappreciated  pop pearls, my mind wanders to prolonged consideration of what other worthy source material our Half/Cubes could unearth for a hypothetical third album. It's...a long list, and I'm still adding to it as an idle exercise in delighted daydreaming. In the here and now, we're enthusiastically digging the latest single from Found Pearls, a go'geous cover of Marshall Crenshaw's "Whenever You're On My Mind," which the Half/Cubes accomplish with able assistance from Tom Teeley and Robert Crenshaw. Whenever pop music's on my mind, the Half/Cubes are THERE!

PARTHENON HUXLEY: Double Our Numbers

ALSO The Greatest Record Ever Made! We played Ballzy Tomorrow's ace cover of "Double Our Numbers" on last week's epic tribute to Parthenon Huxley. We program the original version this week. Once again: Godspeed, Parthenon.

TELEVISION: Elevation

Yet another hero passes, as This Is Rock 'n' Roll Radio remembers Television bassist Fred Smith. Television's 1977 debut album Marquee Moon is rightly recognized as classic, and I've always been particularly drawn to its Side Two opener "Elevation." From its chapter in my GREM! book:

"Vertigo.

"For the disaffected and dissatisfied in 1977, no track expressed the feeling of rock music in dizzying free fall with greater menace and implied ennui as 'Elevation' by Television...

"...From Television's debut album Marquee Moon, the track 'Elevation' just fascinated me when I was 17. Fall of 1977, freshman in college, trying to finally hear all these punk or new wave or whaddayacallit bands I'd read so much about in the pages of Phonograph Record Magazine. I asked the campus radio station for help, and was rewarded with the sounds of the Ramones, Blondie, the Dictators, the Adverts, the Jam, Willie Alexander and the Boom Boom Band, the Runaways, and oh yeah!, Television. I could never get enough of this jagged, loping, serpentine noise, so mesmerizing, so different, so gratifyingly dizzying in its willful application of elevation going to my head. And staying there. Marquee Moon was among my earliest LP purchases in this broad category of NEW MUSIC circa '77 and '78. It would not be the last...."

SLYBOOTS: If We Could Let Go

The only thing more powerful than hate is love. And yes, Slyboots' "If We Could Let Go" is indeed another sterling example of The Greatest Record Ever Made! My favorite individual track of 2024 and one of my favorite tracks of the decade, we'll hear this wonderous gem again on our next show. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 2/7/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1322

SLYBOOTS: If We Could Let Go

Much of this week's show was programmed in anger, and in solidarity with our brothers and sisters in Minneapolis. We opened with Slyboots' "If We Could Let Go," a gorgeous, life-affirming declaration of gaze fixed forward in the face of life's casual (and institutionalized) cruelty. It's become one of my favorite songs, and it was the only song I considered for this week's first spin. In September, I posted a Greatest Record Ever Made! appreciation of the track. As we kick off our own statement of dissent and resolution, I'm going to quote that piece in its entirety:

"If We Could Let Go." I'm trying. Honest, I'm trying.

Slyboots are a great, great group from New York, and they're deserving of much wider notoriety. Their 2024 single "If We Could Let Go" is heartbreaking in all the best ways, a song full of hope and ache, empowered with an awareness of how far we fall short in pursuit of peace, love, and understanding, and driven by determination to overcome that gap and collectively become the better people a burning world needs us to be. Not merely my favorite track from last year; it's a legit contender for my all-time Hot 100. 

The song's title offers a path forward in troubled times, even if it's a path I'm not sure I'm ready to take. Yet. As close to throwing a gauntlet as an earnest plea for peace can be, the songwriting for "If We Could Let Go" is credited to the group. Lead singer Tiffany Lyons imbues the lyrics with an implied weariness bolstered by strength of passion and clarity of purpose. Guitarist KG Noble, bassist Margaret LaBombard, drummer Ted Marcus, and keyboardist Gregorio Lozano surround Lyons with bounce and determination, a steel-willed grace battalion buoyed by angelic backing vocals courtesy of Noble and Lozano.

As we sing along, and as we ponder the salvation in letting go of prejudice and distrust, there are things we should not relinquish. Hold fast to belief in something better. Hold each other up. Hold on. Stand and hold on. Draw strength from our passions, our delights, our embrace of art and family and community. Take comfort in what we love, and commit to fight on behalf of what we love. Pray and work for a future better than today. One foot in front of the other.

How can one hold on to hope in hopeless times? I guess the best we can do is keep pushing forward. Music turned up louder than our doubts. Hands held or raised as we see fit. Eyes on...well, if not on the prize, at least on our next step in the direction of the prize. We may feel like we'll never arrive, and that fear may prove correct. 

But let go of that fear. There are so many reasons to lose heart, to lose focus, to lose our way in the darkness all around us. There are so many reasons to just give up. With "If We Could Let Go," Slyboots gently--firmly--urge us to let go of the darkness that surrounds us.

Let go of the hate. Let go of the hurt. If we could let go. Let go of the if. We can. We will. Slyboots make their case. Let's go, Slyboots.

THE RAMONES: I Believe In Miracles

It would be impossible to overstate the importance of music in my life. From listening to my Aunt Anna's Chubby Checker 45 in the early '60s through co-hosting a little mutant radio show six decades later, music has moved me, inspired me, and built me. With the possible (probable) exception of the Beatles, no musical act has had more pervasive and prevailing impact upon me than the American Beatles, the greatest American rock 'n' roll band of all time, the Ramones. And not even the Beatles can annex and fortify my sovereign POV to the sublime extent that the Ramones can. It's true in good times. It's equally true in times like these. Gabba Gabba, man. Gabba Gabba.

From a previous post:

In times of trouble, when we find ourselves caught at the crossroads of moral quandary and indecision, we must always ask ourselves one question:

What would the Ramones do?

I doubt many people think of the Ramones as avatars of hope. Maybe they shouldn't...but maybe they should? If ever there was a band that persevered, endured, and just kept on doing, popular resistance be damned, it was the Ramones. They were a cult act. They became legitimate pop culture icons, through sheer force of will. A miracle, indeed.

The song "I Believe In Miracles" came late in the Ramones' career. 1989. It was a mere seven years before their final concert, a good fifteen years after the Bowery birthed them; thirteen years after their debut album, eleven years after their final Hot 100 single, nine years since the last Ramones album to (barely) breach the upper 50 in Billboard's LP chart. They had continued to make records. Sales--modest to begin with--diminished further. There were no miracles in their foreseeable future.

The determinedly uplifting lyrics of "I Believe In Miracles" were written by Dee Dee Ramone, and they offer a stunning affirmation of faith in the face of dismally long odds. The song was on Brain Drain, an album which also contained "Pet Sematary," the title tune from a then-new film based on Stephen King's novel of the same name. I even heard "Pet Sematary" on commercial radio once or twice--there's your miracle!--so maybe a belief in better fortune wasn't entirely groundless.

Just, y'know, mostly groundless. "Pet Sematary" did well (# 4) on the Modern Rock Tracks chart, but never troubled the Hot 100. Brain Drain peaked at # 122. It was the Ramones' final studio album for Sire Records. And it was Dee Dee's last record as a Ramone.

Dee Dee's abrupt departure from the brudderhood was startling, and his decision to jump ship seemed to stand in contrast to the resolute dedication implied by what he wrote in "I Believe In Miracles." Perhaps sometimes a song is just a song.

And perhaps sometimes--most times?--a song can be more than just...well, just anything. I used to be on an endless run, believed in miracles 'cause I'm one. Our art is a lifeline to our aspirations, a potential guidebook to what we want to be, what we could be. If reality falls short of our intentions, that failing doesn't negate the audacity to hope, nor indicate that we should deny ourselves the opportunity to rise: we have been blessed with the power to survive, after all these years of being alive.

One could have expected Dee Dee's exit, his act of packing up and taking his miracles home, to signal the Ramones' death knell. One woulda been wrong. A young bassist dubbed C. J. Ramone joined Joey, Johnny, and Marky in the final leather-clad incarnation of this Gabba-Gabba heyday. C. J. is in the video for "I Believe In Miracles." The Ramones kept on going. That's what the Ramones did, always. Their three post-Dee Dee studio albums in the '90s carried flashes of brilliance. And Dee Dee, bless 'im, continued to write songs for his former group. 

That wasn't a miracle. That was family. The few, the proud. Semper Fi.

Should we believe in miracles? Well, what would the Ramones do? It's a simple answer: 1-2-3-4. Get on with it. Hey-ho, let's GO! It doesn't always work out. But sometimes, every now and again, miracles are there for those who believe.

THE LEGAL MATTERS: The Message

It's like a jungle sometimes, it makes me wonder how I keep from goin' under. Although the Legal Matters' new single "The Message" shares its title with a hip-hop classic by Grandmaster Flash and the Furious Five, it is most assuredly its own message. As the group's Andy Reed explains, "In today’s political landscape, I’ve grown frustrated with the hypocritical, religious types. It’s not aimed at religion specifically, just those who weaponize it.” 

We get the message, and we approve. The single's out now; the new album Lost At Sea is due February 27th. Message received.

THE CLASH: Clampdown

The popular meme is correct: These are the times Joe Strummer trained us for. Let fury have the hour. Anger can be power.

ELVIS COSTELLO AND THE ATTRACTIONS: (What's So Funny 'Bout) Peace, Love And Understanding

The Greatest Record Ever Made!

MELANIE WITH THE EDWIN HAWKINS SINGERS: Lay Down (Candles In The Rain)

All around us, the world gives us an eternal supply of reasons to give in and give up. We counter the thud and drone with...well, with whatever we can, with any means or method capable of marshalling our spirits. Music is one of many such methods, a favored go-to when we need nurturing or inspiration, consolation or spark. In 1970, Melanie with the Edwin Hawkins Singers provided a song that still serves that purpose for me. From my book The Greatest Record Ever Made! (Volume 1):

...What a terrific, uplifting song, with the sanctified might of the Edwin Hawkins Singers lifting Melanie up to soar as high as the angels above. I'd had no real use for the straight black Gospel sound of the Edwin Hawkins Singers' huge 1969 hit "Oh Happy Day" when I was nine, but "Lay Down" effortlessly mingled their celestial sound with Melanie's folk-singer vibe, and it all wound up as pop music. Irresistible pop music. Forget the damned roller skates. "Lay Down (Candles In The Rain)" is the key, right here.

"We were so close/There was no room/We bled inside each other's wounds." Well, the lyrics pin this one to the Viet Nam War era. "Lay Down (Candles In The Rain)" was inspired by Melanie's performance at Woodstock, a song written to express how it felt for her to see this massive crowd--perhaps not really a half a million strong, but giving the impression of a large, large number--as she sang and played her own songs of peace. The rain came down. You can hear her on the Woodstock Two album, performing "My Beautiful People" and "Birthday Of The Sun," dedicating her music with a giggle to the beautiful, wet people. You can hear her smile. You can hear her belief. 

After Woodstock, Melanie took all of what she'd seen, all of what she felt, and turned it into "Lay Down (Candles In The Rain)." Raise the candles high. If you don't we could stay black against the night. The Edwin Hawkins Singers provide amazing grace, immortal soul, an oh-happy-day's journey into night. Raise them higher again. We could stay dry against the rain...."

THE JAM: In The City

In the city there's a thousand men in uniform/And I've heard they now have the right to kill a man

Those lines cut deep in 1977. They cut even deeper now.

APOLLO 100: Joy

Classic Top 40 is fine, but let's raise a glass to classical Top 40. In 1971, Apollo 100 took an electric pop-rock arrangement of Johann Sebastian Bach's "Jesu, Joy Of Man's Desiring" into the Top Ten and onto AM radios everywhere. "Joy." The song's title describes its effect. As we said on the radio Sunday night:

"We acknowledge that when things go wrong, playing pop music on the radio doesn't do much of anything to correct what's wrong. But we channel our outrage, our dedication, our belief that we CAN change, for the better. 

"Belief is hope. Hope is joy.

"On this show, and in this life, we embrace the audacity of joy."

THE BEATLES: Revolution

We do not know that it's gonna be all right. And it won't be all right any time soon enough. We ain't givin' up just yet. 1-2-3-4!

MICHAEL SIMMONS: America

From his exquisite covers album Fun Where You Can Find It, Michael Simmons covers Simon and Garfunkel. All come to look for America. I swear it's out there. Keep the faith, baby. Keep the faith.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

MICHAEL SIMMONS: Fun Where You Can Find It

This rant on behalf of Michael Simmons's superlative covers album Fun Where You Can Find It appeared as commentary accompanying the posted playlist for This Is Rock 'n' Roll Radio # 1314. It also needs to stand on its own as another proud example of my own embrace of the art of hype, and as endorsement of a great, great record. You can buy a vinyl copy of Fun Where You Can Find It right here, and a CD copy here. Hell, while you're at it, why not pick up a matching tote bag and T-shirt? If you're looking for fun, consider this a map to where you can find it.

Michael Simmons is a true treasure, a rockin' pop force of nature, a benevolent Midas capable of transmogrifying the mundane into pure pop gold. He's demonstrated his magic touch time and time again: As a solo artist, as the pilot of the incomparable combo sparkle*jets u.k., as one of the driving elements of the always-loveable Popdudes, and as the producer and sonic wondermaker of so many great records by so many other sublime artists. Closer to TIRnRR home, Michael is the reason my own passion project Make Something Happen! A Tribute To The Flashcubes sounds so seamlessly, unerringly awesome.

In pop circles, I don't hear the Michael Simmons name mentioned anywhere near as often as it oughta be. sparkle*jets u.k.'s Box Of Letters was one of THE best albums of 2023, and the new Michael Simmons covers album Fun Where You Can Find It arrives just in time to claim its rightful place as one of 2025's best as well.

On Fun Where You Can Find It, the original source material saluted by Simmons is varied and delightful, as our Michael meets 'n' greets the diverse likes of the Grass Roots, the Beach Boys, Squeeze. Steely Dan, World Party, Simon and Garfunkel, Nick Lowe, Fountains of Wayne, Genesis, Phil Collins and Phillip Bailey, and Elvis Costello and Allen Toussaint, looks 'em each in the eye without flinching, smiles, and buys 'em all the drinks of their choice. Whether we're imbibing bourbon or Yoo-hoo, we're havin' a party.

And here's the party's soundtrack: A Top Ten plus one, going up to eleven with taste, accomplishment, and an overriding belief that the song's the thing, the music matters, and love of music can help turn doldrums into gold. Like Midas. Like Brian Wilson. Like this. True treasure. Anyone who loves pop music should treasure Michael Simmons. 

We sure do.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 12/13/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1314

MICHAEL SIMMONS: Switchboard Susan

The rant accompanying this week's posted playlist waxed rhapsodically anna half about Fun Where You Can Find It, the splendid new covers album by rockin' pop whirlwind Michael Simmons. To wit:

"...On Fun Where You Can Find It, the original source material saluted by Simmons is varied and delightful, as our Michael meets 'n' greets the diverse likes of the Grass Roots, the Beach Boys, Squeeze. Steely Dan, World Party, Simon and Garfunkel, Nick Lowe, Fountains of Wayne, Genesis, Phil Collins and Phillip Bailey, and Elvis Costello and Allen Toussaint, looks 'em each in the eye without flinching, smiles, and buys 'em all the drinks of their choice. Whether we're imbibing bourbon or Yoo-hoo, we're havin' a party.

"And here's the party's soundtrack: A Top Ten plus one, going up to eleven with taste, accomplishment, and an overriding belief that the song's the thing, the music matters, and love of music can help turn doldrums into gold. Like Midas. Like Brian Wilson. Like this. True treasure. Anyone who loves pop music should treasure Michael Simmons. 

"We sure do...."

We opened this week's irresistible extravaganza with Michael's ace take on "Switchboard Susan," a Mickey Jupp tune made essential by Nick Lowe. The Searchers also cut of very nice version, and Michael does not disappoint in his own effort to bring a smile to your dial. We'll hear Michael's take on a Steely Dan in our next show.

THE FLASHCUBES: Reminisce

Accept no substitutes: The Flashcubes' "Reminisce" is my favorite new track of 2025. And (with apologies to the Velvelettes), that is really sayin' somethin'. Amidst this year's considerable real-world faults, we have seen a veritable treasure trove of utterly fantastic new music. There has been music to inspire us, music to comfort us, music to challenge us, music to nurture us, music to cheer us, music to marshal the power of righteous anger, music to transcend, music to look ahead...

...and music to reminisce.

I'm biased--proudly so--but I do believe that a project I curated--the various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes--can stand among the year's best. Each of the album's 24 tracks is compelling in its own right, and damned near nonpareil in context, gathering 21 great acts executing great covers of great songs written by members of the Flashcubes, and we set the ol' needle firmly into ragin', ravin' red by inviting the Flashcubes to contribute three new original recordings as well. 

The Flashcubes rise to the occasion of enhancing their own tribute album, and all three of the new 'Cubes classics--"Reminisce," "In These Hands," and "The Sweet Spot"--are bright-lights brilliant, all worthy contenders for anyone's Tops of '25 list. 

"Reminisce" was Make Something Happen!'s first advance single. It's the album's lead-off track. Rumor suggests it may soon be getting another renewed push as a single. And each and every spin of "Reminisce" compels me to raise my friggin' fist in accord and sheer exultation. The buzz is eternal, self-renewing, and endlessly invigorating. The path forward is built from the experiences that brought us this far. The mantra supplied by the Ramones and reaffirmed by the Flashcubes remains steadfast and true:

Hey-ho. Let's go.

SWEET: The Ballroom Blitz

The Greatest Record Ever Made!

PERILOUS: Glass Of Something

The mighty Perilous have a new EP called SOS, which collects all of their previous 2025 digital singles plus a remix of their remake of "Band Aid," a song originally done by drummer Paul Doherty's former group the Trend. Perilous have been TIRnRR Fave Raves from the get-go, they allowed us to use their incredible "Rock 'n' Roll Kiss" on our 2022 compilation This Is Rock 'n' Roll Radio, Volume 5, AND they played at the release party for my 2023 book Gabba Gabba Hey! A Conversation With The Ramones. Say it with me: WE'RE FANS!! And that's worth a toast with a glass of something. We'll have a brand-new Perilous holiday track on our next program.

GAME THEORY: Linus And Lucy

Sure, it's Game Theory covering a much-loved perennial first heard 60 years on the inaugural broadcast of the 1965 TV special A Charlie Brown Christmas. But it's NOT a Christmas tune! Not really! It's too soon for Christmas music! It's not time yet! It's...we...but...

...damn.

THE JAC: Summer Forever

THE HALF/CUBES: Feels Like Summer

SLY AND THE FAMILY STONE: Hot Fun In The Summertime

THE RAMONES: Rockaway Beach

Willful denial. Technically, we're not even up to winter yet, but who are we kidding? This is Syracuse! OF COURSE it's been snowing! I say thee Duh! The release of the superswell new single "Summer Forever" by the JAC provided sufficient excuse for me to slip a frolicsome foursome of fun-in-the-sun frivolity into this week's closing set (mingling with abandon alongside Dana's spins of Amy Rigby, XTC, the Pretenders, and Her Majesty's Ramones the Beatles).

I was not at all familiar with Tim Wheeler's "Feels Like Summer"--I'm listening to it for the very first time as I write this--but I was immediately in favor of programming  the Half/Cubes' exuberant cover, as heard on their current album Found Pearls. Wheeler's original is likewise pretty cool (even in summer), and it feels like ya can't go wrong either way.

I have previously written that Sly and the Family Stone's "Hot Fun In The Summertime" is "as inviting and idyllic as any June-July-August embrace ever committed to wax, a comforting groove that shines in the daytime and sways with the shadows of twilight." I later added, "If memory serves, a poll of Trouser Press magazine readers in the early '80s named 'Hot Fun In The Summertime' as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly."

And the Ramones' "Rockaway Beach" speaks for itself. Even though the Beatles will always be my all-time favorite group, the Ramones inspire a specific resonance and reverence within me. No other band's music can match the Ramones' ability to improve my moods at their darkest moments. Church of Ramones. Testify, brudders. The summer promised in "Rockaway Beach" currently is far and hard to reach...but we'll hitch a ride and get there when we get there.

THE SPONGETONES: Carol Of The Guitars

And so the calendar grows thin. The Spongetones herald (as in "Hark...!") the tentative beginning of TIRnRR's short Christmas season. We rarely play Yuletunes before mid-December, but we've gotta admit it's about that time. We'll dip a stocking into that pool on our next show, with new seasonal sides from Perilous, Jamie Hoover, and the Krayolas, plus two Christmas Stax classics in memory of our Featured Performer Steve Cropper. We'll follow up the following week, December 21st, with The 27th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show.

Eggnog all around!! I'll join you as soon as I've cleared my driveway.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 9/15/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1146.

KELLEY RYAN: The Church Of Laundry

Ahem. From This Is Rock 'n' Roll Radio, Volume 5. Coming very soon!

MICHAEL SIMMONS: All By Myself

The music of Michael Simmons has been part et parcel (or party parcel) of This Is Rock 'n' Roll Radio for almost as long as there has been a This Is Rock 'n' Roll Radio. I think we started our Simmonsmania with sparkle*jets U.K., and subsequently programmed some of Michael's stellar work as a solo artist, and his work with Popdudes. I believe Michael was also a founding member of the original Teen Titans, a Howlin' Commando, the finest swordsman in all of France, and the quicker picker-upper. And a Beatles fan. He gets around, he does. And his music is just, well, his music. Ours, too.

And now Michael's back with more of his/our music, courtesy of Big Stir Records' release of the new Michael Simmons release Happy Traum EP. His? Ours? Doesn't matter. It's good. We're playin' it.

THE FOUR TOPS: Standing In The Shadows Of Love

The Four Tops are probably my # 1 favorite Motown group, thanks in large part to the unstoppable juggernaut that was lead singer Levi Stubbs. I started late, with "Are You Man Enough" on AM Top 40 in 1973, but by the end of the '70s I'd discovered and embraced the motherlode of the Four Tops' '60s hits. "I Can't Help Myself (Sugar Pie, Honey Bunch)." "It's The Same Old Song." "Reach Out I'll Be There." "Standing In The Shadows Of Love." 

So, by the time I was a college senior in 1979, I had no friggin' patience for the stupid idea of Rod Stewart covering "Standing In The Shadows Of Love." And covering it badly.

This particular crime against music actually came out in 1978, on the Rodster's mega-belchin' hit album Blondes Have More Fun. Yeah, the same record that infected radio with "Da Ya Think I'm Sexy?" Even when I was in my late teens, and nowhere near as enlightened as I wish I coulda been, the album as a whole struck me as tawdry and sexist. Inserting [ugh] the line Didn't I screw you right now baby, didn't I? into the Four Tops' classic "Standing In The Shadows Of Love" is a minor example of the album's overall yechh. 

(People may think I object to "Da Ya Think I'm Sexy?" because I hated disco, and I'll cop to that, at least at the time of the offense. But I came to terms with disco, and I even came to like some disco; that evolution of opinion does not apply to Blondes Have More Fun.

And nor is this just a diatribe against Rod Stewart. Stewart did some stuff I like [especially with Faces], and Stewart did a whole lot of stuff I detest. It's worth noting that, as much as people mistakenly think my cherished '70s punk was a reaction against disco, it was really a reaction against bloated dinosaur rock. Gimme the Ramones and the Sex Pistols, and throw in some Trammps and Donna Summer. You can keep Blondes Have More Fun.)

I bring all of this up again now because that memory of Stewart's mishandling of the song lingers; its oily specter haunts even fresh spins of the real version, the Four Tops' version. 

But only for a moment. Levi Stubbs, man. That juggernaut will send smarmy pretenders back to the shadows.

CIRCE LINK: Yellow Dress

Oh God, this is such a gorgeous track. Circe Link is a force of pop nature, and her superfab track "I'm On Your Side" (recorded with partner Christian Nesmith) was a highlight of This Is Rock 'n' Roll, Volume 4 and our #1 most-played track in 2017. We dig "I'm On Your Side" with unfettered glee.

The just-as-sublime "Yellow Dress" comes from Circe's 2017 album Enchanted Objects & Ordinary Things, and it also made our 2017 year-end countdown (tied with TIRnRR Vol. 4 track "Maybe Someday" by Maura and the Bright Lights at # 23). While working at home on another project last week, "Yellow Dress" popped up on shuffle play, and I heard it again for the first time in waaaay too long. Its sheer magnificence remains intact. Chew me up and spit me out, but don't have a lick of doubt that I can fly. Up, up and away, Circe and Christian. Up, up and away.

THE BANDWAGON: On The Day We Fall In Love

THE MONKEES: Sunny Girlfriend [acoustic remix of master vocal]

Underrated '60s and '70s soul group the Bandwagon--aka Johnny Johnson and the Bandwagon and Johnny Johnson and HIS Bandwagon--are no strangers to this show, and we've played their cover of the Monkees' "The Day We Fall In Love" (which the Monkees listed without the "On") a time or several. I'm a huge fan of the Monkees, but I regard "The Day We Fall In Love" as one of the very worst tracks ever released under the Monkees brand name. The Bandwagon rescue the song, and they make it work.

"On The Day We Fall In Love" happened to be the second of three Monkees covers we played this week, immediately following the Flies' "I'm Not Your Steppin' Stone" and preceding a set that included Gary Owen's "The Girl I Knew Somewhere." It seemed imperative to play something by the actual Monkees, and we went as actual as actual gets: an acoustic remix of master vocal of Michael Nesmith's "Sunny Girlfriend," recorded in 1967 by the hey-hey-we're-a-real band Monkees and heard in this form on the deluxe Headquarters Sessions set. Come and hear 'em sing and play. This is my preferred take of "Sunny Girlfriend," and one of my 25 favorite Monkees tracks.

THE DONNAS: Dancing With Myself

Yep, another great cover by the Donnas makes its rockin' way back to the TIRnRR playlist. The Donnas are really, really good at pulling these things off--hell, we play their Billy Idol and Judas Priest covers way more often than we play the familiar hit versions--but it's been a while since we've played any of the Donnas' original tunes. We'll program something from the Donnas' own catalog o' gems on next week's show. 

NELSON RIDDLE: The Batman Theme

The Greatest Record Ever Made!

sparkle*jets U.K.: Sunshine

Hey, it's that Michael Simmons guy again. Michael's Popdudes pal (and my former Goldmine colleague) John M. Borack is the auteur at the helm of We All Shine On: Celebrating The Music Of 1970, an irresistible confection/collection that we've been programming with the restraint and subtlety of carpet bombing. I'm surprised it took us this long to get around to sparkle*jets U.K.'s contribution to We All Shine On, but let the sun shine at its due time: Simmons and company (including Mr. Borack hisself on drums) do an absolutely ace rendition of "Sunshine," the title tune from an underrated album by the Archies. I know that John Borack has great affection for the Archies' original, and I'm furthermore confident that John is pleased with this new sparkle*jets U.K. version. 

And John is justified on both counts.

POP CO-OP: Extra Beat In My Heart

Ahem. FROM THIS IS ROCK 'N' ROLL RADIO, VOLUME 5. Coming very soon!

Don't worry, citizen! THIS IS ROCK 'N' ROLL RADIO, VOLUME 5 is on its way!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl