Showing posts with label Alice Cooper. Show all posts
Showing posts with label Alice Cooper. Show all posts

Saturday, June 29, 2024

10 SONGS: 6/29/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1239.

ALICE COOPER: School's Out

Big ol' shout-out to educators everywhere, including TIRnRR's own intrepid Dana Bonn. Out for the summer, out 'til fall, they might not come back at all. 

And we have just the song for that occasion. From a previous post:

To an adolescent or young teen in the early to mid 1970s, nothing in the world was cooler than Alice Cooper. Before KISS, before punk, Alice Cooper was gaudy and dangerous, potentially the most scandalous, depraved character on AM radio. It didn't matter that it was all an act--show biz!--or that David Bowie was ultimately a far more potent threat to the straight-laced status quo; at the time, Alice Cooper seemed the most dangerous, and therefore the most alluring. Within this fist-pumpin' time frame, a kid that couldn't relate to "School's Out," or didn't want to turn the radio up louder than it could actually go whenever that song came on...well, that kid just would not have been me...

... As an annual clarion call for kids champin' at the frothy-mouthed bit to ditch pencils, books, and teacher's dirty looks for summertime action, "School's Out" delivers a snarky dismissal of rules, regulations, decorum, good manners, and probably decent posture and reasonable hygiene to boot. Because screw all of that--school's out for the summer! Sing it, Alice. School's out completely. The lesson's been learned.

sparkle*jets u.k.: I Can't Wait For Summer

By the power of all that's catchy 'n' engaging, the new sparkle*jets u.k. album Box Of Letters is flat-out sublime anna half. We've been playing its title track as an advance single, and it earned another spin in this week's first set. We open our second set with follow-up single "I Can't Wait For Summer," and we cranked it even though I detest hot weather. But the summer's here. The time is right! Open up that Box Of Letters.

MIKE BROWNING: Heartbreak Hotel

Hey, a TIRnRR exclusive! Our pal Mike Browning takes on King Elvis I, and while covering prime Elvis is a daunting task at best, our Mike rises to the, um...daunt. An exclusive track? We will gladly cede that right if Mike chooses to share the track elsewhere. 

As he should. Even Lonely Street could do with a little bit of company.

BLOODSTONE: Natural High

We played Bloodstone's "My Little Lady" on last week's show, and we intended to also play the group's biggest hit "Natural High." Time conspired against us--lousy, stinkin' time!--and we weren't able to carve out playlist space for "Natural High." We make up for it this week. Sweet soul on the radio. The resulting euphoria is only natural.

THE LONG RYDERS: Looking For Lewis And Clark

It blows my mind that we never played this great track in any of our previous 1238 shows. But, like Bloodstone's "Natural High," we just never got around to programming it. I first heard the Long Ryders' "Looking For Lewis And Clark" on Buffalo's WBNY-FM in the '80s, and the group's accompanying State Of Our Union album was an in-store play favorite when I worked in record retail. A few months later, when I was managing a record store, I created a Long Ryders wall display linked to the group's then-recent TV commercial for Miller. Made the American way!

Is "Looking For Lewis And Clark" the Long Ryders' best-known track? Possibly not, though its '80s airplay on BNY may have nudged me into believing it is. Still, it's surprising that it's never made its way to a past TIRnRR playlist. We've played the Long Ryders many times, most notably "10-5-60" (my favorite), and also "Lights Of Downtown," "Run Dusty Run," and others. "Looking For Lewis And Clark" finally joins that Whole Friggin' Planet honor roll this week.

CHERIE AND MARIE CURRIE: Since You've Been Gone

The Greatest Record Ever Made!

THE STALLIONS: Why

With Bloodstone's "Natural High" and the Long Ryders' "Looking For Lewis And Clark" both making their (way) belated TIRnRR debuts this week, we figured we maybe oughta balance the acclimation process with a spin of something we've played a time or two zillion before. The Stallions' '90s punk cover of the Dirty Wurds' '60s garage obscurity "Why" was our most-played track during each of this little mutant radio show's first two years, and it remained unchallenged as our all-time most-played track for years thereafter. Its reign at # 1 was eventually usurped by Big Star's "September Gurls," but I think "Why" may still be hangin' in there at # 2, even though we rarely play it nowadays. Whether we play it with bludgeoning frequency or save it as a rare burst of welcome, unexpected VOLUME, the Stallions' "Why" will always, always be an integral part of TIRnRR's DNA.

Why? 

Because. 

Just because.

CHERRY VANILLA: No More Canaries

I first heard of singer Cherry Vanilla when I was a teen in the '70s. My underage status at the time did not prevent me from purchasing Penthouse from indifferent convenience store clerks, and Ms. Vanilla wrote at least one article (if not more) that appeared in between whatever else it was that also appeared in Penthouse. You can snicker at the notion of reading Penthouse, but those pages were also where I first heard of Patti Smith, who was an interview subject in one issue.

I don't recall whether or not the Penthouse material made note that Cherry had been a publicist for David Bowie, and I don't remember if she was mentioned in the issues of Phonograph Record Magazine that hooked me on the idea of punk in 1977, or in any other rock rags of the day. But I do know that at some subsequent point I saw her 1978 debut album Bad Girl on the shelves at Gerber Music and/or Brockport's Record Grove, nestled amidst the tattered contemporaneous bounty of then-recent releases by Radio Birdman, the Dead Boys, the Jam, and the Ramones.

It wasn't an immediate purchase; the album may have been too pricey for me at the time, or at least too pricey for a mere suggestion of punk periphery and post-Penthouse pheromones to overcome. I picked it up a few years later, and I was floored by its fantastic track "The Punk." 

We've played "The Punk" a few times on the show, but it seemed high time for a deeper track from the Cherry Vanilla collection. "No More Caries" is another selection from Bad Girl, and it serves as a reminder that I need to go back and give her records a fresh listen. 

I presume that I still won't need to show ID. 

THE ANDERSON COUNCIL: Citadel

I purchased my used copy of the Rolling Stones' 1967 album Their Satanic Majesties Request more than a decade after its release. It was a reissue, so it didn't have the original's 3-D cover graphic. I was in college, a power-poppin' punk rocker, and I was immediately drawn to the guitar riff of the album's second track "Citadel." I played the LP more than a few times in my dorm room, but "Citadel" was definitely my go-to. I played that one a lot.

Now, the ace Stones tribute album Jem Records Celebrates Jagger & Richards grants us another opportunity to pound the air on behalf of that riff. The mighty forces of the Anderson Council ably provide the prerequisite riffage, and all is as heavenly Satanic as it wants to be. The citadel stands. 

CHUCK BERRY: Promised Land

This coming Sunday night's show is devoted entirely to tracks celebrated in my new book The Greatest Record Ever Made! (Volume 1). That's ferdamnedsure gonna include Chuck Berry's "Promised Land."

That's a promise.

Book it.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, May 11, 2023

10 SONGS: 5/11/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1180. This show is available as a podcast.

THE RAMONES: Sheena Is A Punk Rocker

As tangent to the breathless hype for my new book Gabba Gabba Hey! A Conversation With The Ramones (https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/), we begin a three-week celebration of THE RAMONES AT THE MOVIES, spinning four film-related Ramones tracks within each of the three playlists. 

Obviously, that starts with material from the Ramones' only movie, 1979's Rock 'n' Roll High School. We won't even get to the title track until next week, and we're giving short shrift to "Teenage Lobotomy" (heard in the film's epic exploding mice sequence, but omitted from our RAMONES AT THE MOVIES celebration because, um...I forgot. Oops. I'm a middle-age lobotomy!). 

The celebration has to kick off with the first Ramones song heard in Rock 'n' Roll High School, as the film's heroine (played by P. J. Soles) introduces herself--I'm Riff Randell, and THIS is Rock 'n' Roll High School!--and places stylus to groove. Rocket To Russia. "Sheena Is A Punk Rocker." The opening credits roll. 

When I saw the movie for the first time, in a crowded nightclub filled with fans digging the film and champin' at the bit for what was gonna follow the screening (live sets from the Flashcubes and the Ramones themselves), there was one on-screen credit that got the biggest cheer from all in attendance.

Yep. The kids were all hopped and ready to go. More cheers would follow. It was one hell of a great night.

THE MOSQUITOS: I'm So Ashamed

The Mosquitos were a simply fantastic Long Island rock 'n' roll combo in the 1980s, and I regret I never had an opportunity to see them perform. I first heard them when their track "Darn Well" appeared on Garage Sale!, the nonpareil garage compilation cassette issued in 1985 by the combined forces of ROIR Records and Goldmine magazine. Garage Sale! looms large in my legend for hooking me into the world of Goldmine, a publication for which I wound up doing freelance writing for twenty years, 1986 to 2006 (a story told here).

"Darn Well" was ultimately more representative of the Mosquitos' garage-pop vibe than the slightly slicker recordings found on their only official release, the 1985 five-song EP That Was Then, This Is Now! I bought that EP some time in the '80s, loved it, but like most folks, I was introduced to its title track via a cover version recorded by someone else.

The Monkees (or at least Micky Dolenz and Peter Tork of the Monkees) took their version of "That Was Then, This Is Now" to Billboard's Top Twenty in 1986. In a perfect world, that would be just a cool footnote to the Mosquitos' career; instead it was the closest the group ever came to a headline. The Mosquitos broke up, remembered only by a lucky few.

Now, at long last, the mighty Kool Kat Musik is doing its part to preserve and proclaim the Mosquitos' underrated legacy. A new 2-CD archival set called This Then Are The Mosquitos gathers demos, live tracks, and gems of all sorts in a package to delight fans both old and new. I preordered my copy as soon as Kool Kat made the announcement. You're going to be hearing a lot from the Mosquitos on TIRnRR

CINDY LAWSON: Let's Pretend

I've been listening to pop music with willful obsession for decades. It's why I co-host a radio show, and the sweetly addictive nature of my obsession is why I write about singers and songs on (or not on) the radio.

And I'm still discovering new and new-to-me stuff all of the time. In the '90s, Cindy Lawson was in a group called the Clams. The Clams completely evaded my radar; I only heard them for the first time a few days ago. My belated discovery of the Clams came about because I stumbled across Lawson's swell "Let's Pretend" on a sampler album, decided to play it, and then felt compelled to find out about more of her work. Obsession in play! Cindy Lawson makes her TIRnRR debut this week. The Clams make theirs next week. 

THE RAMONES: I Just Want To Have Something To Do

The Ramones' first on-screen appearance in Rock 'n' Roll High School finds them lip-syncing "I Just Want To Have Something To Do," the juggernaut opening cut from their 1978 album Road To Ruin. Johnny Ramone laughed when I told him this was the greatest track KISS never did, and I for damned sure meant it as a compliment.

ALICE COOPER: School's Out

The Greatest Record Ever Made!

(And, as much as I loved the song as an adolescent and teen in the early '70s, the first time I owned a copy of it was when I bought the Rock 'n' Roll High School soundtrack LP.)

THELMA HOUSTON AND PRESSURE COOKER: I've Got The Music In Me

I know I invest a lot of time and space complaining about incredible records that shoulda been hits but, y'know...weren't. Some stellar-sounding acts never even got a small taste of the big time. Some managed to get a hit, but stalled in that status as one-hit wonders. I've griped about the Flirtations in recent weeks, and Thelma Houston is yet another one-hit wonder who deserved repeat success. Her lone big number was her disco remake of Harold Melvin and the Blue Notes' "Don't Leave Me This Way," but there is still more greatness lurking in the Thelma Houston catalog. She did an absolutely struttin' rendition of the Rolling Stones' "Jumpin' Jack Flash," and this week's playlist finds her puttin' the Kiki in her Dee for a cooking take on "I've Got The Music In Me."

Oh, and Thelma's hit is also awesome on its own merit. We'll give it a spin next week.

THE RAMONES: I Want You Around

I know we don't think of the Ramones as balladeers, but I tell ya, there's a handful of absolutely killer sing 'n' sway tunes among the group's prerequisite cretin hops and Blitzkrieg bops, especially in the '70s. "I Want You Around" would have been worthy of the Searchers, but even those British Invasion stalwarts couldn't have improved on the Ramones' original. 

The song's spot in Rock 'n' Roll High School marks the Ramones' second appearance on-screen, as Riff Randell smokes a joint and fantasizes that Joey Ramone is in her room, singing to her as Johnny sits by her bed and strums his guitar (first an acoustic, which magically transforms into an electric), with Marky Ramone drumming in her back yard (and eventually crammed into her bathroom) and a soaking-wet Dee Dee Ramone playing bass in her shower. The scene is goofy and charming at the same time, and a perfect illustration of both the Ramones' innate pop appeal and why Rock 'n' Roll High School is one of THE all-time great rock 'n' roll movies.

(Don't believe me? Fine. Let's cede the lectern to Marshall Crenshaw, who wrote in the book Hollywood Rock, "Despite what you might think, it is possible for human beings to achieve perfection. Take this movie: Every joke is funny, every song is fantastic, and every frame is shot according to God's will...."

Class dismissed.

THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message

The good folks at the superfab Big Stir Records are getting set to whoop it up on behalf of the label's sixth anniversary. HuzZAH!, we say. Big Stir's sixth anniversary year will include the release of a new album by Syracuse's own power pop powerhouse the Flashcubes. Yes, we've heard it. And yes oh YES, it's gonna rock your pantaloons off. Stay tuned. Happy Anniversary, Big Stir!

THE RAMONES: Questioningly

Another sublime ballad, this one from Road To Ruin. In Rock 'n' Roll High School, "Questioningly" plays on the radio as Riff Randell tries to call in and win tickets to the Ramones' sold-out concert. 

In the movie, the Ramones are the biggest rock 'n' roll stars on the whole friggin' planet. In our stupid real world, it would have bordered on science-fiction for a radio station to play "Questioningly." I think the made-up world got this one right.

THE MONKEES: That Was Then, This Is Now

Awright. I'm nearly as big a Monkees fan as I am a Ramones and Flashcubes fan. I give the Mosquitos the edge here in doing their own song, but I love the Monkees' version, too. In '86, it was a dream come true for the Monkees to return to the charts, for me to have a chance to see them in concert, and to manage a record store and speak with kids who saw the Monkees on MTV and were eager to find out more, eager to own Monkees records. Then, now, whenever--that was something. 

Obsessions unite: the late Peter Tork with Marky Ramone and Micky Dolenz in 2013

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, January 10, 2023

THE GREATEST RECORD EVER MADE: School's Out

This was prepared as a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), but is not part of the project's current blueprint. That may change, but right now it's planned for the even-more-hypothetical GREM! Volume 2.

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE! 


ALICE COOPER: "School's Out"
Single from the album School's Out, Warner Brothers Records, 1972

To an adolescent or young teen in the early to mid 1970s, nothing in the world was cooler than Alice Cooper. Before KISS, before punk, Alice Cooper was gaudy and dangerous, potentially the most scandalous, depraved character on AM radio. It didn't matter that it was all an act--show biz!--or that David Bowie was ultimately a far more potent threat to the straight-laced status quo; at the time, Alice Cooper seemed the most dangerous, and therefore the most alluring. Within this fist-pumpin' time frame, a kid that couldn't relate to "School's Out," or didn't want to turn the radio up louder than it could actually go whenever that song came on...well, that kid just would not have been me.  


I discovered Alice Cooper when I was, I think, twelve or thirteen, 1972 or '73. "School's Out" was my gateway; even though the hit single "Eighteen" preceded "School's Out" by two years, I don't recall ever noticing it until after I was under the thrall of "School's Out." The lurid collective image of the band and its ghoulish, bloodthirsty frontman was fascinating, and I longed to experience that thrill in a concert setting.

In 1975, I was a sophomore in high school, still aching for more. Some older kids on my school bus had seen Alice Cooper's Syracuse stop on the Billion Dollar Babies tour (in 1973, I think). When the Welcome To My Nightmare tour scheduled a May 1, 1975 date at the Onondaga County War Memorial, I knew I had to be there. Ooo, and Suzi Quatro was opening! Suzi Quatro!!! In '75, I doubt I'd yet heard a note of Suzi Quatro's music, but I knew I'd seen her in Rolling Stone, and I knew I was madly, deeply in love with her. This was a show I could not miss!

SUZI...!!
But...I missed it. By parental decree. Mom and Dad may have considered letting me go to the show, but they determined I was still too young (and, though this was left unspoken, that Alice Cooper was too awful an influence on impressionable li'l me, plus Dad wasn't likely to let his son see a guy named Alice, no way, no how). I guess I could have counter-argued that their decision was preventing me from meeting their future daughter-in-law Suzi Quatro-Cafarelli, but I don't think it would have helped. Suzi and I went our separate ways, and we each found happiness and wedded bliss in the arms of True Love elsewhere. Suzi was too old for me anyway. I finally got to see my first rock concert about a year and a half later: KISS with Uriah Heep in December of 1976. Yeah, KISS was a much better influence than ol' Alice.


I don't think Alice Cooper--the singer or the original band that shared his name--gets the credit they deserve. I guess we should go back at least to Screamin' Jay Hawkins' outrageous stage persona in the '50s for the roots of shockingly flamboyant presentations of the rock and the roll, and certainly we have to go through Elvis air-copulating on stage, the destructive displays of the early Who, the guitar arson of Jimi Hendrix at Monterey, and the fiery get-up of the Crazy World Of Arthur Brown in discussing this idea of rock as SPECTACLE!! Alice Cooper brought it all to a new and unprecedented level, with a theatrical stage show that drew from Grand Guignol, horror movies, and Tales From The Crypt comic books. This was not approved by the Comics Code Authority, nor by any arbiter of good taste. That's why the kids loved Alice.

Cooper himself is mesmerizing, fully committed to the character he's created for himself, subtly winking all the while, yet not really breaking character at any point in any performance. Hell, when he was cast as King Herod in a 2018 TV production of Jesus Christ Superstar, he stole the whole show as only Alice Cooper could.

More than "Eighteen," more than "Elected," more than "No More Mr. Nice Guy" or "Under My Wheels" or "Billion Dollar Babies," more than Alice playing a witch on TV's The Snoop Sisters or hammin' it up with Vincent Price in a Welcome To My Nightmare TV special, and more than the unexpected ballad "Only Women Bleed" that forced the dropping jaws of DJs and listeners when it cooed sweetly and incongruously from AM radios in '75, "School's Out" is Alice Cooper's legacy in microcosm. Rebellion. Insolence. Depravity. Destruction. Showtime!

As an annual clarion call for kids champin' at the frothy-mouthed bit to ditch pencils, books, and teacher's dirty looks for summertime action, "School's Out" delivers a snarky dismissal of rules, regulations, decorum, good manners, and probably decent posture and reasonable hygiene to boot. Because screw all of that--school's out for the summer! Sing it, Alice. School's out completely. The lesson's been learned.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


Tuesday, September 28, 2021

10 SONGS: 9/28/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1096.

THE AMPLIFIER HEADS: GlamOrama

On several previous occasions, I've mentioned a 1970s British TV series called Supersonic. When I was a teenager, WPIX in New York used to show episodes of Supersonic on Saturday afternoons. This would have been, I think, circa 1975-76, when I was 15 or 16 years old. Cable TV in the Syracuse suburbs allowed me access to this signal, giving me an opportunity to see lip-sync performances by acts like Slade, Gary Glitterthe Bay City Rollers, the Crazy World of Arthur Brown, Sweetthe Hollies, my then-presumed future wife Suzi Quatro, and more. It was all quite cheesy, for sure, but I loved it.

One wonders if the Amplifier Heads might also retain a cherished memory of Supersonic. "GlamOrama," the advance single from the Amplifier Heads' new album SaturnalienS, revels in its own giddy embrace of all things glam/glitter, calling Supersonic to my mind regardless of the group's conscious intent. Stomp your hands, clap your feet. 20th century boys! The man in the back says everyone attack. GlamOrama? I'm just a-waitin' for you. Supersonic, man. Simply Supersonic.

THE BROTHERS STEVE: Next Aquarius

I already rhapsodized over the glory, the splendor, and the wonder of the Brothers Steve in this week's playlist commentary. Lemme just add that the group's new album Dose continues the invigmoratin' we-got-the-hits promise of their debut. And then some! You will be hearing more of this on TIRnRR in the coming weeks.

ALICE COOPER: Reflected

Before this week, I don't think TIRnRR has ever reached back to the '60s for an Alice Cooper track. Hello, hooray! Wait, that's from the '70s. Never mind. "Reflected" comes from Alice Cooper's debut album, 1969's Pretties For You. I had that LP in the early '80s, but I didn't like it at the time, and it was exiled from my collection PDQ. Stupid twentysomething. I heard "Reflected" again last week, and I dig its de facto blueprint for the subsequent Cooper fave "Elected." Yeah, obviously school was out a little too early for my numbskull younger self.

COLIN HAY: I Just Don't Know What To Do With Myself

Credit my high school pal Beth Woodell for the find here. Beth, bless 'er, sent me former Men At Work vegemite-lover Colin Hay's swell new cover of the Kinks' "Waterloo Sunset." It was just sublime, and it led me to check out more of Mr. Hay's new covers album I Just Don't Know What To Do With Myself. The album finds the man at work with his versions of material by Glen Campbell, Gerry and the Pacemakers, the Faces, the Beatles, Del Amitri, Jimmy Cliff, and Blind Faith. The title track is my favorite, as Colin Hay takes on the daunting task of covering the incomparable Dusty Springfield, and succeeds. Magic. Thanks, Beth!

THEE HEADCOATEES: Swallow My Pride

Wait, should Thee Headcoatees be alphabetized under "H" or under "T?" Probably the latter, given that "Thee" is more an integral part of the act's official nom du bop than just a lower-case definite article. Man, the things I think about on behalf of you, the loyal Boppin' (Like The Hip Folks Do) reader. Holly Golightly--one of these Headcoatees, and also a long-time TIRnRR Fave Rave as a solo artist--is filed under "G," so I guess this is a rare opportunity to misfile her fine work. We are the world!

And file this under "Duh:" TIRnRR endorses chicks covering the Ramones. Isn't it always this way?

KID GULLIVER: Gimme Some Go!

The public service facilitators at Red On Red Records are preparing for the imminent release of the new Kid Gulliver album KismetKismet's gonna gather your Kid Gulliver essentials all in one place, and Red On Red's a-celebratin' this Friday with a video premiere party for the new Kid Gulliver single "Stupid Little Girl." We started the party a wee bit early ourselves, spinning the title track from Kid Gulliver's recent Gimme Some Go! EP. Fate! Destiny! KISMET!

WILSON PICKETT: Help Me Make It Through The Night


Soul and country sprang from shared roots. The wicked
Wilson Pickett was a son of Alabama, and he could sing pretty much anything anyway; whether it was Cannibal and the Headhunters' "Land Of 1000 Dances" or the Archies' "Sugar Sugar," Wilson Pickett could take a song and assume legal right to it. Pickett sings country? His 1973 cover of Kris Kristofferson's "Help Me Make It Through The Night" offers incontrovertible evidence that the wicked one could indeed bend three chords and the truth to his own soulful will. 

PRINCE: Hot Summer

I'm still buzzin' with this idea that there's a new Prince album in 2021, more than five years after His Purple Majesty's departure from this world into the next. We played a track ("Yes") from Prince's Welcome 2 America on last week's show, but I'm really taken with "Hot Summer," a pristine 'n' righteously radio-ready tune that somehow reminds me of Sly and the Family Stone, and maybe a little bit of War.. And it's not because it has "Summer" in the title; Sly's "Hot Fun In The Summertime" isn't the specific vibe I'm thinking, though War's "Summer" isn't far off. Whatever it is, it's damned irresistible, and I may be playing this seasonal song well into the Syracuse winter. It's a little too soon to make the leap of hyperbole, but right now? "Hot Summer" may be one of my Top Ten Prince tracks.

SORROWS: Play This Song (On The Radio)

Play this song on the radio? Yep. It's what we do. Sing it, you Sorrows. Sing.

THE VELVET UNDERGROUND: Rock & Roll

And it was all right.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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