Showing posts with label Anderson Council. Show all posts
Showing posts with label Anderson Council. Show all posts

Saturday, June 29, 2024

10 SONGS: 6/29/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1239.

ALICE COOPER: School's Out

Big ol' shout-out to educators everywhere, including TIRnRR's own intrepid Dana Bonn. Out for the summer, out 'til fall, they might not come back at all. 

And we have just the song for that occasion. From a previous post:

To an adolescent or young teen in the early to mid 1970s, nothing in the world was cooler than Alice Cooper. Before KISS, before punk, Alice Cooper was gaudy and dangerous, potentially the most scandalous, depraved character on AM radio. It didn't matter that it was all an act--show biz!--or that David Bowie was ultimately a far more potent threat to the straight-laced status quo; at the time, Alice Cooper seemed the most dangerous, and therefore the most alluring. Within this fist-pumpin' time frame, a kid that couldn't relate to "School's Out," or didn't want to turn the radio up louder than it could actually go whenever that song came on...well, that kid just would not have been me...

... As an annual clarion call for kids champin' at the frothy-mouthed bit to ditch pencils, books, and teacher's dirty looks for summertime action, "School's Out" delivers a snarky dismissal of rules, regulations, decorum, good manners, and probably decent posture and reasonable hygiene to boot. Because screw all of that--school's out for the summer! Sing it, Alice. School's out completely. The lesson's been learned.

sparkle*jets u.k.: I Can't Wait For Summer

By the power of all that's catchy 'n' engaging, the new sparkle*jets u.k. album Box Of Letters is flat-out sublime anna half. We've been playing its title track as an advance single, and it earned another spin in this week's first set. We open our second set with follow-up single "I Can't Wait For Summer," and we cranked it even though I detest hot weather. But the summer's here. The time is right! Open up that Box Of Letters.

MIKE BROWNING: Heartbreak Hotel

Hey, a TIRnRR exclusive! Our pal Mike Browning takes on King Elvis I, and while covering prime Elvis is a daunting task at best, our Mike rises to the, um...daunt. An exclusive track? We will gladly cede that right if Mike chooses to share the track elsewhere. 

As he should. Even Lonely Street could do with a little bit of company.

BLOODSTONE: Natural High

We played Bloodstone's "My Little Lady" on last week's show, and we intended to also play the group's biggest hit "Natural High." Time conspired against us--lousy, stinkin' time!--and we weren't able to carve out playlist space for "Natural High." We make up for it this week. Sweet soul on the radio. The resulting euphoria is only natural.

THE LONG RYDERS: Looking For Lewis And Clark

It blows my mind that we never played this great track in any of our previous 1238 shows. But, like Bloodstone's "Natural High," we just never got around to programming it. I first heard the Long Ryders' "Looking For Lewis And Clark" on Buffalo's WBNY-FM in the '80s, and the group's accompanying State Of Our Union album was an in-store play favorite when I worked in record retail. A few months later, when I was managing a record store, I created a Long Ryders wall display linked to the group's then-recent TV commercial for Miller. Made the American way!

Is "Looking For Lewis And Clark" the Long Ryders' best-known track? Possibly not, though its '80s airplay on BNY may have nudged me into believing it is. Still, it's surprising that it's never made its way to a past TIRnRR playlist. We've played the Long Ryders many times, most notably "10-5-60" (my favorite), and also "Lights Of Downtown," "Run Dusty Run," and others. "Looking For Lewis And Clark" finally joins that Whole Friggin' Planet honor roll this week.

CHERIE AND MARIE CURRIE: Since You've Been Gone

The Greatest Record Ever Made!

THE STALLIONS: Why

With Bloodstone's "Natural High" and the Long Ryders' "Looking For Lewis And Clark" both making their (way) belated TIRnRR debuts this week, we figured we maybe oughta balance the acclimation process with a spin of something we've played a time or two zillion before. The Stallions' '90s punk cover of the Dirty Wurds' '60s garage obscurity "Why" was our most-played track during each of this little mutant radio show's first two years, and it remained unchallenged as our all-time most-played track for years thereafter. Its reign at # 1 was eventually usurped by Big Star's "September Gurls," but I think "Why" may still be hangin' in there at # 2, even though we rarely play it nowadays. Whether we play it with bludgeoning frequency or save it as a rare burst of welcome, unexpected VOLUME, the Stallions' "Why" will always, always be an integral part of TIRnRR's DNA.

Why? 

Because. 

Just because.

CHERRY VANILLA: No More Canaries

I first heard of singer Cherry Vanilla when I was a teen in the '70s. My underage status at the time did not prevent me from purchasing Penthouse from indifferent convenience store clerks, and Ms. Vanilla wrote at least one article (if not more) that appeared in between whatever else it was that also appeared in Penthouse. You can snicker at the notion of reading Penthouse, but those pages were also where I first heard of Patti Smith, who was an interview subject in one issue.

I don't recall whether or not the Penthouse material made note that Cherry had been a publicist for David Bowie, and I don't remember if she was mentioned in the issues of Phonograph Record Magazine that hooked me on the idea of punk in 1977, or in any other rock rags of the day. But I do know that at some subsequent point I saw her 1978 debut album Bad Girl on the shelves at Gerber Music and/or Brockport's Record Grove, nestled amidst the tattered contemporaneous bounty of then-recent releases by Radio Birdman, the Dead Boys, the Jam, and the Ramones.

It wasn't an immediate purchase; the album may have been too pricey for me at the time, or at least too pricey for a mere suggestion of punk periphery and post-Penthouse pheromones to overcome. I picked it up a few years later, and I was floored by its fantastic track "The Punk." 

We've played "The Punk" a few times on the show, but it seemed high time for a deeper track from the Cherry Vanilla collection. "No More Caries" is another selection from Bad Girl, and it serves as a reminder that I need to go back and give her records a fresh listen. 

I presume that I still won't need to show ID. 

THE ANDERSON COUNCIL: Citadel

I purchased my used copy of the Rolling Stones' 1967 album Their Satanic Majesties Request more than a decade after its release. It was a reissue, so it didn't have the original's 3-D cover graphic. I was in college, a power-poppin' punk rocker, and I was immediately drawn to the guitar riff of the album's second track "Citadel." I played the LP more than a few times in my dorm room, but "Citadel" was definitely my go-to. I played that one a lot.

Now, the ace Stones tribute album Jem Records Celebrates Jagger & Richards grants us another opportunity to pound the air on behalf of that riff. The mighty forces of the Anderson Council ably provide the prerequisite riffage, and all is as heavenly Satanic as it wants to be. The citadel stands. 

CHUCK BERRY: Promised Land

This coming Sunday night's show is devoted entirely to tracks celebrated in my new book The Greatest Record Ever Made! (Volume 1). That's ferdamnedsure gonna include Chuck Berry's "Promised Land."

That's a promise.

Book it.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, June 15, 2024

10 SONGS: 6/15/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1237

THE SHIRTS: Move On Groove On

Hey Carl! Dig THIS!

Over a span of years--decades, really--most music fans have benefitted from inspiration and specific recommendations to discover new (or at least new-to-us) sounds: New records, new artists, new discoveries, each a fresh revelation even when it happens to be a record released before we were born. Any record you ain't heard is a new record.

I benefitted from friends and family, from helpful and knowledgeable folks at record stores, and from mass media. Rock magazines. Radio stations. The pursuit of buzz. I'm still on the hunt for all of it.

Alas, no one hipped me to the Shirts in the '70s. A few live tracks on the Live At CBGB's various-artists set were the only Shirts material I recall hearing at the time, and that didn't grab me like, say, Bowery scene contemporaries the Ramones, Blondie, and Television grabbed me. i didn't get hip to how GREAT the Shirts were until the '90s at the earliest, whenever it was that I snapped up a used CD reissue of the Shirts' eponymous debut album from 1979.

Instant thrall. Maybe I said to myself, Hey Carl! Dig THIS! I know I cursed the passage of a couple of decades that I had wasted by delaying my entry into Shirts fandom. But what the hell--I'm there now. Any record you ain't heard....

Through all of that, I certainly didn't think it likely that I would ever be able to enjoy a brand-new Shirts release. 

But the Shirts are back! The Shirts' new single "Move On Groove On" retains the spunk and sass of the old days, sidestepping nostalgia and just, y'know, doing. NEW SHIRTS! And they fit just fine. Dig THIS!

(All of the above also applies to "Move On Groove On" 's virtual B-side "Deux Royale;" we opened this week's show with "Move On Groove On" and programmed "Deux Royale" near show's end. In between, we supplemented our Shirts appreciation with recent fave rave "The Man Behind The Man With A Gun" by Shirts guitarist Arthur Lamonica's group Rome 56 and another spin of the '79 Shirts nugget "Tell Me Your Plans." The Shirts return to TIRnRR next week. The digging never stops. Our overcompensation has gotta start somewhere.)

THE FLASHCUBES: Nothing Really Matters When You're Young
THE SPONGETONES: Have You Ever Been Torn Apart?


IYKYK

AMOS MILBURN: Down The Road Apiece


My new book The Greatest Record Ever Made! (Volume 1) is due out on July 10th, and it's available for preorder right now (as mentioned here). The book does not include a chapter about "Down The Road Apiece" by Amos Milburn; maybe I'll get around to writing that chapter for Volume 2But Milburn's record is mentioned at least twice in Volume 1, within my chapters about Big Mama Thornton and Ike and Tina Turner

Why? Because I insist that Amos Milburn's 1947 recording of "Down The Road Apiece" is the very first rock 'n' roll record. It predates Fats Domino's "The Fat Man" (1949) and Jackie Brentson and his Delta Cats (1951), the latter really Brentson singing with Ike Turner's group. 

No one can tell me "Down The Road Apiece" ain't rock 'n' roll. If there was something earlier that rocks like this does, I haven't heard about it yet.

THE ANDERSON COUNCIL: Connection
THE MIGHTY LEMON DROPS: Paint It Black


A twin spin of Rolling Stones covers, starting with the Anderson Council's "Connection" (from the ace current tribute compilation Jem Records Celebrates Jagger & Richards) and barrelin' into the Mighty Lemon Drops' 1988 live performance of "Paint It Black." Wet paint connection! 

(Wet paint connection is like the rainbow connection except, y'know...black! Black as night! Black as coal! Connect away.)

THE MYNAH BIRDS: I Got You (In My Soul)


The Mynah Birds were signed to Motown in the mid '60s, and the group was fronted by a then-unknown Rick James and also included the likewise then-unknown Neil Young. The Mynah Birds broke up due to extracurricular circumstances--James was busted and incarcerated for being AWOL from the military--and Motown opted to let the group's recordings remain in the vault. Young went on to Buffalo Springfield and, I guess, did some other stuff after that. 

Unlike Amos Milburn's "Down The Road Apiece," I did complete a chapter about the Mynah Birds' originally-unreleased 1966 classic "I Got You (In My Soul)." It was written as part of a chapter about "Super Freak" by Rick James, a piece I later split into two separate chapters. "Super Freak" is in the book; "I Got You (In My Soul)" is in reserve, but you can read it here.

And I still can't get my head around the idea of what might have been. Rick James and Neil Young. That coulda been something else, man.

COTTON MATHER: The Book Of Too Late Changes

The Greatest Record Ever Made!

sparkle*jets u.k.: Box Of Letters

Man, I like this track. "Box Of Letters" is the current single from sparkle*jets u.k., and it turns out that it's also going to be the title track from their imminent (but not soon enough) new album. We debuted the single last week. We played it again this week. It notches up its third consecutive TIRnRR appearance this coming Sunday night. Sometimes it's best to think inside the box. Sparkle is as sparkle does.

GRAHAM PARKER AND THE GOLDTOPS: Back To Schooldays

Although it would be inaccurate to call the great Graham Parker a punk rocker, the irascible 'n' irrepressible vibe of some of his 1970s material places him (at the very least) on punk's periphery. Parker wasn't a punk...but a lot of punks loved him. This punk sure did.

As such, GP was among the first artists I ever heard within this broad not-really-a-category category of the punk-adjacent. In my senior year of high school, 1976-77, WOUR-FM in Utica, NY was playing Parker's "Hotel Chambermaid," and they were also playing Nick Lowe's "So It Goes." In the summer of '77, WOUR added the Sex Pistols' "God Save The Queen" to its parade of Hey, Carl! Dig THIS!! revelations. None of these three sounded at all like the other two. The common ground was attitude. 

The shared trait was transcendence.

Graham Parker is, of course, still at it, gloriously still at it, and still a reliable resource for Hey, Carl! Dig THIS! Graham Parker and the Goldtops' 2023 album Last Chance To Learn The Twist was one of the year's highlights, and our friends at Big Stir Records have just issued another digital single from that record.

The A-side, "Last Stretch Of The Road," is the de facto source of its album's title, and it scored TIRnRR airplay last year. Its B-side is a searin' live version of GP's classic 1976 rocker und roller "Back To Schooldays." 

I don't remember whether or not we've ever played Parker's original studio version, but we're playing the new live version now. Hey, listeners! Dig THIS! 

Label at your own risk. But perhaps there are still more chances to learn the Twist.

Dig?

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's book Gabba Gabba Hey! A Conversation With The Ramones is available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book The Greatest Record Ever Made! (Volume 1) will be published in July. Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, August 31, 2023

10 SONGS: 8/31/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1196. This show is available as a podcast.

THE ANDERSON COUNCIL: This Is Where I Belong

Heh. Right before the announcement that the good folks at Underground Garage had selected the Anderson Council's cover of the Kinks' "Do You Remember Walter?" as this week's Coolest Song In The World, we'd already picked a different Anderson Council track from the same Jem Records Celebrates Ray Davies tribute album to kick off our own show. The more the mightier! Heck, our pal and colleague Rich Firestone also gave a spin to "Do You Remember Walter?" on this weekend's edition of Radio Deer Camp, so Jem Records Celebrates Ray Davies is clearly well on its way to utter and delighted world domination.

And that's where it belongs.

GRAHAM PARKER AND THE GOLDTOPS: Wicked Wit

Our friends at Big Stir Records scored a major huzZAH! when they signed a deal to put out a new album by venerable British rocker Graham Parker. Credited to Graham Parker and the Goldtops, Last Chance To Learn The Twist stands proud and tall alongside the impressive body of work Parker has created over a span of decades. 

This week, we specifically whooped up that string of excellence with a one-two then-and-now shot of primo Parker, with Graham Parker and the Rumour's 1976 classic "Pouring It All Out" clearing a righteous path for ace new number "Wicked Wit." This will not be your last chance to learn the new Graham Parker record on TIRnRR.

Oh. And in between "Pouring It All Out" and "Wicked Wit," we dropped in a new TIRnRR show ID by none other than Graham Parker himself. Graham freakin' Parker recorded an ID for our little mutant radio program. I need to commandeer a time machine and tell my younger self about that.

WENDI DUNLAP: Season Of Loss

Can one find catharsis in pop music? Yeah. Of course. Art can challenge us, but it can also comfort us when comfort is our basic need. Take a sad song and make it better. Reach out, I'll be there. Ain't no mountain high enough. Stand by me. I'm ready for my luck to turn around.

This December will mark the second anniversary of my Mom's passing. She would have been 98 years old this week, on Monday. I'm okay, really quite okay. I'm aware of her absence, especially when some milestone occurs or some cool thing happens and my first reaction is I gotta tell Mom! I'll be very aware of it when my daughter gets married in October. But while Mom's life was no stranger to sorrow, it was still a long life filled with love. I'm not sad. I'm grateful.

I didn't have any of the above in mind when I programmed Wendi Dunlap's sublime "Season Of Loss" into this playlist. The track is from Wendi's album Looking For Buildings, and I confess I was originally thinking of playing the track at the top of the show, an acknowledgement of the loss all around us. The devastation in Maui was my primary influence, as I've been unable to say anything of use or value to that awful situation. Fires. Hurricanes. Illness. Violence. It's alway a season of loss.

Upon further review, I realized that's just too much burden to place on a beguiling pop track. We let the song play in the middle of our second set instead. Freed of expectations.

A comfort nonetheless. 'Tis the season. It always is.

THE RAMONES: It's Not My Place (In The 9 To 5 World)

I've been thinking about retirement. That event is still a ways off--three years, four months, two weeks, and three days, but who's counting?--and I do indeed dig that one should be careful how one wishes. Right, Mr. Limpet?

Yeah, can't be too careful with wishes to be fishes. Meanwhile, I still work full-time in retail. I'm not unhappy; it's a job, it's a paycheck, and I'm comfortable with the circumstances. I'd like more time to write, travel, write, dance, write, read, write, play, and write, and I make use of what time I have for all of that in the here and now. For the moment, it is my place in the 9 to 5 world.

The Ramones are the subject of my first book, published earlier this year. "It's Not My Place (In The 9 To 5 World)" is from the Ramones' 1981 album Pleasant Dreams. Of the Ramones' 16 studio albums, Pleasant Dreams sounds the least like classic Ramones. The group's first four albums are always gonna be my favorites, but I've been getting into this sixth album a lot this year. It's not the equal of Ramones, Leave Home, Rocket To Russia, or Road To Ruin, but it is great, and it's way, way underrated.

And it has its place. 

BOBBY SUTLIFF: Same Way Tomorrow

I didn't know Bobby Sutliff. We were friends on Facebook, but I don't remember whether or not we ever had any substantive contact via the great and powerful interwebs.

Nonetheless, I know for damned sure that our indie pop world has suffered a loss with Bobby's passing last week. His body of work, both as a solo artist and with the great rockin' pop combo the Windbreakers (fronted by Bobby and his fellow popsmith Tim Lee), is rightly revered among true rockin' pop believers, and the work will live on. We mourn the loss of the man who created that work.

I wrote the above about a year ago, shortly after we heard that Sutliff had died. Now, Jem Records is celebrating Bobby's legacy with an expanded reissue of his 1987 album Only Ghosts Remain. With its title tweaked to Only Ghosts Remain Plus, the Jem release adds eleven bonus tracks from throughout Sutliff's solo career, doubling the original album's selections. The bonus tracks effectively make this The Best Of Bobby Sutliff, and that's saying something. I already have most of the bonus tracks (which include my favorite Sutcliff gem "Griffin Bay"), but somehow I never owned a copy of Only Ghosts Remain.

I have it now, and it's just splendid. If you likewise revere all that's jangly, I recommend you get this one, too.

THE FLASHCUBES: Forget About You

Our friends at Big Stir Records scored a major huhZAH! when they signed a deal to put out a new album by Syracuse's own power pop powerhouses the Flashcubes. Dana and I may have played a tiny little part in introducing one party to the other--Rex and Christina! Gary, Paul, Arty, and Tommy! DO SOMETHING TOGETHER!!--but our preexisting bias isn't necessary to recognize that the new 'Cubes album Pop Masters is flat-out incredible. Album of the year, mates. 

And this week we introduced yet another spin of the Flashcubes' Pop Masters cover of the Motors' "Forget About You" with a brand-new TIRnRR show ID by none other than Gary Frenay of the Flashcubes. I need to commandeer a time machine and tell my younger self about that, too.

THE LOVIN' SPOONFUL: She Is Still A Mystery

My recent Greatest Record Ever Made! piece about the Lovin' Spoonful's "Summer In The City" included these comments about the group's 1967 single "She Is Still A Mystery:"

In addition to my undying allegiance to "Summer In The City," another favorite Spoonful tune was a lesser-known hit that I also heard on oldies radio: "She Is Still A Mystery." This fragile-sounding ode to love's quirks and uncertainties, its elusive nature and endless allure, took command of my equally-fragile inner romantic, which surrendered unconditionally. My inner romantic fights like a wimp.

CHUBBY CHECKER AND DEE DEE SHARP: Slow Twistin'

I wrote here about seeing Chubby Checker perform live last week. Checker is not represented in my long-threatened book The Greatest Record Ever Made! (Volume 1), though his "Let's Do The Freddie" does get a mention in that book's Freddie and the Dreamers chapter. But I tell ya, Chubby's 1960 smash "The Twist" is quite possibly THE single most seismic 45 of all time, and it certainly merits its own GREM! spotlight. The task of writing that has been added to my voluminous to-do list. Come on, baby!

Greatest is its own distinct (and infinite) category. Favorite is a separate consideration. My favorite Chubby Checker record is "Slow Twistin'," his 1962 hit collaboration with Dee Dee Sharp. Listening to a Chubby Checker best-of CD (and now having seen him perform) proves that, man, there's a lot of greatness to be found in the Checker catalog. Slow Twist? Fast Twist?All the Twists, and all the Ponys, Flys, Limbos, and--what the hell--Freddies, too. Round and round and round we go.

THE BEATLES: Revolution

The Greatest Record Ever Made!

EARTH, WIND AND FIRE: September

September is upon us. And it's high time for The 12th Annual DANA'S FUNKY SOUL PIT! We figured we'd start gettin' psyched for next week's epic new Soul Pit by closing this week's show with a double-length set of soul and R & B. And that set commenced with the irresistible elemental force of Earth, Wind and Fire

I didn't even realize the accidental serendipity of opening this end-of-August Soul Pit set with "September" until after the show aired. But we'll take it. September looms. The 12th Annual Dana's Funky Soul Pit awaits on September 3.

Say that you'll remember.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, August 3, 2021

10 SONGS: 8/3/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1088.

THE ANDERSON COUNCIL: I'd Love Just Once To See You

This is our second week in a row spinning the Anderson Council's invigmoratin' cover of the Beach Boys' "I'd Love Just Once To See You," from Jem Records' invigmoratin' various-artists tribute album Jem Records Celebrates Brian Wilson. We've also been programming the Grip Weeds' "You're So Good To Me" and Lisa Mychols and Super 8's "Pet Sounds (Story)" from the same album, with more from Jem Records Celebrates Brian Wilson likely in future weeks.

Of course we play them. It's what we do.

THE BEACH BOYS: Sloop John B

Way back in the early '80s, Bill and Carol Yerger vowed to make me a fan of the Beach Boys. Bill and Carol owned Main Street Records in my college town of Brockport, NY, I bought a ton of stuff there, and I thought they were both pretty high on the list of the best people ever. 

But, their recommendation notwithstanding, I just wasn't much into the Beach Boys at the time. I liked some of the hits, and even owned a copy of Pet Sounds, but my full-on recognition of the group's brilliance was still years away. Carol asked me to name my favorite Beach Boys song; as noted elsewhere, my reply of "Sloop John B" caused her to turn away, muttering, "Who's favorite Beach Boys song is 'Sloop John B'...?!"

That song was why I bought Pet Sounds in the first place. As a freshman in college, 1977-78, the song somehow got into my head something fierce. I was also trying to learn the song for my guitar class (part of my futile effort to try to figure out how to make music).

Anyway. My Beach Boys collection consisted solely of the 2-LP Endless Summer, so I made a beeline for The Record Grove (then managed by Bill Yerger, before he opened his own store the following year) and bought the album. Yeah, even as a perpetually cash-strapped college student, I could occasionally be expected to buy an LP just to get one song. And hey, Pet Sounds also had "Wouldn't It Be Nice," so, y'know, that's two songs! 

The rest? Filler, I guess, though I developed some small interest in the track "Here Today." "God Only Knows" did not even register with me when I was 18; now, it rates a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1). I regard Pet Sounds as one of my favorite albums, and I was delighted to see it performed in concert by Brian Wilson

"Sloop John B" is no longer my favorite Beach Boys song. But it's one of them. One of manyIt took a while, but the Yergers accomplished their goal of making me a Beach Boys fan.

THE COOKIES: Wounded

This lesser-known girl-group gem from 1967 is almost a mirror-image of the Shirelles' 1960 classic "Will You Love Me Tomorrow." Where the Shirelles worried about a horndog lover losing respect for the singer the morning after he and she decide to do it--IT!!--the Cookies' "Wounded" presents the sympathetic story of the girl who says no. The Cookies are best-remembered for their 1963 hit "Don't Say Nothin' (Bad About My Baby)," and for "Chains," a 1962 single later covered by the Beatles. The Cookies went through varying line-ups, and I think "Wounded" was their final single. The girl group era was well over by '67 (or at least it was over if you weren't the Supremes), but "Wounded" was an incredible record that deserved much, much wider attention and acclaim. Hell, the Supremes' own "Love Child" could be seen as (an unintentional) part of this trilogy of a sexual cautionary tale. 

KISS: Anything For My Baby

"Anything For My Baby" comes from KISS's third album Dressed To Kill, the 1975 work that gave an unsuspecting world a li'l sumpin called "Rock And Roll All Nite." You keep on shoutin', you keep on shoutin'. Yeah, that's far and away the biggest thing on Dressed To Kill, the most iconic number in the entire KISS catalog, but I think we've played "Anything For My Baby" a lot more on TIRnRR than we've played "Rock And Roll All Nite." We're funny that way.

And that's not a shot against "Rock And Roll All Nite," a classic which I love and always will love. But not enough stations play "Anything For My Baby." I read somewhere that KISS guitarist Paul Stanley (who wrote the song) largely dismisses it, which would mean I like the song a lot than its author likes the song. I agree with me on this one.

THE LINDA LINDAS: Oh!

New music from the Linda Lindas, the buzz band of 2021. Of course we played it! It's what we do.

CIRCE LINK AND CHRISTIAN NESMITH: I'm On Your Side

Monkee Mania Radio is a new 24-hour Live365 station dedicated to the Monkees. Well, we approve already. MMR curators Alan Williams and Ken Mills are indeed Believers, and while real-world music licensing restrictions prevent them from going All Monkees All The Time, they supplement their mandated limitation of one Monkees track per hour with oodles and oodles of related treats, including solo works by individual Monkees Micky Dolenz, Davy Jones, Peter Tork, and Michael Nesmith, various combinations thereof (including Dolenz, Jones, Boyce and Hart and Tork's Shoe Suede Blues Band), other acts associated with the Monkees, and covers of Monkees songs. Play, Magic Fingers! 

Ken Mills elaborates: "Alan Williams is the main program director and it took a team of folks who just wanted a place to feature THE MONKEES music and culture, the MANIA that surrounds their story and times. We have some great people involved. Jodi Ritzen got involved and we all figured out how to make it a reality. 

"While we always hoped to play as much Monkees music as possible, we are beyond thrilled to play the music of the people who helped create the Monkees, from the songwriters to acts they toured with, and people that are part of the Monkees story and culture. More importantly, to feature the music of David Jones, Peter Tork, Michael Nesmith, and Micky Dolenz as artists beyond the project known as 'The Monkees.' This is when you hear what they are about. In their solo works or in bands they formed, there is a world of music beyond the first five or six Monkees albums that some fans never allowed themselves to explore. That is one of the biggest joys of this project."

And the station received a boon from the great Christian Nesmith, who is allowing Monkee Mania Radio license-free use of his recordings for a year. Hey-HEY! In celebration of Christian Nesmith's kindness, we played Circe Link and Christian Nesmith's "I'm On Your Side," which Christian 'n' Circe were kind enough to allow US to use on our 2017 compilation This Is Rock 'n' Roll Radio, Volume 4, and which was TIRnRR's most-played track in 2017. Here's to you Jodi, Ken, and Alan, Circe and Christian, and Monkee Mania Radio. We're all on your side.

THE MONKEES: For Pete's Sake

And we will make the world shine.

IRENE PEÑA: Don't Hang Up

Another new archival single from Irene Peña, continuing to observe the tenth anniversary of her debut album Nothing To Do With You by releasing each of its tracks as Big Stir Records digital singles, one track at a time. "Don't Hang Up" is the sixth single out of eleven. Of course we played it! It's what we do.

VERDELLE SMITH: Life Goes On

There is so, so much great pop music out there, and few of us know more than a fraction of it. Soul singer Verdelle Smith's "Life Goes On" is an obscure track from 1965, and I'm not even certain if it was the A-side or the B-side (to the also-obscure "Juanito"). Smith's only Top 40 hit (and a minor one at that) was "Tar And Cement" in 1966, and I'd say she's virtually unknown outside of the community of Northern Soul aficionados. But man, "Life Goes On" is a good one! Our thanks to intrepid TIRnRR listener Dave Murray for making us aware of this song's existence. Like life, the hunt for great pop music goes on.

DANNY WILKERSON: You Still Owe Me A Kiss

The above-mentioned Big Stir Records is also partnering with the ever-fab SpyderPop label to reissue Wilkerson, the fantastic 2018 album by the incomparable Danny WilkersonWilkerson includes a stellar track called "Let It Go Tonight," which was among this little mutant radio show's most-played songs in '18. Rightly so! If you somehow missed Wilkerson then, you'll have a fresh opportunity now, thanks to BigSpyder StirPop. And the reissue is heralded with the digital single release of this wonderful Wilkerson track "You Still Owe Me A Kiss."

Of course we played it. It's what we do.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

I'm on Twitter @CafarelliCarl.