Monday, March 31, 2025

This Is Is Rock 'n' Roll Radio # 1279


To the Bunnymobile! We're about halfway through the season of Lent, but this week's TIRnRR is just loaded with Easter eggs. In fact, there's at least one such hidden treat in each set. We'd tell you more, but further information remains [REDACTED]. For now.

We open with something that isn't necessarily an Easter egg, but it sure is sweet: A brand new track from Joe Giddings, covering the Flashcubes' "You're Not Grounded." It's simply superb, and we look forward to September, when you'll be able to own your own copy of "You're Not Grounded" by Joe Giddings as part of the various-artists set Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES

More details yet to come on that particular project. Meanwhile, please enjoy some tasty Easter eggs as a part of this balanced diet of pop with power, rock with roll, radio with purpose, frilly fun with intent to stun. To the Bunnymobile! It's rabbit transit.This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio

You can read all about this show's long and weird history here: Boppin' The Whole Friggin' Planet (The History Of THIS IS ROCK 'N' ROLL RADIO)

TAX DEDUCTIBLE DONATIONS are always welcome.

Carl's new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get Carl's previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download
Volume 5: CD or download

TIRnRR # 1279: 3/30/2025
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold.

HARMONIC DIRT: Tumbleweeds (n/a, Tumbleweeds)
THE ARMOIRES: The Night I Heard A Scream (Big Stir, Incognito)
PARTHENON HUXLEY: Something In My Heart Stopped (Columbia, Sunny Nights)
--
THE AIRPORT 77'S: If It's On, I'm In (Jem, single)
SUPER 8 FEATURING LISA MYCHOLS: Pop Radio (single)
THE CARS: My Best Friend's Girl (Rhino, Just What I Needed: The Cars Anthology)
THE MOCKERS: Rascals Who Died (single)
--
CHRIS CHURCH: Life On A Trampoline (Big Stir, Obsolete Path)
THE ARTWOODS: I Feel Good [BBC] (RPM, Steady Gettin' It: The Complete Recordings 1964-67)
JAMES BROWN: I Got You (I Feel Good) (Polydor, The 50th Anniversary Collection)
SWEET: Wig Wam Bam (Razor & Tie, Sweet)
--
THE HIGHWAY DOLLYS: The Game (CountryCana, single)
AMY RIGBY: Last Night's Rainbow (Tapete, Hang In There With Me)
THE NON-PROPHETS: Alibi (single)
THE RUBINOOS: I Wanna Be Your Boyfriend (Castle, Everything You Always Wanted To Know About The Rubinoos But Were Afraid To Ask)
THE KENNEDYS: Half Of Us, (Jiffyjam, Get It Right)
BLONDIE: (I'm Always Touched By Your) Presence, Dear (Chrysalis, The Platinum Collection)
--
THE YUM YUMS: Got Me Good (Rum Bar, Poppin' Up Again)
THE OHIO EXPRESS: Yummy, Yummy, Yummy (Buddha, The Best Of The Ohio Express)
sparkle*jets u.k.: You Complete Me (Big Stir, Box Of Letters)
DAVE EDMUNDS: Crawling From The Wreckage (Rhino, The Anthology [1968-1990])
MIKE MITSCH'S LAGANSLOVE: I Don't Want To Waste Another Day (single)
ELVIS COSTELLO AND THE ATTRACTIONS: Crawling To The USA (Rykodisc, This Year's Model)
--
BRAD MARINO: Baby Doll (Rum Bar, On The Brink)
LET'S ACTIVE: In Little Ways (Collectors Choice Music, Big Plans For Everybody)
FIREKING: So You Say You Lost Your Baby (Blueberry Pie, Double Trouble)
MIKE BROWNING: Four Days Of Rain (single)
THE BRIEFS: She's Just A Girl On The Block (Vivid Sound, VA: He Put The Bomp In The Bomp: Greg Shaw)
--
The Greatest Record Ever Made!
THE STANDELLS: Sometimes Good Guys Don't Wear White (Sundazed, Why Pick On Me)
THE SEEDS: Pushin' Too Hard (Big Beat, The Seeds)
LIBRARIANS WITH HICKEYS: Mirror (Big Stir, How To Make Friends By Telephone)
THE MUSIC MACHINE: Little Bit O' Soul (Rhino, VA: Nuggets)
WONDERBOY: Something's Missing (Racer, Napoleon Blown Apart)
THE RATIONALS: I Need You (Rhino, VA: Nuggets)
--
POP CO-OP: Persistence Of Memory (Futureman, Factory Settings)
THE MUFFS: Sad Tomorrow (Reprise, Blonder And Blonder)
TOM KENNY AND THE HI-SEAS: Tossin' And Turnin' (n/a, Live At The Troubadour)
THE CLASH: Capital Radio One (Epic, Clash On Broadway)
THE AMPLIFIER HEADS: Black Mascara (n/a, Music For Abandoned Amusenent Parks)
THE GO-GO'S: Speeding (IRS, Return To The Valley Of The Go-Go's)
HAMELL ON TRIAL: N.Y. State Thruway (Blue Wave, VA: History Of Syracuse Music Volume 14)
THE RAMONES: Oh Oh I Love Her So (Rhino, Leave Home)
--
FOUNTAINS OF WAYNE: Better Things (Rykodisc, VA: This Is Where I Belong
THE VERBS: I Saw The Light (Jay-Vee, Cover Story)
THE DAMNED: New Rose (Castle, Smash It Up--The Anthology 1976-1987)
CHRIS VON SNEIDERN: The Ballad (Heyday, Sight & Sound)
THE SPONGETONES: She Goes Out With Everybody (Loaded Goat, Always Carry On: The Best Of The Spongetones 1980-2005)
THE MAYFLOWERS: Lazy Sunday (Rooster, Best Of The Mayflowers [From The Beginning])
THE BEATLES: Here Comes The Sun (Apple, Abbey Road)
--
GRAHAM PARKER AND THE FIGGS: Take Everything (Razor & Tie, The Last Rock 'n' Roll Tour)

Sunday, March 30, 2025

Tonight on THIS IS ROCK 'N' ROLL RADIO

We start with JOE GIDDINGS covering THE FLASHCUBES, the radio premiere of another great track from the forthcoming Flashcubes tribute album. Then all Hell breaks loose--but in a good way! We serve up our usual hypercatchy mix of the new, the classic, the recent, and the WHERE HAS THIS IRRESISTIBLE SONG BEEN  ALL MY LIFE?!, courtesy of CHRIS CHURCH, JAMES BROWN, HARMONIC DIRT, THE RAMONES, THE VERBS, PARTHENON HUXLEY, SUPER 8 FEATURING LISA MYCHOLS, THE AIRPORT 77'S, THE CARS, THE MOCKERS, THE ARMOIRES, SORROWS, LIBRARIANS WITH HICKEYS, IAN HUNTER, THE HIGHWAY DOLLYS, THE YUM YUMS, BRAD MARINO, BLONDIE, THE KENNEDYS, THE RAMONES, LET'S ACTIVE, THE SEEDS, THE NON-PROPHETS, THE MUFFS, THE CLASH, THE GO-GO'S, THE SPONGETONES, THE DAMNED, WONDERBOY, FOUNTAINS OF WAYNE, ELVIS COSTELLO AND THE ATTRACTIONS, CHRIS VON SNEIDERN, TOM KENNY AND THE HIGH-SEAS, and the sort of prerequisite MORE!!! you expect from The Best Three Hours Of Radio On The Whole Friggin' Planet. PLUS! We celebrate the fifth anniversary of the FACTORY SETTINGS album by POP CO-OP, and that album's specific relevance in the history of this little mutant radio show. Hey! History that's FUN! Sunday night, 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FMhttps://sparksyracuse.org/, streaming on the Radio Garden app as WESTCOTT RADIO. The weekend stops HERE!

Saturday, March 29, 2025

SHORT STORIES AND OTHER WHITE LIES/IT'S HARLAN ELLISON'S FAULT (And he didn't even know me): The foreword and introduction to my eventual book of short stories GUITARS VS. RAYGUNS!!

Earlier this month, I posted about my plan to publish a collection of my short stories. That book will be called GUITARS VS. RAYGUNS!! Short Stories And Other White Lies, and it's a book that I will complete and publish, probably in 2026. 

That's not quite as immediate as I had intended a few weeks ago, but there are two main factors prompting my decision to postpone this book. First, there is the matter of my forthcoming nonfiction book Make Something Happen! The Story Of A DIY Power Pop Band Called THE FLASHCUBES. There is a lot of work still to be done for this book, and that needs to be a priority. Second, the good folks at AHOY Comics recently bought another one of my short stories. "Bullets From The Copperhead Detective" was never intended to be part of GUITARS VS. RAYGUNS!!, but its sale led me to take one of the new stories written for GvsR!! and submit it to AHOY instead. AHOY might buy it, or AHOY might decline the option, but either way the short story is now off the market for the immediate future. With all of that, postponing GUITARS VS. RAYGUNS!! was the only real choice.

But MEANWHILE...!

Here's a sneak peek at the introduction to an eventual short story collection called GUITARS VS. RAYGUNS!! Short Stories And Other White Lies. It serves today as twin manifestations of both Batman and Irwin Shaw alike: Who I am and how I came to be, and where I think I am and what this place looks like today. It's followed by the tribute I wrote in memory of Harlan Ellison when he died in 2018. This is how my book of short stories will begin, when it finally gets around to becoming a book.

Foreword

SHORT STORIES AND OTHER WHITE LIES

I was thirteen, maybe fourteen years old when I decided I wanted to be a writer. Looking back, I can't understand why it took so long for me to reach such an obvious decision.

But no: 1973 or '74. I was thirteen or fourteen. The inevitability of my path prior to that moment is only clear in retrospect. I had always been an imaginative kid, often to my detriment. My wide-eyed love of TV, books, and comic books--especially superhero comic books--fueled flights of fancy, manifesting in creative play. When I was six, I concocted my first of many crayon-crafted DIY comic books. As the 1960s wore on, I scribbled constantly in notebooks, jotting down sketches and notions of my own imaginary comic book line, with its own collection of derivative superstars.

In 1968 or thereabouts, I responded to a local newspaper's open call for kids to write and tell its readers how we imagined the Easter Bunny's mode of travel. An excerpt of my paragraph detailing the Easter Bunny's use of the Bunnymobile (with a Bird 'Copter for a presumed avian sidekick) was my first published work. I was writing and writing and writing from an early age, with undefined ambition to be...something. The next Stan Lee. The next Jack Kirby. The next Adam West. The next...well, something.

In fourth grade, I was bugged that I didn't have a role in my class's dramatic presentation for our parents, so I made up my own role, horned in with ad-libbed lines, and was added to the cast. That's writing, right? In sixth grade I joined the school newspaper, scripting cartoons that were plagiarized from Peanuts. In seventh grade, group projects in social studies (during our segment on the American Revolution) and English classes (as we delved into Bram Stoker's Dracula) found me taking over, writing and scripting a video play about traveling back in time to participate in the Boston Tea Party and writing and scripting an audio presentation of my original [sic] horror story Laviska. In eighth grade I wrote and drew my own superhero comic strip Jack Mystery in art class--we'll talk about that later in this book--and started writing superhero short stories for extra credit in English.

The moment of specific revelation came at my cousin's wedding reception. I can't quite pinpoint whether that occurred in 1973 or '74. I remember sitting at the table, sipping soda, scribbling in my notebook as I always did. Another wedding guest asked me what I was working on, and I said that I was writing a Batman story.

"Ah," the guest replied. "Are you thinking of writing comic books professionally?"

Holy Lightbulb!

I finished the story. I mailed it to DC Comics. The fact that the story was simply terrible was presumably a large factor in DC's decision to politely ignore my submission. No matter. I'd made my decision. Writer. I was going to be a writer.

I've never made a living at it, nor even made much money at all. But I did have a decades-long side career as a freelance rock journalist, an experience which led to my first two books, Gabba Gabba Hey! A Conversation With The Ramones and The Greatest Record Ever Made! (Volume 1). I started a daily blog. In 2019 I made my first-ever fiction sale when the good folks at AHOY Comics bought my prose short story "Guitars Vs Rayguns." Money for my lies! BWA-HA-HA-HAAAA!

As a teen wannabe writer in the '70s, my hero was Harlan Ellison. I was particularly taken with Ellison's short stories, eagerly consumed in Ellison anthologies like Paingod And Other Delusions, No Doors, No Windows, Gentleman Junkie, and Love Ain't Nothin' But Sex Misspelled. With that model in mind, I have long held a goal of publishing an anthology of my own short stories.

So here we have Guitars Vs Rayguns!! Short Stories And Other White Lies, gathering tales of a rock 'n' roll guitarist hijacked into space, a film noir gun moll who longs to be in a musical, a humorous fill-in superhero suddenly called to greatness, a former boy band star turned record company fix-it man, a would-be painter, an obsessed collector, a fated swordswoman, a fallen giant, a frustrated time traveler, and other untruths detailing love, loss, disappointment, a fascination with shiny objects, and--occasionally--a juvenile sense of humor. Maybe you'll see Harlan Ellison's influence here and there, or maybe the inspiration didn't quite translate in the execution.

But the stories are mine. It's what I've wanted to do since I was thirteen or fourteen years old, or maybe since I was six. From crayons to the Bunnymobile, Jack Mystery to AHOY Comics and beyond: Writer. I hope you'll enjoy this collection of a few of my white lies.

But first, these words about my inspiration....

Introduction

IT'S HARLAN ELLISON'S FAULY (And he didn't even know me)

I wrote this when Harlan Ellison died in 2018. Given the importance of Ellison’s impact upon me, especially the impact of his short story collections, it feels imperative to open my own debut short story anthology with this reminiscence. 

"DEPART, HARLEQUIN!" SAID THE TICKTOCKWORLD

"Hitler Painted Roses." "Jeffty Is Five." "Daniel White For The Greater Good." "The Whimper Of Whipped Dogs." "Lonelyache." "All The Lies That Are My Life." "The City On The Edge Of Forever." "'Repent, Harlequin!' Said The Ticktockman."

I cannot eulogize Harlan Ellison. I can't.

It's not that I've been reading up on his work lately, nor that I've forgotten what I've already read. Ellison's importance to me is beyond measure, beyond my meager ability to detail, to chronicle...to just fucking write. His work was everything to me. I can't believe he's gone.

As much as the Beatles have meant to me, the fact that I was never a musician placed a limit on how directly they could influence what I was capable of creating. As a writer, Harlan Ellison was my Beatles.

In 1975, when I was a fifteen year old suburban misfit, lonely and out of place, I read my first Harlan Ellison book, a short story collection called Paingod And Other Delusions. I already knew I wanted to become a writer. But everything--everydamnedthing--I wrote from that point forward has been affected by Ellison. I can say that without exaggeration, because that's the nonpareil impact his stuff had on me immediately. Fiction, nonfiction, all of it. It was a model for whatever I might be able to do, in any imagined, fantastical circumstance. It wasn't even just the writing (though that would have been plenty, believe thee me); it was his attitude, his self-confidence, his sneering faith in the uncompromising power of standing ground, fighting back, remaining true to a dangerous vision that the blind fools cannot see, because they're chuckleheads. In high school, I wrote an Ellison-inspired poem to a girl I wanted to ask out; she turned me down, sure, but I couldn't even have taken that step before Ellison lit a goddamned spark deep in my soul. Soon, there were girls who didn't turn me down anymore, as I heeded Ellison's advice to think pretty, as action followed belief, as I wrote myself into a better storyline than the tired script I'd been handed.

I tried to be Harlan Ellison. I failed at it, but I failed with distinction, with style! I took apart Ellison's short story "Lonelyache," reconfigured it as a suicide note disguised as a short story of my own, and found the experience cathartic (and not quite plagiaristic). My failures built all the lies that are my life...but in a good way. I couldn't be Harlan Ellison. I couldn't write as well--no one could--and I couldn't write as quickly nor as off-the-cuff. But the act of trying made me a better writer, a faster thinker, a more adventurous craftsmen, a more precise dreamer.

I wrote. I wanted to be a writer, and Ellison said you ain't no writer if you don't write, ya shiftless crazy fuckhead. So I wrote. And I read. And I wrote more. I immersed myself in Ellison's work, especially the Pyramid Books paperbacks I purchased brand-new and whatever older tomes I could pry out of the dusty recesses of the dingy basement at Economy Bookstore. I saw him speak at Syracuse University while I was still in high school, and he autographed my copy of No Doors, No Windows.

I copied Ellison, and tried to make his inspiration into my own. Of all my favorite writers, from Steinbeck to Spillane, Dashiell Hammett to John Irving, the combination of all of them could not match the sheer enormity of Ellison's effect on whatever I hoped to become. As a writer. As a person. As a harlequin, bedeviling a Ticktockman.

Harlan Ellison often quoted Irwin Shaw's description of the writer's job: to report "where I think I am, and what this place looks like today." This place looks like hell, people, and the smell is some unholy mix of sulfur and month-old lox. But we're still here, so we're still going to tell you about it. It's what Harlan Ellison did. Repent? Get stuffed. Stick that in your ticktock, man. Approaching oblivion, alone against tomorrow, but to hell with all of that. Harlan Ellison says we have work to do. Are you a writer? Then write, God damn you. Write!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, March 28, 2025

10 SONGS: 3/28/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1278

SUPER 8 FEATURING LISA MYCHOLS: When We Close Our Eyes

I'm digging the process of putting together this tribute album celebrating Syracuse's own power pop powerhouse the Flashcubes. Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES is due in September from the irresistible Big Stir Records label, and we've already previewed a few of its Cubic covers courtesy of sparkle*jets u.k., the Kennedys, the Spongetones, and Pop Co-Op, as well as its opening track "Reminisce" by the Flashcubes themselves. This week's TIRnRR kicks off with the everywhere-wide radio debut of another treat from Make Something Happen!, as the combined rockin' pop forces of Super 8 Featuring Lisa Mychols turn in their own super-yummy take on the Flashcubes' "When We Close Our Eyes." Brilliant!

A brief bit of behind-the-scenes kudos to Super 8's Trip Ryan and his collaborator Lisa: "When We Close Our Eyes" was written by Flashcubes guitarist Arty Lenin, and it may be my favorite from Arty's songbook, rivaled only by "Nothing Really Matters When You're Young" (which the Spongetones have done a superb job of covering for this tribute album). Given my affection for the song, it was important for me to see it included on Make Something Happen! It had been assigned to another artist, but alas, that didn't work out. Trip 'n' Lisa stepped in to save us, and they did so pretty late in the game. YAY, Trip and Lisa! The Cubic legion salutes you!

Next week's show will offer another spin of the great current Super 8 Featuring Lisa Mychols single "Pop Radio," part of a stealth programming move to play a bunch of unrelated tracks by artists who will be represented on Make Something Happen!, mixing them in alongside a number of other acts, both classic and current (from the Beatles, the Ramones and the Rubinoos to Airport 77's, Amy Rigby, and Chris Church), who won't be on the tribute. We like to keep you guessing. We like to keep us guessing. With open eyes, and radio turned UP. 

THE FLASHCUBES: Reminisce

Speaking of that opening track from Make Something Happen!, 'Cubes guitarist Paul Armstrong's "Reminisce" is so far my favorite individual track of 2025, and it's gonna be a tough one to challenge. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, several months back PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will!

sparkle*jets u.k.: Make Something Happen

On Make Something Happen!, "Reminisce" will segue into sparkle*jets u.k.'s luscious cover of the album's title tune, which was written by 'Cubes bassist Gary Frenay. It's a song I wanted the Monkees to record for their 2016 triumph Good Times! (and I'd still like to hear a version with a Micky Dolenz lead vocal), and I'm delighted with how wonderful the song sounds now in the always-capable hands of sparkle*jets u.k.

(On our next show, a track from sparkle*jets u.k.'s most recent album Box Of Letters will play its part in our unspoken salute to the performers on Make Something Happen! Box Of Letters was absolutely one of the best albums of 2024, maybe the single best album in a year of a lot of really, really good albums. I'm so grateful they also agreed to take part in the Flashcubes tribute album.)

THE RUBINOOS: Rock 'n' Roll Is Dead

"Rock 'n' roll is dead?" No. It's. NOT! Come on, Rubinoos! You know better than that! Hell, this very song proves its title was, like, ironic or something. 

My Rubinoos fandom is detailed here. What a great, great band, then and now. Just don't believe them when they kid you about the death of rock 'n' roll. Pranksters. Pranksters, the lot of them.

DONNA SUMMER: I Feel Love

The year of 1977--the same year when I first became a fan of the Rubinoos-- also provided me with the first Donna Summer song I ever loved. "I Feel Love" was the second Donna Summer song I heard, but 1975's "Love To Love You Baby" never meant anything to me (its implied 'n' earthy sense of bouncy-bouncy notwithstanding). By contrast, the new wave cool of "I Feel Love" was so monolithic and precise that even my practiced teen anti-disco stance couldn't hope to resist its sway. I feel it. As I wrote in my book The Greatest Record Ever Made! (Volume 1):

"1977 had the potential to be a year of musical revolution. When we say that, most of us are talking about punk, about the Sex Pistols, the Ramones, the Clash. Maybe we're not thinking as much about disco, and maybe that's fair. But if we want to consider the potential of pop music's revolution in '77, our discussions of 'God Save The Queen,' 'Sheena Is A Punk Rocker,' and 'White Riot' had better allow some room on the dancefloor for 'I Feel Love' by Donna Summer.

"In the late '70s, disco and punk were supposed to be at war with each other. As a self-professed punk rocker in that era, I can attest that, yeah, punks didn't like disco, and the bumpin'-n-hustlin' set was appalled by the loud and fast noise my people favored. Hatfields and Capulets, meet McCoys and Montagues. Never mind the fact that the mainstream rock crowd held both punk and disco in nearly equal disdain; this was war!

"Except that it wasn't. I'm skeptical of the notion that many of the Saturday Night Fevered ever took much interest in the Damned or the Dead Boys, but some among the new wave brigade did eventually allow their ears and minds to be a bit more open to non-pogo dance music, to the beat of dat ole debbil disco. Maybe it was just me, but I was a pop fan anyway; my intense dislike of disco music evolved into occasional tolerance, and tolerance evolved into a sporadic realization that some of the records weren't bad. 

"Plus: Donna Summer. Donna Summer was gorgeous. I feel love...."

THE MONKEES: For Pete's Sake
THE MONKEES: You Just May Be The One

Collectively, The Greatest Record Ever Made!

CHUBBY CHECKER: The Twist


I have not been shy in proclaiming that the ongoing failure of The Rock And Roll Hall Of Fame to induct the Monkees is that institution's single most egregious omission among a big ol' stack of egregious omissions. #inductthemonkees awready!

Chubby Checker is likely my pick for the Hall's second-biggest snub to date. His 1960 hit "The Twist" is one of the most impactful singles of the rock 'n' roll roll era, and while it's good and proper that Hank Ballard and the Midnighters (who recorded the original version of "The Twist") are in the Hall, it was Chubby Checker's mass hit version that made history, broke barriers, changed the course of mighty rivers, bent steel in its bare hands, et cetera. The Rock And Roll Hall Of Fame's wish to punish Chubby Checker for the mortal sin of not being Hank Ballard is--how shall I phrase this delicately?--fucking brain-dead stupid. At long last, Chubby Checker has been nominated FOR THE FIRST TIME [?!], and I pray he finally gets in this year.

(How seismic was Chubby Checker's "The Twist?" It is easily one of the all-time Top Five most impactful 45s, and you could make a case for it in the Top Three. "Heartbreak Hotel" by King Elvis I is # 1, and I don't consider that point subject to debate. Bill Haley and his Comets' "Rock Around The Clock" has to at least be in the discussion, just by virtue of being rock 'n' roll's first # 1 hit. And Beatlemania, of course, with either "She Loves You" in the UK or "I Want To Hold Your Hand" in America. I think those are the four, and I don't even have a ready candidate for a fifth 45. Impact. That's all I'm talking about here. There are records I like even more than I like these, but I can't think of any other picks that could rival their importance and effect upon the rock and pop world.)

JOE GIDDINGS: Tonite Tonite

Stories With Guitars is the excellent current album from Joe Giddings, and we've been playing its magnificent radio-ready track "Tonite Tonite" with all of the dizzyingly manic fervor people expect from obsessive pop fans like Dana and Carl. It's what we do!

We're playing our man Joe again on our next show, but we're giving "Tonite Tonite" the week off. What gift from Giddings are we programming in its stead? Joe Giddings IS one of the fine acts on this Flashcubes tribute album. So! Let's open this coming Sunday night's radio record party with Joe Giddings covering the Flashcubes. Set bright lights to stun. You won't want to miss this.

IRENE PEÑA: Come And Get It

Pop music. If you want it, here it is. You know what to do.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Thursday, March 27, 2025

MEET THE FRANTIKS! (Gathering the first four chapters of my novel in progress)

Each of these first four chapters of my proposed novel Meet The Frantiks! has been posted previously. As I look into what will happen in Chapter 5 and beyond, and as I feel the characters pulling me toward a different path than I originally envisioned, I wanted to collect the book's beginning in one place. This is a long-term project, and I have several other books to complete before this one. But I like this a lot. Whether this is your first visit here or a reintroduction, I say now is a fine time for you to meet the Frantiks.

CHAPTER 1

I was dreaming. In the dream, I was still a little girl, five years old.

I knew it was a dream. I'm a grown woman, a widow, an occasional writer, and a frequent insomniac. When I did sleep, I didn't dream. But I was dreaming now.

I was dreaming that it was 1965. The year my parents divorced. The year my Aunt Ellis died. The dream wasn't about any of that.

The dream was about television.

Bobby's Angel was my favorite TV show when I was five. I know you've never heard of it. It ran just one season, its IMDB listing is perfunctory, and none of its cast members went on to subsequent fame or fortune. It doesn't turn up in reruns, and it's not on YouTube. It's...gone, man.

The show was about a teenaged boy named Bobby, who was head-over-heels for Angel, the pretty girl next door. Angel just happened to be a literal Angel, sent down from Heaven to learn more about these silly, fascinating mortals, and to do good with her heavenly powers. Hijinks ensued.

It was 1965. Anything was possible in 1965.

My favorite episode of Bobby's Angel was the show's only two-parter. "Meet The Frantiks!" and "Beat The Frantiks!" A lot of TV shows did mock British Invasion episodes, where the regular characters interacted with a twangin', moptopped combo inspired by...yeah, those guys. The Beatles. The Standells, a real-life American group, turned up on The Munsters, and actual English pop stars Chad and Jeremy played the fictional Redcoats on The Dick Van Dyke Show. But it was usually a fake group, created in a Hollywood writers' room for a one-off sitcom appearance. Sometimes the "group" spoke in an exaggerated Cockney tongue. The actors were almost always Yanks.

I presume the Frantiks were also made in America, and I presume they didn't exist outside of the two consecutive weeks they shook their puddin' cuts in glorious black and white on an obscure TV show no one else remembers. If there were ever any such thing as Frantiks 45s or (even less likely) LPs, they were too obscure for a listing on an authoritative site like Discogs or 45Cat. The Frantiks barely rated a quick mention in the book It's A Shindig And A Hullabaloo!, Marshall Crenshaw's definitive study of rock 'n' roll on TV. They probably weren't real. To the world at large, they didn't matter at all.

But I loved the Frantiks. I was five. I never missed Bobby's Angel, and my eyes were wide and my ears open to the sights and sounds of these faux British Invaders cavorting on screen. They were cute, and they were funny. The music was vibrant, closer in style to the authentic American folk rock of the Beau Brummels (who, of course, appeared in animated form as the Beau Brummelstones on The Flintstones) than your Bedbugs or Mosquitos or whatever cathode-ray caricature of rock 'n' roll that show biz could concoct at the time. It was genuinely...good, radio-ready. I wish it existed in some legit form.

No actors were credited in the roles of the Frantiks (Simon, Wally, Tristan, and--of course--Moishe); the Frantiks were played by the Frantiks. Duh. Five-year-old me wouldn't have noticed the credits, but my late husband Dennis somehow tracked down bootleg DVDs of the show's entire brief run. I've never seen any other evidence of such a product anywhere. Dennis could find the impossible-to-find. The DVDs were his final gift to me before he...you know. Almost a year ago. But anyway, I don't have to rely solely on a six-decade-old memory of the Frantiks on Bobby's Angel.

I would remember it anyway. "Meet The Frantiks!" and "Beat The Frantiks!" were the last-ever episodes of Bobby's Angel, as Angel and her hapless mortal suitor Bobby tried to become rock 'n' roll movers and shakers. Yes, hijinks ensued. Hijinks always ensued, didn't they?

Until they didn't anymore.

I watched these on first run at my Aunt Ellis' apartment. When "Beat The Frantiks!" ended, Aunt Ellis scooped me up and carried me to bed. The next morning, my parents picked me up, and Aunt Ellis kissed me goodbye.

I never saw her again. Except in my dreams. 

I stopped dreaming when Dennis died.

Until that night, a night in the present day, when I dreamed it was still 1965. I was with my Aunt Ellis, watching a new--new!--episode of Bobby's Angel, with the Frantiks returning for their third appearance with Angel and Bobby. There were more great songs by the Frantiks, songs that felt so vivid and immediate in my dream but which I knew weren't real. 

Aunt Ellis' doorbell rang. She answered, and welcomed the Frantiks--THE FRANTIKS!!!--into her apartment. Simon, Wally, Tristan, and (of course) Moishe smiled, joked, laughed, schticked, and grabbed instruments that were magically present in Aunt Ellis' little living room. The Frantiks played yet another new song, dedicated to me. Come on and dance, just take this chance, I know you're looooooooonely, because I'm loooooooonnely too, lonely just like you. The music kept playing, Moishe somehow dancing with Aunt Ellis while simultaneously being seen at his drum kit, the others taking turns dancing with me as they also remained on their impromptu bandstand. You know how dreams are. You know how TV fantasies work. It was a montage. 

It felt genuine. 

As we danced, I was five. Then I was twelve. Sixteen. Twenty-one, and Simon kissed me. Forty-four. Fifty-seven. Sixty-four. The Frantiks stayed the same. Aunt Ellis stayed the same.

And then I woke up.

3:30 in the morning. Damn it. I didn't have to look at my clock. I woke up with a start every morning at exactly 3:30. I looked at the clock anyway. 3:30. Damn it again. I'd gone to bed at two. It never mattered what time I went to bed. I was up at 3:30, no matter what.

It's the time that Dennis used to come home.

CHAPTER 2

Don't you worry about me, baby

Music began to play. Weird. The clock radio? I never set an alarm; why bother when you wake up with a start every morning at 3:30? And weirder still that this unexpected ditty happened to start playing with that too-familiar phrase. "Don't you worry about..."

Wait. What the actual...WHAT...?!

It was the Frantiks. I knew those voices, that sound. And it was the song they'd just been singing in my dream.

Don't you worry about me, baby
I mean no harm
I'm just taken by your charm
(That's no surpriiiiise!)
With just one glance
(Yeah Yeah!)
I see romance
(Yeah Yeah!)
I've fallen in love, baby
(Right before your eyes!)

Right before my eyes? I rubbed my eyes, and...yeah, there they were. Simon, Wally, Tristan, and (of course) Moishe. In my bedroom, duly armed with guitars, bass, and tambourine. Singing to me.

I blinked. The room was silent. The Frantiks were gone.

Don't you worry about me, baby. I'll do the worrying for both of us.

I have no history of hallucination. I've never dropped acid, and my active imagination doesn't prevent me from seeing things as they are. 

Usually. 

There was that one time when I was little, right after Aunt Ellis died. Daddy had driven me, Mom, my older brother Steve, and a few of my cousins into the city to visit with other mourning relatives. I was playing in the backyard, as far as I could get from the dismal fog of sorrow, anger, and cigarette smoke that held court inside the house. I heard a car engine start. I knew--knew--I was about to get left behind.

I looked to the sky, frightened, and whispered, Mommy, Daddy, please don't leave me! And, I swear, an angel appeared before me. It seemed the most natural thing in the world. I couldn't tell if the angel was Aunt Ellis, or maybe it was Angel, from Bobby's Angel. The vision spurred me to run from the yard, and race to the driveway as our family car was backing out. I remember the shock on Daddy's face as he realized I wasn't already in the car, could see his lips forming my name. Valerie...!  He stopped the car with a jolt, and jumped out and up to grab me and hug me. He was crying. Mommy joined him. We held each other forever. 

A week later, Dad moved out.

I'd love to say I hadn't thought about that near-abandonment in decades. 'Tain't so. Ask my therapist. I never blamed my parents; Daddy was all but overcome with grief, Mom wasn't faring much better, and they felt terrible, awful, for not realizing I wasn't already in the car with them. But the sting of the memory lingered. It lingered still, sixty years later at 3:30 in the morning, as all evidence pointed to the inescapable conclusion that I was going nuts.

Don't you worry about me, baby. I hated that phrase, and I hated how it had nonetheless become such a regular part of my own speech. Dennis used to say it all the goddamned time. Val, my love, he'd insist, Don't you worry about me, baby. Don't worry if a bill gets paid late. Don't worry if I miss an appointment. Don't worry about that lipstick stain on my collar, that scent of perfume on my neck. Don't worry about when I get home at night, or morning. Don't worry about my health. Don't worry about my mood. Don't worry...

And I started to cry.

Why was I crying? It had been almost a year, it's...it...

...It had been exactly a year. The anniversary had snuck up on me. Don't worry about me, baby. Just didn't see it coming. I didn't see it coming a year ago either.

By now, the clock said 3:36. Go back to sleep? That would be a fantasy. A hallucination. I got up to make a nice hot cup of coffee. Don't you worry about me, baby. I don't worry.

Why should you?

CHAPTER 3

Suddenly, there was a knock at my door.

No there wasn't.

A voice, whispering in my ear. "No, no" I replied to whoever wasn't there with me. "It's gotta be my neighbor. Ben. He must have seen my lights or heard the noise made by the Frantiks..."

I stopped short. The Frantiks? Which was worse--talking to a voice in my head, or thinking that a make-believe sitcom band had been in my apartment in these wee, wee hours?

No, the voice repeated. Female voice. Familiar. Ben's not at your door. No one's at your door.

My phone rang.

No it didn't.

Silence. My phone was quiet.

It's okay. 

My lights dimmed by themselves.

You need to get some rest.

I protested, out loud, to this voice that couldn't have been there. "I'm an insomniac! I can't just 'get some rest,' for God's sake! It's not that easy...."

It will be easy tonight. It will get easier in some future nights, too. But let's at least make it easy for you tonight.

And I felt...tired. Tired, but in a comfortable way.

It's okay. You've earned the right to relax.

I felt the calm embrace me, like a comfy blanket.

Go back to bed.

And then I recognized the voice.

Don't worry about that right now. Relax.

Angel. It was Angel.

We can talk about that another time, Valerie. Right now, it's important that you get some rest. Please, Valerie. Go back to bed. Go back to sleep. 

And I did.

CHAPTER 4

And in such sleep, what dreams may come? My dream this weird night started with the theme song from Bobby's Angel. When it comes to catchy theme songs for TV sitcoms, let me tell you The Patty Duke Show had nothing on Bobby's Angel:

Bobby's Angel
Bobby's Angel
Bobby's Angel

Bobby's a boy
Angel's his joy
He's in love with his Angel next door
Angel's a girl
She's just out of this world!
And Bobby knows there's something more

Bobby's Angel is a real live Angel
Sent from Heaven with magic galore
Bobby's Angel is an extra-special Angel
And Bobby's crazy 'bout his Angel next door

Oh, Angel's got powers
And good luck is ours
Since Angel came here to stay
Angel's got magic
So nothing is tragic
Because Bobby's Angel
Bobby's Angel
Bobby's Angel
Will cast all our troubles away

I settled deeper into my bed. Relaxed. Sleeping. Dreaming. I may have heard a distant tune by the Frantiks. 

Everything was going to be all right! I knew it. Knew it. I would wake up and discover the past year had never happened. Dennis would emerge from the shower. Alive! We'd be happy. We would....

No. I'm sorry.

Angel's voice again.

I wish it could be that way. It can't.

The dream became troubled. I bolted upright in my bed, seized by fear, anxiety, rage, sadness, all at once. Panic. Desperation. An all-caps italicized exclamation-pointed ALONE! My heart raced. My breath grew short, nearly hyperventilating....

No, dear.

I wanted to scream in Angel's face. But she wasn't there. Only her voice was there.

You're not alone. We'll talk soon. Please rest. You are going to need your strength for what's ahead. Rest. Rest. Please. Just rest.

I slept through until morning.

TO BE CONTUNUED....

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Wednesday, March 26, 2025

MAKE SOMETHING HAPPEN! Another small update on THE FLASHCUBES TRIBUTE ALBUM

There has been a little bit more forward movement on the forthcoming compilation album Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. The album remains on-target for its September release date from the good folks at Big Stir Records.

I'm still holding off on announcing the names of the complete slate of participating artists; for the time being, we are only listing those who are already public knowledge through some resource or another. The disc will include three new recordings by the Flashcubes themselves, and the album will open with their ace new cut "Reminisce" (my favorite track of 2025 so far). We've played the Flashcubes tribute tracks from sparkle*jets u.k., the Kennedys, Pop Co-Op, and the Spongetones on This Is Rock 'n' Roll Radio, Chris von Sneidern has announced that he's covering "No Promise," and we've mentioned Hamell On Trial's gloriously cantankerous reading of "Got No Mind," which would require too many bleeps to make it sufficiently FCC-friendly for airplay but which will compel the ritual raising of fists when the album comes out.

As of our previous update, we had two spots listed as tentative; that number has since reduced its bad self to a mere one, and I'm pretty sure that will also be confirmed soon. I've received two more finished tracks--we'll get back to those in a second--and heard rough mixes of a couple of others. One of those rough mixes has the potential of adding a lead vocal from...no, that would be telling, but man, here's hopin'! Overall, we seem to be right about where we should be.

This past Sunday's edition of TIRnRR opened with a Flashcubes tribute album track by Super 8 Featuring Lisa Mychols, covering the Cubic classic "When We Close Our Eyes." Our next show will open with Joe Giddings covering "You're Not Grounded." We'll add those artists to the tribute album's public listing now, and we'll also add Callan Foster, who created an irresistible video for his exquisite cover of "It's You Tonight" (as seen here).

The rest? Still [REDACTED], including the two rough mixes referenced two paragraphs north of here. Here, my friends, is what you're allowed to know at this still-early date:

Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES

Big Stir Records, September 2025

1. THE FLASHCUBES: Reminisce
2. sparkle*jets u.k.: Make Something Happen
3. [REDACTED]: Gone Too Far
4. [REDACTED]: Pathetic
5. CHRIS VON SNEIDERN: No Promise
6. THE KENNEDYS: Walking Through The Park
7. [REDACTED]: Five Personalities
8. CALLAN FOSTER: It's You Tonight
9. [REDACTED]: Christi Girl
10. HAMELL ON TRIAL: Got No Mind [EXPLICIT]
11. [REDACTED]: You're Not The Police
12. THE FLASHCUBES: [REDACTED]
13. [REDACTED]: I Need Glue
14. POP CO-OP: Wait Til Next Week
*15. [REDACTED]: I Won't Wait Another Night
16. [REDACTED]: Muscle Beach
17. [REDACTED]: Born To Cry
18. JOE GIDDINGS: You’re Not Grounded 
19. [REDACTED]: She's Leaving
20. SUPER 8 FEATURING LISA MYCHOLS: When We Close Our Eyes
21. [REDACTED]: Radio
22. [REDACTED]: Welcome To The Working Class
23. THE SPONGETONES: Nothing Really Matters When You're Young
24. DUCKY CARLISLE: THE FLASHCUBES!!
25. THE FLASHCUBES: [REDACTED]

*=tentative

The song sequence remains unchanged at this time, but may be subject to tweaking as we go.

And a-tweaking we will go! Bright lights stand ready.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.