Showing posts with label Shangri-Las. Show all posts
Showing posts with label Shangri-Las. Show all posts

Saturday, February 3, 2024

10 SONGS: 2/3/2024

 10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1218. This show is available as a podcast.

MARY WEISS: Stop And Think It Over

When news broke a couple of weeks ago  that singer Mary Weiss had passed, it felt imperative for TIRnRR to attempt a tribute to her legacy and impact. Weiss achieved the bulk of that impact as lead singer of the Shangri-Las, so yeah, we were absolutely going to play some Shangri-Las. 

The Shangri-Las broke up by the end of the '60s, their final single released in 1967. An attempted reunion in the late '70s didn't pan out. Weiss's first and only solo releases came in 2007.

And man, they were terrific.

Backed by the rock 'n' roll prowess of the Reigning Sound, Mary recorded Dangerous Game for the mighty Norton Records label. It was my favorite new album that year, but the album and its two attendant singles comprise the the entirety of Mary Weiss's solo output.

"Stop And Think It Over" was one of the singles off Dangerous Game.. We played it a lot when it was new, and we played it to open this week's show. Just so happens we're playing it again this coming Sunday night, too. 

Legacy. Impact. Some things endure. With love and respect, This Is Rock 'n' Roll Radio remembers Mary Weiss.

JOHNNY THUNDERS: Great Big Kiss

Rules governing internet radio shows limited us to just four Shangri-Las tracks in our three-hour time slot. We played the group's three highest-charting hit singles--"I Can Never Go Home Anymore," "Remember (Walkin' In The Sand)," and "Leader Of The Pack"--and added "Footsteps On The Roof," the B-side from their final 45. We'll have its A-side "Take The Time" on our next program.

We wanted to supplement this fab four with a few covers of other Shangri-Las delights. That plan commenced with the one and only Johnny Thunders, whose former band the New York Dolls owed an obvious debt to the Shangri-Las; the Dolls recorded an originally unreleased cover of "Great Big Kiss," and nicked the song's opening line--"When I say I'm in love, you best I'm in love. L-U-V"--for their original tune "Looking For A Kiss." We included "Looking For A Kiss" in this week's closing set.

Thunders returned to "Great Big Kiss" for his solo debut, 1978's So Alone. Patti Palladin contributed the chick vocals in back-and-forth to Johnny's dude vocals. I regret that Johnny's contrary sense of humor led him to change the original's "Tell me more!" line to something considerably less palatable in his cover's early going, but he changes back to "Tell me more!" after that, and the result is sweeter than you may expect. There's an element of camp or parody, I guess, but it doesn't obscure Johnny's inherent affection for the Shangri-Las. 

The affection wins out. As it oughta. MWAH!

NEKO CASE: The Train From Kansas City

Another Shangri-Las cover, this time a live performance by Neko Case. "The Train From Kansas City" was the B-side to the Shangri-Las' "Right Now And Not Later" in 1965, and both sides deserved much greater success. Case's reverent rendition is spirited in its own right, and I honestly couldn't tell you which version I prefer. That doesn't happen often for me with Shangri-Las covers.

PAUL COLLINS: I'm The Only One For You

One of the new albums I'm most looking forward to hearing this year is Stand Back And Take A Good Look, courtesy of power pop king Paul Collins and the intrepid Jem Records label. I've been a Paul Collins fan since I was in college in the late '70s, listening to his work with the Nerves, the Breakaways, and his own subsequent combo the Beat, aka the Paul Collins Beat. The Beat's 1979 debut LP is an acknowledged classic of power pop, and Paul's "Walking Out On Love" is tentatively scheduled to be celebrated in my tentative book The Greatest Record Ever Made! (Volume 1). Power pop fan? That's MY beat!

Based on a spin of the album's first single "I'm The Only One For You" (recorded alongside another power pop great, the late Dwight Twilley), it's a safe presumption that this record's gonna kick what needs kickin'. Stand Back And Take A Look is out February 16th. We played the single this week. We're playin' it again this Sunday night. Can't stop the beat, man. Can't stop the beat.

THE SHANGRI-LAS: Leader Of The Pack

The Greatest Record Ever Made!

TWINKLE: Terry

One measure of a musical act's impact is the sincere flattery of attempts at imitation. The Shangri-Las' "Leader Of The Pack" was a # 1 hit in 1964. That same year, a British singer called Twinkle had a UK hit with "Terry," a song that doesn't sound like the Shangri-Las, but swipes its tragic biker love story directly from "Leader Of The Pack."

As a kid in the '60s, I actually knew "Terry" way before I was aware of "Leader Of The Pack." "Terry" wasn't a hit in the States, but the American Tollie Records 45 was in our family record collection. I don't know if one of my siblings bought it, or if I picked it out on one of the occasions my parents took me to J.M. Fields and let me pick out a 45 of my own.

And its flattery remains sincere. Decades later, I bought a Twinkle best-of CD, and "Golden Lights" became my favorite among her works. Still love "Terry," too.

THE RAMONES: Here Today, Gone Tomorrow

Ain't it the truth, brudders. Ain't it the truth.

MARY WEISS WITH THE REIGING SOUND: Tell Me What You Want Me To Do

Our show-opener "Stop And Think It Over" is my # 1 solo Mary Weiss track. "Tell Me What You Want Me To Do" is a very close second, and further illustration of the sheer enduring vibrance of Dangerous Game

THE DOWNBEAT 5: Dum-Dum Ditty

One more Shangri-Las cover, and it's a good one. The Downbeat 5's lead singer Jen D'Angora has become a TIRnRR Fave Rave with both the Shang Hi Los and Jenny Dee and the Deelinquents, but we first heard the rock 'n' roll power of Jen's vocals with the Downbeat 5. 

And it makes our hearts go dum-dum-ditty-boom-boom. Of course!

THE SHANGRI-LAS: Remember (Walkin' In The Sand)

REMEMBER!

As if we could ever forget. Godspeed, Mary Weiss.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Monday, January 29, 2024

This Is Rock 'n' Roll Radio # 1218


Recently, musician Mickey Leigh quoted a New York Times piece eulogizing Mary Weiss, former lead singer of the Shangri-Las. The article mentioned Mickey's brother, Joey Ramone: "[Weiss] said the greatest compliment she had ever been paid came when she ran into Joey Ramone at the New York punk club CBGB, and he told her, 'Without the Shangri-Las, there would have been no Ramones.' ”

Precisely.

I don't think the Shangri-Las have ever been given proper credit. They've certainly never even been nominated for induction into The Rock And Roll Hall of Fame, but to hell with that nonsense. The Shangri-Las had unforgettable hits, irresistible deeper tracks, and an enormous influence on '70s punk, especially in New York City. The New York Dolls. Blondie. The Ramones! "New Rose," the debut single from UK punks the Damned, opened with a quote from the Shangri-Las' "Leader Of The Pack:" Is she really going out with him? The Dolls stole from "Give Him A Great Big Kiss"--When I say I'm in love, you best believe I'm in love, L-U-V--in their own song "Looking For A Kiss." When the Shangri-Las attempted a comeback in the '70s, it's said (per Wikipedia, anyway) that Weiss wanted their new recordings to come from the same wrong side of town as Patti Smith. Clueless record labels said they should find somebody new, and the Shangri-Las abandoned their reunion.

Mary Weiss returned to the biz in 2007, working with the Reigning Sound for a fabulous new album called Dangerous Game, released by the visionary Norton Records, a label that understood. It was my favorite album that year, and that album and its attendant singles are the only records Weiss ever released outside of her tenure with the Shangri-Las in the '60s.

Man. I wish there had been more.

But we will keep appreciating--and playing--what we have. This week, we paid humble tribute to the legacy of Mary Weiss, with the A- and B-sides of her two 2007 singles for Norton, tracks from Dangerous Game, and a handful of absolute delights from an underrated, legendary vocal group called the Shangri-Las. We'll be playing more of them in the coming weeks. Through it all, we will continue to do what the Shangri-Las suggested on their very first single in 1964:

REMEMBER!

And that's called "sad."

This is what rock 'n' roll radio sounded like on another Sunday night in Syracuse this week. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream, and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio

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TIRnRR # 1218: 1/28/2024
TIRnRR FRESH SPINS! Tracks we think we ain't played before are listed in bold

MARY WEISS: Stop And Think It Over (Norton, single)
THE ASSOCIATION: Blistered (Collectors' Choice Music, And Then...Along Comes The Association)
JOHNNY THUNDERS: Great Big Kiss (Sire, So Alone)
NEKO CASE: Train From Kansas City (Anti, The Tigers Have Spoken)
--
PAUL COLLINS: I'm The Only One For You (Jem, Stand Back And Take A Good Look)
ROBIN LANE AND THE CHARTBUSTERS: Don't Wait Till Tomorrow (Blixa Sounds, Many Years Ago: The Complete Robin Lane & the Chartbusters)
THE SHANGRI-LAS: I Can Never Go Home Anymore (Mercury, The Best Of The Shangri-Las)
BO DIDDLEY: Diddy Wah Diddy (MCA, The Chess Box)
--
ROXANNE FONTANA: The Singer Not The Song (single)
STONEY AND MEATLOAF: It Takes All Kinds Of People (Real Gone Music, Everything Under The Sun)
THE FLASHCUBES: Come Out And Play (Big Stir, Pop Masters)
THE HAPPY EGGS: Rippy (Loaded Goat, Wake Up EP)
MARY WEISS WITH THE REIGNING SOUND: My Heart Is Beating (Norton, VA: 20 Pounders Vol. 2/World Of Pain)
WINGS: Getting Closer (Capitol, Back To The Egg)
--
THE SHANGRI-LAS: Footsteps On The Roof (Mercury, VA: Growin' Up Too Fast: The Girl Group Anthology)
PETE TOWNSHEND AND RONNIE LANE: Rough Mix (Atco, Rough Mix)
MARY WEISS: A Certain Guy (Norton, single)
WARREN ZEVON: A Certain Girl (Rhino, Genius: The Best Of Warren Zevon)
VEGAS WITH RANDOLPH: I Got A Name (n/a, The Future Store)
BLONDIE: 11:59 (Chrysalis, The Platinum Collection)
--
STAR COLLECTOR: Halfway Home (n/a, Attack, Sustain, Decay...Repeat)
DWIGHT TWILLEY: Let Her Dance (Big Oak, The Best Of Twilley: The Tulsa Years 1999-2016)
MARY WEISS WITH THE REIGNING SOUND: Nobody Knows (But I Do) (Norton, Dangerous Game)
THE INCURABLES: Go Away (Big Stir, Inside Out & Backwards)
--
THE DUMBANIMALS: Lollygagger (Kool Kat Musik, Thrift Pop)
ELVIS COSTELLO AND THE ATTRACTIONS: Accidents Will Happen (Rykodisc, Armed Forces)
THE SPONGETONES: Goodbye (Black Vinyl, Oh Yeah!)
MARY WEISS: I Don't Want To Know (Norton, single)
KLAATU: True Life Hero (Klaatunes, 3:47 EST)
--
The Greatest Record Ever Made!
THE SHANGRI-LAS: Leader Of The Pack (Mercury, The Best Of The Shangri-Las)
LITTLE RICHARD: The Way You Do The Things You Do (Reprise, King Of Rock And Roll)
SUPER 8: Keep Doing It (n/a, single)
PHIL SEYMOUR: Baby It's You (The Right Stuff, Precious To Me)
THE KINKS: The Hard Way (Velvel, Schoolboys In Disgrace)
--
TWINKLE: Terry (RPM, Golden Lights)
THE FLAMIN' GROOVIES: Tell Me Again (Grown Up Wrong!, Between The Lines)
MARY WEISS: Don't Come Back (Norton, single)
THE MUFFS: Something Inside [demo] (Omnivore, Really Really Happy)
PERILOUS: Tick Tock Punk Rock (n/a, YEAH!!!)
THE RAMONES: Here Today, Gone Tomorrow (Rhino, Rocket To Russia)
NICK LOWE: I Don't Want The Night To End (Yep Roc, Jesus Of Cool)
--
MARY WEISS WITH THE REIGNING SOUND: Tell Me What You Want Me To Do (Norton, Dangerous Game)
THE NEW YORK DOLLS: Looking For A Kiss (Mercury, Rock 'N Roll)
THE PRETENDERS: Losing My Sense Of Taste (Partlophone, Relentless)
THE DOWNBEAT 5: Dum Dum Ditty (Abbey Lounge, Victory Lounge)
PERE UBU: The Modern Dance (Soul Jazz, VA: Punk 45, Vol. 1)
THE SHANGRI-LAS: Remember (Walking In The Sand) (Mercury, The Best Of The Shangri-Las)
THE BEATLES: I Want To Hold Your Hand (Capitol, single)
--
MARY WEISS WITH REIGNING SOUND: Dangerous Game (Norton, Dangerous Game)

Saturday, January 20, 2024

THE GREATEST RECORD EVER MADE: Leader Of The Pack

From my long-threatened book The Greatest Record Ever Made! (Volume 1), offered today in memory of the late Mary Weiss.

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


THE SHANGRI-LAS: Leader of the Pack
Written by Jeff Barry, Ellie Greenwich, and George "Shadow" Morton
Produced by Shadow Morton and Jeff Barry
Single, Red Bird Records, 1964

The original post has been unpublished for bookkeeping purposes. It can be seen as a chapter in my book The Greatest Record Ever Made! (Volume 1)


If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, November 30, 2018

THE EVERLASTING FIRST: Quick Takes For S [music edition]

Continuing a look back at my first exposure to a number of rock 'n' roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it's the subsequent visits--the second time, the fourth time, the twentieth time, the hundredth time--that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.






SAM & DAVE



Well, this was certainly ass-backwards. I have no recollection whatsoever of Sam & Dave's music from when I was a kid in the '60s, nor did I develop any awareness of them as an oldies-obsessed adolescent and teen in the '70s. I'm embarrassed to admit that I first heard the song "Soul Man" via Saturday Night Live, when John Belushi and Dan Akroyd performed it on the show in their incarnation as Jake and Elwood, The Blues Brothers. I didn't care much about The Blues Brothers on SNL, but The Blues Brothers' subsequent recorded version sizzled, thanks largely to the irresistible guitar work of Stax Records legend Steve Cropper. Cropper and bassist Duck Dunn had also played on the original Sam & Dave recording of "Soul Man," and Jake and Elwood's faux soul revival eventually led me to the real deal. Gotta give Belushi and Akroyd some respect for knowing who to hang with. But once I did hear Sam & Dave's "Soul Man" and "Hold On, I'm Coming," I would have neither time nor inclination to ever listen to The Blues Brothers again.




THE SELECTER



I think I had at least heard of something called ska music prior to the 2-Tone British ska revival in the late '70s, but I probably couldn't have told you anything about it at the time. By '79, I knew who The English Beat were (I believe I voted for Saxa as Best Saxophone Player in some music poll), and in 1980 my college roommate had The Specials' first album. My quirky memory associates my belated discovery of The Selecter with the guy behind the counter at Muesey's, a convenience store not far from my apartment in Brockport circa '80 or '81. I usually bought my Goebel's Beer supply at Muesey's, so yeah, I was there a lot. Chatty sort that I can be at times, I must have mentioned my love of punk, new wave, and power pop music on one or more Muesey's visit, prompting Counter Guy to sniff Yeah, I guess that stuff's okay, but you really should be listening to ska, man. Something with a beat. Do you know The Selecter? I'd probably read about The Selecter in Trouser Press, but I hadn't heard them yet. I took Counter Guy's advice sufficiently to heart to at least keep my ears open. Before long, via radio or TV or whatever, I heard The Selecter's magnificent "On My Radio." What a fantastic track! I eventually picked up a 2-Tone sampler LP that included "On My Radio" and the nearly-as-great "Too Much Pressure," though I wouldn't own a Selecter album until purchasing a best-of CD within recent years. Nonetheless: Thanks for the tip, Counter Guy! My taste for The Selecter aged much better than my taste for Goebel's.



SHAM 69



Sham 69 was a British punk group that I read about in the '70s, but never got around to hearing. The press reports didn't exactly inspire enthusiasm, as descriptions of Sham 69 painted a picture of simplistic, laddish sloganeers, more pub-bound football hooligan than no-future anarchist in the U.K. I was curious about them, but not curious enough to seek out their music. It may have been as late as the '90s by the time I actually heard Sham 69, though I think I at least had some small exposure to them before that, or at least to lead singer Jimmy Pursey's appearance with The Clash in the film Rude Boy. Ultimately, Sham 69 struck me as the least-interesting of England's higher-profile punk groups of the day--all right, but no match for The Damned, and nowhere near the same league as The Sex Pistols. I wound up digging "Hurry Up Harry," a simple laddish track about goin' 'round the pub. Of course.



THE SHANGRI-LAS



Girl groups were sweet. The Shangri-Las were the bad-girl group, tougher than the rest, hangin' out with bikers, doin' it on the beach, and regretting such transgressions a year later while [REMEMBER!] walking in the sand. Beneath their leather beat hearts of gold, more fragile than they would easily admit. The Shangri-Las' best records were tiny teen dramas writ large for AM radio. I presume I heard them in the '60s, but my awareness of The Shangri-Las didn't dawn until my oldies immersion in the '70s. I must have heard "Leader Of The Pack" on the radio, and screamed along, Look out! Look out! Look out! LOOK OUT! Man, is she really going out with him? My first Shangri-Las acquisition was "Leader Of The Pack" on the 2-LP various-artists set Dick Clark 20 Years Of Rock N' Roll, which used a defective master that omitted the line One day my dad said find someone new; either that, or my copy skipped. Whatever. A subsequent purchase of an oldies collection called Supercharged Rock N' Roll Hits gave me a complete and unexpurgated "Leader Of The Pack," as well as "Remember (Walking In The Sand)." Yet another oldies comp (15 Original Rock N' Roll Biggies Vol. 2) added "Give Him A Great Big Kiss" to my cavalcade o' Shangri-Las gems. My sister gave me a CD of The Shangri-Las' best; her daughters used to sing along with its track "Long Live Our Love," dressing up and acting it out in the infectious, flamboyant fashion of little girls. Years later, I played the song again on my radio show shortly after my sister's oldest daughter was killed in a stupid car accident. And I just sobbed, singing along Long live our love, long live our love. I still can't come to terms with what happened. (To close this on a happier note, I'll mention that former Shangri-Las lead singer Mary Weiss' 2007 album Dangerous Game was one of the best albums released that year.)



SIMON & GARFUNKEL




Where have you gone, Joe DiMaggio? In 1968, the success of Simon & Garfunkel's "Mrs. Robinson" was so vast and ubiquitous that even this eight-year-old knew it, and that's my earliest conscious memory of Paul 'n' Artie. I became a huge S & G fan in the '70s, to the extent that they probably rivaled The Monkees as runners-up to The Beatles in the countdown of my all-time top pop acts. (The Ramones and The Flashcubes ultimately knocked everyone who wasn't The Beatles outta my Top Three, with The Monkees and The Kinks right up there next in line.) I still love Simon & Garfunkel, too. An English teacher in middle school or high school used "The Sounds Of Silence" as an example of poetry in pop songs, and from there I moved on to "The Boxer," "Homeward Bound," "El Condor Pasa," "I Am A Rock," "The 59th Street Bridge Song," and "Bridge Over Troubled Water." When the pair reunited in '75 for the single "My Little Town," it was the next best thing to The Beatles re-Beatling. (And I loved the sequence when Paul Simon hosted the second-ever edition of NBC's Saturday Night (later re-named Saturday Night Live), with musical guest Art Garfunkel. Paul said to his erstwhile partner, So. Artie. You've come crawling back. Homeward bound.)



SLADE



The glittery 'n' glammy-looking (but rompin' 'n' stompin'-sounding) Slade were huge stars in their native British Isles in the early '70s, but nearly unknown in the States at that time. Except for in Syracuse; let's face it, we here in Syracuse were just plain ahead of you backward louts in the rest of America. You'll catch up with us. Someday. Harrumph. Slade's awesome "Gudbuy T' Jane" was a great big hit record on Syracuse's Big 15 WOLF-AM, and I freakin' adored it. I can't remember whether or not I ever saw Slade alongside the divine Suzi Quatro, the loathsome Gary Glitter, or the Tartan-clad Bay City Rollers on cable-TV airings of the British pop show Supersonic a few years later; even if I did, "Gudbuy T' Jane" is my only real Slade memory from that time frame (other than a radio ad for a Slade live concert appearance, which this young teen had zero chance of attending). As a college freshman in the spring of '78, I read more about Slade in Bomp! magazine's landmark power pop issue. A later Main Street Records purchase of the best-of set Sladest gave me "Mama Weer All Crazee Now" and "Cum On Feel The Noize," and I was a fan. When goofy metal group Quiet Riot hit big in the '80s with a cover of "Cum On Feel The Noise," I could only roll my eyes at my countrymen and countrychicks embracing this clunky imitation instead of the rockin' original. When Slade finally had U.S. hits in the mid '80s with "My Oh My" and "Run Runaway," I shook my head in wonder that it took my fellow Americans so long to understand and embrace what AM radio listeners in Syracuse already knew more than a decade before that. Come on: feel the noise.



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