Showing posts with label Weeklings. Show all posts
Showing posts with label Weeklings. Show all posts

Wednesday, December 24, 2025

10 SONGS: 12/23/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1316: The 27th Annual THIS IS ROCK 'N' ROLL RADIO Christmas show

THE WEEKLINGS: Gonna Be Christmas

Why, yes! It IS gonna be Christmas! Very soon! Following our standard Christmas show introduction--John and Yoko's "Happy Xmas (War Is Over)"--The 27th Annual THIS IS ROCK 'N' ROLL Christmas show opens with this delightful track from the Weeklings' Christmas album. It's a perfect song to kick off our seasonal celebration, its eyes bright with wonder and its heart open to the promise of possibility. It's gonna be Christmas. Here's a toast and a wish for the best of what that might be.

BLAINE CAMPBELL AND THE CALIFORNIA SOUND: Christmas Day

The annual TIRnRR Christmas shows are built in large part with familiar favorites. We don't want to do the same ol' show every December, but Dana and I do have a few specific tracks we're hell's-jingle-bells bent on programming. We never even come close to accommodating all of the music we wanna play, and this year's holiday playlist (like its 26 predecessors) did not have time to include a number of our perennial picks. Santa understands our dilemma, and he does not assign us naughty points for our omissions.

As berths on the playlist fill up faster'n a little kid's Christmas wish list, we still try to squeeze in a little bit of new Yuletunes alongside our beloved classics. We debuted 2025 offerings by Perilous, Jamie Hoover, and the Krayolas on last week's show, and saved this gem from Blaine Campbell and the California Sound's recent Holidays EP for this week. 

QUINT: Almost Christmas Eve

I'm not much of a Hallmark-style Christmas TV movie fan, but I recognize the sweet sugar-cookie comfort appeal of those flicks, and more power to those who celebrate. Love at Christmas? Can't fault that.

Before my mom passed in 2021, I used to catch extended glimpses of some works within this ho-ho-Hallmark genre playing in the common room at her nursing home. I think the only one I've ever deliberately watched in its entirety is 2021's Blending Christmas, which I made a point of seeing because TIRnRR's long-time friend Robbie Rist is in it (as are some of his former castmates from The Brady Bunch). I didn't get around to seeing Blending Christmas until well after he fact--I don't think I was aware of its existence until last year--but it was inoffensive and agreeable, and there's nothing wrong with that.

For the TIRnRR Christmas shows, the Hallmark and Company movie music content comes from Beaus Of Holly, a 2020 production with soundtrack contributions by Quint, which is our Robbie with film director Anthony C. Ferrante. Some years we play "Bows Of Holly," the de facto title theme as performed by Quint with guest vocalist Karen Bassett. Sometimes we go with "Almost Christmas Eve." Can't go wrong either way, and you can stuff your own virtual stocking with digital copies of both songs on the Quint collection Yes, It's Christmas

Warmth and comfort. Love for Christmas. Meet cute. I refuse to summon snark against anything that brings joy to the world. 

ELVIS PRESLEY: Santa Claus Is Back In Town

King Elvis I. Repeating what I've said in previous years: It's not Christmas without the King.

DARLENE LOVE: Christmas (Baby Please Come Home)


One long-ago holiday season, back when our pal (and Radio Deer Camp host) Rich Firestone was slavin' away in commercial radio, a clueless suit once told him that nobody wants to hear anything from Phil Spector's Christmas album A Christmas Gift For You. See, that guy's getting coal for Christmas. The late Spector himself is also getting coal; in fact he's probably helping to produce the (literally) damned coal nowadays--warm and toasty!--but I digress. 

We endeavor to include a track from Spector's Christmas album in each year's TIRnRR Xmas Xtravaganza. The picks vary from year to year; last year and the year before, it was the Ronettes' "Frosty The Snowman," and in 2022 it was the Ronettes' "Sleigh Ride." We've skipped some years, but A Christmas Gift For You is always in the mix as we consider what to play on our Christmas show.

The above-mentioned "Sleigh Ride" is the track I most remember hearing on December AM radio airwaves when I was younger, and it's a fabulous number indeed. But the truest classic on the Spector Christmas album is Darlene Love's "Christmas (Baby Please Come Home)," and it was way overdue for a return to our playlist. This year, it finally comes back home.

SLADE: Merry Xmas Everybody

Slade's 1973 we're-gonna-have-a-GLITTERY-Christmas treat "Merry Xmas Everybody" was a huge, huge hit in the band's native England, but it's merely something of a cult fave rave on these shores. Pity, because I've absolutely adored it since first hearing it on a various-artists Christmas collection more than a decade later.

Does your Granny always tell you that the old songs are the best? Then she's up and rock 'n' rolling with the rest

Old and new. As the philosopher Linus once told his friend Charlie: That's what Christmas is all about.

LIBRARIANS WITH HICKEYS: Listen The Snow Is Falling

The Greatest Record Ever Made!

THE MONKEES: House Of Broken Gingerbread

Last week, for the first time in a long time, I listened to the Monkees' 2018 album Christmas Party. At the time of the album's release, I was disappointed--very disappointed--that the Monkees were following up the sheer triumph of their 2016 album Good Times! with a Christmas record rather than, y'know, a real record. This disappointment grew three sizes when the subsequent deaths of Peter Tork and Michael Nesmith meant that Christmas Party would be the final Monkees studio album.

The playlist for this year's Christmas show was already set, and the show itself already recorded, before I listened to The Spoon podcast's 2025 Christmas show. The Spoon, hosted by that Robbie Rist guy with his buds Chris Jackson and Thom Bowers, is always a must-listen event, and their holiday presentation this year includes a track from Christmas Party, as Michael Nesmith croons "The Christmas Song." Papa Nez wasn't exactly Nat King Cole, nor did he wish to be, but his rendition is warm and inviting. I didn't hate it.

That was sufficient impetus for me to spin the whole album again, half of it during my Saturday morning commute, the rest of it when I arrived at work. It's a better record than my knee-jerk resistance to it would have conceded at the time of release. Micky Dolenz has always been one of my favorite pop singers, and he acquits himself well here, even on a palatable version of Paul McCartney's "Wonderful Dishwatertime," or whatever we wanna call that awful Macca song I've despised for decades. Mostly produced by the late Adam SchlesingerChristmas Party is almost a Dolenz solo album, with two independent contributions from Nesmith, two archival tracks by Davy Jones (whom we lost in 2012), and a heavily-autotuned solo vocal and banjo performance by a very fragile-sounding Tork on "Angels We Have Heard On High;" cancer claimed Tork in February of 2019, mere months after Christmas Party came out.

As noted above, our Christmas show was wrapped 'n' ready before I heard Michael Nesmith on The Spoon extolling the virtues of chestnuts roasting on an open fire, before my re-listen to Christmas Party. The Christmas Party track "House Of Broken Gingerbread" made its way to our playlist on its own virtue and vice and everything nice. Co-written by Adam Schlesinger and novelist Michael Chabon, "House Of Broken Gingerbread" is sung from the POV of a child of divorce, spending part-time holidays at the separate households of his estranged parents. Perhaps not the stuff from which traditional Christmas cards were crafted. Dolenz sings it so well, so commandingly, applying a candy-cane coating that does not conceal its underlying ache and discontent.

(The Monkees have appeared in some form on most of our 27 annual Christmas shows. Our usual go-to Christmas Monkees track is the simply gorgeous a cappella "Riu Chiu" from 1967 [discussed here], but we occasionally play "House Of Gingerbread" instead. This year, I was thinking of subbing "Christmas Is My Time Of Year," a 1976 single by Dolenz, Jones, and Tork, but as I was mulling song choices, Micky's insistent Fa la LA la la la-la-laaaaa from "House Of Broken Gingerbread" stage-dived into the visions of sugarplums that had been dancing in my head, causing 'em to flee for their lives. So: "House Of Broken Gingerbread" got the slot. Fa la LA...!)

THE RAMONES: Merry Christmas (I Don't Want To Fight Tonight)

Seems like a worthy goal.

THE IDEA: It's About That Time

John and Yoko at the top. George Harrison's "Ding Dong, Ding Dong" at or near the end. In between, our Christmas show perennials generally include "The Man In The Santa Suit" by Fountains Of Wayne, "Purple Snowflakes" by Marvin Gaye, "Gonna Ask Santa Claus" by Bibi Farber with the Michael Lynch Orchestra, "Jesus Christ" by Big Star, "Christmas" by the Rooks, "I Don't Intend To Spend Christmas Without You" by Margo Guryan, "2000 Miles" by the Pretenders, usually "Father Christmas" by the Kinks, usually something by James Brown, the Waitresses' "Christmas Wrapping" when we can carve out enough space for it. Other than the Beatles' Christmas messages 1963-1969, no individual track has been played on all 27 of our annual Christmas shows.

The Idea's "It's About That Time" has been on most of them. It's my # 1 all-time favorite Christmas track, and it's not Christmas for me if I can't play it.

It's about that time. Gather 'round the Christmas tree, or just around the artifact of your choice. "Happy Holidays!" remains one of many valid and welcome expressions of well wishes, and these trying times are in dire need of as many well wishes as we can generate. Peace on Earth. Good will toward all. It should always be about that time. We wish you the merriest.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Friday, October 10, 2025

10 SONGS: 10/10/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1305.

STEVE STOECKEL: I Wanna Be A Vampire

It's important to have goals. Be the vampire you wish to be!

My book The Greatest Record Ever Made! (Volume 1) includes a chapter about "The Transylvania Twist," a terrific 1963 single credited to Baron Daemon and the Vampires. Baron Daemon (played by the late, great Mike Price) was Syracuse's local TV vampire when I was a kid in the '60s. As I wrote in the book: To any kid living in Syracuse at that time, Baron Daemon was as big as the Beatles.

Friend of TIRnRR Steve Stoeckel is best-known as singer/songwriter/bassist with North Carolina's phenomenal pop combo the Spongetones. Our Steve was not a Syracuse kid in the 1960s, and any familiarity he might have with Baron Daemon probably came from, y'know, reading my book (a book that also contains a chapter about the Spongetones). But Steve effectively channels the Dracula Beat on "I Wanna Be A Vampire," his contribution to Big Stir Records' epic new Halloween compilation Chilling, Thrilling Hooks And Haunted Harmonies.

The music of the night! And a vampire song that does not suck. We'll switch from vampires to witches for a spin of another track from Chilling, Thrilling Hooks And Haunted Harmonies on our next show.

THE RAMONES: I Don't Want To Grow Up

Grow up...?! As if.

(But speaking of the Ramones--the American Beatles, the greatest American rock 'n' roll band of all time--lemme take this opportunity to thank my friends at Rare Bird Books, the publisher of my 2023 book Gabba Gabba Hey! A Conversation With The Ramones. The book was featured in this week's edition of Rare Bird's newsletter The Bird's Eye View, and I am very grateful for the mention.

Grateful. Still not grown up, mind you, but grateful.)

THE WEEKLINGS: Diamond Dogs

From the wonderful current compilation Jem Records Celebrates David Bowie, here's the Weeklings' cool take on Bowie's "Diamond Dogs." We offer it here as a dedication to the coaching staff (plus Higgins) of UFC Richmond. Hey guys! Looking forward to seeing you again this summer.

THE KENNEDYS: Walking Through The Park

From her secret origin as Maura Boudreau in North Syracuse, Maura Kennedy has always been one of us, a native daughter made good. Her husband Pete Kennedy isn't from around here, but he is likewise one of us, and Central New Yorkers proudly consider Maura and Pete's internationally-renowned coffeehouse pop combo the Kennedys to be local heroes, their downstate base of operations notwithstanding. It's a legit homecoming whenever the Kennedys play in Syracuse, and their latest homecoming occurs this Saturday, October 11th, at The 443 Social Club & Lounge. Tickets for the show? Glad you asked! Grab 'em with delirious glee right here.

Adding to the homecoming vibe, the Kennedys recently participated in Big Stir Records' various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes, recording a sublimely aching cover of the Flashcubes' lovely "Walking Through The Park." Here's hopin' the Kennedys' homecoming includes a live performance of "Walking Through The Park" at the 443 on Saturday.

VEGAS WITH RANDOLPH: She's An Intellectual

Calling all intellectuals! Long-time TIRnRR Fave Raves Vegas With Randolph have released Drops Of Gold: The Best Of Vegas With Randolph, an absolutely primo retrospective set that oughta be an automatic purchase for all of us who adore music of the rockin' pop persuasion. And the lads of VWR are promoting Drops Of Gold with an absolutely primo new video for their past TIRnRR Pick T' Click "She's An Intellectual." Even better, it's an animated video inspired by the style of classic DC Comics cartoons. HEY! They're playing directly to MY demographic! And they're playing to win. It's Vegas, baby.

SLYBOOTS: Silent Storm

New single from Slyboots! Their 2024 single "If We Could Let Go" was my # 1 favorite new track last year, and "Silent Storm" continues that world-weary but determined sense of reaching for a better world. 

And I think we could all use a better world at this point.

TINA TURNER: The Acid Queen

The Greatest Record Ever Made!

THE SUPREMES: All I Want

Like the rest of the group's post-Diana Ross output, the Supremes' 1972 cover of Joni Mitchell's "All I Want" is woefully, criminally underrated. It's too much of a hot take to say the Supremes records after Ross left are a better group o' tunes than the familiar hits with Ross, but I admit the hyperbole is tempting. Not true, I guess. But tempting. 

Either way, if you can find it, a two-disc Supremes compilation called The '70s Anthology is well worth seeking and acquiring. Will it be all the Supremes you want? No, probably not. Will it be worthwhile in its own right? Damned right it will.

SHOES: Tomorrow Night

From The Greatest Record Ever Made! (Volume 1):

In the late '70s, power pop was a niche genre that did not wish to be a niche genre. It wanted fame, fortune. It wanted action. It for damned sure wanted the girl, right now. If not tonight, then tomorrow night...

...Shoes was one of the most notable (and durable) among '70s power pop groups, an exquisite four-man band from Zion, Illinois. Shoes took their first step with an album that was literally homemade, recorded in guitarist Jeff Murphy’s living room and released on the group’s own Black Vinyl label in 1977.  

That album, Black Vinyl Shoes, was an instant pop classic, bursting with understated gems, songs simultaneously Beatlesque yet not strictly derivative of anything. Black Vinyl Shoes brought the group to the attention of Bomp Records/Bomp! magazine visionary Greg Shaw. Bomp released a non-LP 45 of  “Tomorrow Night”/”Okay,” which still ranks as the best 1-2 punch of Shoes’ always-distinguished recording career. 

"Tomorrow Night" is nearly textbook power pop, a pretty ditty that combines yearning and lust, its façade suggesting an equal measure of the two, but really looking for a steamy tomorrow-night stand. What the track lacks in explosiveness á la the Who or Raspberries is more than compensated by its confidence and posture, the music leaning forward with single-minded precision. It's catchy and aggressive, its dreamy, breathy vocals piloting a rockin' sound with one Beatle boot perched in the British Invasion and one ragged Converse stepping on a back-breaking crack in the New Wave of post-punk rock 'n' roll....

THE ISLEY BROTHERS: Shout (Part 1)

The perils of prerecording a radio show: On Sunday night, my back-announcement of spinning the Isley Brothers' "Shout (Part 1)" was accompanied by my prerequisite cry of Let's GO, Buffalo! That moment aired shortly after the previously-unbeaten Buffalo Bills had been defeated by themselv...er, by the Patriots. Nonetheless: Let's GO, Buffalo! I retain my hope of seeing Bad Bunny perform a Halftime show during a Bills game on TV this February.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Friday, February 9, 2024

10 SONGS: 2/9/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1219. This show is available as a podcast.

THE WEEKLINGS: All The Cash In The World

I'm prone to hyperbole anyway, so maybe you should ingest a li'l bit o' sodium when you hear me wonder out loud if the Weeklings' new album Raspberry Park just might be the group's best effort yet. But I tell ya: I'm starting to believe it is.

Exhibit A in that case is the Raspberry Park track "All The Cash In The World." As much as I've loved (and programmed!) the Weeklings' previous Pick Hits, "All The Cash In The World" carries some super-special intangible that elevates its pure sensory delight. "In The Moment,' from the Weeklings' 2020 album 3, has long been my go-to moment of Weeklingness. 

That moment now belongs to "All The Cash In The World."

MELANIE: Peace Will Come (According To Plan)

Our pal and colleague (and Radio Deer Camp host) Rich Firestone recently bemoaned the fact that we're forced to bid farewell to so many of our rockin' pop idols with such numbing, non-stop frequency. On this week's show, we say goodbye to Melanie Safka.

I wrote at length about my introduction to Melanie's music in a Greatest Record Ever Made! piece spotlighting "Lay Down (Candles In The Rain)," Melanie's magnificent collaboration with the Edwin Hawkins Singers. As we remember Melanie, it was tempting to play that song yet again this week. But it felt more appropriate to play a Melanie song that we'd never played before.

"Peace Will Come (According To Plan)" opens with a quiet dignity that blossoms into full-body exuberance, an embrace of peace that will accept no substitute. It is the delicate grace and willful power of Melanie in microcosm. Peace will come. 

Melanie said so. 

Godspeed, Ms. Safka.

HUNGRYTOWN: Another Year

Have we ever played Hungrytown before? A check of the ol' stats says...nope, this was the first time. Man, it's a lucky thing for us that we have tenure. Now that Hungrytown's Rebecca Hall and Ken Anderson have brought their unique folk vision to the ever-intrepid Big Stir Records label, maybe Dana and Carl can do a better job of getting Hungrytown into The Best Three Hours Of Radio On The Whole Friggin' Planet. It starts with "Another Year," Hungrytown's new single and Big Stir debut. Another year? We say it's another chance. We'll get it right this time.

THE SATISFACTORS: Arrested

Serendipity! When I fell in deep thrall to this track by the Satisfactors, I had no idea the ace lead vocals were supplied by none other than Kurt Reil of TIRnRR Fave Raves the Grip Weeds. HuzZAH!! Kurt was also the studio wizzard (spelling intentional, as it Wood be) who made our own 2022 compilation This Is Rock 'n' Roll Radio, Volume 5 sound so flippin' fantastic.

"Arrested" is also flippin' fantastic. The album is Dramatis Personae. This arrest merits further investigation. Just the facts: I'm on the case.

PAUL COLLINS: I'm The Only One For You

THE welcome earworm of 2024 so far. From power pop icon Paul Collins' forthcoming new album Stand Back And Take A Good Look, "I'm The Only One For You" finds Collins boppin' with righteous aplomb alongside the late Dwight Twilley, and the irresistible result fits right in among the best stuff Collins has ever done, including the Nerves, the Breakaways, and Paul Collins' Beat. I mean, the Beat's eponymous 1979 debut LP is one of the classics of power pop; "I'm The Only One For You" would have felt right at home on the record, mingling as a peer with your "Rock And Roll Girl" and your "Don't Wait Up For Me"" and your "Walking Out On Love." 

We debuted "I'm The Only One For You" on last week's TIRnRR. We played it again this week. And it returns to the air in Syracuse this coming Sunday night. DO wait up for this. And I can't wait to hear the album.

LEATHER CATSUIT: Can't Get You Off My Mind

Speaking of welcome earworms! Leather Catsuit's "Can Get You Off My Mind" comes equipped with a title that mirrors my opinion of the track: I can't get it off my mind. I don't wanna get it off my mind. It's pop music! I wanna hear it again and again. 

SUZI QUATRO: Paralysed

During back-announcements on this week's show, I joked that the set that opened with Leather Catsuit kicked off instead with Leather Tuscadero, mock-corrected myself, and then noted a couple of tracks later that we played Ms. Tuscadero herself, Suzi Quatro. And folks think we never plan stuff out in advance!

(They're usually right about that. But I digress.)

My original intent was to play Suzi Q's "I May Be Too Young," the first Suzi Quatro track I ever heard, and the subject of a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1). But, as often happens when we're trying to shoehorn the show into its three-hour slot, we had to look at where we could sub in shorter selections. In that process, I switched my Quatro choice to "Paralysed," from her album Your Mama Won't Like Me.

Although I bought Your Mama Won't Like Me (at Record Revolution in Cleveland Heights, Ohio) when I was still a 1970s rock 'n' roll teen with a crush on Suzi Quatro, it's been established that I didn't really like this album all that much. The above-mentioned Rich Firestone has suggested Suzi should have called it Carl Won't Like This. I need to give it a fresh listen one of these days, just to see if I like it better now.

Even back then, though, "Paralysed" was the one track I did like. Still do. The stories you've heard are gonna be confirmed. Sing it, Suzi.

ROB MOSS AND SKIN-TIGHT SKIN: Hey You (We're Sick Of You)

"Hey You (We're Sick Of You)," the latest single from Rob Moss and Skin-Tight Skin, has the good sense, good taste, good breeding, and good rockin' tonight to enlist the aid of the Flashcubes' irresistible force of nature Paul Armstrong on Special Guest Bat-Villain guitar. Holy Search and Destroy! It's a match made in Boston. Probably at The Rat. It's loud. It's proud. It's skin-tight. And it's on the radio in Syracuse.

TEGAN AND SARA: Walking With A Ghost

The Greatest Record Ever Made!

TAYLOR SWIFT: The Last Great American Dynasty

I'm told our next show has some heavy duty competition from a big football game on TV this Sunday. If the Buffalo Bills were playing, I'd even watch the game. But I would watch with the radio on.

But anyway, our congratulations to Taylor Swift. I've forgiven her boyfriend's team for ending the Bills' postseason this year--we'll get 'em next year!--and she is most definitely THE pop person of the moment. I don't listen to all of her work, but I admire her talent and her character. Plus she pisses off many of the same people who piss ME off. "The Last Great American Dynasty" (from her 2020 album folklore) is a truly wonderful track, and I think its Rumours-era Fleetwood Mac vibe is of a piece with whatever the hell it is we do here on This Is Rock 'n' Roll Radio.

And regardless of whether or not the team Taylor's rooting for at the Super Bowl prevails or comes up short, one thing's for sure: She's still gonna be Taylor Swift.

Winner!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, January 27, 2024

10 SONGS: 1/27/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1217. This show is available as a podcast.

VEGAS WITH RANDOLPH: What If?

Anyone who knows me is aware that my devotion to the big beat of the rock and the roll is matched, guitar to cape, by my pervasive and prevailing interest in superhero comic books. And while I have no idea whether or not the members of Vegas With Randolph have ever even read an issue of The Brave And The Bold or Tales To Astonish, I did use an  enthusiastic comics comparison when hyping their 2017 super team-up with Lannie Flowers for our compilation This Is Rock 'n' Roll Radio, Volume 4. That provides a coincidental bit of symmetry as we open this week's battle for truth, justice, and the Rickenbacker way with a new VWR track that shares its title with a Marvel Comics series:

What If?

That's the central question that sparks all fiction, the fantastic and the everyday alike. It's also the not-so-secret origin of many a relationship, and it serves as inspiration for many a fine pop song. Tell us about it, VWR:

What if, What if
I found you
and you wanted me
And I wanted you
And we were meant to be
What if I could lift the veil and see
Our destiny

Adventures await. It all starts with that question: What if?

"What If?" comes to us from Vegas With Randolph's forthcoming new album The Future Store. You should buy it. I did! And we will hear another of its tracks on our next show.

Will hear. There is no "if." There is just the amazing, the incredible, and the mighty. Excelsior!

THE JACK RUBIES: Heaven Shook Me
THE CYRKLE: Red Rubber Ball [21st century version]


This week's second set opens with two in a row from our friends at Big Stir Records. And while many think of Big Stir as a power pop (or at least power pop adjacent) label, this pairing illustrates that Big Stir is so much more than just one thing. 

The Jack Rubies are a British group that plied their surly craft in the '80s. Usually described as postpunk, the Jack Rubies are back with a new Big Stir album called Clocks Are Out Of Time, a brooding concoction that's as far removed from jangle as Mickey Spillane is from Mickey Mouse. Both great. Both great in different ways.

The Jack Rubies' "Heaven Shook Me" leads into the Cyrkle. Obviously. In the '60s, the Cyrkle annexed the charts with the sunshine pop of their big hits "Turn Down Day" and, of course, "Red Rubber Ball," the latter written by Paul Simon. The Cyrkle's present-day incarnation has signed with Big Stir, and in 2023 they released a single of the autobiographical "We Thought We Could Fly" coupled with a 21st-century remake of "Red Rubber Ball." We played "We Thought We Could Fly" upon its release, and the morning sun's "Red Rubber Ball [21st century version]" shines on this week's playlist. We hear the group is working on a new album for Big Stir. And we think's it's gonna be all right. Full Cyrkle.

BO DIDDLEY: Pills

It seems likely that a lot of folks in the TIRnRR demographic were introduced to Bo Diddley's classic 1961 song "Pills" via the cover version found on the New York Dolls' 1973 eponymous debut album.

Me? I never even knew the song existed before hearing former Dolls lead singer David Johansen warble it live at my first David Jo show in the summer of 1979. Even then, I thought the song was called "Rock 'n' Roll Nurse." I barely knew any Dolls or Johansen material before that show, just "Personality Crisis" and "Who Are The Mystery Girls," maybe "Babylon," and possibly David Jo's solo "Funky But Chic." After that night, I made a point of catching up as fast as I could.

I got to Bo Diddley's own "Pills" in 1990, with the acquisition of the two-CD Diddley compilation The Chess Box. A few years later, I got to see Diddley himself as part of an oldies package tour. I don't think he performed "Pills" in that live set at the New York State Fair, nor did Johansen sing it again in any of the shows of his I caught after my first one in '79. Guess he really didn't dig that jive the nurse was giving him.

We played Bo Diddley's "Pills" this week, and we played his late '60s bubblegum single "Bo Diddley 1969" last week. We'll serve up a third Bo Diddley classic on this coming Sunday night's program. Which one? Well, I tell ya: It ain't no town, and it ain't no city.

MARYKATE O'NEIL: I'm Ready For My Luck To Turn Around


FAIRPORT CONVENTION: Time Will Show The Wiser

On our radio show, Dana's been the one playing Fairport Convention, and I'm the one cheering every time he does. But I first heard Fairport Convention's cover of the Merry-Go-Round's delicate pop treasure "Time Will Show The Wiser" when my boss Lewis mentioned it. Lew loves Fairport Convention, and he saw them in concert some time in the way back when. As much I love the original, I now regard the Fairport Convention cover as definitive. Thanks for the tip, Lew! And thanks to Dana for programming it. Wise move.

HEADGIRL: Please Don't Touch

Girls can rock. Girls and boys can even rock together.

In 1980, the members of British metal acts Motörhead and Girlschool merged briefly as Headgirl, with their respective frontpersons--bassist Lemmy Kilmister and guitarist Kelly Jackson--trading lead vocals on a single called "Please Don't Touch." At the time of its release,  I knew Motörhead a little bit, and I was peripherally aware of Girlschool, an all-female group that was part of the then-hyped British New Wave of Heavy Metal, or at least a tangent to it. I guess a tangent is more accurate; their gender prevented them from being considered fairly alongside the boys in Iron Maiden and Def Leppard.

I didn't hear Headgirl's fantastic bludgeoning of Johnny Kidd and the Pirates' "Please Don't Touch" until 2021, but it made up for lost time by immediately becoming a part of my permanent Hot 100. It has a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), and it's always ready to pop into the TIRnRR playlist at any time.

(The playlist is the only instance where I'm only going to spin the song once, and move on. Otherwise? It is not uncommon for repeat plays of "Please Don't Touch" to occupy the entirety of the iPod soundtrack for my evening commute. Don'tcha touch me baby 'cuz I'm shakin' so much.) 

THE FLASHCUBES: Gudbuy T' Jane

A few paragraphs north of here, we talked about how Big Stir Records is so much more than just a power pop label. But now, let's speak of one of the label's power pop superstars, the Flashcubes. But first: These words about rock 'n' roll radio.

My love of rock 'n' roll radio was forged by my absolute fascination with AM Top 40, beginning when I was a kid in the '60s, manifesting in earnest when I was in middle school and high school in the '70s. My migration to FM by the time I graduated from high school in 1977 didn't change the fact of the matter: Radio was everything. 

In those days, Top 40 stations in one city weren't necessarily playing all of the same potential hit records as Top 40 stations in other cities. Regional hits. Years later, I was surprised to learn that, say, "Tonight" by the Raspberries and "Blockbuster" by Sweet weren't radio smashes all across the USA. But here in Syracuse, they were. And so was "Gudbuy T' Jane" by UK stompers Slade.

My God, I loved this record. Still do. Slade were huge in their native land, but the colonies didn't catch on until the '80s, first via the numbskull proxy of covers by Quiet Riot and then by the much-belated appearance of Slade themselves on the American pop radar (and on MTV) with "My Oh My" and "Run Runaway."

The members of Syracuse's own power pop powerhouses the Flashcubes knew (and know) better. I'm sure they heard "Gudbuy T'Jane" on Syracuse's WOLF-AM circa '72, and I know at the very least that 'Cubes guitarist Paul Armstrong is a Slade fan of long standing. So "Gudbuy T' Jane" was a natural choice for the Flashcubes to remake on their superlative 2023 all-covers album Pop Masters. Latter-day New York Dolls guitarist Steve Conte brings additional oomph here, and the Flashcubes provide plenty of oomph of their own. It's what they do!

"Gudbuy T' Jane." Made for the airwaves, then and now. Get with it, America. Jane is all right, all right, all right, all right.

THE WEEKLINGS: Falling Down A Flight Of Stairs

When the Weeklings release new music, This Is Rock 'n' Roll Radio has a tendency to wanna play it. We have to fill three hours of radio each week, and we very much prefer to fill that spot with irresistible music. Hey! The Weeklings create irresistible music! Let's play THAT!

We debuted "None Of Your Business," an advance track from the Weeklings' new album Raspberry Park,  on last week's show. Dana's been champin' at the bit to play a different track from Raspberry Park, the beguiling "Falling Down A Flight Of Stairs," but we hadda wait until the album's actual release to follow through.

Now: The album's out! And "Falling Down The Stairs" is on the air in Syracuse. Fall in. It's the Weeklings! On the radio, where they belong.

CHUBBY CHECKER: Slow Twistin'

The Rock And Roll Hall of Fame is a nice place to visit. But in terms of its relevance to the story (and history) of rock 'n' roll, people keep telling me it's unmimportant, that I should ignore it, that its continuous chuckleheaded snubs of worthy acts are best shrugged off with extreme disdain. These folks are right.

And they're also wrong.

Yes, the Hall is irrelevant, bloated, a joke, a blight, and it probably has bad breath. None of that contradicts my conviction that, in all caps and in bold, ROCK 'N' ROLL SHOULD HONOR ITS OWN. That glorified Hard Rock Cafe on the banks of Lake Erie, flawed though it is, remains the best, highest-profile means to do that. They keep messing it up. I'm gonna keep on calling for them to get it right.

Induct the Monkees. Induct Paul Revere and the Raiders. Induct the New York Dolls, Harry Nilsson, and Warren Zevon, each of whom has at least been nominated. And, for God's sake, induct Chubby Checker.

Come on, baby. Let's do this.

Speaking of acts looooong overdue for induction into The Rock And Roll Hall of Fame, our next edition of This Is Rock 'n' Roll Radio will program a few tracks by the Shangri-Las, in memory of the late, great Mary Weiss

REMEMBER!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl