10 SONGS: 5/1/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

THE FLASHCUBES: Arty, Paul, Tommy, and Gary

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1334, an Irish wake for Syracuse punk Paul Armstrong

THE FLASHCUBES WITH MIKE GENT: Reminisce

The gut punch of hearing that guitarist (and friend of this show) Paul Armstrong had succumbed to his battle with cancer was cushioned an eensy bit by knowing the bad news was coming soon, and more importantly by the fact that PA's mortal suffering had finally ended. It was still a gut punch. Paul battled his illness bravely and privately; I was made aware of it solely because of my work on a book detailing an oral history of the Flashcubes--PA, Tommy Allen, Gary Frenay, and Arty Lenin--and the pressing need for me to prioritize completing my interviews with Paul. We were able to accomplish that, though I would have liked the opportunity to do one more follow-up. But man, we'd all like the opportunity to have many more years with Paul Armstrong in our lives, singing, playing, writing, and kibbitzing. That wish will not be granted in the limits of this physical world. As always: Fuck cancer.

It felt imperative to dedicate this week's show to Paul Armstrong, to offer an Irish wake for a Syracuse punk. 14 tracks on the show include PA as a performer, and a total of 20 tracks were written or co-written by Paul (plus we played two versions of two of these 20 PA compositions/co-compositions, "Reminisce" and "Five Personalities"). The importance of Paul Armstrong's influence on shaping TIRnRR's DNA cannot be overstated.

In this moment, it felt important to reminisce.

Excerpted and adapted from a previous 10 Songs:

"Reminisce" was written by Flashcubes guitarist Paul Armstrong, with lyrics that look back in wonder at the heady days of the Flashcubes' brilliance under the bright lights in the late '70s. The music struts and commands like a Flashcubes song oughta, and the chorus is just magnificent, jaw-dropping, a compelling incitement to raise the ol' fist and be there like you wuz there.

Man, I was there. "Reminisce" captures what it was like.

My 2025 Flashcubes tribute album Make Something Happen! opened with "Reminisce." It was by far my favorite individual track of 2025, and it woulda been a tough one to challenge. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, in 2024 PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will! The Flashcubes have meant an awful lot to me, and to this show. "Reminisce" is the perfect song to kick off a celebration, looking back while facing front at the same damned time.

BALLZY TOMORROW: Five Personalities

Also from that same previous 10 Songs:

From the tribute album's acknowledgements:

"Special thanks to Robbie Rist; two years ago, when I said that someone should put together a Flashcubes tribute album, he immediately replied (and I'm paraphrasing): "YOU do it. You know bands! And I'll be on it!" When Robbie speaks, power pop fans listen."

This power pop fan listened anyway. And as the Flashcubes tribute album moved from Wouldn't it be cool? to GO TIME!!, it was clear to me that our Robbie should use the great power and responsibility of his nom de bop Ballzy Tomorrow to do a cover of the Flashcubes' "Five Personalities."

"Five Personalities" was originally recorded by Paul Armstrong's group the Richards (as heard on This Is Rock 'n' Roll Radio, Volume 3), co-written by PA with Richards lead singer Norm Mattice and CNY guitar legend Mark Doyle. With some additional songcraft from Flashcubes bassist Gary Frenay, "Five Personalities" was subsequently recorded by the Flashcubes themselves for their 2003 album Brilliant, and that arrangement provides the basic template for Ballzy Tomorrow's Make Something Happen! entry.

And Mr. Rist runs with it. Hell, Gary Frenay recently declared Ballzy Tomorrow's (and I quote) "phenomenal" rendition of "Five Personalities to be "Best version of the song yet. So inspired!" PA chimed in with "Stellar!," and 'Cubes drummer Tommy Allen added a reverent "AWESOME!!!"

They are correct. But I expected nothing less. When Robbie Rist speaks, power pop fans listen. And when Robbie plays and sings? They listen even harder. Robbie Rist gives us an interpretation of "Five Personalities" that our friends at Big Stir Records describe as "majestically Queen-like whimsy." We concur!

SORROWS: Radio

Op. cit.:

"Radio" was the B-side of the Flashcubes' second single "Wait Til Next Week." The song was co-written by Paul Armstrong and Gary Frenay, and although it was a live favorite at the time, it fell into disfavor within the band and was dropped from the set.

Coincidentally, within days of snaggin' my copy of "Wait Til Next Week"/"Radio" from Gary at Gildersleeves on Bowery in '79, I also picked up "Jealousy"/"She's Got It" by the Poppees. Sorrows formed out of the aftermath of the Poppees, and Sorrows' recent album Parting Is Such Sweet Sorrow earned guaranteed representation on TIRnRR's 2025 year-end countdown show

And for Make Something Happen!, Sorrows have given us a cover of "Radio" that is nothing short of full-on freakin' phenomenal. 

Listen: You can search the four corners of the globe, and by the time you realize globes don't have corners, you'll already know what a fiercely loyal Flashcubes fan I am. Given that, consider the sheer gravity of me saying that Sorrows have accomplished the definitive version of the Flashcubes' "Radio." Pop music is my religion. Radio is one of my pulpits. With "Radio," Sorrows deliver the sermon we need.

Testify. And put your antenna to the sky.

GRAHAM PARKER AND MIKE GENT: Pathetic

My Flashcubes book Make Something Happen! The DIY Story Of A Power Pop Group Called THE FLASHCUBES originally had a targeted publication date of Fall 2025. I was not able to make that something happen, particularly given the demands of organizing and overseeing the Flashcubes tribute album. As much as I regret that I couldn't complete work on this book before PA's passing, I don't regret making that choice. Over the years, Paul was able to read tons of stuff I wrote about the Flashcubes, and stuff I wrote specifically about him. By choosing to concentrate on getting the Flashcubes tribute album done, I enabled a situation where Paul Armstrong was able to hear the great Graham Parker cover one of PA's songs. As Paul told me, "It's unreal hearing GRAHAM FUCKING PARKER sing a song I wrote!"

Yeah, I would make that same choice again in a heartbeat. 

Op. cit.:

Ahem.

Yeah, we got Graham Parker--GRAHAM MOTHERLOVIN' PARKER!!--to cover the Flashcubes for Make Something Happen! A Tribute To The Flashcubes. We feel taller! Credit Mike Gent of the Figgs for making this particular something happen, revamping and adapting 'Cubes guitarist Paul Armstrong's "Pathetic" into a worthy vehicle for the well-respected GP, and seeing it through to perfection.

Although it would be inaccurate to call the great Graham Parker a punk rocker, the irascible 'n' irrepressible vibe of some of his 1970s material places him (at the very least) on punk's periphery. Parker wasn't a punk...but a lot of punks loved him. This punk sure did.

As such, GP was among the first artists I ever heard within this broad not-really-a-category category of the punk-adjacent. In my senior year of high school, 1976-77, WOUR-FM in Utica, NY was playing Parker's "Hotel Chambermaid," and they were also playing Nick Lowe's "So It Goes." In the summer of '77, WOUR added the Sex Pistols' "God Save The Queen" to its parade of Hey, Carl! Dig THIS!! revelations. None of these three sounded at all like the other two. The common ground was attitude. 

The shared trait was transcendence.

Graham Parker is, of course, still at it, gloriously still at it, and still a reliable resource for Hey, Carl! Dig THIS! Consider his cover of "Pathetic" as case-closed evidence of that.

THE RICHARDS: Over There

Do you know the story of PA's inspiration for writing "Pathetic?" No, it's not about me. but it is about another music journalist. By the early '90s, Paul and singer-guitarist-born rock star Norm Mattice had already relocated from Syracuse to Boston, and changed the name of their 'Cuse-born combo 1.4.5. to the Richards. The Richards released only one album under that name, and that was a dynamic rockin' bopper called Over The Top.

I loved it. The person who reviewed it for The Syracuse New Times did not love it, and publicly trashed it accordingly. Paul Armstrong, being the easy-going take-all-things-in-stride guy he was, accepted the constructive criticism and tried to apply this new-found wisdom to his future works.

NO! I KID! I'm a kidder. PA saw red, and wrote "Pathetic" as his vitriolic response. You haven't got a penny to your name/A victim of self-inflicted fame/Spewing venom on a one-horse town/ You're no Kewpie Doll, you're just a clown! Lyrics woulda been worthy of Never Mind The Bollocks. When the Flashcubes recorded "Pathetic" for their album Brilliant, they changed Kewpie Doll to New York Doll for a more universal reference. "Pathetic" basically became Paul Armstrong's signature tune. And some people say rock critics aren't relevant!

Over The Top gave us this sturdy rocker "Over There." Love it. What do critics know anyway?

MEEGAN VOSS AND STEVE JORDAN/THE VERBS: I Need Glue

PA's transcendent giddiness over hearing Graham Parker sing "Pathetic" was matched by the joy he experienced in adding renowned musician Steve Jordan to his list of personal contacts, all as a result of work on the Flashcubes tribute album. Op cit.:

Meegan Voss was a veteran participant in that same vibrant late '70s Syracuse music scene sparked by the Flashcubes, and her 1978-1980 group the Poptarts shoulda been stars. Now, she and her husband Steve Jordan perform together as the Verbs. I remember Meegan from the Poptarts days, and I remember watching Steve on TV in the '80s, when he was the drummer for the house band on Late Night With David Letterman. Steve has worked with just about everybody, though one suspects his current gig as the Rolling Stones' drummer kinda pops out on the ol' résumé with extra added satisfaction.

We are so fortunate to have Meegan and Steve involved in this Flashcubes tribute project, and it's such a unique kick to hear how the Verbs have taken "I Need Glue," a very early Flashcubes punk number, and made it their freakin' own. 

I continue to be knocked out by how radically the Verbs were able to revamp, restructure, and reimagine this punk stomper while still retaining a comfy tether to the original's intent. One of my (many!) favorite tracks on Make Something Happen! A Tribute To The Flashcubes.

1.4.5: Your Own World

The Greatest Record Ever Made!

THE MOST: Do The Jumping Jack

When Paul Armstrong got divorced from the Flashcubes in 1979, he immediately joined his girlfriend Dian Zain's new group the Most. Dian already had a solo single just about ready for release, and a new picture sleeve was quickly fabricated, changing the record's billing to the Most. I absolutely loved the Most, and I wrote about them when Dian passed in 2021.

The Most recorded some very cool tracks, but only three ever saw release. "Rockerfeller" found its way to a various-artist collection called From The City That Brought You...Absolutely Nothing, while fab material like "Girls Don't Pay," "I'm Not The Liar," "Habits," "Let's Go Out Tonight," and more remain unissued and unheard. Aside from "Rockerfeller," the only Most tracks ever to make their way to retail were the two sides of that Dian Zain 45: "Take A Chance"/"Do The Jumping Jack."

"Take A Chance" was a Dian Zain composition. "Do The Jumping Jack" was Paul, and it had been a staple of early Flashcubes live shows. At one point, it was mentioned as a possible B-side for the first 'Cubes single "Christi Girl," but that notion got jettisoned PDQ. 

To be fair, "Do The Jumping Jack" isn't a great song...but I'm attached to it. I loved doing the Jumping Jack when the Flashcubes played it, and I loved doing that when the Most played it. I recall one Most gig upstairs at the Firebarn, and nobody was dancing. Nobody. I was dressed in Beatle boots and a suit and tie adorned with miscellaneous rock 'n' roll buttons. As the Most began playing "Do The Jumping Jack," I planted myself front and center before the stage, and I did the Jumping Jack like no one was watching. I felt awkward. I did it anyway. 

And others joined in. In memory of that spirit, our tribute to PA demanded a spin of the Jumping Jack. 

THE FLASHCUBES: Got No Mind

The Flashcubes were an incredible, exciting live rock 'n' roll band. The best document of that empirical fact is Flashcubes On Fire, a 2022 CD preserving an incendiary May 1979 'Cubes set at the Firebarn. In my liner notes to that album, I wrote:

"At its best, live music is alchemy in action, capable of transforming the air around us into pure gold. This mystic process is fueled by so many ingredients, both physical and phantasmic. Sweat. Love. Lust. Hate. Alcohol. Hunger. Ambition. Greed. Generosity. Divine inspiration. Betrayal. Heartbreak. Laughter. Tears. One pill that makes you larger, one pill that makes you small. Amplifiers, power chords, the beat of the bass and drums. Voices rising in anger or exultation. Taking a sad song and making it better. One for the money, two for the show. NOISE. Beautiful, transcendent noise. The sound of gold.

"In 1979, I was 19 years old. I reveled in this golden sound. My preferred alchemists were a fantastic rock 'n' roll group called the Flashcubes. My go-to goldmine was the Firebarn...."

The definitive rendition of PA's Ramones-inspired rant "Got No Mind" comes from this set. The 1978 basement demo of "Got No Mind" (paired with a basement demo of Gary Frenay's "Guernica" as the collective B-side of "Christi Girl") doesn't carry any of the punch a proper rant requires. The live "Got No Mind" has punch to spare, and the same Firebarn recording also served as the closing number on the original Flashcubes anthology Bright Lights.

On Bright Lights, the "Got No Mind" track fades out as the 'Cubes launch into a furious performance of the Larry Williams (via the Beatles) nugget "Dizzy Miss Lizzy." Flashcubes On Fire includes "Got No Mind" and "Dizzy Miss Lizzy" as separate tracks. On this week's radio tribute to Paul Armstrong, we segued the Flashcubes On Fire "Got No Mind" into the Beatles' screamin' promo video version of "Revolution"

Because that's what the Flashcubes were to me when I was 18: Revolution. Fuckin' A, man. 

That A stands for Armstrong.

THE FLASHCUBES WITH TONY CARBONE: Reminisce

All I wanna do is reminisce with you. On November 25th, 1994, the Flashcubes played a gig at Syracuse's Lost Horizon, with deputy drummer Tony Carbone sitting in for Tommy Allen. It is, I believe, the only time the Flashcubes ever performed "Reminisce." I have a lo-fi recording of it, and this early version is barely a blueprint for the transcendent wonder of what PA, Gary, Arty, and Tommy did with the song upon returning to it circa 2024.

But it stands as history, a cornerstone, an early clue to the new direction. Wanna reminisce? I'm right there with you: Awkward and starry-eyed, a teen that never grew up because I can't figure out how to do that, and still hell-bent on the message: Pop music is my religion. Reminiscing keeps it in the present day. 

And knowing and remembering all of that helps us in our ongoing endeavors to make something happen. Godspeed, PA.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 2/13/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1323

BALLZY TOMORROW: Double Our Numbers

Our Featured Performer this week was the late, great Parthenon Huxley, and I think we managed an effective and loving tribute to this wonderful artist. We played a lot of Parthenon's music, including material under his own nom de bop, with his group P. Hux, fronting latter-day Electric Light Orchestra incarnation the Orchestra, as a member of Veg, as Rick Rock, with 3KStatic, collaborating with Jeffrey Foskett, and as part of his "pretty good band" with Rusty Anderson, Jen Condos, and Rob Ladd. It was Hux to the max, all in memory of a TIRnRR idol.

For all that, we deliberately skipped my favorite Parthenon Huxley song: "Double Our Numbers," from his brilliant 1988 album Sunny Nights. Our pal Robbie Rist is one of the biggest P. Hux fans we know, so we wanted our P. Hux tribute to include Robbie's cover of "Double Our Numbers," marketed under Robbie's alter ego Ballzy Tomorrow. From a previous edition of 10 Songs:

We have said this many times, yet it bears repeating: Enthusiasm is its own reward.

Enthusiasm drives our individual fandom, and I mean that in a good way. It certainly drives this little mutant radio show. Sure, there can be something said on behalf of detached objectivity...but ferchrissakes not in pop music, or at least not when we're listening to pop music. Objectivity? No. Not on our watch.

Robbie Rist occasionally feigns detachment, but he's never afraid to let his enthusiasm be known. Robbie loves pop as much as anyone loves pop; he loves it unashamedly, proudly. As a performer, Robbie will not hesitate to share his own enthusiasm with the audience

Case in point: Robbie Rist loves the music of Parthenon Huxley, particularly the music on Parthenon Huxley's 1988 album Sunny Nights, and most particularly the Sunny Nights track "Double Our Numbers."

Robbie is right about all of that. "Double Our Numbers" is exquisite, and the subject of one of my Greatest Record Ever Made! rants (and a seeming shoo-in for the hypothetical GREM! Volume 2). The song never became the rockin' pop staple it deserved to be, and I don't think it's available on any current streaming service.

So Robbie's kept the song alive, with a faithful rendition released under his Ballsy Tomorrow dba, all the while tipping his hat and dutifully applying heart to sleeve in recognition of Parthenon Huxley's original.

If you love a song, you wanna play that song, sing that song, dance to that song. And you want to introduce that song to your friends. 

Double our numbers. Triple our numbers. Robbie Rist has the right idea. Greater strength in numbers. Enthusiasm rewards and renews.

We'll hear Parthenon Huxley's original version of "Double Our Numbers" on our next show. We're enthused. And we're doubling down.

THE CYNZ: You Wreck Me

We're also enthusiastic about the music of the Cynz, and we've been playing selections from the group's new album Confess with zealous, righteous conviction. This week, we turn to their absolutely ace cover of Tom Petty's "You Wreck Me," and we may have wrecked a speaker trying to crank this one up to proper volume. So worth it. We'll circle back to a previous Pick Hit from Confess on Sunday night.

TOM PETTY AND THE HEARTBREAKERS: American Girl

From an American girl singin' a Tom Petty song into Tom Petty and the Heartbreakers singing "American Girl." I tell ya, sometimes the segues just program themselves.

SORROWS: Just One Fool To Blame

I continue to be amazed at the gift of Sorrows' 2025 release Parting Is Such Sweet Sorrow, a previously-unreleased 1981 one-night-studio-stand that serves as the group's in-era farewell but sounds like it was recorded tomorrow. The album was a consistent fixture on our playlists last year, and we just debuted its epic John Lennon salute "Cricket Man" on our January 25th show. Two weeks later, we return to the well of constant Sorrows for "Just One Fool To Blame," which turns out be just one more winner from an album overflowing with post-teenage heartbreak of the sweetest kind.  

THE FLASHCUBES: I Won't Wait Another Night

In the course of my work curating my passion project Make Something Happen! A Tribute To The Flashcubes for Big Stir Records in 2025, I had a series of communications with Parthenon Huxley about the possibility of him recording a Flashcubes cover for the compilation. His schedule didn't allow him a lot of opportunity to get this done, but he was friendly and open to the idea, and settled tentatively on doing a solo acoustic 12-string rendition of 'Cubes guitarist Arty Lenin's lovely ballad "I Won't Wait Another Night." 

Our conversation began in February of 2025. I then sent Parthenon several possibilities for him to evaluate from the Cubic catalog, and after considering another Arty tune ("Cycle Of Pain"), he picked "I Won't Wait Another Night" as his preference. He had a lot of working and gigging commitments, including a cruise. In March, he noted that he was closing in on an arrangement of the song. In April, he moved his Make Something Happen! participation status from tentative to "I will participate."

A downturn in Parthenon's health prevented that participation. He remained friendly and engaged in subsequent messaging, but I told him that it was more important for him to get better and feel better than it was to for him to risk damaging his vocal chops while trying to recover from a persistent cough. I expressed appreciation and gratitude for his interest and indulgence, and he expressed hope that we might meet in person some day.

This week, we played the Flashcubes' own original version of "I Won't Wait Another Night." A toast to absent friends, and a toast to what might have been.

P. HUX: Better Than Good

The Greatest Record Ever Made!

And yes, I did indeed repurpose much of this for my subsequent GREM! celebration of "Double Our Numbers." Serving the greater good, and that's much better than good.

HOLLY AND THE ITALIANS: Tell That Girl To Shut Up

Holly and the Italians' 1981 debut long-player The Right To Be Italian is a perfect record from start to finish. The 'tude classic "Tell That Girl To Shut Up" is the best-known among the original LP's ten tracks, but they're all great, presenting an irresistible oomph-a-thon of girl-group pop, New York punk, and undeniable rock 'n' roll climbing in the back seat and pulsating to the backbeat. One of my all-time favorite albums.

ELVIS COSTELLO: (The Angels Wanna Wear My) Red Shows

I saw Elvis Costello and the Attractions perform on campus when I was a Freshman at Brockport in early 1978, and I wrote an extended reminiscence of that experience here. The performance did not include the 1977 My Aim Is True track "(The Angels Wanna Wear My) Red Shoes," but we did hear (but not see) Declan and the lads run through the tune that night. Let's look back at that part of my in-concert recollection:

"...Costello's debut album, My Aim Is True, featured studio backing by a group called Clover; he formed the more raucous, willfully chaotic Attractions after that. My Aim Is True was well-received by critics; I suspect a few critics may have embraced it because it was tangentially punk, but not really, and endorsing it might make such critics seem slightly hipper than they actually were. But My Aim Is True was a terrific album, deserving of accolades regardless of the unconscious reasons prompting such praise.

"Still, it was surprising to return to Brockport and discover that Elvis Costello was scheduled to perform on campus. Although there was some underground support for punk and new wave among a beleaguered minority of students (and a very small handful of DJs on the student-run radio station WBSU), Brockport was simply not a hip place. The predominant musical taste of Brockport students was embodied by the Grateful Dead, Southern rock, and similar shit-kickin' and/or stoner stuff. It was either that, or dat ole debbil disco. The campus newspaper The Stylus had dismissed the Sex Pistols' album in a fit of blind, frothing fury: "Simply put, this album sucks." This was not a CBGB's crowd...

"...This was only my third rock concert. I'd seen KISS in 1976, and (yechh!) the Charlie Daniels Band in '77. More importantly, though, I'd seen my first club show and my first punk or new wave or trend du jour show in January, when I witnessed Syracuse's own power pop powerhouse the Flashcubes for the first time. I already knew that was a life-changing experience; why not hope for another revelation, with Elvis Costello and the Attractions?

"As we waited outside the ballroom before showtime, Costello rushed sullenly and silently past us, en route to his soundcheck. We heard run-throughs of 'Alison' and '(The Angels Wanna Wear My) Red Shoes' coming from behind the closed doors of the ballroom. It would be the only time we'd hear either of those songs that night...."

So, a question for the armchair pundits in our audience: This was my only Elvis Costello show; are "Alison" and "Red Shoes" a part of my virtual ticket stub gallery, or not? The well-shod angels in our midst await your decision.

THE BEATLES: Here Comes The Sun [Take 9]

Listen, man: Here in Syracuse, we're still waiting for proof of this elusive "sun" of which you speak. We'll believe it when we see it.

PARTHENON HUXLEY: Beautiful

Another one of the biggest P. Hux fans we know is loyal TIRnRR listener Eleanor Cook. Our Eleanor has guest-programmed a couple of shows for us, and one of those shows included "Beautiful,"  a go'geous tune from Parthenon Huxley's 2013 album Thank You Bethesda. Beautiful. And a beautiful way to conclude our tribute. Godspeed, Parthenon.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 10/29/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1308

KISS: Talk To Me

Of the four founding members of KISS, late guitarist Ace Frehley would seem the least pop of the bunch. Guitarist Paul Stanley and bassist Gene Simmons were big fans of the Beatles, and also fans of power pop stalwarts the Raspberries, and those interests are evident within the flash and thunder of some of KISS's work. Drummer Peter Criss crooned the hit KISS ballad "Beth" and the Rod Stewart homage "Hard Luck Woman." Ace's style was emphatically that of a Big Rock guitarist, and maybe hooks and 45 rpm aspirations might not be the first things one would look for within the Space Ace's ouvre.

But the pop element is there, at least sometimes, and not just in his pop guitar power embellishing Simmons and Stanley on "Strutter," "Shout It Out Loud," "Rock And Roll All Nite," et al. It's certainly in evidence on the effervescent "Talk To Me," a Frehley-written and Frehley-sung track from KISS's 1980 album Unmasked. 

ACE FREHLEY: Hide Your Heart

When we decided to play several tracks in memory of Ace Frehley, this track from his 1989 album Trouble Walkin' was one of the first possibilities that came to mind. Frehley was looooong outta KISS by '89, but the song was written by his former bandmate Paul Stanley (with Desmond Child and Holly Knight), and the Ace-free KISS included it on their album Hot In The Shade, also in '89. It's said that Stanley and Simmons adamantly did not want Frehley to record and release a competing version of "Hide Your Heart"--hey, dueling KISSes!--and if that's true, Frehley was equally adamant that he was going to do whatever the hell he wanted to do. I like the KISS version just fine, and I saw Gene and Paul perform it in concert (in the Hot In The Shade KISS line-up with drummer Eric Carr and guitarist Bruce Kulick), but I do like Ace's version even more.

KISS: Rock And Roll All Nite [live]

The Greatest Record Ever Made!

BALLZY TOMORROW: Five Personalities

My big project this year was Big Stir Records' various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes. As I began the process of recruiting acts and matching them with appropriate songs written by Syracuse's own power pop powerhouse the Flashcubes, I was immediately certain that I wanted rockin' pop wunderkind (und wonderboy) Robbie Rist specifically to sing one of my many favorite 'Cubes songs, "Five Personalities." Under his nom de bop Ballzy Tomorrow, our Robbie rose to that task. The members of the Flashcubes now prefer his version over their own!

Robbie's also a KISS fan, so it was a deliberate choice to include his "Five Personalities" in the same set as our Greatest Record Ever Made! spin of the live "Rock And Roll All Nite." You wanted the best. You GOT the best! And as Robbie's podcast The Spoon approaches its 600th episode, the GREM! spot in our next show will be a li'l something by another '70s rock act Robbie's mentioned on The Spoon a time or several. All right, all right, all right, all right....

KEN SHARP: Rock Show

Our long-time pal Ken Sharp is a writer and musician, the driving force behind Think Like A Key Music's superb new compilation Play On: A Raspberries Tribute, and quite possibly the biggest KISS fan I know. For his 2018 album Beauty In The Backseat, Ken enlisted none other than Ace Frehley hisself as guest guitarist on opening track "Rock Show." Impressive! And I tell ya, it was a match made in Cobo Hall. We know some people who know some people, man. Well done, Ken!

ACE FREHLEY: New York Groove

In 1978, the business of KISS was sufficiently huge to hatch an audacious plan for a simultaneous release of a quartet of solo albums. It probably wasn't a good idea at all, but it sure seemed impressive, right? I can't remember anything at all about the Peter Criss album (beyond thinking that I would never remember anything about it, and thinking that even when I was listening to it). Paul Stanley included the absolutely dynamic, Raspberries-influenced "Wouldn't You Like To Know Me," and Gene Simmons gave us a simply wonderful gem called "See You Tonite," which would have been worthy of Big Star. Gene also had a minor hit (# 47) with a song called "Radioactive."

But of the four, only Ace Frehley produced a genuine hit single, a cover of the British group Hello's 1975 UK hit "New York Groove." Ace's version said hello to the # 13 spot on Billboard's Hot 100, making it the fifth highest-charting single in the KISS canon (behind "Beth" [# 7], "Forever" [# 8 in 1989], "I Was Made For Loving You" [# 11], and the live "Rock And Roll All Nite" [# 12]). Guess whoever called him "Ace" was onto something.

sparkle*jets u.k.: Eyeball Eater (From Outer Space)

DOLPH CHANEY FEATURING THE SPEED OF SOUND: Zombie Century

We've been serving up tricky treats from Big Stir Records' epic Halloween compilation Chilling, Thrilling Hooks And Haunted Harmonies for as long as Rutles guitarist Stig O'Hara has been dead--for ages, honestly--and there's for damned sure no need to stop as All Hallows Eve approaches. This week's show included two more debut spins from this horrific-in-a-GOOD-way set, with sparkle*jets u.k.'s righteously boppin' novelty tune "Eyeball Eater (From Outer Space)" and Dolph Chaney Featuring The Speed Of Sound's atmospheric "Zombie Century." And even as we chill, thrill, and haunt our way past October 31st, we'll have another track from Chilling, Thrilling Hooks And Haunted Harmonies on our next show.

BARON DAEMON AND THE VAMPIRES: The Transylvania Twist

Syracuse's gift to Halloween, and to all seasons, courtesy of the best vampire ever. And like "Rock And Roll All Nite," it's also The Greatest Record Ever Made! Happy Halloween from This Is Rock 'n' Roll Radio with Dana & Carl.

KISS: Shout It Out Loud [live]

And it wouldn't be Halloween without KISS. Godspeed, Ace

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 9/20/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1302.

THE HALF/CUBES FEATURING PETER NOONE: I'll Be Taking Her Out Tonight

This new single by the Half/Cubes featuring Peter Noone finds the Herman's Hermits singer revisiting his early '80s work fronting the ace new wave rockin' pop combo the Tremblers. This is not something Noone revisits very often, and the fact that he's participated in a new and effervescent remake of my favorite Tremblers tune is righteous cause for joy 'n' merriment in these quarters. 

The single serves as herald to the new Half/Cubes album Found Pearls, due in October from Jem Records. I would tell you more about it. except that it's too early for me to tell you more about it. But I've heard it and it's fabulous. I was among several friends of the band and the label that were asked for an opinion of what oughta be the first focus track. I replied:

"To me, the obvious commercial choice is 'I'll Be Taking Her Out Tonight.' It almost doesn't matter whether or not it's one of the album's best tracks (though it does happen to be among them); Peter Noone's involvement is noteworthy to begin with, but the idea of him returning to a track he did with the Tremblers is--what's the phrase?--a big fucking deal. Man, Robbie Rist just mentioned the Tremblers on his podcast a couple of weeks ago, lamenting the fact that Peter never, ever re-visits that album or era. This is a friggin' home run, and it feels like a natural pick for a focus track."

More hype to come. Enjoy this friggin' home run in the meantime. 

THE TURTLES: Elenore

With the passing of Mark Volman of the Turtles, our next show will pay tribute to Flo & Eddie (Volman with long-time collaborator and fellow Turtle Howard Kaylon) as our Featured Performers. We still wanted to squeeze a Turtles spin into this week's program as well, and we opted for one of the hits: "Elenore," written by the Turtles themselves as their snarky response to White Whale Records label suits demanding the group do another frothy 'n' frolicsome pop ditty like "Happy Together." The Turtles (really Kaylon) wrote "Elenore" as a satire of "Happy Together."

The Turtles did not intend anyone to take the deliberately goopy, over-the-top lyrics of "Elenore" seriously, nor as anything other than a grumpy middle digit flashed at their label. But White Whale loved it, released it at 45 RPM, and it became one of the group's biggest smashes. That's show biz.

THE FLASHCUBES: Reminisce

With the release of the new Half/Cubes single (and the promise of more), plus the release of the various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes, right now is a really, really good time for fans of all Cubic pop. The Flashcubes' rhythm section of bassist Gary Frenay and drummer/producer Tommy Allen are the central figures in the Half/Cubes, and they established their once and future power pop legend alongside guitarists Paul Armstrong and Arty Lenin. The Flashcubes. Syracuse's own power pop powerhouse, and an incredibly important act in my life.

That's why I wanted to organize a Flashcubes tribute album: 21 great acts covering 21 great original Flashcubes songs, bolstered by three brand-new tracks from the Flashcubes themselves. Paul Armstrong's "Reminisce" was the first single, and it's the leadoff track on Make Something Happen!

It's also my favorite song of 2025. All I want to do is reminisce with you. Hey-ho, let's go. Reminiscing isn't all I wanna do, but the foundation built by our past gives us a platform to race into whatever comes next.

THE JOHNNY POPSTAR LUV EXPLOSION: Guess I'm Just A Friendly Guy [alternate mix--Flo & Eddie's Zappa characters]

The Flo & Eddie tribute on our next show will skip the Turtles' biggest hits, delving a tiny bit deeper into a quartet of lower-charting singles and LP tracks from a great group that was so much more than just their best-known singles. Alas, that means "Elenore" will have the weekend off, showing how to be exactly what she'd be with whomever she'd rather be, happy together.

One track will will play again in our Flo & Eddie feature is this alternate mix of "Guess I'm Just A Friendly Guy" by the Johnny Popstar Luv Explosion. The track (from the EP Lizzy The Supermarket Drag Queen) was a frequent fixture on our playlists back 'round the turn of the century, and although Flo & Eddie did also sing back-up on the non-alternate mix, we favored this mix, with Flo & Eddie reprising the willfully whiny voices they used as member of the Mothers with Frank Zappa. And we're gonna play it again on Sunday night.

THE TREMBLERS: You Can't Do That

Oh yes you CAN! At the dawn of the 1980s, when Peter Noone wanted to try to establish a more (for lack of a better description) serious rock 'n' roll image separate from cute 'n' cuddly 'Erman of the 'Ermits, he formed his crack combo the Tremblers. Because he COULD do that! Great live band, great album called Twice Nightly, and ultimately a great lost opportunity, as the only thing it couldn't do was get the record-buying public on board. Stupid record-buying public.

Peter and the Tremblers deserved better. "You Can't Do That" is the first track on Twice Nightly, and it sets the album's tone with defiant, confident aplomb. It's my second-favorite Tremblers track, right after "I'll Be Taking Her Out Tonight," followed closely by "Maybe I'll Stay" and "I Screamed Anne" and "Wouldn't I" and "Steady Eddie" and the cover of Elvis Costello's "Green Shirt" and...the whole damned record. Twice Nightly is superb. With the Tremblers, Peter Noone could for damned sure do that. 

And he did.

EYTAN MIRSKY: Apologize In Advance

What do we do when we get brand-new music from Brother Eytan Mirsky? We PLAY that brand-new music from Brother Eytan Mirsky! Obviously. Dana notes that Eytan's new album All Over The Map seems to have something of a country feel to it, and Brother Eytan does indeed bring some winning twang to Forest Hills without ceding an acre or an inch of his Queens-bred Everyman snark. We'll hear more new Mirsky music this Sunday, as Eytan covers Rob Moss and Skin-Tight Skin and Rob Moss and Skin-Tight Skin cover Eytan Mirsky. We ARE the world!

PERILOUS: Glass Of Something

I propose a toast: Here's to another absolutely ace new single from the irresistible force known as Perilous. Glass of something? Set 'er up, and here's to ya.

HERMAN'S HERMITS: A Must To Avoid

The Greatest Record Ever Made!

BALLZY TOMORROW: Five Personalities

From Make Something Happen! A Tribute To The Flashcubes: Noted Tremblers fan Robbie Rist and his Ballzy Tomorrow dba take on one of my many favorite Flashcubes originals. From Half/Cubes featuring Peter Noone to the Tremblers to Robbie Rist to the Flashcubes and back to Robbie Rist; this week's edition of 10 Songs has just about completed the fullness of its circle.

HERMAN'S HERMITS: I'm Into Something Good

That's us. That's us all over. Getting into The Best Three Hours Of Radio On The Whole Friggin' Planet is, by definition, getting into something good.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.