Showing posts with label Palmyra Delran. Show all posts
Showing posts with label Palmyra Delran. Show all posts

Saturday, April 18, 2026

10 SONGS: 4/18/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1332

PALMYRA DELRAN AND THE DOPPEL GANG: Hold Tight

Anyone who has ever listened to Palmyra Delran hold court on her SiriusXM Underground Garage radio show Palmyra's Trash-Pop Treasures already knows that Palmyra is the real deal, blessed with impeccable taste and a thorough understanding and appreciation of the rock and the pop. As a performer, she's well capable of channeling her passion and savvy into the creation of trash-pop treasures of her own, accomplished in various incarnations with the Coolies, the Friggs, and other irresistible dbas. 

The latest single from her flagship combo Palmyra Delran and the Doppel Gang serves up an invigmoratin' workout of the '60s UK power pop classic "Hold Tight." The original 1966 version by Dave Dee, Dozy, Beaky, Mick & Tich is among my all-time favorite tracks, and it was one of many gems I considered rhapsodizing in my book The Greatest Record Ever Made! (Volume 1). I didn't have room for it in the book, but in the mean time we're thrilled with the opportunity to program Palmyra and her Gang holding tight and demonstrating their own mastery of the form. It spins here again this coming Sunday night. 

Palmyra knows her stuff. We know enough to keep playing her stuff. And bonus points to Palmyra Delran’s Doppel Gang for including guitarist and long-time friend to this show Michael Lynch.

THE CORNER LAUGHERS: Crumb Clean

There is something just so enticingly sunshiney about the music of the Corner Laughers. The blissful wave of audible illumination continues on the group's new album Concerns Of Wasp And Willow, and its warm glow is in ample evidence on the sublime current single "Crumb Clean." Little darling (as some British guy once said), it's been a long, cold, lonely winter. With the Corner Laughers on the radio, I feel warmer already.

(I'd already selected the Corner Laughers for a spot on this week's 10 Songs when I discovered that they were also guests on this week's new episode of can't-miss podcast The Spoon. Ah, I love it when a plan comes together. Especially when it comes together without benefit of, y'know...a plan.)

ROME 56: Invisible Man
THE SHIRTS: Love Is A Fiction
THE SHIRTS: Tell Me Your Plans

We love the Shirts, and the release of two previously-unissued archival live albums from these classic CBGB stalwarts (last year's 1981 recording Live Featuring Annie Golden, this year's Live At Paradise 1979) has spawned a renewed commitment to programming the Shirts as often as possible. We've heard (unsubstantiated) rumblings of more to come from the big ol' vault of Shirts; if true, we approve.

This week's show includes two tracks by the Shirts, one from Live At Paradise 1979 and one from the Shirts' second album, 1979's Street Light Shine. Our next show will also offer a pair of Shirts, reprising the Live At Paradise version of "Tell Me Your Plans" (my favorite Shirts song) and introducing the belated (and then some) TIRnRR debut of a track from their 1980 album Inner Sleeve. Shirts-O-Rama!

Shirts guitarist Arthur La Monica is currently playing with a cool combo called Rome 56, a fine group that also includes Arthur's wife Kathy La Monica. Past shows have offered a few delights from Rome 56's 2024 album Paradise Is Free and 2025 effort Pony Tales, and this week we return to Paradise Is Free for our first-ever spin of a great, great earworm called "Invisible Man."

THE STRAWBERRY ALARM CLOCK: Incense And Peppermints

The Greatest Record Ever Made!

SEX CLARK FIVE: Plastic All Over The World
THE DAVE CLARK FIVE: It Don't Feel Good

Huntsville, Alabama's phenomenal pop combo Sex Clark Five into the Tottenham Sound of the Dave Clark Five. Sometimes the segues write themselves.

THE RAMONES: All's Quiet On The Eastern Front

From a previous post, discussing my 25 favorite Ramones tracks:

"All's Quiet On The Eastern Front" appeared on the Ramones' 1981 LP Pleasant Dreams, an album that doesn't sound like any other Ramones album. Pleasant Dreams was produced by Graham Gouldman, who achieved great success in the '60s as a songwriter for the Yardbirds, the Hollies, and Herman's Hermits, and subsequently as a performer with 10cc. And, as Johnny Ramone said in our interview, "The guy from 10cc producing the Ramones? 10cc sucks, and it's not right for the Ramones." (My 1994 interviews with Johnny, Joey, Marky, and C.J. appear in my book Gabba Gabba Hey! A Conversation With The Ramones.)

On Pleasant Dreams, Gouldman's production made the Ramones sound...I dunno, smoother than expected? Phil Spector had done something similar with 1980's End Of The Century, another album that doesn't sound like any other Ramones album. In Spector's hands, the bubblepunk purity of the Ramones got lost in his Wall of Sound; Gouldman turned the Ramones into a new wave pop band. Neither End Of The Century nor Pleasant Dreams is at the same transcendent level as the classic fist four Ramones albums that preceded them.

Ignoring the anomaly of this album's place in the larger Carbona-huffin' picture, though, I need to risk contradicting myself: Pleasant Dreams is a fantastic record. Fantastic. I know Marky liked it, and we've established that Johnny hated it, but the fact that it wasn't Rocket To Russia doesn't prevent it from being compelling in its own right.

Pleasant Dreams is loaded with great Ramones songs, from "We Want The Airwaves" to "It's Not My Place (In The 9 To 5 World)" to "She's A Sensation" to the superb album closer "Sitting In My Room." "The KKK Took My Baby Away" is the best-known of the bunch. Would the tracks sound better if Ed Stasium or Tommy Ramone had produced them? Possibly. They sound pretty good as-is.

"All's Quiet On The Eastern Front" was my immediate pick when I bought the album in '81, and it has remained so. It's the sprightliest song ever done about a serial killer, stalking the street 'til the break of day, a track delivered with decidedly un-Ramoneslike percussion, and with backing vocals from Dee Dee Ramone asking that musical question, Can't you think my movements talk? Hey, you unsuspecting soon-to-be victims: Pleasant dreams!

THE BEATLES: Tell Me Why [Takes 4 and 5]

And speaking of the Tottenham Sound of the Dark Clark Five....

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I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Thursday, February 10, 2022

10 SONGS: 2/10/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1115.

CHEAP STAR: Flower Girl


Man, ya gotta appreciate a band that creates its name by mashing up the monikers of power pop touchstones
Cheap Trick and Big Star. Playin' directly into the ol' TIRnRR demographic. Rather than bludgeoning the idea by calling their new album Heaven City or Radio Tonight, Cheap Star's latest is Wish I Could See, and we opened this week's extravaganza with a spin of "Flower Girl." Intrepid TIRnRR listener Mike Browning found the track pleasantly reminiscent of Nada Surf, and we approve of that message. 

BALLZY TOMORROW: Double Our Numbers


Everyone's musical pal Robbie Rist is a big fan of Parthenon Huxley. That's a right worthy thing to be, and our own story of falling under the delightful thrall of P. Hux was told way back here. My favorite among Parthenon Huxley favorites is the sublime "Double Our Numbers," an absolutely irresistible little--no, BIG!!--number that appeared on Parthenon's 1988 album Sunny Nights. We know Robbie also loves the song; he's said so more than once, and several years ago he posted a video of himself performing an acoustic cover of the song. More recently, Robbie recorded a new version of "Double Your Numbers" under his nom du pummel Ballzy Tomorrow. It's a wonderful cover of a wonderful song. I wish some sort of Powers That Be would return Sunny Nights to proper retail availability, and I really wish more and more people recognized "Double Our Numbers" as the rockin' pop classic it is. In the mean time: take it, Robbie! 

THE LINDA LINDAS: Growing Up


All last year, we routinely referred to the young quartet called the Linda Lindas as "the buzz band of 2021." It looks like Bela, Eloise, Lucia, and Mila have their eye on claiming 2022 as well, with the forthcoming release of their first album, Growing Up. The album's due in April, but available for preorder right now. The preorder gets you the title track (and previous single tracks "Oh!" and "Nina") in that very same right-now time frame. GO! Get it! Buzz waits for no one.

PALMYRA DELRAN AND THE DOPPEL GANG: Lucky In Love


For someone who is--in theory!--wired into the phantasmagoric splendor of today's now sound, it's appalling how much stuff I just miss. Y'know, if I could afford to pay attention, I would pay attention. Will attention accept an IOU?

Case in point: this yummy digital single from Palmyra Delran and the Doppel Gang. "Lucky In Love" (virtually backed by a cover of Tuff Darts' tres pop "Who's Been Sleeping Here?") came out a freakin' year ago, and I just managed to hear it in this far-future world of 2022. I need better minions. Or maybe some minions. A minion. Or at least something resembling peripheral awareness.

Ah, but any track you ain't heard is a new track, and "Lucky In Love" is for damned sure worth waiting for anyway. Famed rocker and Underground Garage personality Palmyra's gang o' doppels includes the one 'n' only Michael Lynch, and both tracks are as fab as fab can be. Fabber, even. I wish we'd played 'em last year. We're happy to play 'em now.

TONY VALENTINO: Barracuda


Like many of my fellow Americans, my first exposure to
the Standells was when the group guest-starred as domestic ersatz Beatles on a 1964 episode of TV's The Munsters, wherein unassailable pop pundit Herman Munster indicated he would sleep easier knowing the future of our country was in the hands of fine young men like the Standells. They would go on to become one-hit wonders for "Dirty Water" in 1966, but they also had a number of lesser chart hits that deserved wider notoriety. The rise of the Nuggets critical aesthetic in the '70s and '80s brought an embrace of '60s garage and punk, and that embrace proudly acclaimed Standells perennials like "Riot On The Sunset Strip," "Why Pick On Me," the pounding "Dirty Water" B-side "Rari," and (my favorite) "Sometimes Good Guys Don't Wear White."

Guitarist Tony Valentino was a founding member of the mighty Standells, and he's still active as a recording artist for Big Stir Records. Tony made his post-Standells TIRnRR debut as a guest of the Forty Nineteens, playing on that group's single "Late Night Radio" (which then appeared on the Forty Nineteens' 2021 album New Roaring Twenties). Now, Tony returns with a new single, offering a new version of the Standells' "Barracuda." Somewhere, Herman Munster is smiling. Right here, we're smiling, too.

THE JIVE FIVE: Hully Gully Callin' Time


While the Jive Five's biggest hit was the 1961 doo-wop gem "My True Story," TIRnRR's go-to Jive Five track has generally been "What Time Is It?," a dreamy recording that earns a place in my long-threatened book The Greatest Record Ever Made! (Volume 1). We've played a couple of other Jive Five selections over the years, but this week offers the first-ever TIRnRR spin of "Hully Gully Callin' Time." And it makes its way to the playlist because I discovered that one of the song's credited songwriters was one Joyce Cafarelli. I have no idea whether or not this Joyce Cafarelli was any distant relation to my family--Third Cousin Joyce? Honorary Aunt Joyce? Jivin' Sister Joyce, who never writes, never calls, never shows up at weddings or funerals?--but I can state with some authority that we have yet to see any royalties. Hey! Joyce! What about your family...?!

(Oddly enough, though I'm actually pretty sure I'm not really kin to Joyce Cafarelli, the song's title does make me remember something about my Dad. Dad wasn't really a rock 'n' roll fan, saying he preferred "pre-Pearl Harbor music" to the bangin' and twangin' that captured his youngest son's fancy. In our sporadic and amiable conversations about the rock and the roll, Daddy almost always made some reference to the Hully Gully. Like, many times, over the course of decades. Coincidence? I think so. But...maybe not? It would be a cool connection if true.

DUSTY SPRINGFIELD: I Only Want To Be With You


THE MONKEES: Listen To The Band


No, it was not a surprise when the Monkees were once again snubbed by this year's list of nominations for The Rock And Roll Hall Of Fame. Just because the RnRHOF nominating board is clueless doesn't mean we have to be. Listen to the band.

THE BLUSTERFIELDS: Insomnia


Let's talk about the Blusterfields. The North Carolina lads' debut album The Vicious Afterglow opens with all the bluster 'n' aggro of an arena show, but all in service to a higher pop calling. You've got your sway. You've got your hooks. You've got your volume, and you've got your sweet, anthemic-sounding singalong vocals. The Blusterfields do not seem to be lacking in confidence, and their confidence is justified. Let's talk about the Blusterfields. And let's say those three little words we need to say: Turn. It. UP.

TODD RUNDGREN: Couldn't I Just Tell You


Todd Rundgren's essential double album Something/Anything? just turned an ever-spry 50 freakin' years old. I'm not quite the Todd fan that many of my peers are, but I am very fond of a number of individual things he did, including his '60s days with the Nazz and his '80s Fab Four pastiche Deface The Music. I've owned a copy of Something/Anything? for more than 40 years, a set secured when I traded a gift of Eagles' Greatest Hits for this sprawling 2-LP magnum opus

I got it specifically for "Couldn't I Just Tell You." I had seen Rundgren perform the song 
with Utopia on a 1978 TV appearance on The Mike Douglas Show. Our Todd introduced it as "an example of the latest musical trend. It's called power pop." I knew the song before that, but this was when it really grabbed my attention. Here's an excerpt from the song's entry in The Greatest Record Ever Made! (Volume 1):

"Even though 'Couldn't I Just Tell You' wasn't a hit, I knew the song from somewhere. Maybe it got some play on WOLF-AM, falling into the airwaves in between our Todd's big hits 'I Saw The Light' and 'Hello It's Me' [both from Something/Anything?]. Maybe I picked up on it some time later, perhaps as an older track dusted off for a fresh spin by an FM radio DJ after I switched preferred frequencies.

"I wasn't necessarily a Todd Rundgren fan, at least not specifically. He was fine, but aside from hearing "Hello It's Me" and later his remake of the Beach Boys' 'Good Vibrations,' he wasn't really part of my conscious pop thought. I knew him more as a guy who (I'd read somewhere) sported multi-colored hair, and whose ladyfriend was Playboy centerfold Bebe Buell. I liked him, but didn't think much about him.

"But that song....

"'Couldn't I Just Tell You' lurked within the gauzy borders of my subconscious, a welcome guest however it was that it got there. It settled comfortably in my mind's terra incognita, itself a phrase I picked up from a girl I fancied. I could have sung the song to her if I'd thought of it.

"The tentative dance of teen infatuation, captured in microcosm, made pretty with the sound of (apparently) the latest musical trend.

"Seeing and hearing Utopia perform 'Couldn't I Just Tell You' on The Mike Douglas Show in '78 brought all of this subconscious thought to the surface, elevating the song immediately and forever thereafter to my own Top of the Pops. Immediately after the show was over, I phoned another girl I knew, just to say, Did you see THAT...?!

"By 1978, my eighteen-year-old self had already suffered and--damn me--inflicted some broken hearts. I had also discovered a name for my favorite sounds: power pop. The latest musical trend. Todd Rundgren may not have thought much of it. I sure did. And on this song, Todd Rundgren accomplished it, fully and with great authority. Why don't you lend me an ear, I'll make it perfectly clear, I love you. Harmonies and guitars. A crush can lead to more. And it can sound magnificent, regardless of whether or not it ever starts to trend."



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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl