Showing posts with label Dusty Springfield. Show all posts
Showing posts with label Dusty Springfield. Show all posts

Wednesday, July 3, 2024

10 SONGS: 7/3/2024 [THE GREATEST RECORD EVER MADE!, Part 1]

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs will really be 40 Songs, presented in four parts. The selections draw from the playlist for This Is Rock 'n' Roll Radio # 1240, presenting a few of the tracks featured in my new book THE GREATEST RECORD EVER MADE! (VOLUME 1).

We played 48 tracks on this week's show; for ten of those, I read on-air excerpts from the book's chapter about that track. This four-part collection of 10 Songs columns will offer snippets on behalf of the other 38 tracks, with two bonus tracks at the end.

BADFINGER: Baby Blue

..."Baby Blue" is the embodiment of why I fell in love with the radio in the first place. It’s an enduring testimony to why I still love radio's potential, in spite of all efforts to make me give up on that love. Radio gave me Badfinger. I can never repay that debt....

CHUCK BERRY: Promised Land

...Chuck Berry knew well the travails of the downtrodden. Dark skin, humble origin, and destined to transcend everything to become one of the most significant performers in the history of rock 'n' roll. His mind was quick, his fingers precise, wedding intricate, unforgettable wordplay to a guitar he played like a-ringin' a bell. He struggled. He pushed. He got noticed. He got pushed back. He kept pushing back in turn, smiling and duck-walking, while seething behind his flamboyant mask. A nice man? Possibly not, but beside the point. An important man? If you've ever loved rock 'n' roll, you should be ashamed to even ask that question...

...Into this tinderbox, Chuck Berry brought an electric match: Black music that made white kids dance. He wrote in code—most famously, the irresistibly potent brown-skinned handsome man who became (wink) a brown-eyed handsome man—but he crafted and chronicled the American teen-age dream with greater eloquence than anyone else, black or white....

DUSTY SPRINGFIELD: I Only Want To Be With You

...Writer Greg Shaw noted that Dusty Springfield's "I Only Want to Be With You" explodes with as much pure pop noise as any Dave Clark Five record. The horns propel, the strings soar, the girl-group spirit celebrates, the music leans forward. Miss Dusty Springfield presides over all of it, dancing by herself at the microphone, singing sweetly of her love, her happiness, her contented fulfillment in the arms of her chosen one. Her only wish, only ambition, is to be with the object of her desire. We hope it can really be as simple as that....

ELVIS PRESLEY: Heartbreak Hotel

The entire world was about to change in an instant. No one knew what was about to happen. If they say they did, they're lyin'.

Unless, maybe, "they" happened to be Sam Phillips....

BIG MAMA THORNTON: Hound Dog


...Where and when did rock 'n' roll start? There are a few key artifacts to consider in seeking to ID the first rock 'n' roll record. "Rocket ‘88’" by Jackie Brentson and his Delta Cats (1951, and really Ike Turner and his Kings of Rhythm) is the closest we have to a consensus choice. Some would point to "The Fat Man" by Fats Domino (1950). I would at least add Amos Milburn's "Down the Road Apiece" (1947) to the discussion, and no less an authority than Lenny and Squiggy (on TV's Laverne and Shirley) spoke on behalf of "Call the Police," a 1941 single Nat King Cole made with the King Cole TrioThere are other progenitors and trailblazers from across the heady mingling of jump blues, R & B, country, and swing that birthed this bastard child we call rock 'n' roll. What was the daddy of them all? Not even a blood test is going to make that determination.

"Hound Dog" is not the first rock 'n' roll record. But its original release does predate the Rock 'n' Roll Era. It was written by Jerry Leiber and Mike Stoller specifically for rhythm and blues singer Big Mama Thornton. Thornton's "Hound Dog" single topped the R & B chart in 1953. Fittingly, her performance of the song is as much a growl as it is anything else, a snarling dismissal of a worthless cur who can wag his tail, but she ain't gonna feed him no more...

PATTI SMITH: Gloria

Jesus died for somebody's sins but not mine.

That may be the greatest opening line in rock 'n' roll's long and thumping history. It's iconoclastic. It's rebellious. It swaggers, it shrugs, and it seethes with the promise of desire, the pursuit of quick-fix happiness. It's a precise moment of rules breaking beyond meaningful repair. It's a confession. It's a sacrament. It's sacrilege. And it's all in service of a freakin' cover song.

Patti Smith's "Gloria" is a medley, grafting her own rant "In Excelsis Deo" onto Van Morrison's surly juggernaut "Gloria." Morrison's group Them recorded the original “Gloria” as a British B-side (to "Baby, Please Don't Go") in 1964. In the US, radio programmers objected to the lines And she comes to my room/Yeah, she makes me feel all right, deeming the song too salacious for airplay. A 1966 cover by the Shadows of Knight excised the offending line and hit the Top 10. And American youth was safe.

One wonders what 1960s moralists would have said about Patti Smith's "Gloria" if they could have heard it a decade before it even existed.

Probably nothing. Hearing it would have struck them mute....

LITTLE RICHARD: The Girl Can't Help It

Stranded in this conformist world of the 1950s, Little Richard was the Georgia Peach, a wild and effeminate black man, flamboyant, a strange visitor from another planet with powers and abilities far beyond those of mortal men. His performances were electrifying, pounding, an irresistible symphony of WOOOOO! A-wop-bopa-loo-bop-a-lop-bam-boom. In the late fifties, only Jerry Lee Lewis could match the sheer fervor of Little Richard. Little Richard was as bright a star as this dull world had ever seen.

And he was certain that he was going to Hell....

NEIL DIAMOND: Brother Love's Traveling Salvation Show

Faith is infectious. Its specifics can vary from believer to believer, even among those who share a covenant. 

Among his vast résumé of well-known pop compositions, Neil Diamond wrote both "I'm A Believer" and "Brother Love's Traveling Salvation Show." The former is a love song that casually employs elements of the celestial. The latter evokes Gospel without being Gospel, a not-quite-secular/not-quite-sacred first-person report of a man with a Bible in his hand, a sermon in his heart, and a tent full of believers primed for salvation on a hot August night....

THE RAMONES: Sheena Is A Punk Rocker


Dangerous. Deplorable. Degenerate. The Ramones were supposed to be dirty, filthy punks, likely to slit your throat for spare change, or just for kicks. They were loud. They were sloppy. They were beneath contempt.

And they were one of the greatest pop bands in the world.

That seeming incongruity has never quite resolved itself. In certain circles, one risks immediate scorn for the sin of considering the Ramones a power pop band. But it was never a sin.

It was a revelation....

ARTHUR CONLEY: Sweet Soul Music

...Do you like good music? You've come to the right place. Oh yeah!

TOMORROW: PART 2!

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My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, February 10, 2022

10 SONGS: 2/10/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1115.

CHEAP STAR: Flower Girl


Man, ya gotta appreciate a band that creates its name by mashing up the monikers of power pop touchstones
Cheap Trick and Big Star. Playin' directly into the ol' TIRnRR demographic. Rather than bludgeoning the idea by calling their new album Heaven City or Radio Tonight, Cheap Star's latest is Wish I Could See, and we opened this week's extravaganza with a spin of "Flower Girl." Intrepid TIRnRR listener Mike Browning found the track pleasantly reminiscent of Nada Surf, and we approve of that message. 

BALLZY TOMORROW: Double Our Numbers


Everyone's musical pal Robbie Rist is a big fan of Parthenon Huxley. That's a right worthy thing to be, and our own story of falling under the delightful thrall of P. Hux was told way back here. My favorite among Parthenon Huxley favorites is the sublime "Double Our Numbers," an absolutely irresistible little--no, BIG!!--number that appeared on Parthenon's 1988 album Sunny Nights. We know Robbie also loves the song; he's said so more than once, and several years ago he posted a video of himself performing an acoustic cover of the song. More recently, Robbie recorded a new version of "Double Your Numbers" under his nom du pummel Ballzy Tomorrow. It's a wonderful cover of a wonderful song. I wish some sort of Powers That Be would return Sunny Nights to proper retail availability, and I really wish more and more people recognized "Double Our Numbers" as the rockin' pop classic it is. In the mean time: take it, Robbie! 

THE LINDA LINDAS: Growing Up


All last year, we routinely referred to the young quartet called the Linda Lindas as "the buzz band of 2021." It looks like Bela, Eloise, Lucia, and Mila have their eye on claiming 2022 as well, with the forthcoming release of their first album, Growing Up. The album's due in April, but available for preorder right now. The preorder gets you the title track (and previous single tracks "Oh!" and "Nina") in that very same right-now time frame. GO! Get it! Buzz waits for no one.

PALMYRA DELRAN AND THE DOPPEL GANG: Lucky In Love


For someone who is--in theory!--wired into the phantasmagoric splendor of today's now sound, it's appalling how much stuff I just miss. Y'know, if I could afford to pay attention, I would pay attention. Will attention accept an IOU?

Case in point: this yummy digital single from Palmyra Delran and the Doppel Gang. "Lucky In Love" (virtually backed by a cover of Tuff Darts' tres pop "Who's Been Sleeping Here?") came out a freakin' year ago, and I just managed to hear it in this far-future world of 2022. I need better minions. Or maybe some minions. A minion. Or at least something resembling peripheral awareness.

Ah, but any track you ain't heard is a new track, and "Lucky In Love" is for damned sure worth waiting for anyway. Famed rocker and Underground Garage personality Palmyra's gang o' doppels includes the one 'n' only Michael Lynch, and both tracks are as fab as fab can be. Fabber, even. I wish we'd played 'em last year. We're happy to play 'em now.

TONY VALENTINO: Barracuda


Like many of my fellow Americans, my first exposure to
the Standells was when the group guest-starred as domestic ersatz Beatles on a 1964 episode of TV's The Munsters, wherein unassailable pop pundit Herman Munster indicated he would sleep easier knowing the future of our country was in the hands of fine young men like the Standells. They would go on to become one-hit wonders for "Dirty Water" in 1966, but they also had a number of lesser chart hits that deserved wider notoriety. The rise of the Nuggets critical aesthetic in the '70s and '80s brought an embrace of '60s garage and punk, and that embrace proudly acclaimed Standells perennials like "Riot On The Sunset Strip," "Why Pick On Me," the pounding "Dirty Water" B-side "Rari," and (my favorite) "Sometimes Good Guys Don't Wear White."

Guitarist Tony Valentino was a founding member of the mighty Standells, and he's still active as a recording artist for Big Stir Records. Tony made his post-Standells TIRnRR debut as a guest of the Forty Nineteens, playing on that group's single "Late Night Radio" (which then appeared on the Forty Nineteens' 2021 album New Roaring Twenties). Now, Tony returns with a new single, offering a new version of the Standells' "Barracuda." Somewhere, Herman Munster is smiling. Right here, we're smiling, too.

THE JIVE FIVE: Hully Gully Callin' Time


While the Jive Five's biggest hit was the 1961 doo-wop gem "My True Story," TIRnRR's go-to Jive Five track has generally been "What Time Is It?," a dreamy recording that earns a place in my long-threatened book The Greatest Record Ever Made! (Volume 1). We've played a couple of other Jive Five selections over the years, but this week offers the first-ever TIRnRR spin of "Hully Gully Callin' Time." And it makes its way to the playlist because I discovered that one of the song's credited songwriters was one Joyce Cafarelli. I have no idea whether or not this Joyce Cafarelli was any distant relation to my family--Third Cousin Joyce? Honorary Aunt Joyce? Jivin' Sister Joyce, who never writes, never calls, never shows up at weddings or funerals?--but I can state with some authority that we have yet to see any royalties. Hey! Joyce! What about your family...?!

(Oddly enough, though I'm actually pretty sure I'm not really kin to Joyce Cafarelli, the song's title does make me remember something about my Dad. Dad wasn't really a rock 'n' roll fan, saying he preferred "pre-Pearl Harbor music" to the bangin' and twangin' that captured his youngest son's fancy. In our sporadic and amiable conversations about the rock and the roll, Daddy almost always made some reference to the Hully Gully. Like, many times, over the course of decades. Coincidence? I think so. But...maybe not? It would be a cool connection if true.

DUSTY SPRINGFIELD: I Only Want To Be With You


THE MONKEES: Listen To The Band


No, it was not a surprise when the Monkees were once again snubbed by this year's list of nominations for The Rock And Roll Hall Of Fame. Just because the RnRHOF nominating board is clueless doesn't mean we have to be. Listen to the band.

THE BLUSTERFIELDS: Insomnia


Let's talk about the Blusterfields. The North Carolina lads' debut album The Vicious Afterglow opens with all the bluster 'n' aggro of an arena show, but all in service to a higher pop calling. You've got your sway. You've got your hooks. You've got your volume, and you've got your sweet, anthemic-sounding singalong vocals. The Blusterfields do not seem to be lacking in confidence, and their confidence is justified. Let's talk about the Blusterfields. And let's say those three little words we need to say: Turn. It. UP.

TODD RUNDGREN: Couldn't I Just Tell You


Todd Rundgren's essential double album Something/Anything? just turned an ever-spry 50 freakin' years old. I'm not quite the Todd fan that many of my peers are, but I am very fond of a number of individual things he did, including his '60s days with the Nazz and his '80s Fab Four pastiche Deface The Music. I've owned a copy of Something/Anything? for more than 40 years, a set secured when I traded a gift of Eagles' Greatest Hits for this sprawling 2-LP magnum opus

I got it specifically for "Couldn't I Just Tell You." I had seen Rundgren perform the song 
with Utopia on a 1978 TV appearance on The Mike Douglas Show. Our Todd introduced it as "an example of the latest musical trend. It's called power pop." I knew the song before that, but this was when it really grabbed my attention. Here's an excerpt from the song's entry in The Greatest Record Ever Made! (Volume 1):

"Even though 'Couldn't I Just Tell You' wasn't a hit, I knew the song from somewhere. Maybe it got some play on WOLF-AM, falling into the airwaves in between our Todd's big hits 'I Saw The Light' and 'Hello It's Me' [both from Something/Anything?]. Maybe I picked up on it some time later, perhaps as an older track dusted off for a fresh spin by an FM radio DJ after I switched preferred frequencies.

"I wasn't necessarily a Todd Rundgren fan, at least not specifically. He was fine, but aside from hearing "Hello It's Me" and later his remake of the Beach Boys' 'Good Vibrations,' he wasn't really part of my conscious pop thought. I knew him more as a guy who (I'd read somewhere) sported multi-colored hair, and whose ladyfriend was Playboy centerfold Bebe Buell. I liked him, but didn't think much about him.

"But that song....

"'Couldn't I Just Tell You' lurked within the gauzy borders of my subconscious, a welcome guest however it was that it got there. It settled comfortably in my mind's terra incognita, itself a phrase I picked up from a girl I fancied. I could have sung the song to her if I'd thought of it.

"The tentative dance of teen infatuation, captured in microcosm, made pretty with the sound of (apparently) the latest musical trend.

"Seeing and hearing Utopia perform 'Couldn't I Just Tell You' on The Mike Douglas Show in '78 brought all of this subconscious thought to the surface, elevating the song immediately and forever thereafter to my own Top of the Pops. Immediately after the show was over, I phoned another girl I knew, just to say, Did you see THAT...?!

"By 1978, my eighteen-year-old self had already suffered and--damn me--inflicted some broken hearts. I had also discovered a name for my favorite sounds: power pop. The latest musical trend. Todd Rundgren may not have thought much of it. I sure did. And on this song, Todd Rundgren accomplished it, fully and with great authority. Why don't you lend me an ear, I'll make it perfectly clear, I love you. Harmonies and guitars. A crush can lead to more. And it can sound magnificent, regardless of whether or not it ever starts to trend."



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ou can support this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, November 17, 2020

10 SONGS: 11/17/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1051.

BOW WOW WOW: Do You Wanna Hold Me?

It's likely that I had read about British group Bow Wow Wow in the pages of Trouser Press prior to snagging an import copy of their debut single "C30 C60 C90 GO!" at Brockport's Main Street Records in the early '80s, but I had not yet heard the music itself. I think I bought that on the same record store visit that netted me the "Older Women" 45 by Rochester new wave aces New Math, and possibly at the same time that I also scored a used copy of The Velvet Underground's first album. Productive day. I associate all three platters with a trip to see friends in Albany, a time spent partying and playing records with my high school pals Jay and Beth. The Bow Wow Wow single was definitely a part of that.

A bit later, Bow Wow Wow scored in America with a hit cover of The Strangeloves' "I Want Candy," prompting me to buy another Bow Wow Wow 45. I like that version, but I regret that so few Americans seem aware of any of the group's other work. "Do You Wanna Hold Me?" did gather some recognition, via a little bit of radio play and a little more MTV play.

SOLOMON BURKE: Everybody Needs Somebody To Love

Solomon Burke's soul nugget "Everybody Needs Somebody To Love" was at the heart of one of the many weird moments in the long and storied history of This Is Rock 'n' Roll Radio with Dana & Carl. I don't remember when exactly it was--probably somewhere during our first few years on the air, say from 1999 to 2001, 2002, maybe 2003, whatever. One Sunday night in the studio, Dana played The Nails' left-of-the-dial stalwart "88 Lines About 44 Women." And I had an epiphany. Yeah, another one. I'm just full of epiphanies.

Then, as now, TIRnRR playlists were generally concocted on the fly, as Dana would react to whatever track I played and vice versa, that essential rockin' pop volley hammering out the framework for whatever the hell it is we do on the radio. But that night, as I listened to The Nails rattling off their 88 lines about their 44 women, I suddenly realized that only one song could possibly follow it.

Solomon Burke. "Everybody Needs Somebody To Love." Of course.

And I was convinced that if I didn't play Solomon Burke's testimonial of everybody needing somebody to love immediately--IMMEDIATELY!--after The Nails' record ended, some cosmic force would strike me dead right then and there. I quickly rummaged through my shoebox of CDs. Did I even have the song with me? I thought I did, and...YES! There it was! I fumbled the CD case into Dana's hands, his disinterested demeanor never changing as he popped the disc into the player and segued smoothly from the fading Nails into King Sol. I was saved!

As were we all. Testify, Brother Solomon. Testify.

DEAR STELLA: Time Machine

Dear Stella is the DBA of Stefanie Drexler, a singer, songwriter, and producer originally from Austria. Dear Stella's just-released debut EP Time Zones finds Drexler working with such pop luminaries as Bleu, Eric Barao, David Myhr, and Kai Danzberg to craft a sextet of scrumptious confections that call to mind everyone from Klaatu to Mandy MooreELO to Idina Menzel, everywhere from Broadway to the beach. It's modern pop music, potentially capable of connecting with a mainstream audience, and simultaneously imbued with an innate sense and command of pop history. 

Billed as the record's overture, "Time Machine" (co-written by Drexler and Bleu) summons all influences in an over-the-top kitchen-sink approach that's captivating and agreeable. Ambitious, sweeping, and confident, "Time Machine" sets the WABAC for some imaginary era where Olivia Newton-John fronts Cheap Trick. And it accomplishes all of this without resorting to pilferage, building upon influences to generate something new. Man, when the guitars and vocals go all seismic at about the 2:05 mark? Magic. Magic. More!

THE FOUR TOPS: Something About You

Dumplin'! Dumplin'!

My memory insists that I first became aware of "Something About You" via Dave Edmunds' cover version on his 1984 album Riff Raff. My memory is probably correct in this case, but I did own a copy of The Four Tops' Greatest Hits album by then, and that LP includes The Four Tops' original version of the song. Looking back, I guess my interest in Tops classics "It's The Same Old Song," "Reach Out I'll Be There," "I Can't Help Myself (Sugar Pie Honey Bunch)," "Baby I Need Your Loving," "Standing In The Shadows Of Love," and "Bernadette" just overshadowed "Something About You" to an extent sufficient to cloud my mind so I couldn't notice it. 

But it's a fantastic track. Edmunds did a swell job with it, but ya can't compete with the Tops' Levi Stubbs. The choice of opening the song with cries of "Dumplin'" as a term of endearment is...unique. On-line lyric sites insist the line is Darlin'! Darlin'!, but Stubbs is clearly singing Dumplin' on at least the second word (though it probably is Darlin' on the first). DUMPLIN'! Well. The girl he loves must indeed be the apple of his eye, then.

GRETCHEN'S WHEEL: You Should Know

When it comes to the music of Lindsay Murray and her nom du bop Gretchen's Wheel, I was late to the party, and I still have a lot of catching up to do. I was floored by the song "Plans" on the 2018 Gretchen's Wheel album Black Box Theory, and Murray's newest GW effort Such Open Sky does not disappoint in the slightest. "You Should Know" is the Such Open Sky track selected for airplay this week, but we could just as well have gone with "Sharp Relief" or "Infernal Machine" or "Can't Shake The Feeling" or "Interloper" or...yeah, the whole record. You can't go wrong with Gretchen's Wheel.

KID GULLIVER: Forget About Him

Red On Red Records is a new label operated by the divine Justine Covault, who is already known to the TIRnRR faithful as CRO (Chief Rockin' Officer) of the mighty Justine and the Unclean. And Red On Red fittingly sets our meters into the crimson zone with its first two single releases, "Half Life" by The Neighborhoods and "Forget About Him" by Kid Gulliver. "Half Life" was one of two tracks crowded out of this week's jam-packed show (and we hope The Neighborhoods will take comfort in sharing that distinction with "For Your Love" by The Yardbirds), but "Forget About Him" opened the broadcast with transcendent aplomb. We've already played Kid Gulliver's "I Wanna Be A Pop Star" a couple of times this year, and Kid Gulliver's Simone Berk also sings lead on WhistleStop Rock's TIRnRR Fave Rave "Queen Of The Drive-In." See? Simone Berk's established a proven record of quality tunemakin' for this little mutant radio show!

"Forget About Him" is even better. Justine Covault describes it with authority: Only one of the best power pop songs ever written, about the cad you need to lose. Awright, I'm sold. Here's to Simone. Here's to Justine. Here's to Kid Gulliver, and here's to Red On Red Records.

THE MONKEES: Words

Written by Tommy Boyce and Bobby Hart, "Words" has been one of my favorite Monkees tracks since the mid '70s, when I discovered there were Monkees songs above and beyond the handful I'd known since the previous decade. I've told the story elsewhere--notably, in pieces about discovering The Monkees, a girl I knew somewhere, Headquarters and The Birds, The Bees & The Monkees, and Pisces, Aquarius, Capricorn & Jones, Ltd.--so suffice it to say that cable TV reruns of The Monkees led me to the bulk of my most cherished Monkees cuts.

"Words" was one of the kingpins, along with "The Door Into Summer," "Daily Nightly," "Love Is Only Sleeping," and "What Am I Doing Hangin' 'Round?," all from the Pisces album. I loved the way the bass line seems to coil like a cobra poised to strike, the shimmering, mesmerizing vibe, the pounding throb as it heads near the chorus, the sheer majesty of Micky Dolenz's vocal, and...and...

...and Peter Tork.

Tork did not take many lead vocal turns in the official Monkees canon. Vault raids in subsequent decades would exhume a few additional Tork-sung artifacts, and our Peter would much later deliver his best-ever vocal on "Wasn't Born To Follow," contained on the group's 2016 triumph Good Times! But in the midst of original Monkeemania, producers deemed his singing pitchy, and didn't use him. Tork's voice is really heard but four times on that era's records: warbling the silly novelty number "Your Auntie Grizelda" on More Of The Monkees, rocking his own "Long Title: Do I Have To Do This All Over Again" on the Head soundtrack, sharing a back-and-forth lead with Davy Jones on the Headquarters track "Shades Of Grey," and doing the same thing with Dolenz on "Words."

"Words" was and remains my pick of the bunch.

ORBIS MAX WITH EMPEROR PENGUIN: Talk To Me

Orbis Max is one prolific pop act, a hands-across-the-land-and-water combo that's been collaborating from remote locations since long before pandemic cooties introduced the rest of us to such things. Orbis Max is no stranger to the TIRnRR playlist. "Talk To Me," a joint venture between Orbis Max and Emperor Penguin, is their best yet. And by "best" I mean THIS IS FRIGGIN' AWESOME...!!

DUSTY SPRINGFIELD: I Only Want To Be With You

The Greatest Record Ever Made! Settled law. Evidence presented here, video testimonial here.

THE SWING SET: Trying To Get You Out Of My Mind

I don't really know anything at all about the Rochester, NY group The Swing Set or their 1985 single "You That I'm Thinking Of"/"Trying To Get You Out Of My Mind." The tracks were brought to my attention by Mike Murray, host of the fabulous radio show Whole Lotta Shakin', heard Saturdays from 4 to 6 pm Eastern at WRUR-FM in Rochester, WITH-FM in Ithaca, and webmorized at https://www.wrur.org/ If you like TIRnRR, you'll like Whole Lotta Shakin'

And Mike figured--correctly--that I would dig The Swing Set. Both tracks are jangly, catchy examples of '60s-influenced pop music, but "Trying To Get You Out Of My Mind" is particularly boppin' and sprightly, and appropriately impossible to get out of your mind once you've heard it. I can imagine unique covers of the song by The Knack, Any Trouble, The Go-Go's, The Bangles, or even The Supremes, although The Swing Set's original doesn't really sound like any of those acts. Somebody oughtta play this stuff on the radio.

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Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Thursday, November 12, 2020

MY WEEKLY VIDEO BLOG: THE GREATEST RECORD EVER MADE! # 5: Dusty Springfield, "I Only Want To Be With You"

An infinite number of songs can each be THE greatest record ever made, as long as they take turns. I like that idea so much I'm writing a book about it. And I'm promoting that book with a weekly video series, discussing each of the book's chosen tracks one by one.

This week's GREM! video rant is about "I Only Want To Be With You" by Dusty Springfield. You can listen to that fabulous song right here, and you can see my giddy enthusiasm for it expressed here:


If you dig these weekly ravings, please subscribe to my YouTube channel, and convince your friends to likewise declare, "Carl, I only want to be with you!" NEXT WEEK: The Sex Pistols and "God Save The Queen." Join me. We mean it, man.

THIS WEEK'S VIDEO: Dusty Springfield,"I Only Want To Be With You"

GREM! # 4: Chuck Berry, "Promised Land"

GREM! # 3: Baron Daemon and the Vampires, "The TransylvaniaTwist"

GREM! # 2: Badfinger, "Baby Blue"

GREM! # 1: The Ramones, "Do You Remember Rock 'n' Roll Radio?"

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).