Showing posts with label Joan Jett. Show all posts
Showing posts with label Joan Jett. Show all posts

Saturday, June 20, 2026

10 SONGS (plus a three-song bonus): 6/27/2026--GUITARS VS. RAYGUNS!!

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1341: GUITARS VS. RAYGUNS!!

CHUCK BERRY: Promised Land

This week's show ties into the publication of my new book Guitars Vs. Rayguns!! Short Stories And Other White Lies. The book is a work of fiction, but we're celebrating its intrinsic mojo by stringing together an irresistible array of rockin' pop music by a few of the many real-life musicmakers mentioned alongside imaginary characters I created for the book's stories. And we'll get to the music in just a sec, right after these important words from our sponsor:

Guitars Vs. Rayguns!! Short Stories And Other White Lies gathers tales of a foul-mouthed rock 'n' roll guitarist hijacked into space, an Old West gunslinger, a film noir gun moll who longs to be in a musical, a humorous fill-in superhero suddenly called to greatness, a former boy band star turned record company fix-it man, a would-be painter, an obsessed collector, a fated swordswoman, a fallen giant, a frustrated time traveler, a condemned sinner guiding tourists in Hell, a departed soul interviewing for a spot in Heaven, a 1976 Beatles reunion concert, and other untruths detailing love, loss, disappointment, miscellaneous hijinks, a fascination with shiny objects, and—occasionally--a juvenile sense of humor. 

CARL'S BOOKS:

Guitars Vs. Rayguns!! Short Stories And Other White Lies (2026): $15
The Greatest Record Ever Made! (Volume 1) (2024): $30
Gabba Gabba Hey! A Conversation With The Ramones (2023): $25

All books are autographed, and can be personalized upon request

SHIPPING: $5 Media Mail to addresses in the lower 48 states

BUNDLES:

Buy any two books, save $5

Buy all three books, save $10 ($60 for the lot of 'em)

[Same terms apply to multiple copies of the same book]

SHIPPING: $5 Media Mail to addresses in the lower 48 states

PAYMENTS via PayPal to ccdatsme@aol.com

The first story in the book is the first short story I ever sold, 2019's "Guitars Vs. Rayguns," a foul-mouthed farce about a rock band from Earth playing gigs on other planets. Chuck Berry was the first among many actual musicians name-checked in this and subsequent stories. After all, NASA's inclusion of "Johnny B. Goode" on the gold record sent into space with Voyager 1 and 2 is what built the extraterrestrial market for rock 'n' roll in the first place. As Rocky, the leader of the book's titular planet-hopping combo Guitars Vs. Rayguns relates:

"Tonight's gig's been going well. Just one fight so far, and the drummer was only wounded; he's out for the night, but we'll get by with just two guitars and a bass if we gotta. Some Big Star, some Everly Brothers, Prince, Grip Weeds, Supremes, Pop Co-Op, Small Faces, and always, always some Chuck Berry. We're about midway through 'Promised Land' when an asshole in the audience tries to interrupt us...."

And that leads into more of the miscellaneous hijinks the book's back cover blurb promises. Take us to the Promised Land. Chuck.

THE CYNZ: Love's So Lovely

The Guitars Vs. Rayguns!! book presents a total of 27 short stories, including five stories starring the irrepressible space-traveling bar band from whom the book takes its title. There is also a sixth story centered around one of the band's members. The other 21 tales are unrelated to the adventures of this band called Guitars Vs. Rayguns. 

A few of the book's non-GvsR! stories are centered around music. "Home Of The Hits" sticks strictly to characters of my creation, with no references to real-life musicians. "Open Letter To An Imaginary Rock Band" finds its narrator listing a bunch of acts (KISS, the Stylistics, the Sex Pistols, Motörhead, Gladys Knight and the Pips, Talking Heads, the Isley Brothers) he prefers to his younger brother's favorite band (the fictional Pants-On Flyers). "I'm At Bat!" name-checks OIivia Newton-John, the Kinks, Nelson Riddle, the Jam, the Marketts, and Neil Hefti. Both "Time, And The Junk Food Of Your Life" and "Pop Friction" mention the Beatles, and the Fab Four also star in their own story about a 1976 reunion concert. The volume of real-life music-makin' names cited within that Beatles short story may rival the cumulative number of bands referenced in all five (or six) of the GvsR! chapters.

But yeah, the dedicated GvsR! band stories provide a pervasive supply of pop music name-dropping threaded throughout the book. The vast majority of them are passing references, and that status includes this line invoking the name of This Is Rock 'n' Roll Radio fave raves the Cynz:

"...The setlist was still peppered with covers, everything from the Buzzcocks and the Selecter to the Cynz and Etta James. But we were doing more and more originals, and our drunken and violently irascible audiences were responding. Favorably. Fuck, we had a gig last week out near Sirius, and only one raygun fight broke out. One! Unheard of in our experience. Suddenly, the ETs far and wide were dancing and listening. We were heading to the toppermost of the motherfucking poppermost...."

As a writer and a music fan (and, y'know, a DJ), my mind is always occupied with dozens of random notions and dozens of irresistible song choices. Always. I wanted Guitars Vs. Rayguns' repertoire to reflect that. And I specifically wanted to mention the Cynz because lead singer Cyndi Dawson has been so supportive of all of my books. Cyndi: THANK YOU!

(And in the real world, "Love's So Lovely" [from the current Cynz album Confess] has already secured a berth on TIRnRR's year-end countdown show. And I wouldn't be surprised if it makes our Top Ten. Hey, Cynz! The guitars and the rayguns salute you.)

THE MONKEES: (I'm Not Your) Steppin' Stone

One of the (theoretical) growing-up experiences that impacted my development as a pop pundit, music journalist, and writer of stuff was the act of standing my ground whenever anyone told me I shouldn't like something. Over time, I learned to shrug off naysayers, and to keep right on digging what I dig. Comic book superheroes. Punk rock. Pulp fiction.

The Monkees.

The more some folks tried to convinced me that the Monkees were worthless, the more they deepened my conviction that they didn't know what they were talking about. I'd seen the TV show, I'd heard the records. I know what I like. I loved the Monkees, and I still do.

The Guitars Vs. Rayguns!! book includes three separate references to the Monkees. In my Beatles reunion story, when John, Paul, George, and Ringo have an informal get-together to reacclimate to playing as a band, they perform a presumably-jokey (but not disrespectful) jam of the familiar "(Theme From) The Monkees." Later in the book, when Guitars Vs. Rayguns are auditioning a new member, the Monkees' "(I'm Not Your) Steppin' Stone" is one of a slew of covers the potential group is unable to nail.

My favorite Monkees moment in Guitars Vs. Rayguns! occurs still later in the book, when the members of my raygun-target rock group find themselves in danger, and they steal a plot element directly from The Monkees TV series to escape their predicament. The idea's inspiration is given full and proper in-story credit. Saved by the Monkees! I believe the fans will be pleased.

But I would have that faith, wouldn't I? After all, I'm a believer.

THE FLASHCUBES: No Promise

Big Stir Records recording artists the Flashcubes loom large in my legend. You can be assured that in the GvsR! chronicles, the Flashcubes are represented and appreciated by rock 'n' roll fans across the planets and across the galaxies.


Guitars Vs. Rayguns drummer Leiko is certainly a Flashcubes fan, especially of 'Cubes drummer Tommy Allen (alongside Keith Moon, Marky Ramone, Clem Burke, Dennis Diiken, and Ringo Starr. Here's evidence of that:

"...Leiko leaned in for emphasis. 'I'm Keith fucking Moon. I'm Marky fucking Ramone. I'm Clem fucking Burke. I'm Dennis fucking Diken from the Smithereens, Tommy fucking Allen from the Flashcubes, Ringo fucking Starr if I wanna be Ringo fucking Starr.

" 'I'm fucking LEIKO, bitches!...' "

So noted. In the universe of GvsR!, the Flashcubes are stars, as big as any other stars in any galaxy. 

I like that universe.

WONDERBOY: Girl Songs


Robbie Rist is a long-time friend of this show, and Dana and I have twice been guests on The Spoon, the essential podcast our Robbie co-hosts with Chris Jackson and Thom Bowers. As a tip of the hat, I wanted to add Robbie's old SoCal pop band Wonderboy to the long list of acts that Guitars Vs. Rayguns covers in their phaser-blasted live sets. And given clear evidence within the narrative that Guitars Vs. Rayguns guitarist Rocky really likes the ladies--really, really likes the ladies--Wonderboy's pop gem "Girl Songs" is a perfect match. 

P. P. ARNOLD: The First Cut Is The Deepest


THE RAMONES: Blitzkrieg Bop

C'mon--it wouldn't be one of my books if it didn't reference the Ramones. In one of the book's non-GvsR! stories, a character mentions driving through a blizzard as his iPod treats him to neck-snappin' segues from the Ramones to Dizzy Gillespie to the Girls From Petticoat Junction. In "Jack Mystery (some truths and some white lies)," the actor auditioning for the lead role in a comic book movie wears a Ramones t-shirt. Within the five (or six) GvsR! stories, a character uses the expression "I swear to Joey Ramone," the bassist expresses a desire to channel Brian Wilson, James Jamerson, and Dee Dee Ramone, and we've already seen that drummer Leiko intends to be Marky fucking Ramone (among others). The Ramones. The American Beatles. The greatest American rock 'n' roll band of all time. Hey-ho. Let's go!

JOAN JETT: Bad Reputation

From my short story "Lone Star Falling," which I think is among the best things I've ever written:

"...But Marie looked up at Faye. The eyes could not see. Nonetheless, Marie said out loud, 'LaFayette?'

"Faye had not heard anyone call her by her full first name in...well, she couldn't remember how long it had been. 'Yes, Mom! It's LaFayette.' Usually unflappable, Faye's nerves were on Def Con 1. 'How are you, Mom?'

" 'George!,' Marie called out. 'LaFayette's here for a visit. Come see your daughter.'

" 'No, Mom. Let's not bother Daddy right now.' Faye's father George had died in a car accident decades ago, when Faye was in seventh grade. Faye saw no reason to correct her mother's illusion. 'Let's just have a chat for a second, just you and me, Mom.'

" 'Fifi...?'

Faye froze. Her mother hadn't called her by that name since she was a little girl. 'Fifi? Is that you?' Before Faye could muster a reply, Marie's mind switched again. 'LaFayette! Turn off that noise and set the table for dinner!'

" 'It's not noise, Mom,' said Faye, recalling the exact conversation she had with Marie all those years ago. 'It's Joan Jett. Come on, Mom. Dance with me!'

"Marie smiled as Faye began to dance by the creeping phlox. Marie also started to dance, or rather to mimic the act of dancing while still confined to her wheelchair. 'Such language,' Marie said. 'Couldn't this Joan Jett say she doesn't give a darn about her reputation?'

" 'Works better this way, Mom. It's kickass!'

" 'LaFayette!'

" 'It's okay, Mom. Doesn't this music make you feel alive?'

"Marie was silent, but the glow of her smile continued...."

YOKO ONO: Move On Fast

I have a lot of respect for Yoko Ono, but most of her music falls outside of my chosen pop parameters. Dana's a fan. That said, there are three Yoko tracks I like very much: Her 1980 B-side "Kiss Kiss Kiss" earned a chapter in my previous book The Greatest Record Ever Made! [Volume 1]), her 1971 seasonal treat "Listen, The Snow Is Falling" is luscious and sublime, and "Move On Fast," a pumpin' track from her 1973 album Approximately Infinite Universe, rocks. Yoko haters need not apply.

My first awareness and appreciation of "Move On Fast" was provided courtesy of the weekly classic alternative podcast Only Three Lads. Like Dana, O3L co-host Brett Vargo is big on Yoko, and while he hasn't yet managed to convert his partner Uncle Gregg to the cause, Brett insists Gregg will come around eventually. Me? I'm grateful to Brett for hooking me on this track.

Yoko Ono appears as a supporting character in my 1976 Beatles reunion fantasy piece. I think she comes off quite well, and I hope Brett will approve of her depiction. Dear Yoko: The world of Guitars Vs. Rayguns!! holds nothing but love for you.

THE BEATLES: Paperback Writer

Why, yes--I am a paperback writer. Dear sir or madam, will you read my book?

ENCORE! THREE MORE SONGS!!

MOTÖRHEAD: Ace Of Spades
SLADE: Gudbuy T' Jane
LL COOL J: Mama Said Knock You Out 

These songs are mentioned together in sequence late in the book, when Guitars Vs. Rayguns are jamming with a famous real-life rock 'n' roll superstar, and he sings these three song choices with them. And the band is beyond thrilled when HE expresses gratitude to THEM...!

Thenkyew. Thenkyewverymuch.

Unlikely song choices in this context? Man, I can hear them, in my crowded head. And besides: The King can do what the King can do. That's why he's the King.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

Tuesday, November 5, 2024

10 SONGS: 11/5/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1258.

MARTI JONES: I Love The Sound Of Breaking Glass


The other day, I saw a meme that summed up my current feeling: Nauseously optimistic. I think (and hope) Kamala Harris will win the election. The real possibility that she won't win is making me very, very anxious.

Nonetheless, I believe we will move forward, and perhaps we can even move toward finally closing the door on the toxic era of Trump. It is my desperate wish that the glass ceiling above American politics is about to be shattered.


And I love the sound of breaking glass.

Vote.

THE BURN SISTERS: I Am A Patriot


Roger that. Vote.

MARYKATE O'NEIL: I'm Ready For My Luck To Turn Around


Roger that. Vote.

THE ARMOIRES: We Absolutely Mean It


Us, too. VOTE!

HAYLEY MARY: Like A Woman Should



VOTE!

THE GO-GO'S: We Got The Beat



"The glass ceiling.

It's an odd phrase, isn't it? It implies something frail and fragile, delicate, something to handle with care, something easily broken, easily damaged, easily breached. Instead, it describes an invisible barrier that is nearly impenetrable: An unseen barricade that blocks advancement, halts upward progress, and prevents certain people—especially minorities, and most especially women—from achieving heights above their presumed station. The glass ceiling is a bad thing.

"Rock 'n' roll used to have a glass ceiling. It broke for the first time in 1981. It was broken by the Go-Go's...."

And now, the biggest glass ceiling of all awaits our attention.

VOTE!!

JOAN JETT AND THE BLACKHEARTS: Light Of Day


We are just around the corner. VOTE!!

THE BANGLES: Hero Takes A Fall


Not my hero, and never was. VOTE!!

LESLEY GORE: You Don't Own Me


We hold this truth to be self-evident.

VOTE!!!

FIRST AID KIT: America


America. Love it or lose it.

VOTE!!!


If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Saturday, August 31, 2024

10 SONGS: 8/31/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1248.

THE GREG KIHN BAND: Reunited

Our featured performer this week was, of course, the late, great Greg Kihn. I've often written about what I call my crucible year of 1977, a year of transition from high school into college, and a big year of transition in the music I loved. The transition really began in late '76, and bled well into '78, but you know how crucibles are; heat expands, and the heat of my crucible couldn't be contained within a single calendar year.

The acts, new and old, that I discovered and/or embraced in this short span of time redefined me. No, "redefined" ain't the right word. Refocused. Redirected? Renewed? Ah, got it: Refined. My preexisting love of '60s British Invasion and early '70s AM Top 40 radio didn't cede space for new arrivals; no, the floor plan for my passions just grew. I already loved the Beatles, the Monkees, Badfinger, the Raspberries, the Dave Clark Five, the Animals, Sweet, and more. My crucible forged fresh and ongoing awareness of the Kinks, the Ramones, the Flashcubes, Blondie, the Runaways, the Jam, the YardbirdsTelevision, Elvis Costello, et al.

And at the heart of all of that, WOUR-FM in Utica, NY introduced my ears to the sounds of the Rubinoos, Nick Lowe, Graham Parker, the Sex Pistols...and to Greg Kihn.

I don't mention Greg Kihn as often as I mention most of these others, but he was absolutely an important and still-cherished part of my crucible, part of how I thought pop music should sound in my world.

So yes, of course the news of Kihn's passing demanded tribute, and we played as many Greg Kihn and Greg Kihn Band performances as we could. The show and the tribute started with the Greg Kihn Band's 1984 gem "Reunited," as This Is Rock 'n' Roll Radio remembers Greg Kihn.

LIBRARIANS WITH HICKEYS: Hello Operator

Any new music by Librarians With Hickeys is pret' much guaranteed a spin (or more!) on our little mutant radio show. Akron's Phenomenal Pop Combo is back with a fab new single, "Hello Operator," and yes, we will absolutely accept the charges. "Hello Operator" is a teaser for a new Librarians With Hickeys album due out before the end of the year. It's pret' much guaranteed we'll be playing that, too. The number you have reached IS in service!

THE ARMOIRES: Snake Island Thirteen

As the rockin' pop world waits with giddy anticipation for the imminent release of the Armoires' splendid new album Octoberland, we have one more advance single from that mighty, mighty record. The digital single was released on August 24--Ukrainian Independence Day--and it pairs the Octoberland track "Snake Island Thirteen" with "Don't Kill That World I'm Living In," the latter by Ukrainian performer Roy Crank. Sales of the split single Songs For Ukrainian Independence Day benefit humanitarian aid through United Help Ukraine. YOU should purchase it immediately, and you can do so right here. You can also donate directly to United Help Ukraine here.

(I have heard Octoberland, and it's one of the best albums of 2024. We'll be talking more about Octoberland very soon.)

GREG KIHN: Hurt So Bad
GREG KIHN: For You


The photo up at the tippy-top of today's post shows that I have a fair to decent collection of Greg Kihn's music. I have an obvious and very common pick for my # 1 favorite Greg Kihn track, and we'll get to that in a couple of entries south of here. My second-favorite among Kihn's catalog is "Hurt So Bad," a wonderful cut from his 1977 album Greg Kihn Again. Whatta record! I don't think I got around to hearing it until the '80s--and I can't believe we never played it on TIRnRR before this week's show--but "Hurts So Bad" has been one of my top Greg Kihn go-tos for decades. It would have required military action to keep "Hurt So Bad" out of the playlist this week.

The only Greg Kihn Again track I knew contemporary to its release in '77 was Kihn's cover of Bruce Springsteen's "For You," which scored significant airplay on WOUR and served as my introduction to Greg Kihn. As the Boss hisself wrote in a different song: From small things, Mama, big things one day come.

JONATHAN RICHMAN: Roadrunner

Within the alt-pop realm where Dana & Carl often dwell, Jonathan Richman's "Roadrunner" has become an acknowledged classic. Usually, that means a spin of the Modern Lovers' John Cale-produced version from 1972, but my first exposure to the song was ex-Modern Lover Richman's solo version, first released as a single in '74 and a UK hit when reissued in '77. 

On this version (now usually referred to as "Roadrunner [Once]"), our Jonathan is backed by the Greg Kihn Band, and Kihn sings back-up. And I heard it via its inclusion on a friggin' fantastic various-artists compilation called Geef Voor New Wave, a battered but bountiful cornucopia that slotted its "Roadrunner" alongside essentials by the Rubinoos, Eddie and the Hot Rods, Generation X, Motörhead, the Adverts, the Motors, Tom Petty and the Heartbreakers, X-Ray SpexEarth Quake, Radio Stars, the Radiators From Space, Johnny Moped, and the Sex Pistols. Lemme tell ya: This was awesome

The Greg Kihn Band later recorded their own version of "Roadrunner," a live-in-the-studio rave-up on their 1979 album With The Naked Eye. Post-crucible, yes, but this particular "Roadrunner" enjoyed a lot of airplay on Syracuse's 95X, and it was an integral part of my soundtrack that summer. I had the radio ON...!

THE GREG KIHN BAND: The Breakup Song (They Don't Write 'Em)

The Greatest Record Ever Made!

THE CHAMBERS BROTHERS: Time Has Come Today

In the midst of our Irish wake for Greg Kihn, it seemed imperative to also pay tribute to the late Joe Chambers of psychedelic soul juggernaut the Chambers Brothers. The obvious song to play for that tribute is also the right song to play for that tribute: "Time Has Come Today," co-written by Joe and his brother Willie Chambers, is a stone masterpiece, and I was tempted to program its eleven-minute+ LP version instead of the five-minute single. The track rules at either length.

Here's a bit from the "Time Has Come Today" chapter in my book The Greatest Record Ever Made! (Volume 1):

"My soul has been psychedelicized.

"Some records feels so massive, so friggin' huge, that we can't imagine how that sonic tsunami could be contained by any physical medium. The track's palpable mojo bursts free from its grooves, untethered, conjuring the equivalent of cinematic Sensurround within our eager heads. The record is larger than life. That description applies to the dynamic acid soul of 'Time Has Come Today' by the Chambers Brothers.

" 'Time Has Come Today' was released as a single the winter following the summer of love. It became a hit as 1967 became 1968, the track's epic lysergic earthquake serving as fiery prequel to the upheaval '68 would bring. The record is louder and heavier than the heavens, its clarion call of revelation and revolution only too fitting to hear from a group of four brothers (plus a non-brother drummer) raised on the Gospel.  

"For even as the world seemed poised to tumble into the Stygian depths, the Chambers Brothers do not preach of destruction, nor sing the praises of Hell. We already know that the devil has no music to call his own. Not even in 1968. Not even today.

"So the Chambers Brothers evoke the apocalyptic in service of greater good...."

JOAN JETT AND THE BLACKHEARTS: Be Straight

Our tribute to Greg Kihn included tracks credited to the Greg Kihn Band and to Kihn as a solo artist, a sample of Kihn's work with future guitar hero Joe Satriani, and the Jonathan Richman track. As a bonus, we also threw in "Be Straight" by Joan Jett and the Blackhearts, a track from the group's 1981 album I Love Rock 'n Roll. Jett co-wrote the song with Kihn and Kenny Laguna, Jett's manager. "Be Straight" is one of four tracks on I Love Rock 'n Roll that I like even more than I like the album's title track, and one of five such tracks if we also consider the originally non-LP "Oh Woe Is Me." And I do love the title track, too. I'm a fan.

As a member of the Runaways, Jett was also a big part of my crucible. This week, I saw Joan Jett and the Blackhearts for my fourth time overall (and Jett herself for my fifth time, counting the time I saw the Runaways with the Ramones and the Flashcubes). Her set this week didn't include "Be Straight," but it did offer all of her prerequisite Joan Jett favorites, some superb-soundin' new numbers, my top three tracks from the expanded I Love Rock 'n Roll album ("Victim Of Circumstance," "Oh Woe Is Me," and especially "Love Is Pain"), and the show concluded with her signature tune, "Bad Reputation," a song that means a great deal to me.

(PLUS! Joan wore a KAMALA HARRIS FOR PRESIDENT button throughout the show. Rock AND roll! I love it.)

THE GREG KIHN BAND: Testify

And we do indeed testify. Every day. The crucible will accept nothing less.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, October 13, 2023

10 SONGS: 10/13/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1202. This show is available as a podcast.

THE OHMS: License To Kill

Much of this week's show was offered as a tribute to the late Ducky Carlisle. Before his GRAMMYs and his well-earned acclaim as a music producer and engineer, fans here in Syracuse first knew Ducky as a drummer. That started for us in the late '70s, when Ducky was in the Ohms.

The Ohms were a great, GREAT group, an invincible rock 'n' roll trio fronted by guitarist/singer/songwriter Zenny Caucasian with Rick Suburban on bass (later replaced by Keith Korvair) and the Duckster hisself poundin' them Pagan skins. I curse the cruel timing that only allowed me to witness 'em in person once--ONCE!!--but I know most folks didn't even get a chance to do that much. I wish we'd all seen the Ohms multiple times over a span of years, of decades...but that ain't what happened. Like Del Paxton told us: You can't keep a band together. The Ohms were no exception. 

The group's 1979 single "Teenage Alcoholic"/"Chain Letter" remains the only Ohms music to ever see release, and those two tracks have been out of print since the Carter Administration. They recorded more fantastic stuff--"Hollywood Baby," "Boppin' At The USO," "High-Top Sneakers," "You're So Surreal," and my favorite, "License To Kill"--but none of it has ever seen legit release. This looks like a job for Kool Kat Musik, Big Stir, Propeller, Futureman, Jem Records...somebody!

This week, we played both sides of that 45 from 1979. And we opened the show with the unreleased "License To Kill." We raised a glass, and we raised a fist. Gotta keep movin' you can't sit still. Here's to ya, Ducky.

1.4.5.: Let's Groove

Hey, we're 1.4.5.!
And I'm Paul!
I'm Dave!
I'm Duck!
LET'S GROOVE!

Ducky was also a founding member of 1.4.5., with bassist Dave Anderson and guitarist Paul Armstrong. They debuted live in 1980, and released their first EP Pink Invasion in 1981 (still available as part of the 1.4.5. anthology 3 Chords & A Cloud Of Dust). Given my deathless devotion to PA's once and future group the Flashcubes, it was natural for me to become a big 1.4.5. fan. Still am! 1.4.5. went through a number of varying line-ups; Paul's the only original player still with the group (which now includes guitarist Bob Cat, bassist Tommy O'Riley, and drummer Judd Williams). Nonetheless, they friggin' rock. It's what they do!

NEW MATH: Die Trying

Over to our west in Rochester, commencing in the same approximate time frame as the Syracuse Bright Lights scene that gave us the Ohms, the Flashcubes, and 1.4.5., there was another fabulous combo called New Math. New Math survived into the '80s, and I was able to see them a few times, in Syracuse (at the Firebarn), in Brockport (in the ballroom on my former college campus), and in Rochester (at the legendary Scorgie's). New Math eventually morphed into the Jet Black Berries, but that's another thread for another day.

Back to New Math. This year saw the long overdue release of a New Math CD anthology, Die Trying & Other Hot Sounds (1979-1983), courtesy of Propeller Sound Recordings. A current version of New Math has been playing a handful of shows, culminating in a farewell show this Saturday, October 14th, at Abilene Bar and Lounge in Rochester. Billed as The Final Nail In The Coffin Show!, New Math's sayonara show also includes the Presstones (who played with New Math [and the Cliches] on that Brockport bill I just mentioned) and the mighty 1.4.5. (who played the release party for my Ramones book, and whom I've seen a ton of times--but never enough times).

I'm goin' to this show. If not, man, I'll at least die trying.

(I'm also looking to catch 1.4.5. again in Syracuse near the end of this month. On October 27th, Syracuse's home for rock 'n' roll The Lost Horizon will welcome the Grip Weeds for their first-ever Syracuse show, with 1.4.5., Preacher, and Keene Highland Airforce. Be there or be missing.)

MICHAEL OLIVER AND THE SACRED BAND FEATURING DAVE MERRITT: You Won't Do

Ducky Carlisle had significant impact on our own 2017 compilation This Is Rock 'n' Roll Radio, Volume 4. Ducky played on the magnificent 1.4.5. track "Your Own World," which went on to be TIRnRR's single most-played track in 2017 (in memory of its late lead singer Norm Mattice). Ducky also applied the considerable magic of his considerable studio mojo to clean up the four-track demo of the Flashcubes' "No Promise." All Ducky, all of the time!

And Ducky likewise lent his above-cited magical mojo to "You Won't Do," a track by Michael Oliver and the Sacred Band featuring Dave Merritt. In the extended supplemental liner notes for this compilation, I recalled contacting Michael to secure his contribution:

"[Michael] replied that yeah, he did have a couple of tracks he was working on, and he could get us something within a few weeks.

"He sent us a song the next day.

"He sent us a song the next day, and it was produced by Ducky Carlisle.

"Lemme give you a baseball analogy: I felt like a major league pitcher, with a batting average of .006, stepping to the plate in the bottom of the ninth and hitting a grand slam. Rounding third he was headin' for home, he was a brown-eyed handsome man.

"Ducky Carlisle is The Mark Of Quality to us, from his days as drummer for local heroes the Ohms, through his sterling work as producer and occasional deputy member of the Flashcubes, and his ongoing mastery of studio wizardry on roughly a gazillion fine pop albums. This song came with a pedigree! An unexpected pedigree, even.

"But Ducky's participation wasn't the best part. My jaw dropped the first time I listened to this new song called 'You Won't Do.' Oh. My. God! As great as Michael's previous work had been, 'You Won't Do' reached a whole new level of sheer pop transcendence. This was a hit single. If no else ever heard it, it would be a crime, but it would still sound like a big hit single. I contacted Dana and Kool Kat Musik's Ray Gianchetti and effectively said, Fellas, we just received a track that single-handedly justifies the existence of This Is Rock 'n' Roll Radio, Volume 4.

"I was not exaggerating. I meant every syllable, and I still do."

THE FLASHCUBES: All Over The World

The Flashcubes will always, always be one of my all-time favorite groups. Beatles, Ramones, Flashcubes. Paul Armstrong, drummer Tommy Allen, bassist Gary Frenay, and guitarist Arty Lenin. The original 'Cubes splintered in 1979, and finally retired the Cubic billing in 1980. Other than maybe some reunion gigs, there was no reason to believe they would ever be the Flashcubes again.

That began to change in the early '90s. The reunion shows became more fully-realized, and there was talk of new Flashcubes recordings. Talk was followed by action. At some point, we stopped calling it a reunion. The Flashcubes were back. Their current Big Stir Records release Pop Masters is my album of the year for 2023. I can call that race early. Nothing else is gonna compete.

Tommy was unavailable to participate in some of the Flashcubes' live shows, so Ducky stepped in on more than a few occasions. Ducky's studio prowess was, of course, directly employed for many/most of the new 'Cubes recordings as well.

And for the Flashcubes' first couple of new tracks--covers of the Paul Collins Beat's "All Over The World" and the Raspberries' "Don't Want To Say Goodbye"--logistics prevented Tommy from providin' prerequisite Cubic pounding. Oh, DUCKY...! The esteemed Mr. Carlisle kept the beat in Tommy's stead. Deputy Flashcube to the rescue. The Flashcubes' studio resurgence was on its way, with Tommy in his proper percussive place from "It's You Tonight" on.

GAME THEORY: She'll Be A Verb
THE SUPREMES: Stop! In The Name Of Love


Simple sequence here: Game Theory tell us that she'll be a verb (whoever she is); the Supremes supply that verb. STOP!! In the name of love...!

GRAHAM PARKER AND THE GOLDTOPS: Wicked Wit


At my first Flashcubes show in January of 1978, I was less than two weeks past my eighteenth birthday. Lack of a crystal ball didn't prevent me from immediately seeing a brightly-lit future as a Flashcubes fan, but I couldn't foresee the Flashcubes someday being on the same record label as Graham Parker. In addition to the 'Cubes' Pop Masters and a slew of other fantastic releases this year, Big Stir is the label of record for Parker's current album Last Chance To Learn The Twist. The Flashcubes! Graham Parker and the Goldtops! If it ain't Big Stir it ain't worth a...never mind.

And in 1978, I certainly didn't foresee Graham Parker recording a bumper ID for a radio show co-hosted by the meager likes of me. This is Graham Parker. You're listening to This Is Rock 'n' Roll Radio with Dana & Carl on SPARK Syracuse!

I...what? Yeah. Even with a crystal ball, I wouldn'ta seen that one comin'.

JOAN JETT: Bad Reputation

The Greatest Record Ever Made!

Congratulations, Meghan and Austin!

THE MOST: Take A Chance

In 1979, when the Ohms were still together, Ducky and Zenny joined forces with the one 'n' only PA to record a single backing Dian Zain. That single, "Take A Chance"/"Do The Jumping Jack," was originally to be credited to Dian as a solo artist, amended to her new group the Most by the time of its release. 

There were three distinct live versions of the Most, all fronted by Dian and Paul. Their first edition of the Most included current 1.4.5.-ers Tommy O'Riley and Judd Williams, plus guitarist Derek Knott. When Tommy, Judd, and Derek opted to move on, the Ohms themselves--Ducky, Zenny, and Keith--completed an interim Most, performing an opening set as the Ohms and then joining Dian and PA as the Most. The final versions of the Most found Dian and Paul playing with Dave Anderson and drummer Dick Hummer; when Hummer split to become Machine + Hummer, Ducky returned to the drum kit for the last days of the Most. Then Dian left, and Paul, Dave, and Duck began groovin' as 1.4.5.

The Most recorded some cool demos, which remain unreleased. They contributed a track ("Rockerfeller") to a compilation called From The City That Brought You...Absolutely Nothing. Otherwise? The Most left us just this one 45. Dian, Paul, Zenny, and Ducky. "Take A Chance" opens with PA asking that musical question:

HEY! Ya goin' to the dance tonight?

And Dian immediately provides the only acceptable answer:

Yeah! What else is there?

What else? Indeed. What else?

Screen capture from a video taken by Dana Bonn

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl