Showing posts with label Ohio Express. Show all posts
Showing posts with label Ohio Express. Show all posts

Thursday, June 9, 2022

10 SONGS...no, 18 SONGS! 6/9/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs (retitled 18 Songs for this week only), draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1132.

IN DEED: Don't Kill The Babe

I curse the many years we didn't know about Uppsala, Sweden's phenomenal pop combo In Deed. So much wasted time. Here's something I wrote about In Deed in 2019:

"There's always something out there. Something new. It might not be brand new to someone else, but any record you ain't heard yet is a new record. Buddy Holly was new to me in 1973, when I was 13. The Velvet Underground was new to me in the early '80s. The path of discovery and celebration doesn't end, ever. Old stuff. New stuff. Old stuff that's new to you.

"In 2019, I discovered another new favorite band: In Deed, from Uppsala, Sweden. They're not new--their debut album At 4000 Meters was released in 2001--but I'd never heard them before, never heard of them before. Rex Broome and Christina Bulbenko decided they wanted their visionary U. S. record label Big Stir to bring the sound of In Deed to American ears. Big Stir made a digital download of the outta-print At 4000 Meters available to DJs to introduce us all to the now sound of In Deed, arranged for the first-ever CD release of the band's more recent second album Everest... 

"...Where would we be without people who keep the faith, people who spread the word? We used to be able to rely on the radio, on the rock press, on friends, on fans. But see, that hasn't changed; we still rely on all of these resources to bring us new sounds. Some of the details have evolved; where once we had Top 40 and/or alternative radio, Phonograph Record Magazine and Trouser Press, and a cousin with Deep Purple cassettes, now we have non-commercial and internet radio, blogs, and...well, we still have our friends, don't we? Friends like Rex and Christina introduced us to In Deed. Thank you, friends."

And In Deed is indeed still poppin', still delighting with a brand new Big Stir single, "Don't Kill The Babe." All good things to those who wait. We're told there's more to come. As, indeed, there should be.

POP CO-OP: Always In The Past

For the past four weeks, we were granted the opportunity to debut four exclusive tracks from Suspension, the then-forthcoming new album from the beauty, the splendor, the wonder of Pop Co-Op. Now? The new Pop Co-Op album belongs to the world! Frankly, I think Suspension is too good for some people, but if you read this blog and/or listen to this radio show, Pop Co-Op is for you. 

And that's the thing: pop music is for the people. We were honored to have exclusives to premiere these fine tunes, but we're more interested in everyone hearing them, everyone playing them, everywhere. Especially on talk radio; talk radio should stop being talk radio and play Pop Co-Op instead. For our unsanctioned (but unstoppable) fifth week of pummeling on behalf of Suspension, we programmed "Always In The Past," a lovely song written by Steve Stoeckel, dedicated to the late Chris Garges, Steve's friend and former Spongetones bandmate. Music heals. Music lifts us and carries us. We don't own it. It belongs to us all.

(Oh, and you oughtta be among those in material possession of a copy of Suspension: BUY IT!!!  

THE KINKS: The Hard Way

Our designated House Band the Kinks have been MIA as often as not in recent playlists. The nature of boppin' out the selections for each week's show manifests in the ongoing balance of A) yeah, we're likely to play our favorites, and B) we're just as likely to skip playing our favorites because, y'know, it's only a three hour show. The Kinks return to TIRnRR this week with a spin of a suitably aggressive track from their underrated Schoolboys In Disgrace album. 

Oddly enough, when the Knack covered "The Hard Way" for their 1980 album ...But The Little Girls Understand, I recall reading a review that chastised the Knackers for the line "I've got to be cruel to be kind," implying that the phrase belonged to Nick Lowe. It's a common phrase, so I'm not accusing Nick the Knife of ripping his 1978 hit "Cruel To Be Kind" from the Kinks' 1975 "The Hard Way," but nor is it fair to knock the Knack in this regard. (And the Knack did a fine cover of "The Hard Way," by the way, but ya can't beat the House Band. Whether we play them each week or not.)

The SOMETHING ELSE! Set:

LAURIE BIAGINI: Hey Mr. Dj
THE MAYFLOWERS: Sunflower Girl
PERILOUS: Rock & Roll Kiss
POP CO-OP: Extra Beat In My Heart
MAURA AND THE BRIGHT LIGHTS: Perfect Girl
HOOVER AND MARTINEZ: What The Heart Wants
CAROLYNE MAS: In The Rain
DEADLIGHTS: Pretend To Pretend
IRENE PEÑA: In This Room


The secret's out. The clandestine Dana & Carl project previously codenamed Something Else! is in reality our new compilation album This Is Rock 'n' Roll Radio, Volume 5. The CD is due soon from the good folks at Kool Kat Musik, and the above sequence shows you the album's first nine tracks in order. These will be joined on TIRnRR Volume 5 by more superswell offerings from In Deed, Gary Frenay, the Villas, Justine and the Unclean, Kid Gulliver, Kingmixer, Ballzy Tomorrow (with Robbie Rist), Kelley Ryan, Arielle Eden, the Jangle BandEytan Mirsky, and a couple of other stellar stalwarts we can't reveal just yet. BUT! We hope to have this rockin' pop treasure out by Septemberish, so keep watching the skies. This is gonna be something else.

MIKE BROWNING: A Girl From Somewhere


Our pal and reliable pop guy Mike Browning has just released his new album Another Bite At The Apple. We've heard it, it's groovy, and you'll want it if you have any vague hope of retaining status as someone cool. We've played a couple of its tracks already, and we follow up now with the latest, "A Girl From Somewhere." Hey, I think Micky Dolenz and Michael Nesmith may have known a chick from that same locale! 

SETH TIMBS: Young Lovers


Well, this is really nice. Smooth, luxurious, and ready for the radio, "Young Lovers" is a track from Easy Answers, the latest album from Nashville's Seth Timbs. It's a Kool Kat Musik release, which makes Seth our label mate. Howdy, label mate! Go team Kool Kat!

THE FLASHCUBES WITH THE SPONGETONES: Have You Ever Been Torn Apart?


Last Friday night, I went out to see Gary Frenay and Arty Lenin perform a low-key duo gig. I've been a diehard Gary and Arty fan for coming up on 45 years, ever since my first Flashcubes show on January 28th, 1978. I knew it would be mostly a covers gig (though we were treated to a performance of Gary's own should-be-classic tune "Make Something Happen"), but I also knew Gary and Arty do great covers gigs. From the Beatles to Michael Nesmith and the First National Band, Rick Nelson and the Everly Brothers through the Flamin' Groovies and Johnny Cash, a splendid time was guaranteed for all.


And maybe I wasn't entirely surprised that Gary and Arty played "Have You Ever Been Torn Apart?," their current single as the combined forces of the Flashcubes with the Spongetones. I didn't necessarily expect it either. Still, ya gotta hawk the single, right? I'm so glad I was able to witness it. And there's much, much more yet to expect from the Flashcubes.

THE 5TH DIMENSION: Carpet Man


The 5th Dimension recorded a lot of invigorating, timeless material, and had a great deal of deserved chart and radio success. "Carpet Man" was only a relatively minor (# 29) hit in 1968; it should have been Top 10 at least, and even that's selling it short. Fantastic, fantastic track, the equal of their signature "Age Of Aquarius/Let The Sun Shine In (The Flesh Failures)," and even better than anything else in the group's catalog o' superlative stuff. That is (to quote the Velvelettes) really sayin' something. True nonetheless.

THE RARE BREED: Beg, Borrow And Steal



FREDA PAYNE: Band Of Gold


Hey, speaking of my long-threatened book The Greatest Record Ever Made! (Volume 1)--an idle threat, maybe, but dedicated to the notion that an infinite number of tracks can each be THE greatest record ever made, as long as they take turns--here's an excerpt from that book's chapter celebrating "Band Of Gold" by Freda Payne:

"My wife Brenda also grew up listening to the radio. Jesus, didn't everyone our age do that? As a little girl originally from Brooklyn, living from school-age to young adulthood on Staten Island in a government housing project--an environment dramatically more racially- and culturally-diverse than my vanilla childhood surroundings--she was immersed in a lot more black music than this suburban kid was exposed to during the same time frame. 

"But Top 40 radio was an equal-opportunity rush. I heard Motown, just like she did. I heard the Honey Cone, Isaac Hayes, the Spinners, the Stylistics, the O'Jays, Rufus, Curtis Mayfield, and more, all pop music, offered for interracial, interfaith radio worship along with the Partridge Family, Three Dog Night, the Carpenters, and John Denver. It was the soundtrack of the '70s, in the city and the suburbs alike. Brenda heard more of it, and she heard it more often; but the soulful sounds certainly reached my ears sometimes, too.

"At the end of 1970, when Brenda was eleven years old, she listened to the year-end countdown on New York's WABC, the home of iconic NYC DJ Cousin BrucieCousin Brooooooooooocieeee! As she listened to the radio's proclamations that New Year's Eve, as '70 became '71, Brenda knew exactly which great record would be anointed # 1 for the Year Of Our Lord Nineteen Hundred And Seventy. And she was right. Number ONE! ONE! ONE! ONE! ONE! Freda Payne, "Band Of Gold." Brenda's belief was validated. And the hits just kept on coming...."

We have more hits to play. Keep 'em coming. And turn up the radio.


If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, December 5, 2020

POP-A-LOOZA! THE EVERLASTING FIRST: The Ohio Express

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post is my Everlasting First recollection of how I discovered the music of The Ohio Express.

The Everlasting First began over four years ago on this blog, intended as an A-Z series of reminiscences about my introductions to various pop music acts and fictional characters, with each letter of the alphabet represented by both a music entry and a comics or fiction entry. I should have finished the alphabet a long while ago, but I haven't yet gotten past the S entries: The Shadow in 2019, and The Sex Pistols in...man, 2018?! I am such a slacker....



I keep meaning to get back to this series, which should resume eventually with T is for TARZAN and then T is for THE TROGGS. Just haven't done it yet, but I will. I don't even remember who the "U" entries were supposed to be about--Uncle Scrooge? The Undertones?--but I know I would eventually get to Vampirella, The Velvet Underground, The Who, Wonder Woman, X-Men, probably XTC, mumble mumble, The Zombies, and Zorro. Or something like that.

While we wait for me to develop sufficient work ethic to complete this task, we can pause to look back at how hearing a song called "Yummy Yummy Yummy (I Got Love In My Tummy)" set various hijinks to ensue. The Everlasting First: The Ohio Express is the latest Boppin' Pop-A-Looza.

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download

Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I'm on Twitter @CafarelliCarl.

Tuesday, January 28, 2020

10 SONGS: 1/28/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.



This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1010.

THE ANIMALS: It's My Life


I became a big fan of The Animals about 10-11 years after the fact, when my mid-'70s embrace of all things British Invasion made me the only teenager in North Syracuse who preferred The Dave Clark Five to Led Zeppelin. I loved "House Of The Rising Sun" and "We Gotta Get Out Of This Place," but "It's My Life" was the one that always struck me as something extra special. This track is perfect; I remember listening to it intently a few years later, as a college student alone in my dorm room, playing my unfashionable rockin' pop music amidst the white noise of Southern rock and Grateful Dead that my peers chose as their soundtrack. I was out of step with the times. I didn't care, and I still don't. It's my life.

THE BAY CITY ROLLERS: Who'll Be My Keeper



Technically this is by "The Rollers," the group's name truncated for the release of 1979's Elevator album in a doomed bid for acceptance beyond its vanishing teenybopper base. But the CD reissues of three albums (Elevator, Voxx, and Ricochet) originally credited to the just-plain Rollers restored the "Bay City" billing, so we'll go with that. This is a fantastic track, with Duncan Faure's Lennonesque vocals soaring above a chuggin', rockin' Rollers sound that deserved the wider audience it was denied. All three of those albums are well worth checking out (if you can find them), and I'm all for reissues of the two other Rollers albums, the cassette-only Burning Rubber soundtrack, and the...well, awful synth mistake Breakout. I'm an unapologetic fan of a lot of The Bay City Rollers' hit-era material, especially "Rock And Roll Love Letter" and "Wouldn't You Like It," and I even wanted to write a Bay City Rollers movie when I was a teen.  But I tell ya, I betcha Elevator, Voxx, and Ricochet would have garnered more appreciation in power pop circles if not for the unwarranted stigma of The Bay City Rollers' Tartan-clad teen-idol image.

ROSANNE CASH: Pink Bedroom



Rosanne Cash's album Rhythm & Romance got a lot of in-store play when I was workin' for a downtown Buffalo record retailer in the spring and summer of '85. I was 25 years old, married, holding down that full-time record-store job plus a part-time position as a burger-flipper under the Golden Arches, and finally starting to make a few freelance writing sales (a tale I've already told elsewhere). In this time frame, Cash's magnificent and definitive take of John Hiatt's "Pink Bedroom" was as much a joyous part of my everyday sonic milieu as The Del Fuegos, The Ramones, Prince, and Katrina & the Waves. The Neil Diamond vibe of the song immediately put me in mind of The Monkees, and made me dream the impossible dream of a Monkees reunion. Sure, The Monkees (three-quarters of them, anyway) did reunite a year later, but they never got around to recording any John Hiatt songs. They should have.

ANNY CELSI: Sideways Rain



I first heard the music of Anny Celsi in 2003, when her album Little Black Dress & Other Stories was released. A copy of that CD found its way to Dana, and he played the track "Empty Hangers" on TIRnRR; for me, it was love at first spin. Anny's been a TIRnRR Fave Rave ever since, and "Empty Hangers" has secured a permanent berth on my all-time Hot 100. "Sideways Rain" is a previously-unreleased track that appeared on Anny's 2019 best-of LP Kaleidoscope Heart--12 Golden Greats, and my God, it rivals the seemingly nonpareil greatness of "Empty Hangers." Love at first spin? That love endures.

THE CLICK BEETLES: If Not Now Then When



The Click Beetles' Dan Pavelich has been a friend of TIRnRR for many years, and his new pop culture blog Pop-A-Looza carries a weekly dose of Boppin' (Like The Hip Folks Do). Huzzah! "If Not Now Then When" is my top pick among the many fine tracks that Dan has done over the years, and we were delighted to hear it as part of the 2019 compilation Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio. Now, it's poised to enter Click Beetles canon on the group's forthcoming new album Pop Fossil. Please budget your CD-buyin' plans accordingly.

THE ISLEY BROTHERS: You Walk Your Way



This 1975 Isley Brothers B-side of "For The Love Of You [Part 1 & 2]" should have been an A-side. I didn't even realize it had gotten a single release at all; I thought it was just an album track on the group's 3 + 3 LP, the album that also contains their transcendent version of Seals & Crofts"Summer Breeze" and their own timeless hit "Who's That Lady." The sad sway of "You Walk Your Way" presents a heartbreaking tale of paths diverging at love's end, a soulful shrug as former partners go their separate ways. 

CAROLYNE MAS: In The Rain



Gotta credit singer/songwriter/aficionado Dean Landew for pointing us in the direction of this fine track, which made its first (and thus far only) appearance on the 2003 Carloyne Mas retrospective Beyond Mercury. Prior to that, my go-to Carolyne Mas track was the fabulous, driving "Quote Goodbye Quote" from 1979, but I think I dig the beguiling pleasure of "In The Rain" just as much. Her Carolyne Mas, Hold On, and Modern Dreams albums are scheduled for CD reissue in February; alas, Beyond Mercury is now out of print, but one hopes "In The Rain" will regain its rightful place at retail...somewhere!

MIDNIGHT OIL: The Dead Heart



After graduating from college and moving into an apartment in 1980, I didn't have cable TV until the late '80s. I saw MTV on occasional visits back home to North Syracuse, and in 1986 my upstairs neighbor Cheryl let me watch MTV's afternoon reruns of The Monkees every now and again. I finally did get cable at the end of '86, right before I moved out of Buffalo and back to Syracuse in the spring of 1987. I got cable for my new Syracuse apartment immediately, and again when I bought a house in 1989. I've had MTV ever since.

I don't watch it anymore, of course, but I do have it. 

Midnight Oil's "Beds Are Burning" was a huge MTV hit in '87, but I was more taken with their subsequent vid-hits "The Dead Heart" and "Dreamworld." All three of those cuts came from the group's Diesel And Dust album, which I dutifully purchased some time in the late '80s. 

THE RARE BREED: Beg, Borrow And Steal



I've told the strange saga of "Beg, Borrow And Steal" as a chapter in my forthcoming book The Greatest Record Ever Made! (Volume 1). Released versions of the song credited variously to The Rare Breed and The Ohio Express are both the exact same master, with only a little remixing to differentiate the Breed from the Express. Released by the Attack Records label in 1966, The Rare Breed's original single of "Beg, Borrow And Steal" missed the Hot 100, so its producers Jerry Kasenetz and Jeff Katz turned around and re-sold it to Neil Bogart at Cameo Records, where it became the first chart hit for The Ohio Express. Again, same record as The Rare Breed's release, just with its mix tweaked and its credit altered.

The Cameo Records catalog came into the possession of Allen Klein, who had a reputation as being something of a schmuck. In the '90s, when labels like Rhino and Varese Sarabande wanted to include "Beg, Borrow And Steal" on '60s compilations, they bypassed the notoriously hardassed Klein, licensed the track directly from Kasenetz and Katz, and credited it to The Rare Breed. BUT! Both labels used the punchier Ohio Express mix rather than the original, comparatively tentative-sounding Rare Breed mix. Call it a shell game or call it musical chairs, but what we know as a Rare Breed track on CD reissues is really an Ohio Express track in disguise. The intrigue! The drama! The...all right, the fact that few beside me care about this at all. Listen: get your own blog. 

Anyway. To my knowledge, only two CD reissues of "Beg, Borrow And Steal" correctly match the mix used with the artist named on the package. Real Gone Music reissued the debut Ohio Express album as Beg, Borrow And Steal: The Complete Cameo Recordings, which I believe is the sole authorized reissue of "Beg, Borrow And Steal" by The Ohio Express. The budget label Collectables issued a Rare Breed compilation called The Super K Kollection, which I think--I think--is the only place you can hear the Rare Breed mix of "Beg, Borrow And Steal" outside of a vintage 45. We played the version from The Super K Kollection on this week's TIRnRR: the first time we've ever played "Beg, Borrow And Steal" by The Rare Breed...even though we've already been playing "Beg, Borrow And Steal" by The Rare Breed for decades. 

That was complicated. I need a drink.

RONNIE SPECTOR & THE E STREET BAND: Say Goodbye To Hollywood



Billy Joel wrote "Say Goodbye To Hollywood" as a tribute to Phil Spector's wall-of-sound production, and specifically to Spector's work with The Ronettes. Presuming Joel is the die-hard music fan I'm sure he is, I can't even imagine how thrilled he must have been when Ronettes lead singer Ronnie Spector covered "Say Goodbye To Hollywood" in 1977. It's like if The Beatles had covered The Knickerbockers' "Lies," or Creedence Clearwater Revival had covered The Hollies' "Long Cool Woman In A Black Dress." GO, Billy! I used to think that the E Street Band's backing on this record slathered things on a little too thick for my taste, but I've come to embrace that over-the-top kitchen-sink approach as absolutely appropriate for the task at hand. The wall of lawsuits Bruce Springsteen had to navigate between Born To Run and Darkness Of The Edge Of Town prevented his name from appearing on Spector's record, but he's sure the boss of all he surveys here. Ronnie Spector's voice conveys frailty and strength in paradoxically equal measure, and there are days when I believe this is even greater than The Ronettes' "Be My Baby." 

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Hey, Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 100 essays (and then some) about 100 tracks, plus two bonus instrumentals, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Wednesday, June 27, 2018

THE GREATEST RECORD EVER MADE: "Beg, Borrow And Steal"

An infinite number of rockin' pop records can be the greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!


THE RARE BREED: "Beg, Borrow And Steal"

The original post has been unpublished for bookkeeping purposes. It can be seen as a chapter in my book The Greatest Record Ever Made! (Volume 1)















"Beg, Borrow And Steal" written by Joseph Di Francesco and Louis Zerato

TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 


Our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 is now available from Kool Kat Musik! 29 tracks of irresistible rockin' pop, starring Pop Co-OpRay PaulCirce Link & Christian NesmithVegas With Randolph Featuring Lannie FlowersThe SlapbacksP. HuxIrene PeñaMichael Oliver & the Sacred Band Featuring Dave MerrittThe RubinoosStepford KnivesThe Grip WeedsPopdudesRonnie DarkThe Flashcubes,Chris von SneidernThe Bottle Kids1.4.5.The SmithereensPaul Collins' BeatThe Hit SquadThe RulersThe Legal MattersMaura & the Bright LightsLisa Mychols, and Mr. Encrypto & the Cyphers. You gotta have it, so order it here. 

Tuesday, April 3, 2018

THE EVERLASTING FIRST: The Ohio Express

Continuing a look back at my first exposure to a number of rock 'n' roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it's the subsequent visits--the second time, the fourth time, the twentieth time, the hundredth time--that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.

 

This was originally posted as part of a longer piece. It's separated here for convenience.


In the '70s, there was a persistent rock 'n' roll legend--not a true story, but a persistent one--that singer Rod Stewart had collapsed on stage during a concert, and had to be rushed to the hospital. In the ER, it was said that Stewart's stomach was pumped, revealing that he had ingested 10cc of seminal fluid. And again, this absurd and homophobic story was not true. But when I first heard it, its nonsensical nature didn't stop me from immediately quipping that Stewart went straight from the ER to the studio to record his cover of The Ohio Express' bubblegum hit, "Yummy Yummy Yummy (I Got Love In My Tummy)."

This was, of course, not where I first heard of The Ohio Express.

The Ohio Express were never going to be candidates for The Rock And Roll Hall Of Fame, no way, no how. They were less a band and more a means to an end, a vehicle, or really just a name for a vehicle Kasenetz-Katz--producers Jerry Kasenetz and Jeff Katz--could drive to the bank, a bubblemobile loaded with cash taken from eager adolescents in exchange for chewy-chewy catchy-catchy 45 rpm records to spin on Close-N-Plays across the USA. There was another vehicle called The 1910 Fruitgum Company, and other limited-use vehicles with names like Kasenetz-Katz Singing Orchestral CircusCrazy Elephant, and Lt. Garcia's Magic Music Box. The whole fleet was built for speed, not durability, slapped together by an assembly line that valued a fast joy ride over safety, comfort, or aesthetics. But these were sweet rides nonetheless--sweeter than sugar. None was sweeter than The Ohio Express.

It's a common misconception to say that The Ohio Express didn't really exist, that they were strictly a fictional construct for Kasenetz & Katz's to toil within as a DBA shell company. This is almost true, but not quite 100 % true. There was a band called The Ohio Express. It's just that this band called The Ohio Express didn't really have anything to do with most of the records credited to a "band" called The Ohio Express. This was certainly the case with the very first Ohio Express single, a stunning garage stomper called "Beg, Borrow And Steal."



"Beg, Borrow And Steal" by The Ohio Express may be The Greatest Record Ever Made, and it will get its turn in that particular Boppin' blog spotlight. After that single was released and starting to chart in 1967, Kasenetz & Katz recruited an Ohio band called Sir Timothy & the Royals to be The Ohio Express, playing live dates to promote this new single, even though Sir Timothy and company had nothing to do with the record. In fact, the record predates even the concept of The Ohio Express; "Beg, Borrow And Steal" had previously been a failed 1966 single credited to The Rare Breed on the Attack label, and that very same Rare Breed track became an Ohio Express single on Cameo Records. Lawyers, start your engines!



Creative branding aside, The Ohio Express did one album (Beg, Borrow & Steal) for Cameo, which included the title track, a couple of tracks by future superstar Joe Walsh, a charting cover of The Standells' salacious "Try It," and a simply superb LP track called "Had To Be Me," the latter written by Jim Pfayler of the Royals and the Express. Real success came when The Ohio Express moved on to the new Buddah Records label, and embraced a new marketing concept: bubblegum music.





Joey Levine, the singer/songwriter who'd penned "Try It," provided the scratch vocal for a demo of "Yummy Yummy Yummy," a song he'd co-written with Artie Resnick, and which Jay & the Techniques had rejected as too juvenile. Yes, it was rejected as too juvenile by the group that hit big with "Apples, Peaches, Pumpkin Pie." Holler Oy! By contrast, Kasenetz & Katz flipped out over the demo, and released it--scratch Levine vocal and all--as the next Ohio Express single in 1968. It was an international Top 10 hit, # 4 in the U.S., and far and away the best-selling record to ever bear the Ohio Express brand name.  Levine never joined the band, but he became their de facto lead singer on subsequent singles "Down At Lulu's," "Sweeter Than Sugar," "Mercy," and "Chewy Chewy." A later studio incarnation of The Ohio Express recorded a Graham Gouldman song called "Sausalito (Is The Place To Go);" that studio incarnation included Gouldman, Eric StewartKevin Godley, and Lol Creme, a combo that would later be known as 10cc.


I'm not in love. I don't have love in my tummy. The things we do for love in my tummy!
Um--don't tell Rod Stewart about the 10cc/Ohio Express bit.

Me? I first heard The Ohio Express on AM radio, warblin' about all that love they had in their tummies. Yummy! I may have heard it when it was a hit, or I may have caught up to it later on oldies radio in the '70s. My first copy of the song came on a flea-market purchase, a sampler LP called 20 Heavy Hits20 Heavy Hits was a 1970 release on the Crystal Corporation label, though I snagged mine several years after that. I may have bought it just to get The Turtles' "She'd Rather Be With Me," but it had a varied wealth of pop single tracks, from The Amboy Dukes' "Journey To The Center Of The Mind" to The Delfonics' "La La Means I Love You." Among these was "Yummy Yummy Yummy," but I was far more taken with the pumpin' "Down At Lulu's," which I'd never heard before. Consider that track a plank on my path to punk and The Ramones.



I liked "Yummy Yummy Yummy" a little. I liked "Down At Lulu's" a lot. But The Ohio Express, whether creation or contrivance, never meant much to me until one evening around 1983 or so. I was at a Buffalo, NY nightclub called The Continental, and the DJ was noted rock 'n' roll journalist (and key Boppin' [Like The Hip Folks Do] inspiration) Gary Sperrazza! I don't remember many specifics of what Gary played that night--if it was Buffalo in the '80s, I was probably drinking--but one track stands out with crystal clarity: "Beg, Borrow And Steal" by The Ohio Express. I had never heard the song before. It was love at first spin.

Over time, I developed a bit more appreciation for The Ohio Express. "Down At Lulu's" was the theme song for a great radio show of the same name, hosted in the mid '80s by DJ Cal Zone on Buffalo's WBNY-FM. In the '90s, I interviewed Joey Levine for my massive Goldmine piece An Informal History Of Bubblegum, and became a big fan of the song "Sweeter Than Sugar." Much later, I tracked down a beat-up copy of the Beg, Borrow & Steal  LP, and played The Ohio Express' version of "Try It" on This Is Rock 'n' Roll Radio. Then Mike McDowell of Blitz magazine said to me Sure, fine, "Try It," great. But you should be playing "Had To Be Me." I pulled out the LP, which I'd only purchased for "Beg, Borrow And Steal" and "Try It" before filing it away, and I gave "Had To Be Me" my first listen.

Damn. When Mike's right, Mike's right.

"Had To Be Me" went on to become one of the defining tracks of This Is Rock 'n' Roll Radio's long mutant existence; my pal Dave Murray chuckles at the notion of an Ohio Express album track receiving saturation airplay, but we all agree that the track deserves it. Yummy Yummy Yummy indeed. It had to be The Ohio Express.



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