Showing posts with label Blotto. Show all posts
Showing posts with label Blotto. Show all posts

Thursday, December 14, 2023

VIRTUAL TICKET STUB GALLERY: Seeing the band in its original lineup (or in partial groupings thereof), Part 2

Here's Part 2 of a Virtual Ticket Stub Gallery tour of bands I've seen in their original lineup (or in partial groupings thereof). Part 1 listed bands I saw with their founding configurations intact. Now, let's look at groups who were one player shy of their charter membership when I saw 'em perform:

BLOTTO [5/6]

My first Blotto show occurred during a visit to Albany in the spring of 1981. The occasion was a lost extended weekend with some friends, the venue was J. B. Scott's, and the band consisted of Bowtie BlottoBroadway Blotto, Cheese BlottoChevrolet BlottoLee Harvey Blotto, and Sergeant Blotto, Chevrolet having recently replaced Blanche Blotto. No offense to Mr. Chevrolet, but Blanche looks kinda cute in the photos I've seen (like the one directly above), so I kinda regret missing out on seeing her. Chevy hit the road [HAR!] after that, and Blotto was a quintet from then on. I only saw them a few more times in the '80s, but I remained a fan. In 2006, I saw Blotto one more time on April 1st--no foolin', really!--with the Flashcubes at Turning Stone Casino. And they did indeed play something good.

COCKEYED GHOST [2/3]

This one may be a ritual splitting of hair's separation from landing in the complete original lineup category. In the '90s, I'd been corresponding with Cockeyed Ghost frontman Adam Marsland for a while, and a tour brought the group to Planet 505 in Syracuse. 1997, I think. The touring group was the same lineup--guitarist Marsland, bassist Rob Cassell, and drummer James Hazley--that had recorded most of their 1996 debut album Keep Yourself Amused. But Hazley had been a later addition to the group, and hadn't played on their first single, "About Jill"/"Disappear," which featured Paul "Wally" Presson keeping time on the A-side, and Kurt Medlin poundin' on them Pagan skins on the flip. Splitting hairs, but technically I saw 2/3 of OG Cockeyed Ghost.

The gig itself was fascinating and invigorating. Editors at The Syracuse New Times allowed me to write an article hyping the show, and I was able to get the Flashcubes' Gary Frenay and Arty Lenin added to the bill as opening act. A splendid time was strongly implied for all.

The evening provided a quirky note of interest when I met another attendee, a woman from Cockeyed Ghost's L.A.-area stomping grounds. I don't remember her name, but she said she was married to one of the members of SoCal stalwarts the Jigsaw Seen. She was in Syracuse for a funeral, and was surprised to read my New Times rah-rah about Cockeyed Ghost's Planet 505 show. That seemed exactly the sort of event one could use to lift one's spirits, should one's spirits be in need of lifting.

At 505, someone introduced us. We'd never met before and didn't know each other at all. The weird thing was when she realized she and I had in fact spoken on the phone the past Christmas. I had been at home moping my way through the holiday season, recovering from chicken pox (not a great thing for someone my age), when David Bash happened to call me from his home in California. Why? I have absolutely no recollection. But his call cheered me up a bit. He was having a party, and he passed the phone to one of his guests and bid her to share some good vibes.

And yeah, that guest at Casa Bash happened to be the same Jigsaw Seen-adjacent pop fan who turned up that night at Planet 505. You saw that comin', I'm sure. Weird the way these things unfold. 

But it's how we keep ourselves amused.

THE KINKS [3/4]

The first two (out of three) times I saw the Kinks, they still had three-fourths of their classic well-respected men in place, with guitarists Ray Davies and Dave Davies and drummer Mick Avory, missing only bassist Peter Quaife, who left in the band in the late '60s. Avory also left by the time of my third and final Kinks show in '89.

My third Kinks concert was weird, taking place in a college gymnasium that (on a separate visit) smothered the sound of the Ramones. A mid-'80s arena show was my second live Kinks experience.

But my first Kinks show? I was in paradise.

LET'S ACTIVE [2/3]

I saw a bunch of shows when I lived in Buffalo, late 1982 to early '87. I think I only saw a small number of shows at Buffalo's punk club The Continental; my Continental gigs included Johnny Thunders (YEAH!!!, and making up for a missed opportunity to see Thunders with the Heartbreakers in Rochester a few years earlier), the Waitresses (perhaps with the original lineup, definitely including singer Patty Donahue), and the Bangles. Oh, and Intergalactic Burnt Toast. Obviously.

I also saw a two-thirds original edition of Let's Active at The Continental, with Mitch Easter and Faye Hunter, without Sara Romweber, who had already split from the band. Good show, of course, but my primary memory of the night is calling out a non sequitur request for "September Gurls" during Let's Active's set. Hunter seemed surprised and amused, and said, "Did someone just request Big Star?" It was not a common song to request at club gigs in the '80s.

They didn't actually play it, mind you. When a band responds to an unsolicited audience request, every word means no,

TOM PETTY AND THE HEARTBREAKERS [4/5]

1989 at the great New York Stater Fair: Tom Petty hisself, with Mike CampbellBenmont Tench, and Stan Lynch, plus Howie Epstein, who had replaced original bassist Ron Blair a few years back. Fantastic show, but its unique highlight was its encore, when Axl Rose strolled onstage to join in for renditions of "Free Fallin'" and Bashful Bob Dylan's "Knockin' On Heaven's Door." This was just shortly before the Guns N' Roses singer appeared with Petty on The MTV Video Music Awards that year--maybe just days before--and Axl's State Fair cameo was a complete surprise to the audience.

(We'll circle back to this show a few paragraphs south of here, when we discuss its opening act.)

THE RASCALS [3/4]

In either the very late '80s or the very early '90s, I saw the Rascals (formerly the Young Rascals) play at a bar in East Syracuse. Eddie Brigati opted not to participate in this reunion tour, but Felix CavaliereGene Cornish, and Dino Danelli did, and it was very, very cool. All four of the Rascals eventually made it back to Syracuse for a higher-profile gig at The Landmark Theatre many years later, but circumstances--I WAS OUT OF TOWN, DAMMIT TO HELL!--prevented me from attending.

THE REPLACEMENTS [3/4]

I was a latecomer to the Replacements; I don't recall even hearing them prior to MTV airing their video for "Bastards Of Young," but I must have heard them on WBNY-FM when I lived in Buffalo. In any case, my first of two Replacement shows was on the Don't Tell A Soul tour in 1989, by which time Bob Stinson was long gone. So: Paul WesterbergTommy Stinson, and Chris Mars, plus newer replacement Replacement Slim Dunlap at The Lost Horizon. The 'Mats later told Rolling Stone it was the single worst gig of the tour. I...suspect they may have been drinking that night. Shhhh. Don't tell a soul.

(My second and last Replacements show was when they opened for Tom Petty and the Heartbreakers at the above-mentioned State Fair Grandstand date, also in '89. I liked 'em. Most of the Petty audience did not.)

THE ROLLING STONES [4/5]

You know who was missing: Brian Jones, who died in 1969, twenty years before the Steel Wheels tour brought the Stones back to Syracuse's Carrier DomeMick JaggerKeith RichardsCharlie Watts, and Bill Wyman, of course, with Ronnie Wood having replaced Mick Taylor, who replaced Mr. Jones.

I had made a lame attempt to get in to see the Stones at the Dome in the early '80s, hoping a scalper was desperate to unload his/her supply. You can't always get what you want. In '89 I tried the radical move of actually buying tickets. See? If you try sometimes, you get what you need.

This was, I think, my first ever time inside the Dome. Subsequently, some friends took my wife and me to a Syracuse University men's basketball game in the early '90s, but I didn't really become an Orange fan until much, much later. I saw a few games at the Dome after that, the most recent occurring in 2017. I saw the Stones there again in 1994, and Paul McCartney in 2017, probably mere weeks before my last in-person SU hoops game (so far). I do see the Dome (now JMG Wireless Dome) on TV a lot. Go, Orange!

The Steel Wheels tour came to Syracuse the same week I saw the Kinks in Oswego. Not a bad week, right?

This series concludes tomorrow, with three acts for whom I've seen all or most of the original lineup...but not at the same time.

Photo by Dana Bonn

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, March 3, 2023

10 SONGS: 3/3/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1170. This show is available as a podcast.

IRENE PEÑA: Must've Been Good

America's Sweetheart Irene Peña invited Dana and I to appear on her Twitch TV channel last Sunday, and we were delighted to do so. Evidence? Right HERE. But we had no idea that she was also going to surprise us with live cameos by our musical friends Dolph Chaney, Bruce Gordon, and Steve Stoeckel, and we had no clue whatsoever that this fantastic four had wrangled others to join them in a secret fundraiser for Syracuse Community Radio. We're told the looks on our faces when they announced a $500 donation to SCR tells the story of our shock and gratitude.

Maybe it's not enough to just say "thank you," but...thank you. Thank you Irene, and thank you everybody, all who participated and all who contributed. 

This week's TIRnRR was already recorded well before all of the above occurred. Knowing we were gonna be on the air (prerecorded) right after Irene's Twitch-and-shout presentation, we opened our own show with "Must've Been Good," the track that introduced us to Irene's music in 2016.

This Is Rock 'n' Roll Radio has the best listeners--the best friends--a little mutant radio show could ever want. And next week? Well, next week's TIRnRR playlist will be our chance to offer a proper thank you after all.

THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message

At this writing, "Get The Message"--the 2022 digital single from the irresistible combined pop forces of the Flashcubes featuring Randy Klawon--has been the most recent 'Cubes release from the visionaries at Big Stir Records. It's a good one, so we keep playing it. 

Still, we want more. Listen, greed ain't so much a sin when you're seeking bounty on behalf of the greater good. For the people! For the FANS! 

(I mean, for us, too. Let's not get crazy. DJs need cool stuff to play just like you need cool stuff to play.)

Luckily, there will be more. I can speak with authority that the Flashcubes are working on [redacted]. 

Um...[redacted]?

Er...lemme try saying it louder, like Garrett Morris on Saturday Night Live: THE FLASHCUBES ARE WORKING ON [redacted]. I said [redacted]. [Redacted]. [REDACTED!] That's [REDACTED!!!].

Damn these NDAs! You'll find out soon enough. Just remember: you got the [redacted] message here first.

OSCAR TONEY JR: Moon River

Gotta admit I'd never even heard of Oscar Toney Jr. until last year. Yeah, late to the party again. But I brought tunes! Here's what I said in 2022:

"One of the many truths in our lives as pop fans is that there is always so much more magnificent music awaiting our discovery: new music, of course, and also old music that escaped our attention.

"I don't recallI hearing (or hearing of) '60s soul singer Oscar Toney Jr. before last week. Maybe? Even if so, Toney didn't register with me until, like, now. A chance dive into the CD bins at Sound Garden in Syracuse netted me The Soul Of The Memphis Boys, a compilation CD collecting some Memphis sides by Ben E. KingElvis PresleyArthur ConleyJames and Bobby PurifyArthur AlexanderJerry Lee LewisDusty SpringfieldSolomon BurkeElla Washington, and more. Impulse purchase, come to Poppa!

"On this disc, Toney's 'Ain't That True Love' freakin' knocked me out. On the radio it went, and on the radio it will return next week. This is a bona fide soul classic, even if hardly anyone knows it. Classic.

"There's so much out there, waiting for us to open our ears, eyes, and minds and just notice. The hunt continues. Ain't that...something?"

That hunt led me to a Toney best-of CD called Oscar's Winners, which made its TIRnRR debut with last week's spin of the exquisite "No More Sad Songs." Go'geous! Toney's heavenly take on Henry Mancini and Johnny Mercer's stalwart "Moon River" crossed in style past dreammaker and heartbreaker alike to join this week's cavalcade o' hits, and we'll tune up more Toney next week. You know the mantra, mis amigos: Any record you ain't heard is a new record. Open up. Say OSCAR!

THE CYNZ: Tell That Girl To Shut Up

With this week's spin on the ol' playlist, the Cynz' current cover of Holly and the Italians' "Tell That Girl To Shut Up" has probably locked a berth on TIRnRR's year-end countdown of our most-played tracks in 2023. How high will it place? Remains to be seen, and it's gonna have competition. Still, it seems safe to predict it will be on the Countdown show. 

The track's taking a break next week. It'll be back. Don't even waste your breath tellin' this girl to be quiet. Quiet is not her nature. Lucky for us!

THE MONKEES: You Told Me

Peter Tork, Davy Jones, producer Chip Douglas, Micky Dolenz, Michael Nesmith

The Monkees will always, always be one of my all-time favorite acts. As the group's sole surviving member, Micky Dolenz is currently preparing a new concert tour in tribute to the Monkees' 1967 album Headquarters. Their third album, Headquarters (along with the non-LP B-side "The Girl I Knew Somewhere," which immediately preceded Headquarters) presented the Monkees as a working studio band for the first time. Following two albums of not being allowed to play at all on the records that bore their name, the Monkees played on every track on Headquarters. There were a few essential sidemen, and producer Chip Douglas served in spots as a de facto fifth Monkee, but it was mostly the Monkees themselves. The result was a solid win, both artistically and commercially. With Headquarters and a 1967 concert tour, the made-for-TV combo had become real.

I've seen a video of Micky and his ace ensemble rehearsing for this new tour, singing the album's opening track "You Told Me." It's a Michael Nesmith song, and Micky channels his departed friend's original presence in his own charismatic style. I'd love to hear what he does with more songs originally sung by Nesmith ("Sunny Girlfriend" and "You Just May Be The One"), Davy Jones (particularly "Early Morning Blues And Greens" and "Forget That Girl"), and Peter Tork (whose only lead vocal on the album was the second verse and one line of the chorus of "Shades Of Gray;" on this tour, Micky will presumably sing both Peter's and David's parts on this one). And I wanna hear Micky's live versions of songs he did sing on the Headquarters album, songs like "Mr. Webster" and "For Pete's Sake." It's gonna be a great show.

Alas, he may not--won't--be coming to my town, as the tour isn't planning stops anywhere near Syracuse. ADD MORE DATES!, I cry. But I know there are only so many shows they can do.

I have a great memory of seeing the Monkees in 2012, after Davy passed, but with Micky, Michael, and Peter. It was magic, one of my most-cherished concert experiences. We play the Monkees' records nearly every week on TIRnRR. This week, we played "You Told Me," the opening track from Headquarters, which remains the Monkees' most-respected full-length work. Next week, we'll play the opening track from one of the Monkees' least-respected albums. It's a great track nonetheless. Hey-hey. We're fans.

DONNA SUMMER: He's A Rebel

This one made it to the playlist outta nowhere. Dana played "Rebel Girl Rebel Girl" by Wreckless Eric and Amy Rigby, and I figured I'd follow with "Rebel Rebel." Rather than play David Bowie's original, I opted for a cover by the Bay City Rollers

But I didn't want to play the album track (from 1977's It's A Game); I wanted to go with a live version. We've spoken in recent weeks about Voxx, the 1980 album the post-fame (and post-"Bay City") Rollers submitted as their contract-breaker with Arista Records. It's a very good record, I remembered a live cover of "Rebel Rebel" lurked in between its studio tracks, so I plopped the live Voxx "Rebel Rebel" into place as we set up the show.

It didn't work. 

Not in the context, not in the specific flow of the show. It's a fine track, but it wasn't the right track for the moment. Maybe the Crystals' "He's A Rebel" instead? Hmmm. Or maybe a cover of "He's A Rebel?" Or maybe, I dunno...

...maybe an entirely different song that happened to share that title? Yeah. That worked.

The only tracks I remembered from Donna Summer's 1983 hit album She Works Hard For The Money were the superb title track and "Unconditional Love," her collaboration with Musical Youth. "He's A Rebel" was an original song on that album, I stumbled across it while fumbling through "Rebel"-titled choices, and had my EUREKA! programming epiphany. 

I work hard for no money. That's...the opposite of being a rebel, innit? No matter. As long as the right songs get on the radio, my work is complete.

AMOS MILBURN: Down The Road Apiece

Awright, maybe we're no more likely to get a consensus about identifying the very first rock 'n' roll record than we are to agree on a definition of power pop. But I have yet to hear compelling evidence that anything other than Amos Milburn's 1947 boogie-woogie jumper "Down The Road Apiece" could claim that title. Um, I mean that First Rock 'n' Roll Record title. Calling it power pop would be a little bit of a stretch.

THE CLASH: Train In Vain

The Greatest Record Ever Made!

BLOTTO: Twist And Shout

RECORDED LIVE IN SYRACUSE! I may have even been at this September 1981 show at the Jab, because trust me: given the state of ME in the early '80s, the fact that I don't remember being there has no legit bearing on how likely it was that I was there anyway. Shake it up, baby.

THE KINKS: Destroyer

This is the first time we've ever played "Destroyer" on TIRnRR. I've never fully embraced this willfully bludgeonsome track from the Kinks' 1981 album Give The People What They Want. Other than the flat-out stellar "Better Things," Give The People What They Want isn't one of my favorite Kinks albums; it's always felt to me like a continuation of the arena-rock of 1979's Low Budget, and while I do like both albums, neither would be among the first ten non-compilation Kinks records I'd pick to play during free time.

That said, even if "Destroyer"'s stadium bluster and self-referential nods to "Lola" and "All Day And All Of The Night" are a tiny bit off-putting, I do still like it. The arena-rock phase helped the Kinks remain commercially viable, both Low Budget and Give The People What They Want have their share of well-respected moments, and their next two '80s albums State Of Confusion and Word Of Mouth are even better.

(And I wonder if, in this stadium period from the late '70s to the early/mid '80s, Ray Davies thought of a heavy-handed number called "Destroyer" as a callout to the bombast of KISS, who had a 1976 album called Destroyer. Probably a coincidence, but ya know what? I wanna rock 'n' roll, all day and all of the night. Maybe Ray did, too.)

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available for preorder, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!!

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.