Showing posts with label Dean Landew. Show all posts
Showing posts with label Dean Landew. Show all posts

Saturday, August 16, 2025

10 SONGS: 8/16/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1298.

THE SPONGETONES: Honest Work

WORK...?!

Like their fellow Power Pop Hall of Fame honorees the Flashcubes (see below), the Spongetones have recorded a trio of brand-new studio singles that are attached to their own special commemorative project. For the Spongetones, that project is a Big Stir Records release called The 40th Anniversary Concert...And Beyond

The 40th Anniversary Concert...And Beyond preserves a 2021 live show celebrating the band's fab long-standing tenure as North Carolina's phenomenal pop combo. The third single is "Honest Work," written by guitarists Patrick Walters and Jamie Hoover and sung by Walters, following bassist Steve Stoeckel's lovely "Lulu's In Love" and Hoover's AM radio-ready "Help Me Janie." "Honest Work" is a stable and reliable punch of the clock, acknowledging the ethic that gets things done. The work may not be its own reward, but the resulting music provides welcome reimbursement.

Punch that clock. Punch it with vigor. We got work to do. "Honest Work" will spin again here on Sunday night. 

DEAN LANDEW: After Work
THE VOGUES: Five O'Clock World

Dana followed the Spongetones' salute to honest work with a spin of Dean Landew's all-time TIRnRR classic "After Work," compelling me to complete the wage-slave hat trick with the Vogues' sublime "Five O'Clock World." WORK..?! Somewhere, Maynard G. Krebs approves the notion of leaving the ol' work day behind us.

THE HIGH FREQUENCIES: Modern Love

I only saw David Bowie once, during his mid '80s Serious Moonlight tour. I don't regard that as his peak period (the commercial success of the Let's Dance album and its title tune hit single notwithstanding), but witnessing Bowie perform was certainly among the highlights of my concert-going experience. From the forthcoming tribute album Jem Records Celebrates David Bowie, the High Frequencies take "Modern Love"--my favorite track from Let's Dance--and set it free to twist 'n' bop under its own earnest lunar glow. 

THE RULERS: I Want My Ramones Records Back

The Greatest Record Ever Made!

BORIS THE SPRINKLER: Kill The Ramones

Rude!

THE RAMONES: I Wanna Live

Words to...um, live by. And, to paraphrase the Rulers in the song mentioned two spots north of here: I'd be dyin' without my Ramones.

From a previous 10 Songs:

"I moved back to Syracuse from Buffalo in 1987. It was not a great time in my life, and it was still going to be a little while before things got better. 

"In good times and less-good times, music has always been a highlight. I don't remember if I heard 'I Wanna Live' before picking up my copy of Halfway To Sanity. I may have seen its video on MTV, but my memory insists I didn't even know the Ramones had a new album out when I spotted and immediately purchased Halfway To Sanity at The Record Theatre up on the SU hill. 

"The album includes a fab guest appearance by Blondie's Debbie Harry on 'Go Li'l Camaro Go,' a meeting of CBGB's minds I'd been wishing for since the late '70s. Nonetheless, my favorite was (and is) 'I Wanna Live.'

"Is it a life-affirming track? By default, I guess, though it could also be read as a suicide note. But the guitar sounds like it wants to live. Joey likewise sounds like he's digging in for the long haul. It's what I want, and I'm going with that."

THE FLASHCUBES: If These Hands

More than a year's work is about to pay off, as our friends at Big Stir Records prepare an eager rockin' pop world for the September 12th release of Make Something Happen! A Tribute To The Flashcubes. But while poundin' the console on behalf of Syracuse's own power pop powerhouse is technically work, it's also a calling. Plus it's fun! Given all the fabulous covers the Flashcubes have recorded and released over the past several years, I wanted to call more attention to the wonder of the Flashcubes' own brilliant songbook. A various-artists Flashcubes tribute album seemed the best way to accomplish that, so we gathered a bunch of talented artists, matched them with a bunch of songs written or co-written by members of the Flashcubes, and sent 'em off with one simple directive:

Make something happen.

And oh, did they ever come through, and then some. That's been reflected in consistent TIRnRR airplay, with this week's spins of Make Something Happen! gems by Dolph Chaney, Sorrows, and Callan Foster following in the Cubic-heeled footsteps of last week's MSH! treats from Tom Kenny and the Hi-Seas, Librarians With Hickeys, and Chris von Sneidern, and Sunday will bring a reprise of Librarians With Hickeys as well as the Verbs and the Armoires. On the album, these all frolic and frug alongside fascinating interpretations of Flashcubes songs as rendered by sparkle*jets u.k., Graham Parker and Mike Gent, Joe Giddings, Ballzy Tomorrow, the Kennedys, Pop Co-Op, the Peppermint Kicks, the Choosers, Hamell On Trial, Rob Moss and Skin-Tight Skin, the Mayflowers, Super 8 featuring Lisa Mychols, and the Spongetones.

As referenced in the Spongetones entry up top, the Flashcubes have also contributed three new singles of their own to this project. The first Make Something Happen! single was guitarist Paul Armstrong's epic burner "Reminisce." The second was the gorgeous big pop number "The Sweet Spot," co-written by 'Cubes bassist Gary Frenay with the late B. D. Love

And now comes the third and final single in advance of this tribute. Back in 1978, the Flashcubes' first 45 was "Christi Girl," a ballad written by 'Cubes guitarist Arty Lenin. In 2025, Arty closes this portion of the Flashcubes' singles discography with another lovely ballad, "If These Hands." 

We naturally talk about the songwriters, as befits an album intended as a salute to a group's original songs. Let's also throw in a bit of praise for Flashcubes drummer Tommy Allen, not just for his irresistible percussive skill, but for the sheer pop and power he brings to this material as a producer. This stuff sounds amazing, and that's due in large part to our boy Tommy.

Putting this album together has been a lot of work, and there's a long, long list of people who deserve credit for making this particular something happen. Even though others did most--almost all--of the heavy lifting here, I find myself exhausted in its aftermath. Exhausted, but proud. If memory serves, the last original song recorded and released by the Flashcubes prior to these three new singles was "Carl (You Da Man)" for This Is Rock 'n' Roll Radio, Volume 1 more than twenty years ago. As flattering and fulfilling as it was that this band that's been so important to me wrote and recorded a killer song about Dana and me, I could not allow that to stand as the last word in original Flashcubes recordings.

It isn't the last one anymore. "Reminisce." "The Sweet Spot." Maybe "If These Hands" will be the Flashcubes' final recording, or maybe there will be more yet to come. I hope so. Either way, man, we made something happen. It was well, well worth the work.

MONDO TOPLESS: Think With Your Hands
BALLZY TOMORROW: Back Of My Hand

The Flashcubes' "If These Hands" leads us naturally into "Think With Your Hands" by Mondo Topless. Naturally. Whenever Dana plays a track by Mondo Topless, I naturally have to say, "Oh, so it's THAT kind of show, is it?" Because, y'know...topless. I amuse me.

Hadda follow "Think With Your Hands" with a cover of the Jags' new wave pop perennial "Back Of My Hand," as performed by our bud Robbie Rist under his Ballzy Tomorrow moniker. A delightful number in any incarnation, Ballzy Tomorrow's rendition of "Back Of My Hand" comes to us via DJ/uber fan Adam Waltemire's ace curated 2022 various-artists coverfest Sing Me A Song--A 50th Birthday Celebration. We've programmed a number of tracks from Sing Me A Song (particularly Barry Holdship's divine reading of Conway Twitty's "It's Only Make Believe") on past shows, but I'm mortified to discover we ain't ever played Ballzy Tomorrow's "Back Of My Hand" before this week. I tell ya: WE deserve the back of the hand.

But what can I say? It's just that kind of show. And it works for us.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

Saturday, April 13, 2024

10 SONGS: 4/13/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1228. This show is available as a podcast.

DAVE COPE AND THE SASS: One Hell Of A Ride

The music of Dave Cope and the Sass annexed its rightful share of TIRnRR airplay with the group's 2022 album Julee. I was (and remain!) fully in thrall of Julee's title track in particular, an irresistible rockin' pop nugget that earns the technical description razzafrazzin' FANTASTIC!! 

Restraint is for suckers. Embrace the enthusiasm awready.

And NOW! Dave Cope and the Sass return with another fine new release on the mighty Kool Kat Musik label. New album Hidden From The World serves up the prerequisite MORE! that TIRnRR craves. This week's show opens with "One Hell Of A Ride," and we'll hear another Hidden From The World track on this coming Sunday night. Razzafrazzin' fantastic. And one hell of a ride.

MONOGROOVE: I Think Of You

Essential pop act Monogroove includes the talents of the one 'n' only Rin Lennon. Rin should be familiar to the TIRnRR faithful from her work in the '80s as a member of the way-fab combo On The Air. From a previous post:

"On The Air were Rin Lennon (alias Karin), Jennifer Dorfman, and Jamie Garcia, with some other personnel in place of Jamie on some of their previous recordings. I first heard the group via their track 'Even Try,' which appeared on Rhino's (then-) contemporary girl group compilation The Girls Can't Help It in 1984. My pal Andrea Ogarrio put another On The Air gem on a divine mix tape she slapped together for me decades ago, and I snapped up the EP itself when I discovered it in a used record shop in Melbourne, Florida in 1994. SCORE!!

"I think the On The Air EP track Andrea mixed into her cassette creation was a wonderful li'l number called 'You've Got What I Want.' My favorite on the record is "This Can't Be Real," written by 20/20's Mike Gallo, a pop gem that remains a fixture on my iPod. Can't play vinyl in the car, man. 'Even Try' isn't on the EP, and a quick scan of Discogs suggests there were a handful of other On The Air tracks released on a previous single. Enough for an On The Air CD compilation? I say so!"

Well! While there ain't no On The Air CD collection as of now, Bandcamp does have an expanded version of On The Air available to purchase as a download. HuzZAH! Bandcamp is also where you can find Monogroove's current album The Flip Side, as well as some previous Monogroove works. We live in a world of plenty!

And we're plenty interested in playing Monogroove on the radio. We'll start with "I Think Of You," a sprightly pop ditty from The Flip Side, and we'll renew our pursuit of plenty this Sunday, with a Flip Side cover of a '60s classic. Monogroove is on the air.

MIKE BROWNING: Just One Day

They say Buddy Holly lives. Mike Browning has proof.

DEAN LANDEW: Job

Dean Landew's 2018 gem "After Work" very quickly accrued lots of acclaim and airplay on this little mutant radio show, and I consider it one of the many defining tracks of whatever the hell it is we do here. Dean's new single "Job" is very nearly the equal of "After Work," and that's high praise from me. "Job" leans forward in the way rockin' pop oughta, implying a seething inner pissed-offedness while barrelin' head like there's no such thing as a care in the whole freakin' world. Catharsis is best when it's catchy.

BIG MAMA THORNTON: Hound Dog

The Greatest Record Ever Made!

WONDERBOY: Arms Of Regret

STILL not Wonderboy's Robbie Rist

In last week's exciting edition of 10 Songs, we mentioned that three tracks--Elena Rogers' "I Feel Alive," Leather Catsuit's "Can't Get You Off My Mind," and Paul Collins' "I'm The Only One For You"--had already punched their virtual tickets for spots somewhere on TIRnRR's 2024 year-end countdown show. Quick work there, people! We gave all of these one more spin this week, and now each will be taking a little well-earned time off. Instead, we'll hear new singles from Paul and Elena this Sunday, and I betcha Leather Catsuit will also return to the ol' playlist afore very long.

We also mentioned that Wonderboy's epic ode to infatuation "Girl Songs" was THISCLOSE!! to likewise locking up a berth on the countdown. Like, probably already there, and definitely at least a probability if not quite a dead-to-rights certainty.

If we stopped playing it right now.

The season doesn't end today. We're not even half-way through, and regardless of whether or not "Girl Songs" has already guaranteed itself a place on the countdown, c'mon--WE'RE GONNA BE PLAYING IT AGAIN! Probably more than once, and I tell ya, its already-recorded appearance on our very next TIRnRR pretty much seals the deal anyway.

But we did give "Girl Songs" this week off. Instead, we widened TIRnRR's dim widdle spotlight to include another track from Wonderboy's Hero Isle album: "Arms Of Regret."

We regret nothing. As a line from one of my three current secret projects says, "this would be a cautionary tale if its central figure were, y'know...repentant."

Regrets? We have a few. Playing Wonderboy isn't one of them.

THE FLASHCUBES: Gudbuy T' Jane

From the album Pop Masters--my favorite record of 2023--we've played the Flashcubes' cover of Slade's "Gudbuy T' Jane" on several occasions. Prior to this week, its most recent spin was on our March 18th show, which was recorded and aired after Pop Masters won the SAMMY (Syracuse Area Music Awards) for Best Rock Album. "Gudbuy T' Jane" was what played as Flashcubes Paul Armstrong and Gary Frenay strode to the stage to accept the award on behalf of fellow 'Cubes Tommy Allen and Arty Lenin). 

I wanted to acknowledge the moment and the great track that accompanied it, and I did so on the show itself. But that was also the week we paid tribute to the late Eric Carmen, so that week's associated 10 Songs column was devoted entirely to Carmen's legacy.

It's never too late to congratulate. Congratulations as well to our friends Perilous, whose album YEAH!!! was nominated in the same category. We'll hear a track apiece from Pop Masters and YEAH!!! on Sunday night.

RIDEL HIGH: Self Destructive [demo]


Our introductory spin of Ridel High's demo version of "Self Destructive" (from the Big Stir Records/SpyderPop Records book 'n' vinyl LP compilation package Generation Blue) marks the fourth week in a row that a track from Generation Blue has appeared on our playlist. Let's go for FIVE in a row. Hey, teen sensations Ridel High! Stay after school. We're gonna need you here again on Sunday.

THE CYNZ: Just A Boy

We've been all-in on behalf of Little Miss Lost, the current album by TIRnRR Fave Raves the Cynz. Without checking stats, I think "Just A Boy" is the fourth different track we've played off this album, and that's not counting the singles we programmed before they appeared on the album ("Narrow Hips" and a cover of Holly and the Italians' "Tell That Girl To Shut Up"). All in.

"Just A Boy" may be the best of the lot. It gets another spin this Sunday. With apologies to the Shangri-Las: When we say we're all in you best believe we're all in, I-N-Z!

THE B-52'S: There's A Moon In The Sky (Called The Moon)

What else can you play the night before a total solar eclipse? After spins of the Rolling Stones' "Paint It, Black" and the Beatles' "Tomorrow Never Knows," we greeted the darkness of midnight with the B-52's and  "There's A Moon In The Sky (Called The Moon.)"

It was overcast on Monday. I decided to leave work for a bit and head back home so my wife and I could try to watch whatever Totality we could spy, and spy it together.

At the moment of totality, the clouds thinned. Just enough. The air darkened. The street lights came on. And Brenda and I could see the moon completely block the sun. It was a magic moment, and we were able to experience it at each other's side.

As I write these words, I'm dealing with a professional setback. It's depressing and sobering. I'll fight my way back to the light. Maybe not today, but soon. 

In the mean time, I can reflect on the cosmic beauty of that moment on Monday, when Brenda and I looked to the heavens and witnessed something spectacular, something we will never see again in this life.

It's worth remembering. It's worth celebrating. It's worth appreciating within the disappointments and failures. The sun comes out again. There will be chances to shine.

If we can.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, July 13, 2021

10 SONGS: 7/13/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1085.

SPINAL TAP: Gimme Some Money

A community radio show relies upon support from listeners and volunteers. SPARK! in Syracuse is no exception, and we're always looking to expand our ranks with more dedicated and talented Central New York individuals. There's never been a time when this organization had too many people involved. If you live in the Syracuse area, and would like to become an active participant in this project in some capacity, well, you should contact us, my friend. With you, we could be legion!

Much of This Is Rock 'n' Roll Radio's sphere of influence falls outside the ol' 315, but our listeners step up just as if they were local, minus the access to salt potatoes and Hofmann hot dogs (their loss). We need people, but we also need, y'know, money to keep the lights on and the records playing. We're grateful to all of the folks who've tithed us with their hard-earned greenbacks in the past, and we remain in need of further TAX-DEDUCTIBLE DONATIONS on an ongoing basis. You like whatever it is we do here? Yeah, you're our kind of potential patron o' the arts, then! Please give what you can, if you can, and we thanks ya.

Mindful that we haven't done an active fundraiser in quite some time, we figured we oughtta open this week's proceedings with a simple reminder that this is radio worth paying for. And there was no more appropriate way to say that, except to open with this simple call to action from the lads of Spinal Tap. Gimme some MONEY!

THE BEATLES: Money (That's What  Want)

For as many times artists have attempted Motown covers over the decades, only a relative handful have been within the same zip code as matching the original. Very few attempts have been even better than the Motown original. 

The Beatles did it twice.

In 1963, the Fab Four's second album With The Beatles (revamped, reorganized, and renovated for American ears in '64 into The Beatles' Second Album) included three tunes from the Motown songbook: the Miracles' "You've Really Got A Hold On Me," the Marvelettes' "Please Mr. Postman," and Barrett Strong's "Money (That's What I Want)." I don't think the Beatles match the Miracles here, but I do believe they absolutely own "Please Mr. Postman" and "Money (That's What I Want)." Consider those the sound of young Beatlemania.

THE O'JAYS: For The Love Of Money

Philly soul legends the O'Jays provide "For The Love Of Money," the final piece in our three-part opening ode to filthy lucre. I really wanted to play this, but I only have the album version, and at a running time of more than seven minutes, that's, like, two songs in the TIRnRRverse. EDIT, people! Dana had access to the 3:42 single version, and our money-grubbing trilogy was complete. For that mean, mean, mean, mean, mean green.

THE CHELSEA CURVE: A Better Way

The fab Red On Red Records imprint is a trusted resource for the rock and the roll, and the vast majority of TIRnRR playlists come factory-equipped with at least one track from the Red On Red empire. Kid Gulliver! Justine and the Unclean! Andrea Gillis! Cold Expectations! Linnea's Garden! MORE! And that "more" includes the Chelsea Curve, back again with a new single called "A Better Way," which just might be their best one yet. Trust us.

THE DAVE CLARK FIVE: It Don't Feel Good

It is not at all unfair to think of the Dave Clark Five as a singles band. They never became an album act, not like the Beatles, not like the Kinks or the Rolling Stones, definitely not like the Who, and there's no Tottenham Sound equivalent of the Zombies' Odessey And Oracle. God knows there's no Pet Sounds here, and God's not the only one who knows it. The DC5 lived and breathed on 45s--"Glad All Over," "Bits And Pieces," "Any Way You Want It," "Catch Us If You Can," "Try To Hard," etc.--and that's where the group's thumpin' footprint was established. 

That said, I mean, the Dave Clark Five did release albums, too. And they weren't just filled with padding around the single tracks. Granted, a DC5 LP could include a lot of filler, but there were also some lesser-known gems here and there. If I were to assemble a list of my all-time DC5 favorites, LP tracks like "When," "Don't You Realize," "Don't Be Taken In," "Doctor Rhythm," and "It Don't Feel Good" would edge out familiar smashes "Because," "Over And Over," and "Can't You See That She's Mine." HEY!

"It Don't Feel Good" is from the 1966 Try Too Hard album. It's an album track but it sounds great on the radio. Singles band. Album artist. We reject your petty labels. Let's play. Don't it feel good?

EAGLES: The Greeks Don't Want No Freaks

Here's an understatement for ya: Eagles do not receive a lot of airplay on TIRnRR. Without actually checking stats, I'd say this week's spin of "The Greeks Don't Want No Freaks" is unlikely to be more than the group's fifth appearance here all-time, and maybe only their fourth. I can only think of three Eagles songs we've ever played ("Already Gone" and "Take It Easy" are the other two), and it's possible that "The Greeks Don't Want No Freaks" is the only Eagles track we've played more than once.

I'm not here to belabor my long-standing antipathy for the Eagles, nor to denigrate their fans; dig what you dig, always dig what you dig. As a burgeoning teen punk in 1977, I selected the Eagles as my designated band to hate, just because it felt like the thing for me to do. And I did hate (and still do hate) "Lyin' Eyes" and "Hotel California." It may be silly in retrospect, but I think it was the right thing for me at the time.

The three Eagles songs cited above were my exceptions. I was a pop fan, so I couldn't figure out a way to deny the pure pop appeal of "Take It Easy" and "Already Gone," early evidence gathered in my long-standing conviction that even the act you hate the most might be capable of at least one song you absolutely love. 

The Long Run, the 1979 album that would turn out to be the group's farewell, didn't change much of anything, I think. Wait, lemme check...yep, still hated the Eagles in '79. But man, I loved the willfully stupid frat-rock of "The Greeks Don't Want No Freaks," and I wished the Eagles could get stupid more often. 

DEAN LANDEW: Cathi D'Silva

Wait, a song about a DJ? Sure, we'll play that! Fave Rave Dean Landew returns to the TIRnRR playlist with this tale of a rockin' woman servin' up the platters that matter. Just like us! Except, y'know, a chick, like....

Yeah, like Riff Randall, rock 'n' roller! Well done, Dean!

BILLY OCEAN: L.O.D. (Love On Delivery)

Long before that Caribbean queen and her painted-on jeans, Billy Ocean offered this very cool 1976 bubblesoul single that shoulda been a hit. I was working in record retail during Ocean's mid-'80s hitmakin' heyday, and I didn't object to any of it, to "Carribean Queen," "Suddenly," "When The Going Gets Tough, The Tough Get Going," or "Get Outta My Dreams, Get Into My Car," and I have a vague memory of a female customer blushing girlishly when I responded to her plea for help in IDing a song by singing "Suddenly" to her. Yeah, those were the days. No more love on the run!

But "L.O.D. (Love On Delivery)" is far and away my favorite among Ocean's...man, I wish an Ocean's 11 reference fit here. I learned the song from a 1998 various-artists set called Soulful Pop, part of Varese Sarabande's yummy-yummy Bubblegum Classics series. I need to investigate Ocean's eponymous album from '76, to see if there may still be more love available to schedule for delivery. 

I'll pay C.O.D. Love, CC

IRENE PEÑA: One More Night 

One of the many greater goods understood on this little mutant radio show is that when Irene Peña puts out a song, we play it. Duh. "One More Night" is the fifth and latest release in Big Stir Records' current campaign to celebrate the tenth anniversary of Irene's debut album Nothing To Do With You by releasing each of its tracks, one by one, as digital singles. A greater good indeed.

THE RAMONES (WITH EDDIE VEDDER): Any Way You Want It

I'm working on something. I'll tell you about it eventually. It doesn't really have anything at all to do with this track, but what the hell. Here's the very last song from the very last live performance by the Ramones, joined on stage by Eddie Vedder for a run-through of the Dave Clark Five's "Any Way You Want It." August 6, 1996. And we're outta here!

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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