10 SONGS (plus a High School Reunion BONUS!): 7/18/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1345

THE HIGH FREQUENCIES: Subterranean Homesick Blues

We open this week's broadcast bop-a-thon with another great track from the forthcoming tribute album Jem Records Celebrates Bob Dylan, this one courtesy of that force of rockin' pop nature known as the High Frequencies. As our pal Fritz Van Leaven reminds us, Elvis Costello's "Pump It Up" was directly inspired by Bashful Bobby's "Subterranean Homesick Blues;" for their take on the song, the High Frequencies retain the original punk and bile of Robert Zimmerman and Declan McManus alike, while applying an accomplished dash of pure, pretty effervescence that enhances the experience without diluting its anger. The pumps still work! Maybe vandals tried to take the handles, but the mighty muscle of the High Frequencies stopped the damned vandals cold. LOOK OUT, KID! You will absolutely be seeing and hearing this one in future playlists. 

RAMSEY LEWIS: Wade In The Water

Before viewing Questlove's excellent new documentary Earth, Wind & Fire: To Be Celestial vs. That's The Weight Of The World, I did not know that EWF's Maurice White had been a drummer with the Ramsey Lewis Trio from 1966 to 1970. See, ya learn stuff watching TV. That connection was sufficient to prompt Ramsey Lewis's return to the TIRnRR playlist, a feat accomplished with the title tune from Wade In The Water, the first Lewis album to feature White. Wade in the water? Smokin' on the water! We'll hear another track from the same album this Sunday night.

Why? We got a good reason. (And we're not taking the easy way out.)

THE ICICLES: I Wanna Know

THE BLUE HERONS: Take A Break

From this week's playlist commentary:

"... A recent Only Three Lads podcast introduced me to the music of the Blue Herons, and further informed me that Blue Herons singer Gretchen DeVault was also in the Icicles. And I love the Icicles! That compelled me to buy the current Blue Herons album Demon Slayer, to pull out my trusty CD copy of the Icicles' A Hundred Patterns, and to include a track from each in this week's playlist...."

Over the past couple of decades, the Icicles' "Snowman" has been a frequent fixture of our seasonal playlists, and I confess my short attention span--which my daughter once described as AD...OS! (Attention Deficit...Ooo, SHINY!)--prevented me from delving further. We remedied that by playing "I Wanna Know," another go'geous track from A Hundred Patterns, and I cursed the AD..OS! that stopped us from programming this perfect crystal twenty years ago. 

When Gretchen and her Blue Herons collaborator Andy Jossi were on O3L, the show's hosts Brett Vargo and Uncle Gregg played the title track from Demon Slayer, and I was duly mesmerized: Dreamy and vibrant, with echoes of '90s worthies like the Primitives and the Darling Buds. WANT! And got. That's why a benevolent deity gave me a credit card in the first place.

I intended to include that title track in this week's show, but the playlist ran a teensy bit too long, forcing me to sub the slightly shorter "Take A Break" in its place. Not to worry! We will slay that soulless demon on our next show.

THE RAMONES: I Wanna Live

From a previous edition of 10 Songs:

I moved back to Syracuse from Buffalo in 1987. It was not a great time in my life, and it was still going to be a little while before things got better. 

In good times and less-good times, music has always been a highlight. I don't remember if I heard "I Wanna Live" before picking up my copy of the Ramones' 1987 album Halfway To Sanity. I may have seen its video on MTV, but my memory insists I didn't even know the Ramones had a new album out when I spotted and immediately purchased Halfway To Sanity at The Record Theatre up on the SU hill. 

The album includes a fab guest appearance by Blondie's Debbie Harry on "Go Li'l Camaro Go," a meeting of CBGB's minds I'd been wishing for since the late '70s. Nonetheless, my favorite was (and is) "I Wanna Live." 

Is it a life-affirming track? By default, I guess, though it could also be read as a suicide note. But the guitar sounds like it wants to live. Joey Ramone likewise sounds like he's digging in for the long haul. It's what I want, and I'm going with that. 

GENERATION X: Dancing With Myself

The Greatest Record Ever Made!

THE SPONGETONES: Lifetimeline

This week's show was already programmed when we received word that TIRnRR Fave Raves the Spongetones were releasing a new single. Well, we've gotta play THAT!. Advance copy secured, playlist tweaked ever-so-slightly, and this uberfab track "Lifetimeline" was on the radio where it belongs. And it's back where it belongs again on our next show. The lifetimeline is secure.

SKOOSHNY: It Hides More Than It Tells

Think Like A Key Music is one of our favorite archival labels, particularly for their recent slate of previously-unreleased '70s and '80s live tracks by the majesty of the Shirts (as heard here and here). Think Like A Key's new Skooshny collection The Recordings 1971-1981 plays right into our lovably ornery demographic, preserving 21 tracks of left-of-the-dial pop music that merited a much wider audience. I remember reading about Skooshny in the pages of Bomp! magazine (and I think in Trouser Press) when I was in my teens and early twenties, but I don't think I heard any of their music at the time.

Well! We're hearing it now, thanks to the good folks at Think Like A Key Music. And we're putting it on the radio. More next week.

BETH PEABODY: Out And About

A lot of the coolest radio shows on the whole friggin' planet have been playing "Get It Out," the fabulous current single by Beth Peabody. It's a great song choice, and "Get It Out" deserves every second of that airplay.

We also played Beth's "Get It Out" last week, but we've been playing its virtual flip side "Out And About" all along. Both songs were written and previously recorded by Jim Basnight, Beth sang on Jim's versions, and Jim now plays on Beth's new versions, too. Jim's "Get It Out" has itself received its share of TIRnRR spinnage, and maybe that's why our current Beth Peabody selections have gravitated to "Out And About" instead of "Get It Out."

Still, I don't think we're merely defaulting to "Out And About." Man, both tracks are as radio-ready as one could wish, but there is a specific groove in "Out And About" that just annexes my attention, making its continued TIRnRR playlist appearances both inevitable and unerringly, righteously appropriate.

THE AMPLIFIER HEADS: Rock 'n' Roll Riot

This little mutant radio show has been all in for the Amplifier Heads' forthcoming album Super 8, doling out advance singles as they've become available. That willfully manic plan brings us this week to "Rock 'n' Roll Riot," an exercise in a-stompin' and a-rompin' that lives up to the celebratory promise of its title. Rock 'n' roll riot? Sign us up! And yet another track from Super 8 will open our next radio riot on Sunday. Man your stations, Amplifier Heads! There's a riot going on the air.

MONOGROOVE: Back To School

Back to school? Yep. Got a 1976 high school reunion party that I'll be crashing next week. I'm sure that night's soundtrack will stick to the music of the Me Decade, but for now we start our prep time with a spin of  Monogroove's TIRnRR Pick Hit "Back To School." We'll continue that prep on our next show, supplementing "Back To School" with three additional secondary-education tracks (two from the '70s, one from before I was born) that put the proper BOOM! in the ol' sis-boom-bah. 

And just like when I was in high school: I solemnly swear not to learn anything.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

THE GREATEST RECORD EVER MADE! Generation X, "Dancing With Myself"

Drawn from previous posts, this is not part of my book The Greatest Record Ever Made! (Volume 1).

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

GEN X: Dancing With Myself

Written by Billy Idol and Tony James

Produced by Keith Forsey

Single, Chrysalis Records [U.K.], 1980

Beware the would-be hipster who whines, "I liked [insert artist's name here] before anyone else did, but then [applicable personal pronoun] sold out, got popular, and started to suck!" Humph. Worst would-be hipster ever. So yeah, take it with a grain of salt when I say I never cared for Billy Idol's successful solo career, but I loved him when he was fronting Generation X in the late '70s and very early '80s. Hipster? Me? It's you who say I am.

I really wanted to like Idol. Listen, I'm in favor of artists achieving success and recognition, getting paid, and being able to continue the divine art of creating. But "Eyes Without A Face," "Rebel Yell," "Flesh For Fantasy," "Hot In The City," and his meatball cover of Tommy James and the Shondells' "Mony Mony" mostly left me cold. I liked "White Wedding" a little bit, especially the guitar hook. The only one of Idol's solo successes that I really liked--loved--was "Dancing With Myself." 

Of course, when I first loved it, it was a Generation X single.

Technically, it was "Gen X," the truncated nom de bop used for the final material credited to the soon-to-disappear UK punk pop combo previously known as Generation X. Under whatever name, "Dancing With Myself" rocks, pops, 'n' percolates, a right worthy successor to earlier Generation X triumphs "Ready Steady Go," "Your Generation," and "King Rocker." The Billy Idol "Dancing With Myself" sounds the same to my ears, so if Idol re-recorded the Gen X track, he stuck with the blueprint with stunning fidelity. 

Bomp! magazine's epic power pop issue in early 1978 was the first I ever heard of Generation X. I may or may not have heard them on my Brockport college campus that Spring--there was a Punk Night at our on-campus bar The Rathskeller, and occasional punk/new wave records played on our radio station, WBSU, and either of those sources could have served up some Generation X--but I can say with certainty that I bought two Generation X import 45s by the end of that summer. The singles were "Ready, Steady, Go" and "Your Generation," and I loved both of those loud 'n' vibrant records beyond rational description. "Your Generation" was also included on an album called Geef Voor New Wave, a freakin' fantastic compilation that no home should be without. 

And for all my seeming indifference to Idol's solo success, I'm glad he and his creative partner Steve Stevens are being inducted into The Rock And Roll Hall Of Fame. I've come around to the hits, even if they don't mean as much to me as Generation X did (and does). Let this rebel yell serve as endorsement and celebration.

But what do I know anyway? Never trust a hipster.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book of short stories Guitars Vs. Rayguns!! Short Stories And Other White Lies is out now, and you can get autographed copies of the new book and my previous book The Greatest Record Ever Made! (Volume 1) directly from me. You can still get my previous previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

10 SONGS: 4/25/2026

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1333

VICKI PETERSON AND JOHN COWSILL: Downtown

We've been way too late in programming music from the fabulous Vicki Peterson and John Cowsill. We've played their respective alma maters the Bangles and the Cowsills a lot, and we've played Vicki Peterson's work with sister-in-law Susan Cowsill in the Continental Drifters, but so far our pal Rich Firestone's sublime SPARK Syracuse show Radio Deer Camp has enjoyed an exclusive right to fill the airwaves with Vicki 'n' John. Now, news that pop music's favorite couple will be visiting Syracuse's Westhill High School for a show on June 4th has us all giddy. We hope Rich doesn't mind us sharing the love for Vicki Peterson and John Cowsill.

The specifics of the duo's 6/4 Syracuse appearance are especially enticing:

"The first ever West Side Rock Show featuring The Westhill Rock Music Program! The show will feature all of the bands in Westhill’s Rock Music Program including the Killer Pancakes, Clockwork, and our faculty band, After School Special. Student performances to be followed by our headliner and special guests, Vicki Peterson and John Cowsill! Vicki was the lead guitarist and founding member of the iconic all female band in the 1980s, the Bangles. Their hits included "Walk Like an Egyptian," "Manic Monday" and "Eternal Flame." John was part of the Cowsills and also toured with the Beach Boys for almost 25 years. Vicki and John are currently touring in support of their brand new album, Long After the Fire. Vicki will even be performing some Bangles hits with the kids in the Rock Music Program! It will be an amazing evening of great music! Doors open at 6:00 PM. Performance begins at 6:45 PM. FREE CONCERT BUT TICKET RESERVATIONS ARE REQUIRED!"

To paraphrase Lenny Haise, former guitarist for teen sensations the Wonders: I'm going, you're going, we're ALL going.

And starting this week, TIRnRR is playing selections from Vicki and John's album Long After The Fire. "Downtown" joins TIRnRR here, and another track from the album will spin this Sunday night. We're happy to follow Radio Deer Camp's lead. Giddy, I tell ya. Giddy.

GENERATION X: Ready Steady Go

Congratulations to Billy Idol on being named to The Rock And Roll Hall Of Fame. My interest in the esteemed Mr. Idol goes back to his pre-solo days with the dynamic punk/pop combo Generation X. Man, I loved Generation X, and my favorite among Gen X favorites remains "Ready Steady Go," a willfully and triumphantly over-the-top celebration of watching the Who on UK TV in the '60s. In love with Cathy McGowan? Can't blame you, Billy. Can't blame you.

THE RAMONES: I Don't Want To Grow Up

Preach, brudders. I understand exactly what you mean.

THE ROLLING STONES: Can't You Hear Me Knocking

The Greatest Record Ever Made!

DEAN LANDEW: Summertime Friday Night

No, it's not summertime yet. And this posts on a Saturday, so even our next Friday feels like a Plimsouls-sanctioned million miles away. No matter! And why wait to the last minute anyway? Dean Landew has the song we need now. Winter? Spring? Summer? Fall? It's a year-round feeling, and I say it's Friday night until the Bay City Rollers declare otherwise.

THE GREENBERRY WOODS: Whenever You Want Me Too

It's All Good, Sugar... is a new album from fabled rockin' pop group the Greenberry Woods, and the very fact that there is such a thing as a new album from the Greenberry Woods oughta be cause for joy and merriment across the friggin' globe. The album reached us too late to include in this week's playlist, and our next show's humble salute to the life and legacy of the late Flashcubes/1.4.5. guitarist Paul Armstrong didn't allow us enough room to program any Greenberry Woods. BUT! This week's extravaganza did include an encore spin of the album's fab advance single "Whenever You Want Me Too." From a previous 10 Songs:

"Rapple Dapple! In my liner notes to Rhino's 1997 compilation Poptopia! Power Pop Classics Of The '90s, I wrote:

" 'The unfortunate fate of the Greenberry Woods offers a sobering reminder that even the best pop bands can still be resolutely ignored by the buying public. Maryland's favorite pop sons released two absolutely dreamy albums--1994's Rapple Dapple and 1995's Big Money Item--only to be met with appalling indifference by retail and radio. Following the group's apparent demise, a couple members resurfaced in a new group called Splitsville, and released an interesting, cartoony debut album on Big Deal in '96. But Splitsville ain't a proper substitute for the Greenberry Woods, whose passing we mourn here with a spin of their signature tune "Trampoline," an impossible-to-resist barrage of singalong charm and halcyon AM-pop style. Come back, guys!"

"(Before we go any further, it's important to note that, my '97 self notwithstanding, I soon became a Splitsville fan as well. Pop pundits. We can be a mite slow on the uptake sometimes.)

"And now, the return of '90s pop stars the Greenberry Woods should merit a guaranteed berth on any power pop radio playlist, and their new single 'Whenever You Want Me Too' certainly deserves that instant-add status. Hell, 'Whenever You Want Me Too' woulda fit in on Rapple Dapple, and I further dig its correct titular use of the word 'too' to create an effective pun for would-be lovers everywhere. We want this. We hope you want it too."

COCKEYED GHOST: I Hate Rock 'n' Roll

ARTHUR CONLEY: Sweet Soul Music

"I hate rock 'n' roll." "Do you like good music? That sweet soul music?" Sometimes the segues just write themselves.

THE BEATLES: Taxman

THE MONKEES: The Door Into Summer

Aftermath of Tax Day: With your fools' gold stacked up all around you, declare the pennies on your eyes. Consult your travelogue of maybe-next-year places, and be thankful they don't take it all.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

POP-A-LOOZA: THE EVERLASTING FIRST! Generation X, The Ghost Rider, The Grass Roots, and The Green Arrow

Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post continues my saga of The Everlasting First, this time recalling my introductions to a mixed quartet of rock 'n' roll and funnybook entities: Generation X, the Ghost Rider, the Grass Roots, and the Green Arrow.

Of these four, the two music acts retain a more immediate relevance for me. Both the Grass Roots and Generation X are fixtures on my iPod, but I haven't read or seen any Ghost Rider or Green Arrow adventures lately. That will probably change; I'm sure Ghost Rider will become a part of Marvel Comics' cinematic universe, and I do indeed keep up with the MCU. Green Arrow likely has some presence in the stack of new comic books I've accumulated the past few months but haven't gotten 'round to reading yet. 

But we treat 'em all equally in the retrospective world of The Everlasting First. Memories of my first exposures to a '70s punk group fronted by Billy Idol, a biker who made a deal with the Devil, a fantastic AM Top 40 singles group, and a battling bowman named Oliver Queen serve as the latest Boppin' Pop-A-Looza.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

10 SONGS: 12/4/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1053.

BOW WOW WOW: Go Wild In The Country

TIRnRR is on a modest Bow Wow Wow kick, with this week's spin of "Go Wild In The Country" preceded by "Do You Wanna Hold Me?" a couple of weeks back, another ***SPOILER ALERT!*** BWW track planned for this coming Sunday, and more to follow in future weeks. During this week's show, "Go Wild In The Country" inspired our friend and fellow SPARK! DJ Rich Firestone to note, "Somehow at the time, I didn't realize how much fun Bow Wow Wow was!" Well, we're here to help, Rich. We're here to help.

DESMOND CHILD AND ROUGE: The Night Was Not

The 1980 film Times Square is better known for its soundtrack than for the movie itself. In the fabulous rock 'n' roll movie book Hollywood Rock (which was edited by Marshall Crenshaw), Andy Langer wrote, "Even mentioning this movie seems to dignify it unnecessarily." Oof. 

I finally saw this unmentionable flick for the first time a couple of weeks ago, and I actually enjoyed it on its own misshapen terms. It's not a good film by any means, not even in the sense of being so bad it's good. It's...just not good. Yet I'm glad I watched it; I wish I'd had an opportunity to see it when it was new, and I wonder what my twenty-year-old self would have thought of it at the time. In 1980, I lived in a small college town with not all that much to do if you didn't have a car to get somewhere else. I mean, there was drinking, but other than that. So I saw just about every non-horror movie that played in the village, from The Muppet Movie to The Gong Show Movie, Superman II to Buck Rogers In The 25th Century, Hollywood Knights to Goodbye Emmanuelle, For Your Eyes Only to Breaking Away. Times Square would have fit right in. 

Seeing Times Square forty years after the fact is a jarringly out-of-context experience. I am most assuredly not twenty years old anymore. But I was able to turn off my brain and ride the mild surf of its undemanding melodrama. Plus Tim Curry's in it. 

The soundtrack requires no qualification; it's as essential now as it was then, and I'll surrender my copy of it when it's pried from my cold dead hands. Suzi Quatro. The Pretenders. Roxy Music. Gary Numan. Talking Heads. Joe Jackson. XTC. THE RAMONES! And those are just the highlights of the first record in this two-LP set, and not even counting "Flowers In The City" by David Johansen and Robin Johnson, a cut I've previously described as one of five great movies songs from films I either didn't like or never saw.

The soundtrack album also includes "The Night Was Not" by Desmond Child and Rouge, a track that never moved me and which my memory cast aside. Hearing it play during the movie made something click, and I suddenly connected with the song for the first time. And that was sufficient motivation for Desmond Child and Rouge to make their TIRnRR debut. These things take time.

GENERATION X: Dancing With Myself

Beware the would-be hipster who whines, "I liked [insert artist's name here] before anyone else did, but then [applicable personal pronoun] sold out, got popular, and started to suck!" Humph. Worst would-be hipster ever. So yeah, take it with a grain of salt when I say I never cared for Billy Idol's successful solo career, but I loved him when he was fronting Generation X in the late '70s and very early '80s. Hipster? Me? It's you who say I am.

I really wanted to like Idol. Listen, I'm in favor of artists achieving success and recognition, getting paid, and being able to continue the divine art of creating. But "Eyes Without A Face," "Rebel Yell," "Flesh For Fantasy," "Hot In The City," and his meatball cover of Tommy James and the Shondells' "Mony Mony" mostly left me cold. I liked "White Wedding" a little bit, especially the guitar hook. The only one of Idol's solo successes that I really liked--loved--was "Dancing With Myself." 

Of course, when I first loved it, it was a Generation X single.

Technically, it was "Gen X," the truncated nom du bop used for the final material credited to the soon-to-disappear UK punk pop combo previously known as Generation X. Under whatever name, "Dancing With Myself" rocks, pops, 'n' percolates, a right worthy successor to earlier Generation X triumphs "Ready Steady Go," "Your Generation," and "King Rocker." The Billy Idol "Dancing With Myself" sounds the same to my ears, so if Idol re-recorded the Gen X track, he stuck with the blueprint with stunning fidelity. But what do I know anyway? Never trust a hipster.

THE KINKS: War Is Over

Last week on his SPARK! radio show Radio Deer Camp, the above-cited Rich Firestone played The Kinks' "To The Bone," a cut that has never been played on This Is Rock 'n' Roll Radio. And we've played a lot of Kinks songs over the past 22 years! The song is the title track from a 1996 2-CD US version of a live Kinks album released as a single disc in the UK in '94. The US version adds several tracks, but omits "Waterloo Sunset" and "Autumn Almanac," forcing fans (like me) to buy both versions. The US set also adds the two studio tracks that are the final Kinks recordings issued to date; Rich just played "To The Bone" on Radio Deer Camp, and we played the other studio track ("Animal") on TIRnRR some time ago.

We still haven't played "To The Bone," but we did want to try to program a Kinks song that we hadn't played before. We picked "War Is Over," from 1989's UK Jive, which is my least favorite Kinks album. The song's fine. The album....

I was able to see The Kinks on the UK Jive tour. It was the third and final time I saw The Kinks in concert, and oddly enough the show occurred in the same week that I saw my first Rolling Stones concert. Kinks and Stones in a single week? Awrighty! 

My first Kinks show was in 1978, and it was awesome; I told that story here. Seeing them a second time at a mid '80s arena show in Buffalo was less special, but still The Kinks. The 1989 show was weird. It was staged in a gym at the State University of New York at Oswego; the arena show felt impersonal, and this felt, I dunno, somewhere in between, but still almost haphazardly disconnected. 

The show was sparsely attended, so lovely wife Brenda and I were able to get THISCLOSE to the stage where The Kinks--THE KINKS!!!--were playing. But it was the UK Jive tour. I have little memory of it. I can't believe I saw The Kinks at such close proximity, but that a combination of off-putting venue and a set list emphasizing a lesser album made the whole event seem so forgettable.

But it was THE KINKS...!

SUZI QUATRO: I May Be Too Young

Hey, have ya heard about Suzi from Baton Rouge?

Why, yes. Yes I have. Suzi herself was from Michigan rather than Louisiana, but the line quoted above was the first thing I ever heard her sing or say.

After Suzi Quatro had already cast teen me in her irresistible thrall via a glimpse of her image on the cover of Rolling Stone, "I May Be Too Young" was the first Suzi Q song I ever heard, an introduction made sweeter by the fact that it was a video performance on the British lip-synced pop music TV showcase Supersonic. Love at first sight, then swoon at first sight and sound.

THE RAMONES: I Wanna Be Sedated

The above-mentioned Times Square movie was produced by Robert Stigwood, who had managed Cream and The Bee Gees and had previously produced the hit films Saturday Night Fever and Grease, among others. One of the presumed goals of Times Square and its soundtrack was to do for punk and new wave what Saturday Night Fever had done for disco: ship a lot of units, annex a lot of radio playlists, sell a lot of records, and, y'know, make a buck or two million. It didn't happen. But I tell ya, watching the movie, and hearing "I Wanna Be Sedated" by my rockin' pop heroes The Ramones blastin' outta one of the main character's boom box a few times, I could only imagine what could have been. The Ramones with a hit record in 1980? I wanna live in that world.

THE BOB SEGER SYSTEM: 2 + 2 = ?

My eventual book The Greatest Record Ever Made! (Volume 1) will contain an interlude about how much I loathe Bob Seger's hideous smash "Old Time Rock & Roll," followed immediately by a chapter extolling the GREM! virtues of Seger's (far) lesser-known 1968 punk snarler "2 + 2 = ?":

Maybe you never knew that Bob Seger made a punk record. If you didn't know, it's not your fault; neither music history nor Seger himself has seemed interested in the secret revelation of a dynamic, furious 1968 record called "2 + 2 = ?"

It's a difficult dichotomy to reconcile. Seger's mass-market reputation is built largely upon a series of popular mid-tempo heartland ballads and MOR rockers, beloved by many, despised by others. They are soundtracks for truck commercials, banal and inoffensive radio fare with the bland personality of margarine. Even as I type that, I really don't mean any disrespect to those who love "Like A Rock" or "Against The Wind" or even--shudder--"We've Got Tonight" and "Old Time Rock & Roll." There are no guilty pleasures in pop music. If you like something, a guy writing dismissively about your familiar favorites is unlikely to alter your tastes, nor should it. Dig what you wanna dig. Just, y'know, forgive me for cringing when I hear any of that stuff. I have to dig what I wanna dig, too...

...(And just in case you wonder, the title is pronounced "two plus two equals what." As in your likely answer when you hear it for the first time:  WHAT...?!)

TAVARES: It Only Takes A Minute

"It Only Takes A Minute" was a # 10 hit for Tavares in 1975, the soul group's biggest pop hit. I'd like to say that I forgot how simply sublime this track is, but frankly I don't think I ever fully appreciated it in the first place. For me, as a teenage AM Top 40 listener, Tavares was just another sound on the radio, not, like, repulsive or something, but not particularly noteworthy. I don't know what the hell kind of crap I had muffling my ears when I was 15, but whatever it was, I'm happy it finally flushed out somewhere along the way. Sure, I was aware of "It Only Takes A Minute," "Heaven Must Be Missing An Angel" (Billboard # 15), and "More Than A Woman" (a mere # 32, but omnipresent because of its connection to Saturday Night Fever), but they didn't mean anything to me.

It was the late great Dick Clark who got the ball rolling in my belated discovery of Tavares. In (I think?) the '90s, VH1 was running selected, edited archival episodes of American Bandstand, and one such episode included Tavares lip-syncing their 1975 cover of The Edgar Winter Group's "Free Ride." I always liked EWG's original, and I'd never before heard Tavares' take on it, but that cover instantly became the definitive version for me. I bought a Tavares best-of CD just to get that song, and didn't even bother listening to the rest of the collection.

I pulled it out on a whim last week, just before Dana and I were set to discuss the week's TIRnRR playlist. And "It Only Takes A Minute" hit me, as it shoulda hit me--repeatedly!--when I was 15. Man, something sure shoulda hit me when I was 15. What an amazing track. What took me so long to realize it? IT'S ONLY SUPPOSED TO TAKE A MINUTE...!

THE TRAMMPS: Disco Inferno

The Saturday Night Fever soundtrack executed the retail alchemy of transmogrifying The Trammps' failed 1976 single "Disco Inferno" into a # 11 hit single in 1978. Yes, exactly the sort of scenario I wished Times Square could have done for The Ramones, except that "I Wanna Be Sedated" would gone all the way to # 1, the first of a string of chart-toppers for everyone's favorite Carbona-huffers. In, y'know, the world I wanna live in. 

But "Disco Inferno" is a great record, well deserving of its success. It was one of a handful of disco tracks at the time to break through my own anti-disco bias, and it also rates its own entry in The Greatest Record Ever Made! (Volume 1):

At the height of its popularity, disco was anathema to me. I had, at best, a superficial familiarity with soul and R & B to begin with, and little appreciation for it anyway. I don't know if an embrace of dance-oriented pop and Philly soul a bit earlier in my timeline might have made me more receptive to the throb of dat ole debbil disco, but the scene turned me off immediately. I liked The Bee Gees before "Jive Talkin'" and not after; I loathed KC and the Sunshine Band. And I despised discos; my few visits to those places were unpleasant and uncomfortable. It wasn't even just the music that turned me off; it was the whole atmosphere, the artificial vibe, the mix of the smug and smarmy, an insincere mating ritual without substance. I wouldn't have minded dancing, making out, maybe accompanying a dance partner elsewhere, but it all felt so...empty. Fake. I didn't even stick around long enough to try to talk to any girls. I just hated being there.

Later on, as the know-nothing Disco Sucks movement built its flammable foundation upon a bedrock of racism and homophobia, I began to wonder if I'd chosen the wrong side. The loudest parties chortling at the notion of smashing mirrored disco balls and stoking a bonfire of Saturday Night Fever soundtrack LPs were often just meatheads, the advance guard of reactionaries commencing the implementation of mourning in America. Me? I was a power-poppin' punk, and the Disco Sucks fascists hated me, too. Fuck them. I'd rather hear "Disco Inferno" than "Hotel California" or "Cat Scratch Fever" any freakin' day of the week. Burn those records instead. I heard somebody say, "Burn baby burn!" Yeah, I'd rather hear The Trammps....

DANNY WILKERSON AND LANNIE FLOWERS WITH ORBIS MAX: One Of A Kind

Turn. It. UP!!

Dana, Carl, Lannie Flowers, and Danny Wilkerson at SPARK! studio on 9/10/2019

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
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Volume 3: download
Volume 4: CD or download
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Carl's writin' a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I'm on Twitter @CafarelliCarl.