Showing posts with label Micky Dolenz. Show all posts
Showing posts with label Micky Dolenz. Show all posts

Thursday, November 30, 2023

10 SONGS: 12/1/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1209. This show is available as a podcast.

POPDUDES: She's An Obsession

I was chatting recently with my friend and fellow pop journalist John M. Borack. John's power pop bona fides meet the dictionary definition of "unassailable," and he and I agree on much, disagree on a little, and we're fans of each other's informed punditry even when our POVs diverge.

John's also a drummer, and he has a new album with the Armoires due out in the not-quite-near-enough future. One of John's other DBAs is Popdudes, a revolving-member aggregation that usually finds our John working with Michael Simmons of sparkle*jets u.k. Popdudes have just released a new covers collection, gathering sundry swell Popdudifications of material previously done by NRBQPaul McCartney, the Five Stairsteps, Elvis Costello, the Guess Who, Roy Orbison, Ringo Starr, and more.

The album's called Number Two, but it's # 1 on our playlist this week, as we open this week's show with Popdudes' rendition of 20/20's "She's An Obsession." You know the old saying: Starve a cold, feed an obsession. Happy to do our part here on TIRnRR.

HEY! Speaking of the Armoires, the group has a lovely and brand-new track called "Music & Animals," available on the new benefit compilation Embers Of Aloha: A Maui Wildfire Benefit Project. Let's cut-n-paste a little something about this album, courtesy of Eddie Van Finley:

"All proceeds of this special digital BENEFIT project will go to directly help the victims of the Maui Wildfires, which resulted in loss of property, homes, pets and loved ones. Your generous donation will help to provide immediate relief for the people of Lahaina and West Maui communities in the wake of this horrible disaster.

"Mahalo for the kind contributions of every artist on this compilation that have given of their time and talents to make this project possible. Please consider supporting these artists who have selflessly supported this cause. Artist information is contained in each track's info section.

"I'd like to thank Big Stir Records, JAM Records, JEM Records, Kool Kat Musik, David Beard (Endless Summer Quarterly) for their immeasurable guidance, kind encouragement and advice.

"Special thanks to Lisa Mychols (my tireless co-chair) and Nadja Dee (Artwork) for the constant forward momentum and positivity. And thank you to Michael McCartney, for being our catalyst, positive reinforcement and for Inspiring this project to come together with purpose, meaning and aloha.

"On behalf of everyone involved, "Mahalo nui loa" for supporting such a worthy cause and for making this an amazing compilation of songs!

"May EMBERS of ALOHA live in your heart. Always."

Embers Of Aloha is out TODAY. I bought it. You shoulda oughta buy it, too. Mahalo to the great Michael McCartney, radio's best friend. Mahalo to the island and its spirit. Mahalo to the Armoires. Mahalo to you for doing your part to help the wonderful people of Maui.

LOU RAWLS: Bring It On Home

From a previous edition of 10 Songs (2/23/2021):

"When I was an oldies-obsessed college student in the late '70s, there was one time when I sang an impromptu duet with a woman working at the campus snack bar, me doing most of the warbling on a snippet of Sam Cooke's 'Bring It On Home To Me.' She was surprised someone so young was familiar with the song to begin with, but, y'know, see above reference to oldies-obsessed. Truth to tell, I mostly knew the song from the Animals' cover version, but I knew Cooke's original, too. It wasn't until a couple of weeks ago that I learned the secondary vocal on Cooke's recording was performed by a then-unknown Lou Rawls. You'll never find (dum dum dumdee dum) another secondary vocal like his (dum dum dumdee dum). Bring it on home, Lou."

I didn't realize that Rawls also released his own version of the song in 1970. Cool! I discovered it on a Lou Rawls best-of CD that I just picked up, and figured it would make a more'n appropriate TIRnRR spin. Lou Rawls covers Sam Cooke!

And yeah, I forgot Rawls sang on the original. Intrepid TIRnRR listener Mike Browning pointed out that Rawls' "Bring It On Home" was as much a remake as it was a cover (much like my own oft-cited instance of Merry Clayton's remake of "Gimme Shelter," seeing as how she's the one wailin' WAR, children! on the original Rolling Stones release). Good catch, Mike! Nice to have someone who can bring it when we need it.

THE RONSON HANGUP: Waxes & Wanes

This is stunning. From their new album Centaurus, the Ronson Hangup effectively channel the Hollies in an original song called "Waxes & Wanes." It's not an imitation or an homage; the vocals echo the Hollies without sounding like them, and for all I know I'm just imagining the comparison. But to my ears, this sounds like someone covering an undiscovered, previously unheard Hollies gem, and covering it well enough that I expect one or another Ronson Hangupper to break up the band so he can go hang with David Crosby and Stephen Stills instead. Irresistible.

MICKY DOLENZ: Radio Free Europe

Of the four tracks on Micky Dolenz's new EP Dolenz Sings R.E.M., "Radio Free Europe" is the only one where I don't flat-out prefer Micky's cover to the Athens-bred original. I didn't know R.E.M.'s "Leaving New York," but everyone with a radio and/or MTV knew "Shiny Happy People" and "Man On The Moon." It's a true credit to Dolenz and his musical director Christian Nesmith that they were able to stake ballsy dibs on such familiar work, and emerge with what I think are now the definitive versions.

"Radio Free Europe" presents a tougher challenge, if only because it's probably my favorite R.E.M. track. That specific, emotional tether to a beloved record is difficult to challenge...

...which makes it all the more amazing that Micky does challenge R.E.M.'s primacy on "Radio Free Europe." Dolenz and company manage a convincing, compelling, damned near magical remake of a song I've adored for decades, reimagining it, reinventing it, and giving me pause to consider the sheer audacity and accomplishment of what they've done. I can't quite let go of my entrenched and established affection for R.E.M.'s own "Radio Free Europe," and this shouldn't even be a close choice.

But it is. Damn, this Dolenz guy is good.

JACKIE BRENTSON AND HIS DELTA CATS: Rocket "88"

Jackie Brentson's seminal rock 'n' roll single "Rocket '88' " doesn't have an entry in my long-threatened book The Greatest Record Ever Made! (Volume 1), but the track is mentioned within the chapters for two other songs. Let's mash 'em up here, from GREM! pieces about Big Mama Thornton and Ike and Tina Turner:

Where and when did rock 'n' roll start? There are a few key records that one could name as possibilities for the first rock 'n' roll record. "Rocket '88' " by Jackie Brentson and his Delta Cats (1951, and really Ike Turner and his Kings of Rhythm) is the closest we have to a consensus choice, though some would point to "The Fat Man" by Fats Domino (1950). I would at least add Amos Milburn's "Down The Road Apiece" (1947) to the discussion, and no less an authority than Lenny and Squiggy (on TV's Laverne And Shirley) spoke on behalf of "Call The Police," a 1941 single Nat King Cole made with the King Cole Trio. There are other progenitors and trailblazers from across the heady mingling of jump blues, R & B, country, and swing that birthed this bastard child we call rock 'n' roll. What was the daddy of them all? Not even a blood test is going to make that determination.

"Rocket '88' " can lay plausible claim to being the first rock 'n' roll record (though I still say it was Amos Milburn's "Down The Road Apiece"). On merit, Ike Turner should be celebrated as one of popular music's most important most artists. 

History does not remember him that way. He had only himself to blame for that. Revelation of his ongoing abuse of Tina Turner when they were married effectively reduced Ike Turner from headliner to deplorable footnote. 

Charles Manson was a frustrated musician and songwriter. O.J. Simpson was a celebrated athlete. Joe MeekGary GlitterBill Cosby. It's a long list of the famous and infamous. We celebrate the art. The artist may disappoint us.

Or worse.

KID GULLIVER: Forget About Him


We play favorites. With pop music, there's no sensible justification for objectivity. Pop music exists for the express purpose of getting into our ears, into our pores, into our vibratin' corpuscles, and into whatever else is ripe for gettin' into. Failure to play favorites would be as dumb as dumb can be.

Kid Gulliver's "Forget About Him" is a favorite, and more: It's a TIRnRR classic, reprised from the group's Kismet album for our own 2022 compilation This Is Rock 'n' Roll Radio, Volume 5. It's one of This Is Rock 'n' Roll Radio's greatest hits. Yeah it's a favorite. Gotta play the favorites.

THE CREATION: Making Time

The Greatest Record Ever Made!

THE RAMONES: Why Is It Always This Way?

More than 1200 shows in, I cannot believe we've never played this Rocket To Russia track on TIRnRR before this week. In last week's 10 Songs, I talked about how I'm starting to wonder if the Ramones' fourth album--1978's Road To Ruin--might really be the group's masterpiece. Whether that's true or not, its immediate predecessor Rocket To Russia also remains a contender, a Love At First Spin album for me, and the long-playing home of "Sheena Is A Punk Rocker," the record that changed my life. With last week's spin of "Bad Brain" and this week's ritual uppin' of the volume for "Why Is It Always This Way?," TIRnRR has now played each and every one of the tracks on Road To Ruin and Rocket To Russia at least once over the course of our long and bewildering tenure.. Let's see where the road takes that rocket next.

NICK LOWE: I Love The Sound Of Breaking Glass

Er...okay? Breaking glass strikes me as an odd sound upon which one might fixate, but what the hell. Dig what you dig.

Smashing!

THE BEATLES: Here Comes The Sun

Syracuse got some snow this week. It wasn't as much as I expected us to get, and not nearly as much as was dumped upon areas to our north. My Tuesday evening commute invited repeated descriptions of Yuck!, but the TIRnRRmobile made its way back home to the suburbs. Accumulation on the ground and in the driveway at stately Carl Manor was minimal. The ol' Cub Cadet stood at the ready, but was not called into service this time. 

'Tis the season. And the season's just starting.

I don't love winter...but I accept it. I'm 63 years old, and I've lived in the Northeast my whole life. As a general rule, snow doesn't get me down. I bundle up. I fire up the ol' Cub Cadet when necessary. I've got the right tires for traction, the right music playing in the car, and (I hope) the right attitude to get through what needs getting through.

I don't know if Dana's pick to close this week's show with the Beatles' "Here Comes The Sun" was a deliberate Juju against the then-forthcoming lake effect snow warning, or just the welcome result of, y'know, that's a good one, we should play that one. Works for me!

Or maybe it was Dana's way of heralding our next show.

NEXT WEEK: We ignore the actual season, and celebrate an entirely different season. Yes, it's SUMMER IN DECEMBER! Counterprogramming the Holidays. We're either in willful denial or we think we're Australian. We'll have three hours of songs that make us think of summer. Winter can hold its icy water for one more week. This Sunday, December 3rd, we're hangin' ten with SUMMER IN DECEMBER!

SURF'S UP!!!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, November 24, 2023

10 SONGS: 11/24/2023

 10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1208. This show is available as a podcast.

THE RAMONES: Bad Brain


Near the end of last year, our irreplaceable stats man Fritz Van Leaven sent us a list of every track we've ever played over the course of what was then This Is Rock 'n' Roll Radio's first twenty-four years as...well, this, whatever this is. Coincidentally, "Bad Brain" probably about covers it. But I digress....

I refer to that list a lot, always cross-referencing to see if there's some great thing we oughta play that we ain't played yet. It's most amazing to realize there are tracks by some of our all-time Fave Raves that we've never gotten around to programming, and then rectifying a bunch of those omissions.

2023 has been my year of the Ramones. Yeah, mostly because my Ramones book was published this year, but the book was itself the result of my decades-long fascination with everyone's favorite Carbona-huffin' quartet. I love the Ramones. Duh. This show is named after a line in a Ramones song. This show would never have happened in the first place if not for the inspiration we draw from the Ramones. 

Throughout the year, I've been using Fritz's list to help me program a few of the Ramones tracks that had not graced any previous TIRnRR playlist. This week's show opened with "Bad Brain," the only track from the group's masterpiece Road To Ruin that had never seen previous airplay on our little mutant radio program. Next week, we'll spin the only remaining Rocket To Russia track to escape airplay here to date. More Ramones. More. Ramones!

On this year's Macy's Thanksgiving Day Parade, Jimmy Fallon fronted the Roots for a lip-sync performance of the Ramones' "Merry Christmas (I Don't Want To Fight Tonight)." Everyone complaining about it is dead wrong. Things like this, my friends, are further evidence of the Ramones' growing (and overdue) assimilation into our greater pop culture. Year of the Ramones? EVERY year is my yrear of the Ramones. Bad, bad brain? Bad brain made good, I say.

THE GRIP WEEDS: Journey To The Center Of The Mind


Working with the mighty Jem Records, the phenomenal rockin' pop force known as the Grip Weeds have recently reissued their irresistible holiday album Under The Influence Of Christmas. If you've begun the serious business of this year's letter to Santa Claus (in yet another valiant attempt to convince the old elf to white-out your permanent-inked entry on his naughty-as-hell list), TIRnRR would like to remind you that the Grip Weeds' Under The Influence Of Christmas is exactly the coal you need for rekindlin' that frigid block of black ice you call a soul. Nice! You CAN be nice! Santa might even believe you this time!


Still, we're not quite ready to start programming Christmas music for at least a few weeks yet. You can probably expect a track from Under The Influence Of Christmas to lead off our December 10th show. Meanwhile, we reach back to the Grip Weeds' 2022 all-covers album DiG for their confident take on the Amboy Dukes' "Journey To The Center Of The Mind." The original was great, but the Grip Weeds' version benefits by having a much more intelligent lead guitarist. We'll dig into yet another DiG track next week.

KLAATU: Anus Of Uranus


Hey, a crack in the sky!

CINDY LAWSON: I Don't Want You Anymore

The divine Cindy Lawson's ace number "I Don't Want You Anymore" comes to us from her current album Don't Come Crying To Me, a superswell six-song effort that earns beaucoup bonus points in this spot for sporting a cover graphic that conjures comparison to the 1973 eponymous debut album by Suzi Quatro. Ya can't go wrong paying tribute to our li'l Suzi!


Even better, this week's spin of "I Don't Want You Anymore" caught the fancy of intrepid TIRnRR listeners Rich and Kathy Firestone, who thought the song was a laugh anna half. See? We play the hits! And we'll play this particular hit again on our next show. 

I'm sure Ms. Quatro would approve. I hope Ms.Lawson will likewise dig the notion.

1.4.5.: Right Now


A recent blog post about five albums you need to own on vinyl included a spotlight on Rhythm n' Booze, an unfairly overlooked 1988 LP by 1.4.5. In that piece, I wrote:

"Syracuse's own power pop powerhouses the Flashcubes are the third lad in my rockin' pop trinity: The Beatles, the Ramones, and the Flashcubes. After the 'Cubes split at the end of the '70s (the end of the century), 'Cubes guitarist Paul Armstrong piloted an evolving membership of unrepentant rock 'n' rollers as 1.4.5. The legacy of 1.4.5.'s original trio--PA hisself, bassist Dave Anderson, and the late, great Ducky Carlisle on drums--is well represented on the compilation 3 Chords & A Cloud Of Dust, and that collection also provides proper representation of the latter-day 1.4.5. following the original formula. Hey! It's 1.4.5.! Let's GROOVE!

"Missing in action is the late '80s version of 1.4.5., a combo who morphed into the Richards. The late Norm Mattice sang lead during this period; the Richards' 1995 album Over The Top is out there, and their non-album masterpiece 'Five Personalties' (later redone by the reunited Flashcubes) was one of many highlights on This Is Rock 'n' Roll Radio, Volume 3.

"But the Richards started out billed as 1.4.5., and their 1988 album Rhythm n' Booze is an undiscovered gem. The confident strut of the album-opening 'Right Now,' the pretty pop of 'Girl In The Window,' vibe-establishing covers of Slade and the Swinging Blue Jeans, the tongue-in-cheek 'Famous Local Hero,' and the just incredible 'Your Own World' (which original-formula 1.4.5. subsequently remade) combine for a record that freakin' cries out for wider acclaim. We were able to use the Rhythm n' Booze 'Your Own World' on This Is Rock 'n' Roll Radio, Volume 4. The rest of the album still awaits overdue discovery by the pop world at large. Right here."

And right now. I said, RIGHT NOW! Someone needs to reissue this record, stat.

THE PRETENDERS: Vainglorious


I am quite pleased to live in a world where there is still such a thing as new music from the Pretenders. So far, I've only heard a couple of tracks from the Pretenders' current album Relentless, but I'm absolutely ready to continue. Precious? No. Relentless!

ARTHUR CONLEY: Sweet Soul Music



PRINCE: Hot Summer
LIBRARIANS WITH HICKEYS: Can't Wait 'Till Summer


His Royal Purpleness Prince, from the posthumous release Welcome 2 America, with "Hot Summer." Librarians With Hickeys, from their 2022 album Handclaps & Tambourines, with "Can't Wait 'Till Summer." Great songs, for sure, and welcome any time of year, but...c'mon, people! IT'S NOT EVEN DECEMBER YET!! Jeez, howzabout some friggin' patience here? Man, you'll never get through a Central New York winter with that kind of attitude.

(Wait. On the other hand, willful denial is kind of its own reward, innit? Awright. Carry on. Surf's up, you snowbirds.)

MICKY DOLENZ: Man On The Moon


I am in awe of how great Micky Dolenz and Christian Nesmith work as a team. After some individual live tracks they performed with Circe Link (released as latter-day bonus tracks on The MGM Singles Collection), Micky 'n' Christian collaborated on the sublime 2021 album Dolenz Sings Nesmith and its able follow-up Dolenz Sings Nesmith--The EP, offering simply stunning renditions of gems written by Michael Nesmith. The current four-song Dolenz Sings R.E.M. EP is equally magnificent, and I pray Micky Dolenz and Christian Nesmith will have many, many more such rewarding team-ups yet to come.

Dolenz Sings R.E.M. is just delicious: inventive, luxurious, compelling, and celebratory without being the merest bit slavish. With this week's spin of "Man On The Moon," we've now played three of the EP's four tracks on TIRnRR. We'll get to the fourth track next time. 

Beside yourself that radio's going to stay? Don't worry on that account. Micky and Christian have your back.

Christian Nesmith, Micky Dolenz, Circe Link

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, November 17, 2023

10 SONGS: 11/17/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1207. This show is available as a podcast.

MICKY DOLENZ: Leaving New York

The new Micky Dolenz EP Dolenz Sings R.E.M. is nothing short of exquisite. I expressed my enthusiasm for the then-forthcoming project here. I've always liked R.E.M., but Dolenz nonetheless delivers the definite version of "Shiny Happy People," which was the EP's teaser single. Next week's show will serve up another example of our Micky taken an already-great R.E.M. song and making it even better.

Of the four songs on Dolenz Sings R.E.M., the only one I wasn't familiar with in its original form was "Leaving New York," a track from R.E.M.'s 2004 album Around The Sun. I'm listening to R.E.M.'s original right now for the very first time, just as I'm writing these words. It's quite good. I may need to track down Around The Sun and listen to the rest of it. There's so much great stuff out there, and we miss so much of it.

If it comes to dueling versions of "Leaving New York," I'm still going to give Dolenz the edge, partially by virtue of Christian Nesmith's incredible production and musicianship, partially because of the irresistible backing vocals by Circe Link, and a whole lotta lotta because of Micky freakin' Dolenz. We're gonna miss some things. Don't miss Dolenz Sings R.E.M.

THE JETTE PLANES: This Is Where We Live Today

The music we loved in the past helps to define us, and we can hold on to that definition and inspiration for as long as we wish. But it's important to supplement what we already know with discoveries of other things that are new to us. The Jette Planes are a young power pop band from Philadelphia, steeped in decades-old influences that are immediate and familiar, but which they annex with absolute authority. S. W. Lauden's Remember The Lightning (blog AND magazine) brought the Jette Planes into my airspace, and I'm delighted to make that connection. Fly the rockin' skies! This is where we live today.

THE GRIP WEEDS: Every Minute [acoustic version]

An unplugged version of my # 1 Grip Weeds track? Yes, please! This li'l treat appeared on the group's rarities collection Inner Grooves. Grip Weeds is what ya needs.

TAYLOR SWIFT: The Last Great American Dynasty

Hipsters need not apply. Taylor Swift is probably the biggest single star on the planet right now, as close to a Beatles figure as our diffused pop culture can recognize at this time. As a baby boomer myself, I would have thought Swift's records unlikely to be my cuppa. 

I would have thought wrong.

A viewing of Swift's blockbuster concert film Taylor Swift: The ERAS Tour set me straight. What an engaging experience, and it opened my ears. I wanted to hear more. I wanted to know more. I was particularly taken with a song called "The Last Great American Dynasty," a track on Swift's 2020 album folklore. It felt of a piece with TIRnRR. I knew I wanted to play it on the show.

Listening to the show on Sunday night, my wife agreed that "The Last Great American Dynasty" felt right at home in our playlist, adding that it reminded her of some of the female-sung indie pop that often helps to build our three-hour shindig anyway. 

Yeah. Oh yeah.

Factions build divisions. Factions are notorious dumbasses. Maybe TIRnRR isn't gonna start playing "Shake It Off" (though I've just begun to realize how much that track reminds me of some of the chick-fronted new wave pop I was digging in the early '80s), but I say some of Swift's music is perfect for whatever the hell it is we do here.

"The Last Great American Dynasty" will return to TIRnRR this Sunday night. It's in a set that also includes Irene Peña, Juniper, and Amy Rigby (plus the Muffs, Lulu, Bush Tetras, and the Coolies), and they mingle swimmingly. It's all pop music. God created radio so we could play pop music. 

Who are we to argue?

THE RAMONES: I Don't Care

Never underestimate the power of indifference. Or go ahead and underestimate it. I don't care.

(And yep, we deliberately played this in the same set as Taylor Swift. The Ramones are pop music, too. We do, in fact, care quite a bit about that.)

BONEY M: My Friend Jack

Not just Eurodisco--MOD-PSYCH Eurodisco! Boney M had such great (if unexpected) taste in covers, from the Creation to the Melodians. Their 1980 remake of the Smoke's 1967 UK freakbeat number "My Friend Jack" is inspired to a degree only the batshit-crazy can comprehend, but it works so well.

R.E.M.: Can't Get There From Here

See? We don't just play Micky Dolenz covering R.E.M.; we play actual R.E.M., too! I was very much into R.E.M. throughout the '80s, my interest commencing with a Trouser Press flexi-disc of "Wolves, Lower" and manifesting in earnest with "Radio Free Europe." "Can't Get There From Here" was part of that. I've been there. I know the way.

THE MC5: Kick Out The Jams

The Greatest Record Ever Made!

THE MONKEES: Love Is Only Sleeping

The Monkees' third album Headquarters is generally considered the group's masterwork, and for good reason. Headquarters captured a brief and magic moment in the Monkees' career, as the made-for-TV combo exerted some control over their recordings for the first time, shedding the puppet strings and willing themselves into existence as a functioning studio band. They weren't allowed to play on their first two albums. They played on every single one of the tracks on Headquarters

That said, their fourth album Pisces, Aquarius, Capricorn & Jones, Ltd. is always going to be my favorite. Both Headquarters and Pisces were released in 1967, a time when the Monkees were at the peak of their rockin' pop stardom. The Monkees did play on Pisces, but the demands of a TV series, concerts, and the occasional recreational WHOOPIE! made them too busy (and maybe not sufficiently motivated) to be THE band in the booth.

So studio musicians served as auxiliary Monkees on Pisces. That fact diverges from the DIY purity of Headquarters, I guess, but Pisces retains both a pop sheen and a spirit of adventure, all of it effectively executed by the Monkees and company. You can't go wrong with Headquarters or Pisces.

With lead vocal and guitar by Michael Nesmith, organ by Peter Tork, percussion by Davy Jones, harmony vocals by Micky, backing vocals by Davy, with producer/bassist/acoustic guitarist Chip Douglas and drummer "Fast" Eddie Hoh expanding the ranks of in-studio believers, the Barry Mann-Cynthia Weil song "Love Is Only Sleeping" was planned to be the Monkees' fifth US single, following immediate predecessor "Pleasant Valley Sunday"/"Words" (both sides of which were included on Pisces). A mastering error on the never-issued "Love Is Only Sleeping" 45 scotched its release long enough for someone at the record company to reconsider the potentially risqué notion of "Love" and "Sleeping" sharing canoodlin' space in the same out-of-wedlock title; "Daydream Believer" replaced "Love Is Only Sleeping" as the next designated 45. And American youth were safe from, y'know, sex.

But what an amazing single this would have been. As an album track on Pisces, "Love Is Only Sleeping" was the centerpiece of my decade-after-the-fact embrace of the album when I was in high school. The effect bordered on seismic.

Pisces, Aquarius, Capricorn & Jones, Ltd. was part of my crucible, that period from late 1976 through freshman year in college ('77-'78), a two-years-and-change span of wonder when I discovered so much from the past and the then-present. KISS. Punk. THE RAMONES!! The Flashcubes. The Kinks, the Yardbirds, the Runaways, the Sex Pistols, the Jam. When I deepened my understanding of the British Invasion, when I first heard the phrase "power pop," and when I began to realize that the Monkees were so, so much more than what I saw on TV.

This month--November 6th to be precise--marks 56 years since a group called the Monkees released an album called Pisces, Aquarius, Capricorn & Jones, Ltd. Sometimes love is only sleeping. Its dreams carry through to the day, and back again to the night. A shiny new tomorrow will follow. The promise is whispered. The promise is true.

THE FLASHCUBES: Alone In My Room

As noted, Syracuse's own power pop powerhouse the Flashcubes were a big, big part of my teenage rock 'n' roll crucible. My first Flashcubes show occurred just after my 18th birthday in January of 1978, a life-changing event that remains an everyday touchstone for me, and it's a large part of why TIRnRR exists in the first place.

All these years later, it's gratifying to know that some of the artists that fanned the flames of my crucible are still making music that matters. Many have passed, some have retired. We've seen that Micky Dolenz--the last surviving Monkee--has an essential new EP. And the Flashcubes' current album Pop Masters is my most cherished, most celebrated, most played new album of 2023. Fitting that the album itself is a tribute to the Flashcubes' own crucibles, irresistible covers of material previously recorded by acts that influenced the 'Cubes, from Pilot to Slade to Pezband to Sparks. The Flashcubes' Pop Masters cover of the late Dwight Twilley's "Alone In My Room" is a loving evocation of the palpable thrill of pop music itself. It gives me chills, even as the crucible itself keeps me warm. Bright lights, my friends. Bright lights need never dim.

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl