Showing posts with label Joe Giddings. Show all posts
Showing posts with label Joe Giddings. Show all posts

Saturday, January 3, 2026

10 SONGS: 1/3/2026--This Is Rock 'n' Roll Radio's Most-Played Tracks In 2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1317: The Countdown Show. These are TIRnRR's ten most-played tracks in 2025, and the individual entries are mostly drawn from previous 10 Songs features.

10. SLY AND THE FAMILY STONE: Hot Fun In The Summertime

I have previously written that Sly and the Family Stone's "Hot Fun In The Summertime" is "as inviting and idyllic as any June-July-August embrace ever committed to wax, a comforting groove that shines in the daytime and sways with the shadows of twilight." I later added, "If memory serves, a poll of Trouser Press magazine readers in the early '80s named 'Hot Fun In The Summertime' as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly."

It would probably be a stretch to suggest that Sly Stone wrote "Hot Fun In The Summertime" under the influence of Brian Wilson. I don't quite believe any of Sly and the Family Stone's brilliant work was shaped by Wilson's pet sounds of the soul, at least not willfully. But it would also be a stretch to insist that Wilson wasn't a possible influence; Sly Stone was aware of everything going on in pop music in the '60s, and--to paraphrase something famously uttered by someone else in the Wilson family--Sly Stone was a genius, too. "Hot Fun In The Summertime" doesn't sound like the Beach Boys. Doesn't matter. Sly and Brian sound great in the same radio show. Hot fun, fun, fun in the summertime.

9. THE NON-PROPHETS: Alibi

We're as punched as pleased to welcome the Non-Prophets back to the TIRnRR playlist. The Non-Prophets are the dba of our bud Allan Kaplon, who scored some significant airplay here with his solo album Notes On A Napkin. Our Allan returns to the collective Non-Prophets billing for "Alibi." For this track, the Non-Prophets also include Stacy Carson and Bruce Gordon (half of TIRnRR Fave Raves Pop Co-Op), it's produced by Don Dixon, and it's a match made in Heaven's boppin' li'l nightspot. We believe this particular "Alibi."

8. SUPER 8 FEATURING LISA MYCHIOLS: Pop Radio

This Is Rock 'n' Roll Radio is a pop radio show. There's a new Super 8 Featuring Lisa Mychols track called "Pop Radio?" We're playin' it. It's what a good pop radio show does. "Pop Radio" is a delicious ditty which serves as manifesto for TIRnRR in all our imaginary glory, a manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

Throughout 2025, we played "Pop Radio" with all of the manic obsession one should expect from a self-respectin' rockin' pop radio show. We're also playing some new SPARK Radio promos that Super 8 'n' Lisa concocted for us, based on the irresistible chorus of "Pop Radio." Thank you, friends! 

And yeah: TURN IT UP! Pop radio is its own reward.

7. THE SPONGETONES: Nothing Really Matters When You're Young

"Nothing Really Matters When You're Young" is a song by Flashcubes guitarist Arty Lenin. It was first performed by the Flashcubes in 1979, demoed by the 'Cubes, subsequently recorded and released by Flashcubes offshoot Screen Test, and eventually redone in this brightly-lit new century for the Flashcubes' 2003 album Brilliant. The song's lyrics are among the most effective expressions of teen alienation I've ever heard, a clique-inflicted miasma buoyed and ameliorated by the transcendence of its pop. Even now, listening to it with senior-citizen ears that are more years removed from high school than the onset of Beatlemania was removed from America's entry into World War I, "Nothing Really Matters When You're Young" can still make me feel the snub and the sting of my time serving that sentence in teen purgatory. Yet I love the song. That's the power of art, the power of music.

The Flashcubes' fellow Power Pop Hall of Famers the Spongetones' new rendition of "Nothing Really Matters When You're Young" lives up to its incredible Cubic legacy. I'm stunned, I'm grateful, and I'm thrilled that Dana and I have the opportunity to play this on the radio.

2025 was the year of Make Something Happen! A Tribute To The Flashcubes, the various-artists blockbuster I curated for release on the mighty Big Stir Records label. As we exult in the legacy of the Flashcubes and how much their music has meant to me over a span of nearly five decades, I dig the flow and symmetry of opening a Flashcubes tribute album with the new Flashcubes track "Reminisce" (see below) and barreling our way to the Stongetones' authoritative closing statement "Nothing Really Matters When You're Young" at the end. Reminisce. Nothing Really Matters When You're Young. Look back. Reflect. And rock out with fist raised. 

A great album's final track has to be as vital and compelling as a great album's first track. Mission accomplished here. It matters. It always will.

6. JOE GIDDINGS: Tonite Tonite

Early in 2025, we played "Adrenalin," an advance track from Star Collector superstar Joe Giddings' then-forthcoming new album Stories With Guitars. Great as that was, I was further blown away when I heard "Tonite Tonite," another track from the same album, kick off the February 7, 2025 edition of The Spoon podcast. Hey HEY! I've since heard the whole album, and I say it's a strong candidate for one of 2025's best. See, ya learn stuff listening to The Spoon.

5. THE FLASHCUBES: If These Hands

More than a year's work paid off with the September 12th release of Make Something Happen! Poundin' the console on behalf of Syracuse's own power pop powerhouse is technically work, and it's also a calling. Plus it's fun! Given all the fabulous covers the Flashcubes have recorded and released over the past several years, I wanted to call more attention to the wonder of the Flashcubes' own brilliant songbook. A various-artists Flashcubes tribute album seemed the best way to accomplish that, so we gathered a bunch of talented artists, matched them with a bunch of songs written or co-written by members of the Flashcubes, and sent 'em off with one simple directive:

Make something happen.

"If These Hands" was the third and final single in advance of this tribute. Back in 1978, the Flashcubes' first 45 was "Christi Girl," a ballad written by Arty Lenin. In 2025, Arty closes this portion of the Flashcubes' singles discography with this song, another lovely ballad that serves as a yearning bit of folk rock that would have sounded right at home on one of the Searchers' irresistible late '70s/early '80s albums. 

In planning a Flashcubes tribute album, I was determined to include at least one new track by the Flashcubes themselves. In fact, we have a 'Cubic trinity of fresh Flashcubes offerings, one apiece written or co-written by Arty, guitarist Paul Armstrong, and bassist Gary Frenay

We naturally talk about the songwriters, as befits an album intended as a salute to a group's original songs. Let's also throw in a bit of praise for Flashcubes drummer Tommy Allen, not just for his incomparable percussive skill, but for the sheer pop and power he brings to this material as a producer. This stuff sounds amazing, and that's due in large part to our boy Tommy.

Putting this album together was a lot of work, and there's a long, long list of people who deserve credit for making this particular something happen. Even though others did most--almost all--of the heavy lifting here, I find myself exhausted in its aftermath. 

Exhausted, but proud. 

If memory serves, the last original song recorded and released by the Flashcubes prior to these three new singles was "Carl (You Da Man)" for This Is Rock 'n' Roll Radio, Volume 1 more than twenty years ago. As flattering and fulfilling as it was that this band that's been so important to me wrote and recorded a killer song about Dana and me, I could not allow that to stand as the last word in original Flashcubes recordings.

It isn't the last one anymore. "Reminisce." "The Sweet Spot." Maybe "If These Hands" will be the Flashcubes' final recording, or maybe there will be more yet to come. I hope so. Either way, man, we made something happen. It was well, well worth the work.

4. THE FLASHCUBES: The Sweet Spot

Gary Frenay co-wrote "The Sweet Spot" with the late B.D. Love, who was also known to long-time Syracuse music fans as Buddy Love. That's not the NYC pop performer of the same dba, nor is it Jerry Lewis for that matter. Our Buddy/B.D. fronted Buddy Love and the Tearjerkers and My Sin, and he was an integral part of our local scene in the new wave era.  

Other than the times 'Cubes guitarist Arty Lenin sat in on drums for Buddy Love and the Tearjerkers, I believe "The Sweet Spot" is the first Flashcubes-B.D. Love collaboration. And oh, it's something sweet. We are honored to be able to honor B.D. Love's memory by including this track on Make Something Happen! 

Sweet. Sweet. Sweet.

3. THE MUFFS: That's For Me

The Muffs' eponymous debut album was released in 1993, the year after the short-lived first Dana & Carl radio series We're Your Friends For Now completed its rapid Vini, Vidi, Vacuum into the abyss. By the time we returned on even more modest terms as Radio Peace in 1994, the Muffs' "Saying Goodbye" had already established itself as my favorite track of the '90s, and I'm pretty sure we played it on the very first Radio Peace. And I'm positive we played both "Saying Goodbye" and the Muffs' "Sad Tomorrow" on the inaugural edition of This Is Rock 'n' Roll Radio on December 27th, 1998. TIRnRR has lasted a tiny bit longer than any of our previous series.

After the pop world lost the vibrant and irresistible talent of the Muffs' Kim Shattuck in 2019, the subsequent release of the group's farewell album No Holiday became a prevailing and pervasive fixture on our playlists. The No Holiday track "On My Own" was our # 1 most-played track in 2020, the Muffs were our # 7 most-played artist in 2025, that status led by the short 'n' sharp No Holiday nugget "That's For Me." That's for Kim. Man, that's for all of us.

2. AMY RIGBY: Heart Is A Muscle


We have heard that Amy Rigby wasn't all that enthused about her song "Heart Is A Muscle," that maybe she almost chose not to record it, and that she probably wasn't sure about releasing it once she did record it.

Well.

For whatever it's worth, this track from Amy's oh-so-nice 2024 album Hang In There With Me was one of TIRnRR's most-played tracks last year; by summer of 2025, it had already accrued sufficient fresh spins to guarantee a berth on this year's year-countdown show, and it kept right on a-pumpin' all the way to the # 2 spot. Gotta keep the ol' heart exercised. Terrific track, but then again, we always expect terrific stuff from Amy Rigby.

1. THE FLASHCUBES: Reminisce

"Reminisce" was written by Paul Armstrong, with lyrics that look back in wonder at the heady days of the Flashcubes' brilliance under the bright lights in the late '70s. The music struts and commands like a Flashcubes song oughta, and the chorus is just magnificent, jaw-dropping, a compelling incitement to raise the ol' fist and be there like you wuz there.

Man, I was there. "Reminisce" captures what it was like.

Make Something Happen! A Tribute To The Flashcubes opens with "Reminisce." It's such a great track, and it provides an irresistible introduction to a passion project that--false modesty be damned--I regard as one of THE best compilation albums released this year.

"Reminisce" is also my favorite individual new track of 2025. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, in 2024 PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will! The Flashcubes have meant an awful lot to me, and to this show. "Reminisce" is the perfect song to open an album and close out a celebration, looking back while facing front at the same damned time.

It's all I wanna do. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

Saturday, May 10, 2025

10 SONGS: 5/10/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1284

CHRIS VON SNEIDERN: No Promise

Peerless pop performer Chris von Sneidern is an expatriate Central New Yorker--315 represent!--and he's been on each of the five This Is Rock 'n' Roll Radio compilation albums: "Lonely Tonight" and a TIRnRR show ID on Volume 1, another show ID on Volume 2, yet another show ID on Volume 3, "Insomniac Summer" on Volume 4, and "Goodnight Sailor" on Volume 5. CVS is nothing short of an international treasure, and we are honored that he's allowed us to share his wonderful, wonderful work. 

Given his firsthand local boy familiarity with Syracuse's own power pop powerhouse the Flashcubes, Chris was an obvious and prerequisite choice to include in the forthcoming album Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. And man, our Chris does not disappoint. He took on the tribute's most daunting task: A cover of my favorite Flashcubes song, "No Promise."

"No Promise" was written by 'Cubes bassist Gary Frenay. We included the Flashcubes' demo version of "No Promise" on This Is Rock 'n' Roll Radio, Volume 4 (as discussed here), and the official version from the group's Bright Lights anthology earned its own chapter in my book The Greatest Record Ever Made! (Volume 1). One suspects that I kinda like the song.

Chris von Sneidern's cover nails it. Drop the freakin' mic awready. And it reinforces my belief that Make Something Happen! is destined to be one of this year's best collections.

That is a promise.

JOE GIDDINGS: Tonite Tonite
MADDY MACLAINE: So What?

Family night at TIRnRR! From Joe Giddings' ace current record Stories With Guitars, we've been playing this way fab track "Tonite Tonite" with the saturation bombardment approach you should expect from a proper rockin' pop radio show. The esteemed Mr. Giddings has also given us a superb cover of Flashcubes guitarist Arty Lenin's "You're Not Grounded" for the above-extolled Make Something Happen! project. You can safely consider us in favor of all things Giddings.

Joe recently posted that his daughter Maddy Maclaine has a new single out. Intriguing! The single is "So What?," we did our due diligence in tracking down a copy for airplay, and we hereby declare it go'geous. Go'geous! The Giddings blood line runs true.

PERILOUS: Dear Heart

A new single from Perilous...?! Oh YEAH! "Dear Heart" may be the group's most flat-out POP!! record yet, sacrificing none of their CBGB's-level passion and drive while committing to a head-over-heels swoon into the arms of, y'know, swooning. Production by TIRnRR Fave Rave Kurt Reil adds extra dollops of gravitas, and we're all eager to swoon right along. This "Dear Heart" beats again on our next show.

THE GRIP WEEDS: Gene Clark (Broken Wing)

Speaking of the mighty Kurt Reil, his own phenomenal pop combo the Grip Weeds also have a new single out, further teasing the presumed magnificence of their forthcoming album Soul Bender. Given how much airplay this little mutant radio show has allotted to the Grip Weeds' cover of the Byrds' "Lady Friend," it's a given that we'll likewise wanna spin an original Grip Weeds gem that name-checks the Byrds' Gene Clark. Byrdseriffic! We can not wait to go on a Soul Bender ourselves.

THE ROLLING STONES: Happy

The Greatest Record Ever Made!

THE SPONGETONES: Nothing Really Matters When You're Young

Although Make Something Happens!'s track sequence is still subject to much further tweaking, the Spongetones' cover of Arty Lenin's "Nothing Really Matters When You're Young" remains the likely closing track. How could it not be? As we exult in the legacy of the Flashcubes and how much their music has meant to me over a span of nearly five decades, I dig the flow and symmetry of opening the album with the new Flashcubes track "Reminisce" (written by 'Cubes guitarist Paul Armstrong) and barreling our way to "Nothing Really Matters When You're Young" at the end. Reminisce. Nothing Really Matters When You're Young. Look back. Reflect. And rock out with fist raised. 

A great album's final track has to be as irresistible as a great album's first track. Mission accomplished here.

THE NEW BRUTARIANS: Born Out Of Time

A recent episode of The Spoon podcast introduced us to St. Petersburg, Florida group the New Brutarians. We figured we can't go wrong copying The Spoon and grabbed latest New Brutarians single "Born Out Of Time" for our own selfish playlist-stuffin' purposes. Listen, these three-hour weekly radio shows don't just fill themselves, people. "Born Out Of Time" carries the added approved-by-TIRnRR patina of drummin' and productionin' by The Spoon's overhost Robbie Rist, though we credited those respective roles on air to Oliver Martin and David Baxter. Let's face it: We're too cute and clever for all but a select few words. Sadly, we can't say most of those words on the radio. 

Brutal.

MIKE GENT: Pathetic [work-in-progress mix]

Mike Gent of the Figgs is working on a very special contribution to Make Something Happen!, and he allowed us to play his work-in-progress cover of Flashcubes guitarist Paul Armstrong's song "Pathetic."

The finished version of Mike's track will sport a lead vocal by a noted rock 'n' roll artist whose work I've enjoyed since I was still in high school. I have also heard a subsequent work-in-progress mix with that lead vocal in place, and the result lives up to all of my giddy expectations. Or, as Paul Armstrong hisself noted, "It's unreal hearing [REDACTED] FUCKING [REDACTED] sing a song I wrote!"

We're not quite ready to address the Rumour of this secret guest singer's identity. Though sometimes I feel like pouring it all out. 

Passion is no ordinary word.

CALLAN FOSTER: It's You Tonight

It's tempting to say that Callan Foster's epic take on Gary Frenay's "It's You Tonight" was one of the precipitating events that made Make Something Happen! happen. That's not exactly true--the vague idea of maybe someday doing a Flashcubes tribute album predates Callan's one-man-'Cubes cover--but his version and its accompanying video blew me away. And it provided instant validation of my belief that a Flashcubes tribute album was viable and necessary. 

And now we are making it happen. Thanks, Callan! It's you tonight.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Saturday, April 5, 2025

10 SONGS: 4/5/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1279

JOE GIDDINGS: You're Not Grounded

Joe Giddings is an unheralded rockin' pop treasure. His current album Stories With Guitars is the best thing since sliced amphetamines, and its track "Tonite Tonite" is pret' damned likely to make our year-end countdown show. Jeez Louise, let's herald this guy awready!

Now, the esteemed Mr. Giddings has also turned in a cover of the Flashcubes' "You're Not Grounded," which is his contribution to the forthcoming Flashcubes tribute album Make Something Happen! The song was written by 'Cubes guitarist Arty Lenin, and recorded by Arty 'n' the lads for the Flashcubes' 2003 album Brilliant. Joe Giddings' cover of "You're Not Grounded" achieves the seemingly impossible: It's a Flashcubes cover that I--the world's most insistent Flashcubes fan--consider even better than the great Cubic original. Impossible--but TRUE! And brilliant from the ground up. That's how ya make something happen.

THE ARMOIRES: The Night I Heard A Scream

After kickin' off the proceedings in righteous fashion with Joe Giddings covering the Flashcubes, we threaded a secret series of Easter eggs at select spots throughout this week's playlist. We ain't sayin' what the thread was, nor what was part of it. All will be revealed in due time.

Meanwhile: Enjoy one of our consistent current Fave Raves the Armoires and their cover of a song by power pop legends 20/20. Just 'cuz. Pop music don't need no external justification, man. And don't the Armoires sound fabulous covering a little classic power pop?

THE AIRPORT 77'S: If It's On, I'm In

If it's on, I'm in--sounds like a plan! This latest single from the Airport 77's embraces the prospect and process of a gallivantin' blueprint transitioning from pencil to ink. BOLD ink, even. And fortune favors the bold. What's going on? Whatever it is, we're in. 

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

We played Super 8 Featuring Lisa Mychols' Make Something Happen! cover of the Flashcubes' "When We Close Our Eyes" on last week's show, and it'll be turning up on future playlists as well. Believe me you! But we also need to continue poundin' the ol' console on behalf of their magnificent current single "Pop Radio," a track which serves as manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

THE MOCKERS: Rascals Who Died

High concept! Long-time TIRnRR Fave Raves the Mockers take on the Jim Carroll Band's alt-rock touchstone "People Who Died," but re-write it from a litany of see-yas to underground cronies into a farewell to Spanky and Our Gang. No, not the '60s sunshine pop group--Sunday actually will be the same--but the actors from the original Our Gang comedy short films, which were rerun  to death on TV as The Little Rascals. Members of the He-Man Woman Haters Club could not be reached for comment, possibly because they've all passed on anyway. We're playing this one again on our next show. Many happy returns of the day!

CHRIS CHURCH: Life On A Trampoline

"Life On A Trampoline?" It's BOUNCY! And it's a great, great track from Chris Church's great, great new album Obsolete Path. It will bounce its way back onto the radio in Syracuse again  this Sunday night. Up in the air? ON the air!

THE STANDELLS: Sometimes Good Guys Don't Wear White

The Greatest Record Ever Made!

POP CO-OP: Persistence Of Memory

It's been pointed out elsewhere, but it's worthy of repeat play here: no one in the media is paid to say "We don't know." Nor would such an admission inspire confidence, but it's something that should be said more often than it is. We don't know. We don't know.

The last live broadcast of This Is Rock 'n' Roll Radio occurred on March 15th, 2020. The paragraph seen above was part of the commentary accompanying the posted playlist for that show. At the time, we did not know it would be our final live show. The world shut down the following week. As the next Sunday rolled around without us, we all sheltered in our individual places, trying to understand what was happening, wondering what the hell would happen next.

But the following week, global pandemic be damned, we had a job to do. Before the curtain fell on us and everyone around us, we had planned to devote an episode of TIRnRR to a celebration of Factory Settings, the then-forthcoming new release from our friends Pop Co-Op. That plan seemed in jeopardy since, y'know, we didn't have a radio show anymore.

Enter some wacky, unfamiliar new (or new-to-us) thing called Zoom.

The intrepid Laura Sessions Tinnel set everything up. On Sunday, 3/29/2020, a live Zoom session commenced with Dana and I at our remote locations, connected with Pop Co-Op's Steve Stoeckel, Joel Tinnel, Bruce Gordon, and Stacy Carson chimin' in from their individual Batcaves, plus (if I recall correctly)  Futureman Records CEO Keith Klingensmith joining us from somewhere within the palatial Futureman HQ. We talked back and forth, played each of the new album's tracks along with some relevant older material, and collectively reveled in the combined magic of technology and pop music bridging physical distance. Hands across the water, at a time when holding hands was verboten.

This whole experience of our Zoom with Pop Co-Op is a dizzying blur in my memory. It's a good blur nonetheless, and an important flashpoint in this little mutant radio show's long, strange history. It was yet another point where we seemed on the verge of falling silent, but found a way to dig in our heels and resist. A chip on our shoulders and a song in our hearts.

"Persistence Of Memory" is my favorite track on Factory Settings. This week, we played it again, as memory persists and time melts away.

We're still here.

FOUNTAINS OF WAYNE: Better Things

Five years ago today--April 5th, 2020--was the debut of the remote-programmed TIRnRR. It was a few days after we learned that COVID had killed Fountains Of Wayne's Adam Schlesinger, but our tribute to Schlesinger had to wait until the following week. Inspired by Rich Firestone and Michael McCartney, our decision to attempt recording a show at home came late in the week, with no time to program a playlist. Instead, Dana grabbed a model playlist I'd concocted in between the last live show and the Zoom with Pop Co-Op, I barked some back announcements into my iPhone, and Dana performed the process that transmogrified it all into a radio show. We have not missed a week since then.

As we tried to figure this out and move forward, I wrote this bit for our 4/12/2020 show:

Sometimes yesterday feels a lot closer than tomorrow. Tomorrow can seem like a vague promise, a mere possibility. Tomorrow isn't even a destination; it's just the next leg of our journey, a marker we hope will be followed by another tomorrow, then another, and so on. In our desperate moments, we may suspect that tomorrow won't arrive at all.

Yesterday is always right there with us. We don't want to live in the past, but memories can help to sustain us in our uncertainty. It's true that memories (good and bad) can also hold us back, but whatever we are, whatever we will become, is a product of places we remember all our lives, lovers and friends we still can recall. We don't get to tomorrow without keeping the lessons that yesterday tried to teach us. Like the saying goes: those who forget the pasta are condemned to reheat it.

Or something like that.

Right now, many of us may think that tomorrow is even further away than normal--hey, remember normal?--that these days of self-quarantine, disruption, and fear will stretch beyond any horizon we can see. This is natural, and it's difficult to shake. In the present day, yesterday is still with us, for well or ill, as we continue our march toward that elusive tomorrow.

The Coronavirus has compromised our feelings of safety and security, distanced us from friends and family. On the positive side, it's made it okay for me to appear in public wearing a mask, bringing me one step closer to my dream of being Batman. If you laughed at that, or even if you just rolled your eyes, I hope it was a momentary distraction from heavier thoughts. These are heavy times. We hope you're coping. We hope you're well. We hope you will endure through tomorrow.

And, in the words of a Ray Davies song that Adam Schlesinger covered with Fountains Of Wayne: I hope tomorrow you'll find better things.

THE BEATLES: Here Comes The Sun

Here comes the sun. To quote a different song title: Let it be.

Yeah. Yeah. Yeah.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Friday, March 28, 2025

10 SONGS: 3/28/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1278

SUPER 8 FEATURING LISA MYCHOLS: When We Close Our Eyes

I'm digging the process of putting together this tribute album celebrating Syracuse's own power pop powerhouse the Flashcubes. Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES is due in September from the irresistible Big Stir Records label, and we've already previewed a few of its Cubic covers courtesy of sparkle*jets u.k., the Kennedys, the Spongetones, and Pop Co-Op, as well as its opening track "Reminisce" by the Flashcubes themselves. This week's TIRnRR kicks off with the everywhere-wide radio debut of another treat from Make Something Happen!, as the combined rockin' pop forces of Super 8 Featuring Lisa Mychols turn in their own super-yummy take on the Flashcubes' "When We Close Our Eyes." Brilliant!

A brief bit of behind-the-scenes kudos to Super 8's Trip Ryan and his collaborator Lisa: "When We Close Our Eyes" was written by Flashcubes guitarist Arty Lenin, and it may be my favorite from Arty's songbook, rivaled only by "Nothing Really Matters When You're Young" (which the Spongetones have done a superb job of covering for this tribute album). Given my affection for the song, it was important for me to see it included on Make Something Happen! It had been assigned to another artist, but alas, that didn't work out. Trip 'n' Lisa stepped in to save us, and they did so pretty late in the game. YAY, Trip and Lisa! The Cubic legion salutes you!

Next week's show will offer another spin of the great current Super 8 Featuring Lisa Mychols single "Pop Radio," part of a stealth programming move to play a bunch of unrelated tracks by artists who will be represented on Make Something Happen!, mixing them in alongside a number of other acts, both classic and current (from the Beatles, the Ramones and the Rubinoos to Airport 77's, Amy Rigby, and Chris Church), who won't be on the tribute. We like to keep you guessing. We like to keep us guessing. With open eyes, and radio turned UP. 

THE FLASHCUBES: Reminisce

Speaking of that opening track from Make Something Happen!, 'Cubes guitarist Paul Armstrong's "Reminisce" is so far my favorite individual track of 2025, and it's gonna be a tough one to challenge. The song was first written in the '90s and (I think) only performed once before being filed away and mostly forgotten. (I remember it, of course, but I'm, y'know...me.)

If I understand the subsequent story correctly, several months back PA reconstructed the song from memory, moving what had been a somewhat perfunctory number into the magic realm of rock 'n' roll transcendence, toasting the past but raising the roof in the here and now, even adding a Ramones quote that nails a demonstration of the essential truth that what's cool once is cool forever. The present is built upon the past. We can still jump up, down, and all around to its sound. 

And we will!

sparkle*jets u.k.: Make Something Happen

On Make Something Happen!, "Reminisce" will segue into sparkle*jets u.k.'s luscious cover of the album's title tune, which was written by 'Cubes bassist Gary Frenay. It's a song I wanted the Monkees to record for their 2016 triumph Good Times! (and I'd still like to hear a version with a Micky Dolenz lead vocal), and I'm delighted with how wonderful the song sounds now in the always-capable hands of sparkle*jets u.k.

(On our next show, a track from sparkle*jets u.k.'s most recent album Box Of Letters will play its part in our unspoken salute to the performers on Make Something Happen! Box Of Letters was absolutely one of the best albums of 2024, maybe the single best album in a year of a lot of really, really good albums. I'm so grateful they also agreed to take part in the Flashcubes tribute album.)

THE RUBINOOS: Rock 'n' Roll Is Dead

"Rock 'n' roll is dead?" No. It's. NOT! Come on, Rubinoos! You know better than that! Hell, this very song proves its title was, like, ironic or something. 

My Rubinoos fandom is detailed here. What a great, great band, then and now. Just don't believe them when they kid you about the death of rock 'n' roll. Pranksters. Pranksters, the lot of them.

DONNA SUMMER: I Feel Love

The year of 1977--the same year when I first became a fan of the Rubinoos-- also provided me with the first Donna Summer song I ever loved. "I Feel Love" was the second Donna Summer song I heard, but 1975's "Love To Love You Baby" never meant anything to me (its implied 'n' earthy sense of bouncy-bouncy notwithstanding). By contrast, the new wave cool of "I Feel Love" was so monolithic and precise that even my practiced teen anti-disco stance couldn't hope to resist its sway. I feel it. As I wrote in my book The Greatest Record Ever Made! (Volume 1):

"1977 had the potential to be a year of musical revolution. When we say that, most of us are talking about punk, about the Sex Pistols, the Ramones, the Clash. Maybe we're not thinking as much about disco, and maybe that's fair. But if we want to consider the potential of pop music's revolution in '77, our discussions of 'God Save The Queen,' 'Sheena Is A Punk Rocker,' and 'White Riot' had better allow some room on the dancefloor for 'I Feel Love' by Donna Summer.

"In the late '70s, disco and punk were supposed to be at war with each other. As a self-professed punk rocker in that era, I can attest that, yeah, punks didn't like disco, and the bumpin'-n-hustlin' set was appalled by the loud and fast noise my people favored. Hatfields and Capulets, meet McCoys and Montagues. Never mind the fact that the mainstream rock crowd held both punk and disco in nearly equal disdain; this was war!

"Except that it wasn't. I'm skeptical of the notion that many of the Saturday Night Fevered ever took much interest in the Damned or the Dead Boys, but some among the new wave brigade did eventually allow their ears and minds to be a bit more open to non-pogo dance music, to the beat of dat ole debbil disco. Maybe it was just me, but I was a pop fan anyway; my intense dislike of disco music evolved into occasional tolerance, and tolerance evolved into a sporadic realization that some of the records weren't bad. 

"Plus: Donna Summer. Donna Summer was gorgeous. I feel love...."

THE MONKEES: For Pete's Sake
THE MONKEES: You Just May Be The One

Collectively, The Greatest Record Ever Made!

CHUBBY CHECKER: The Twist


I have not been shy in proclaiming that the ongoing failure of The Rock And Roll Hall Of Fame to induct the Monkees is that institution's single most egregious omission among a big ol' stack of egregious omissions. #inductthemonkees awready!

Chubby Checker is likely my pick for the Hall's second-biggest snub to date. His 1960 hit "The Twist" is one of the most impactful singles of the rock 'n' roll roll era, and while it's good and proper that Hank Ballard and the Midnighters (who recorded the original version of "The Twist") are in the Hall, it was Chubby Checker's mass hit version that made history, broke barriers, changed the course of mighty rivers, bent steel in its bare hands, et cetera. The Rock And Roll Hall Of Fame's wish to punish Chubby Checker for the mortal sin of not being Hank Ballard is--how shall I phrase this delicately?--fucking brain-dead stupid. At long last, Chubby Checker has been nominated FOR THE FIRST TIME [?!], and I pray he finally gets in this year.

(How seismic was Chubby Checker's "The Twist?" It is easily one of the all-time Top Five most impactful 45s, and you could make a case for it in the Top Three. "Heartbreak Hotel" by King Elvis I is # 1, and I don't consider that point subject to debate. Bill Haley and his Comets' "Rock Around The Clock" has to at least be in the discussion, just by virtue of being rock 'n' roll's first # 1 hit. And Beatlemania, of course, with either "She Loves You" in the UK or "I Want To Hold Your Hand" in America. I think those are the four, and I don't even have a ready candidate for a fifth 45. Impact. That's all I'm talking about here. There are records I like even more than I like these, but I can't think of any other picks that could rival their importance and effect upon the rock and pop world.)

JOE GIDDINGS: Tonite Tonite

Stories With Guitars is the excellent current album from Joe Giddings, and we've been playing its magnificent radio-ready track "Tonite Tonite" with all of the dizzyingly manic fervor people expect from obsessive pop fans like Dana and Carl. It's what we do!

We're playing our man Joe again on our next show, but we're giving "Tonite Tonite" the week off. What gift from Giddings are we programming in its stead? Joe Giddings IS one of the fine acts on this Flashcubes tribute album. So! Let's open this coming Sunday night's radio record party with Joe Giddings covering the Flashcubes. Set bright lights to stun. You won't want to miss this.

IRENE PEÑA: Come And Get It

Pop music. If you want it, here it is. You know what to do.

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My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.