Showing posts with label Michael Oliver. Show all posts
Showing posts with label Michael Oliver. Show all posts

Friday, October 13, 2023

10 SONGS: 10/13/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1202. This show is available as a podcast.

THE OHMS: License To Kill

Much of this week's show was offered as a tribute to the late Ducky Carlisle. Before his GRAMMYs and his well-earned acclaim as a music producer and engineer, fans here in Syracuse first knew Ducky as a drummer. That started for us in the late '70s, when Ducky was in the Ohms.

The Ohms were a great, GREAT group, an invincible rock 'n' roll trio fronted by guitarist/singer/songwriter Zenny Caucasian with Rick Suburban on bass (later replaced by Keith Korvair) and the Duckster hisself poundin' them Pagan skins. I curse the cruel timing that only allowed me to witness 'em in person once--ONCE!!--but I know most folks didn't even get a chance to do that much. I wish we'd all seen the Ohms multiple times over a span of years, of decades...but that ain't what happened. Like Del Paxton told us: You can't keep a band together. The Ohms were no exception. 

The group's 1979 single "Teenage Alcoholic"/"Chain Letter" remains the only Ohms music to ever see release, and those two tracks have been out of print since the Carter Administration. They recorded more fantastic stuff--"Hollywood Baby," "Boppin' At The USO," "High-Top Sneakers," "You're So Surreal," and my favorite, "License To Kill"--but none of it has ever seen legit release. This looks like a job for Kool Kat Musik, Big Stir, Propeller, Futureman, Jem Records...somebody!

This week, we played both sides of that 45 from 1979. And we opened the show with the unreleased "License To Kill." We raised a glass, and we raised a fist. Gotta keep movin' you can't sit still. Here's to ya, Ducky.

1.4.5.: Let's Groove

Hey, we're 1.4.5.!
And I'm Paul!
I'm Dave!
I'm Duck!
LET'S GROOVE!

Ducky was also a founding member of 1.4.5., with bassist Dave Anderson and guitarist Paul Armstrong. They debuted live in 1980, and released their first EP Pink Invasion in 1981 (still available as part of the 1.4.5. anthology 3 Chords & A Cloud Of Dust). Given my deathless devotion to PA's once and future group the Flashcubes, it was natural for me to become a big 1.4.5. fan. Still am! 1.4.5. went through a number of varying line-ups; Paul's the only original player still with the group (which now includes guitarist Bob Cat, bassist Tommy O'Riley, and drummer Judd Williams). Nonetheless, they friggin' rock. It's what they do!

NEW MATH: Die Trying

Over to our west in Rochester, commencing in the same approximate time frame as the Syracuse Bright Lights scene that gave us the Ohms, the Flashcubes, and 1.4.5., there was another fabulous combo called New Math. New Math survived into the '80s, and I was able to see them a few times, in Syracuse (at the Firebarn), in Brockport (in the ballroom on my former college campus), and in Rochester (at the legendary Scorgie's). New Math eventually morphed into the Jet Black Berries, but that's another thread for another day.

Back to New Math. This year saw the long overdue release of a New Math CD anthology, Die Trying & Other Hot Sounds (1979-1983), courtesy of Propeller Sound Recordings. A current version of New Math has been playing a handful of shows, culminating in a farewell show this Saturday, October 14th, at Abilene Bar and Lounge in Rochester. Billed as The Final Nail In The Coffin Show!, New Math's sayonara show also includes the Presstones (who played with New Math [and the Cliches] on that Brockport bill I just mentioned) and the mighty 1.4.5. (who played the release party for my Ramones book, and whom I've seen a ton of times--but never enough times).

I'm goin' to this show. If not, man, I'll at least die trying.

(I'm also looking to catch 1.4.5. again in Syracuse near the end of this month. On October 27th, Syracuse's home for rock 'n' roll The Lost Horizon will welcome the Grip Weeds for their first-ever Syracuse show, with 1.4.5., Preacher, and Keene Highland Airforce. Be there or be missing.)

MICHAEL OLIVER AND THE SACRED BAND FEATURING DAVE MERRITT: You Won't Do

Ducky Carlisle had significant impact on our own 2017 compilation This Is Rock 'n' Roll Radio, Volume 4. Ducky played on the magnificent 1.4.5. track "Your Own World," which went on to be TIRnRR's single most-played track in 2017 (in memory of its late lead singer Norm Mattice). Ducky also applied the considerable magic of his considerable studio mojo to clean up the four-track demo of the Flashcubes' "No Promise." All Ducky, all of the time!

And Ducky likewise lent his above-cited magical mojo to "You Won't Do," a track by Michael Oliver and the Sacred Band featuring Dave Merritt. In the extended supplemental liner notes for this compilation, I recalled contacting Michael to secure his contribution:

"[Michael] replied that yeah, he did have a couple of tracks he was working on, and he could get us something within a few weeks.

"He sent us a song the next day.

"He sent us a song the next day, and it was produced by Ducky Carlisle.

"Lemme give you a baseball analogy: I felt like a major league pitcher, with a batting average of .006, stepping to the plate in the bottom of the ninth and hitting a grand slam. Rounding third he was headin' for home, he was a brown-eyed handsome man.

"Ducky Carlisle is The Mark Of Quality to us, from his days as drummer for local heroes the Ohms, through his sterling work as producer and occasional deputy member of the Flashcubes, and his ongoing mastery of studio wizardry on roughly a gazillion fine pop albums. This song came with a pedigree! An unexpected pedigree, even.

"But Ducky's participation wasn't the best part. My jaw dropped the first time I listened to this new song called 'You Won't Do.' Oh. My. God! As great as Michael's previous work had been, 'You Won't Do' reached a whole new level of sheer pop transcendence. This was a hit single. If no else ever heard it, it would be a crime, but it would still sound like a big hit single. I contacted Dana and Kool Kat Musik's Ray Gianchetti and effectively said, Fellas, we just received a track that single-handedly justifies the existence of This Is Rock 'n' Roll Radio, Volume 4.

"I was not exaggerating. I meant every syllable, and I still do."

THE FLASHCUBES: All Over The World

The Flashcubes will always, always be one of my all-time favorite groups. Beatles, Ramones, Flashcubes. Paul Armstrong, drummer Tommy Allen, bassist Gary Frenay, and guitarist Arty Lenin. The original 'Cubes splintered in 1979, and finally retired the Cubic billing in 1980. Other than maybe some reunion gigs, there was no reason to believe they would ever be the Flashcubes again.

That began to change in the early '90s. The reunion shows became more fully-realized, and there was talk of new Flashcubes recordings. Talk was followed by action. At some point, we stopped calling it a reunion. The Flashcubes were back. Their current Big Stir Records release Pop Masters is my album of the year for 2023. I can call that race early. Nothing else is gonna compete.

Tommy was unavailable to participate in some of the Flashcubes' live shows, so Ducky stepped in on more than a few occasions. Ducky's studio prowess was, of course, directly employed for many/most of the new 'Cubes recordings as well.

And for the Flashcubes' first couple of new tracks--covers of the Paul Collins Beat's "All Over The World" and the Raspberries' "Don't Want To Say Goodbye"--logistics prevented Tommy from providin' prerequisite Cubic pounding. Oh, DUCKY...! The esteemed Mr. Carlisle kept the beat in Tommy's stead. Deputy Flashcube to the rescue. The Flashcubes' studio resurgence was on its way, with Tommy in his proper percussive place from "It's You Tonight" on.

GAME THEORY: She'll Be A Verb
THE SUPREMES: Stop! In The Name Of Love


Simple sequence here: Game Theory tell us that she'll be a verb (whoever she is); the Supremes supply that verb. STOP!! In the name of love...!

GRAHAM PARKER AND THE GOLDTOPS: Wicked Wit


At my first Flashcubes show in January of 1978, I was less than two weeks past my eighteenth birthday. Lack of a crystal ball didn't prevent me from immediately seeing a brightly-lit future as a Flashcubes fan, but I couldn't foresee the Flashcubes someday being on the same record label as Graham Parker. In addition to the 'Cubes' Pop Masters and a slew of other fantastic releases this year, Big Stir is the label of record for Parker's current album Last Chance To Learn The Twist. The Flashcubes! Graham Parker and the Goldtops! If it ain't Big Stir it ain't worth a...never mind.

And in 1978, I certainly didn't foresee Graham Parker recording a bumper ID for a radio show co-hosted by the meager likes of me. This is Graham Parker. You're listening to This Is Rock 'n' Roll Radio with Dana & Carl on SPARK Syracuse!

I...what? Yeah. Even with a crystal ball, I wouldn'ta seen that one comin'.

JOAN JETT: Bad Reputation

The Greatest Record Ever Made!

Congratulations, Meghan and Austin!

THE MOST: Take A Chance

In 1979, when the Ohms were still together, Ducky and Zenny joined forces with the one 'n' only PA to record a single backing Dian Zain. That single, "Take A Chance"/"Do The Jumping Jack," was originally to be credited to Dian as a solo artist, amended to her new group the Most by the time of its release. 

There were three distinct live versions of the Most, all fronted by Dian and Paul. Their first edition of the Most included current 1.4.5.-ers Tommy O'Riley and Judd Williams, plus guitarist Derek Knott. When Tommy, Judd, and Derek opted to move on, the Ohms themselves--Ducky, Zenny, and Keith--completed an interim Most, performing an opening set as the Ohms and then joining Dian and PA as the Most. The final versions of the Most found Dian and Paul playing with Dave Anderson and drummer Dick Hummer; when Hummer split to become Machine + Hummer, Ducky returned to the drum kit for the last days of the Most. Then Dian left, and Paul, Dave, and Duck began groovin' as 1.4.5.

The Most recorded some cool demos, which remain unreleased. They contributed a track ("Rockerfeller") to a compilation called From The City That Brought You...Absolutely Nothing. Otherwise? The Most left us just this one 45. Dian, Paul, Zenny, and Ducky. "Take A Chance" opens with PA asking that musical question:

HEY! Ya goin' to the dance tonight?

And Dian immediately provides the only acceptable answer:

Yeah! What else is there?

What else? Indeed. What else?

Screen capture from a video taken by Dana Bonn

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Wednesday, May 20, 2020

10 SONGS: 5/20/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This is the second of two separate editions of 10 Songs this week, each drawing exclusively from the playlist for This Is Rock 'n' Roll Radio # 1025.

MICHAEL CARPENTER AND MICHAEL OLIVER: It Only Hurts When I Breathe



Both Michael Carpenter and Michael Oliver have been long-time Fave Raves on TIRnRR, so it makes perfect sense that we should fall so fully for their new collaboration "It Only Hurts When I Breathe." We've been playing these guys for years, as solo artists and under group titles (Carpenter singing lead for The Finkers as well as with a series of his own combos like Michael Carpenter and the Cuban Heels, Oliver fronting Michael Oliver and Go, Dog, Go!), and they really oughtta be household names already. They've appeared on TIRnRR compilations, and each of their contributions has been a stunning highlight; hell, when I heard Oliver's This Is Rock 'n' Roll Radio, Volume 4 submission "You Won't Do," I immediately contacted Dana and Kool Kat Musik's Ray Gianchetti to tell them we'd just received a track that would single-handedly justify our project. Stunning stuff, and the Michaels offer rich catalogs of music that will delight you.  You can get "It Only Hurts When I Breathe" right here.

DAVE EDMUNDS: Queen Of Hearts



Even though I already owned Dave Edmunds' Repeat When Necessary album (purchased specifically to snag Edmunds' extraordinary cover of Elvis Costello's "Girls Talk") well before Juice Newton's "Queen Of Hearts" hit radio in 1981, I didn't immediately realize that this fabulous Juice Newton single was a cover of a song on Repeat When Necessary. Oops? That happens sometimes; I get preoccupied with one track--"Girls Talk" in this case--and forget about the rest of the album. I am as God made me. I admit the heresy of digging Juice Newton's version even more than the Edmunds original, but man, you can't go wrong with either version. 

THE FIRST CLASS: Beach Baby



I know that "Beach Baby" by The First Class occasionally shows up on some folks' lists of the all-time worst hit songs, but I must respectfully disagree. "Beach Baby" is an amazing evocation of the mythic California sound, executed by a British studio group, pulling the whole magic trick off without ever sounding like a Beach Boys imitation. Tony Burrows sings lead, and Dana and I like to refer to Burrows as the world's only five-time one-hit wonder, since he also lent his voice to the sole Billboard smashes credited to Edison Lighthouse ("Love Grows [Where My Rosemary Goes]"), White Plains ("My Baby Loves Lovin'"), The Brotherhood Of Man ("United We Stand"), and The Pipkins ("Gimme Dat Ding"). "Beach Baby" is Burrows' finest moment. One of the all-time worst? Please. "Beach Baby" earns its own chapter in my eventual book The Greatest Record Ever Made! (Volume 1).

THE HEARTBREAKERS: Love Comes In Spurts


Although I was a teenage punk fan in 1977, I didn't have much enthusiasm for Richard Hell and the Voidoids. I loved The Sex Pistols and The Ramones, and I appreciated the naughtiness of a title like "Love Comes In Spurts," but even when I won a free copy of the Voidoids' debut album Blank Generation from my college campus radio station, I could find no reason to keep it in my collection.

Before the Voidoids, Hell had been bassist with The Heartbreakers, the legendarily disheveled group fronted by The New York Dolls' former guitarist Johnny Thunders. Hell was long gone from The Heartbreakers by the time of their lone studio album L.A.M.F., but Dana pulled out this 1975 demo of Hell 'n' Heartbreakers for airplay on this week's show. Musically, this earlier version of "Love Comes In Spurts" sounds a lot more like The Heartbreakers' subsequent L.A.M.F. track "One Track Mind"--one of my three favorite Heartbreakers cuts--than it does to the familiar Voidoids recording of the same song. And I like it a lot.

HÜSKER DÜ: Eight Miles High



Given my general affinity for melody and disdain for noise, Dana was surprised to discover how much I like Hüsker Dü's chaotic cover of The Byrds' "Eight Miles High." The Byrds' 1966 recording of "Eight Miles High" was probably the first Byrds record I ever owned, an oldies reissue 45 purchased when I was still a high school student in the mid '70s. I was (and remain) taken with the audacity and ambition The Byrds brought to the original, mixing their well-known vocal blend with an adventurous arrangement intended to adapt the free-form improvisational style of jazz saxophonist John Coltrane to a pop song played by an American folk-rock guitar band at the height of the British Invasion..

If there was a subtle embrace of cacophony inherent in The Byrds' creation of "Eight Miles High," Hüsker Dü grabs the noisier elements in a freakin' headlock, wringing out every bit of grunge and distortion to be found. On paper, I shouldn't dig this, and should probably hate it. But I've loved it for decades, ever since hearing it on Buffalo's WBNY-FM in the mid '80s and snappin' up my copy of the 45 from visionary rock writer Gary Sperrazza! at Apollo Records. As much as I still adore The Byrds' version, Hüsker Dü's cover has become my preferred take on "Eight Miles High."

THE MONKEES: The Door Into Summer



I like The Monkees. Their new live album The Mike & Micky Show is just fantastic, and this is its best track. Wonderfully played by a superb group of musicians (who, again, REALLY NEED TO RECORD A NEW MONKEES STUDIO ALBUM!), expertly and lovingly reproduced for your home enjoyment. Michael Nesmith is in fine voice, Micky Dolenz is always in fine voice, and I'm sorry, but I can't stop talking about how great their band sounds with them. New studio album. Now. Please?

MÖTORHEAD: RAMONES



I think I read about this song (from Mötorhead's 1991 album 1916) somewhere in the rock press, certainly long before I heard the track itself. My introduction to Mötorhead's music came back in the '70s, when their blistering track "Motorhead" was included on a sampler album called Geef Voor New Wave, a compilation that also included tracks by The Rubinoos, The Motors, Johnny Moped, Eddie and the Hot Rods, The Adverts, Generation X, Tom Petty and the Heartbreakers, Jonathon Richman, The Sex Pistols, The Dwight Twilley Band, The Radiators From Space, Radio Stars, and Earth Quake. Geef Voor New Wave was one hell of a collection, and my copy of that LP has withstood every attempted purge of excess items in my vinyl collection. I still have that record, and it deserves a separate post of its own some day.


My Geef Voor New Wave and me. Evidence suggests this is a recent photo.

"Ace Of Spades" is probably the best-known Mötorhead track overall, and I heard that in the early '80s, probably not all that long after its 1980 release. I dug the idea of Mötorhead--grungy, unapologetic hard rock that was both punk and metal while violently shrugging off any attempt to categorize it--more than I really listened to them. But I loved the song "Motorhead," and I liked "Ace Of Spades" a lot.

I first heard Mötorhead's own original salute to The Ramones as a cover by--of course!--The Ramones themselves. The Carbona Quartet recorded two versions of the song, with bassist C. J. Ramone singing lead on their first released version (on 1995's ¡Adios Amigos!), and Joey Ramone resuming his usual place at the microphone for a studio cut on the 1996 album Greatest Hits Live. The Ramones included the song in their final live performance, August 6th of '96, with shared lead vocals by C.J. and Mötorhead's Lemmy (documented on the 1997 live album We're Outta Here!). I finally grabbed a copy of 1916 to hear the Mötorhead version after that. It's my favorite Mötorhead song. Duh.

THE MYNAH BIRDS: I Got You (In My Soul)



The Mynah Birds appear in 10 Songs for the second consecutive week. The historical hook for this lost 1966 Motown group is that it included both Rick James and Neil Young before they were famous, but honestly, I'm caring less and less about that curiosity. This stuff just cooks, and it's a shame it wasn't released in the '60s. A total of four tracks have been made available on digital compilations, and if there's still any more left in the vaults, I hope someone exhumes it all soon. I would buy a Mynah Birds CD right now, if only such a thing existed.

POPDUDES: Ridin' In My Car



Popdudes' ace cover of NRBQ's "Ridin' In My Car" returns to the playlist and to 10 Songs, as the track (previously available only as a digital single) is now available for the first time as a physical product. The occasion is the release of the brand-new compilation CD Big Stir Singles--The Sixth Wave, which collects virtual As and Bs from Popdudes, Librarians With Hickeys, Dolph Chaney, Jim Basnight, The Walker Brigade, Paula Carino, Joe Normal and the Anytown'rs, Trip Wire, The Corner Laughers, and Spygenius, a double A-side of XTC covers by Glowbox and Tom Curless and the 46%, plus The Well Wishers' fab "We Grow Up." 23 tracks! Good stuff! And a good cause, with 25% of the proceeds benefiting Sweet Relief's Musician Assistance Fund. Radio's job is to sell records; we've done our part, so now do yours: Big Stir Records compilations

THE STEMS: Never Be Friends



This week's playlist was dominated by our tribute to the late Little Richard. The pop world also lost Richard Lane, who had been a founding member of an absolutely incredible Australian pop group called The Stems. The Stems--Lane, Dom Mariani, Julian Matthews, and David Shaw--released one brilliant album, 1987's At First Sight Violets Are Blue before combusting. I can't get along with you/I can't can't get along with you/I can't get along with you/I can't get along with you. The album included this exuberant power pop kiss-off "Never Be Friends," and the song's verve and swagger shines on the radio, where it belongs.


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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 134 essays about 134 tracks, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).