Showing posts with label Suzi Quatro. Show all posts
Showing posts with label Suzi Quatro. Show all posts

Friday, February 9, 2024

10 SONGS: 2/9/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1219. This show is available as a podcast.

THE WEEKLINGS: All The Cash In The World

I'm prone to hyperbole anyway, so maybe you should ingest a li'l bit o' sodium when you hear me wonder out loud if the Weeklings' new album Raspberry Park just might be the group's best effort yet. But I tell ya: I'm starting to believe it is.

Exhibit A in that case is the Raspberry Park track "All The Cash In The World." As much as I've loved (and programmed!) the Weeklings' previous Pick Hits, "All The Cash In The World" carries some super-special intangible that elevates its pure sensory delight. "In The Moment,' from the Weeklings' 2020 album 3, has long been my go-to moment of Weeklingness. 

That moment now belongs to "All The Cash In The World."

MELANIE: Peace Will Come (According To Plan)

Our pal and colleague (and Radio Deer Camp host) Rich Firestone recently bemoaned the fact that we're forced to bid farewell to so many of our rockin' pop idols with such numbing, non-stop frequency. On this week's show, we say goodbye to Melanie Safka.

I wrote at length about my introduction to Melanie's music in a Greatest Record Ever Made! piece spotlighting "Lay Down (Candles In The Rain)," Melanie's magnificent collaboration with the Edwin Hawkins Singers. As we remember Melanie, it was tempting to play that song yet again this week. But it felt more appropriate to play a Melanie song that we'd never played before.

"Peace Will Come (According To Plan)" opens with a quiet dignity that blossoms into full-body exuberance, an embrace of peace that will accept no substitute. It is the delicate grace and willful power of Melanie in microcosm. Peace will come. 

Melanie said so. 

Godspeed, Ms. Safka.

HUNGRYTOWN: Another Year

Have we ever played Hungrytown before? A check of the ol' stats says...nope, this was the first time. Man, it's a lucky thing for us that we have tenure. Now that Hungrytown's Rebecca Hall and Ken Anderson have brought their unique folk vision to the ever-intrepid Big Stir Records label, maybe Dana and Carl can do a better job of getting Hungrytown into The Best Three Hours Of Radio On The Whole Friggin' Planet. It starts with "Another Year," Hungrytown's new single and Big Stir debut. Another year? We say it's another chance. We'll get it right this time.

THE SATISFACTORS: Arrested

Serendipity! When I fell in deep thrall to this track by the Satisfactors, I had no idea the ace lead vocals were supplied by none other than Kurt Reil of TIRnRR Fave Raves the Grip Weeds. HuzZAH!! Kurt was also the studio wizzard (spelling intentional, as it Wood be) who made our own 2022 compilation This Is Rock 'n' Roll Radio, Volume 5 sound so flippin' fantastic.

"Arrested" is also flippin' fantastic. The album is Dramatis Personae. This arrest merits further investigation. Just the facts: I'm on the case.

PAUL COLLINS: I'm The Only One For You

THE welcome earworm of 2024 so far. From power pop icon Paul Collins' forthcoming new album Stand Back And Take A Good Look, "I'm The Only One For You" finds Collins boppin' with righteous aplomb alongside the late Dwight Twilley, and the irresistible result fits right in among the best stuff Collins has ever done, including the Nerves, the Breakaways, and Paul Collins' Beat. I mean, the Beat's eponymous 1979 debut LP is one of the classics of power pop; "I'm The Only One For You" would have felt right at home on the record, mingling as a peer with your "Rock And Roll Girl" and your "Don't Wait Up For Me"" and your "Walking Out On Love." 

We debuted "I'm The Only One For You" on last week's TIRnRR. We played it again this week. And it returns to the air in Syracuse this coming Sunday night. DO wait up for this. And I can't wait to hear the album.

LEATHER CATSUIT: Can't Get You Off My Mind

Speaking of welcome earworms! Leather Catsuit's "Can Get You Off My Mind" comes equipped with a title that mirrors my opinion of the track: I can't get it off my mind. I don't wanna get it off my mind. It's pop music! I wanna hear it again and again. 

SUZI QUATRO: Paralysed

During back-announcements on this week's show, I joked that the set that opened with Leather Catsuit kicked off instead with Leather Tuscadero, mock-corrected myself, and then noted a couple of tracks later that we played Ms. Tuscadero herself, Suzi Quatro. And folks think we never plan stuff out in advance!

(They're usually right about that. But I digress.)

My original intent was to play Suzi Q's "I May Be Too Young," the first Suzi Quatro track I ever heard, and the subject of a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1). But, as often happens when we're trying to shoehorn the show into its three-hour slot, we had to look at where we could sub in shorter selections. In that process, I switched my Quatro choice to "Paralysed," from her album Your Mama Won't Like Me.

Although I bought Your Mama Won't Like Me (at Record Revolution in Cleveland Heights, Ohio) when I was still a 1970s rock 'n' roll teen with a crush on Suzi Quatro, it's been established that I didn't really like this album all that much. The above-mentioned Rich Firestone has suggested Suzi should have called it Carl Won't Like This. I need to give it a fresh listen one of these days, just to see if I like it better now.

Even back then, though, "Paralysed" was the one track I did like. Still do. The stories you've heard are gonna be confirmed. Sing it, Suzi.

ROB MOSS AND SKIN-TIGHT SKIN: Hey You (We're Sick Of You)

"Hey You (We're Sick Of You)," the latest single from Rob Moss and Skin-Tight Skin, has the good sense, good taste, good breeding, and good rockin' tonight to enlist the aid of the Flashcubes' irresistible force of nature Paul Armstrong on Special Guest Bat-Villain guitar. Holy Search and Destroy! It's a match made in Boston. Probably at The Rat. It's loud. It's proud. It's skin-tight. And it's on the radio in Syracuse.

TEGAN AND SARA: Walking With A Ghost

The Greatest Record Ever Made!

TAYLOR SWIFT: The Last Great American Dynasty

I'm told our next show has some heavy duty competition from a big football game on TV this Sunday. If the Buffalo Bills were playing, I'd even watch the game. But I would watch with the radio on.

But anyway, our congratulations to Taylor Swift. I've forgiven her boyfriend's team for ending the Bills' postseason this year--we'll get 'em next year!--and she is most definitely THE pop person of the moment. I don't listen to all of her work, but I admire her talent and her character. Plus she pisses off many of the same people who piss ME off. "The Last Great American Dynasty" (from her 2020 album folklore) is a truly wonderful track, and I think its Rumours-era Fleetwood Mac vibe is of a piece with whatever the hell it is we do here on This Is Rock 'n' Roll Radio.

And regardless of whether or not the team Taylor's rooting for at the Super Bowl prevails or comes up short, one thing's for sure: She's still gonna be Taylor Swift.

Winner!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, June 29, 2023

10 SONGS: 6/29/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's show draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1187. This show is available as a podcast.

THE RAMONES: Sheena Is A Punk Rocker

Because New York City really has it all, I'm gonna be there TODAY for a 6:30 pm in-store appearance at Generation Records, 210 Thompson Street in the Village. See, NOW New York City really has it all! Sort of. I'll be at Generation to talk about my new book Gabba Gabba Hey! A Conversation With The Ramones, and I hope some of my NYC-area pals can show up to keep me company. It might even be a real cool time. 

Anyway, this is a good excuse to open both the show and this week's 10 Songs with another spin of "Sheena Is A Punk Rocker," the record that changed my life, and the greatest record ever made, and a big underlying part of the case I presented when the Ramones were inducted into The Power Pop Hall Of Fame. Maybe I'll talk a little bit about that at Generation tonight.

MARVIN GAYE: Ain't That Peculiar

When I started this cockamamie daily blog in January of 2016, one of the earliest posts was a reprise of an article I wrote for Goldmine about a decade before that. "Rock The Coin Right Into The Slot: The Definitive Rock 'n' Roll Jukebox" was an attempt to to list the 100 U.S. 45s that could stock a hypothetical definitive rockin' pop jukebox, and one of those chosen singles was "Ain't That Peculiar" by Marvin Gaye. In a subsequent post, I offered this explanation/disclaimer for selecting this particular record:

And there probably isn't another fan in the world who wouldn't have selected "I Heard It Through The Grapevine" or "What's Goin' On" or one of Gaye's duets with Tammi Terrell over "Ain't That Peculiar." Ain't that...y'know?

I do believe "Ain't That Peculiar" is prime jukebox material, but in retrospect I should have gone with the searing heartbreak of "I Heard It Through The Grapevine" instead, at least for the jukebox. Nonetheless, "Ain't That Peculiar" sounds great in this week's playlist. 

And peculiar or not, my paid supporters will get to see an otherwise-unpublished celebration of "I Heard It Through The Grapevine" (from my long-threatened book The Greatest Record Ever Made! [Volume 1]) this Saturday. If you would also like to see it, you can become a patron of this blog for a mere $2 a month. 

Jukeboxes, radio playlists, and greatest records ever made. An infinite number, as long as they take turns. I heard that through...the usual word-of-mouth means. Peculiar? Your grapevine my vary.

DANNY THE K: Roller Derby Girl

Our regular listeners know Dan Kopko from his stellar work with the Shang Hi Los and the Peppermint Kicks. Now, assuming the nom de bop of Danny the K, our esteemed Mr. Kopko has a solo album, Cigarettes & Silhouettes, And Other Songs, due soon from the irresistible force known as Rum Bar Records. That album's advance single "Roller Derby Girl" hip-checks its way into the playlist this week, with more to come. Let's roll.

ROCKAWAY BITCH: I Wanna Be Sedated

CHICKS SINGIN' RAMONES SONGS! Singin' 'em well, too. This is the fifth time out of the last six weeks that the Carbona-huffin' splendor of Rockaway Bitch has bludgeoned its way onto the TIRnRR airwaves. And it's high time something from RB lead singer Patti Rothberg's own superb catalog also made a reappearance here. We'll play Patti solo and with Rockaway Bitch next week.

THE 5th DIMENSION: Don't Cha Hear Me Callin' To Ya

This track from the soundtrack of the dazzling documentary Summer Of Soul captures a live performance by the 5th Dimension, and it sizzles--sizzles--in a way the studio version never quite matched.

STEVE STOECKEL: Mod Girl

"Mod Girl" is a very cool track from Steve Stoeckel's current Big Stir Records release The Power Of And. We dig this the most ut, but we're never sure if we wanna program the fab album version or its equally groovy unreleased a cappella mix, which highlights the amazing backing vocals of Jamie Hoover and Elena Rogers. Oooooo--sublime! That alternate version really needs a general issue. Steve! Rex! Christina! Mod girls AND Mod boys! THE WORLD IS WAITING!

Meanwhile, we are going with the album track on this show this time. The a cappella mix will return in a near-future playlist. Can't go wrong either way. 

SUZI QUATRO: I May Be Too Young

The Greatest Record Ever Made!

MICKEY LEIGH'S MUTATED MUSIC: It Felt Like Love

We have not played Mickey Leigh's work to the extent we oughtta. I mean, we have programmed a few different tracks by his old combo the Rattlers here and there: "On The Beach," "Livin' Alone," "For Johnny's Entertainment," "What Keeps Your Heart Beatin'?," and their cover of the Nightcrawlers' "Little Black Egg." Sibling Rivalry (which was Mickey and his brother Joey Ramone, covering Blodwyn Pig's "See My Way") has received the plurality of our Mickey Leigh spins over the years. But we should be doing more.

And we're gonna. I just purchased Variants Of Vibe, a 2022 album by Mickey Leigh's Mutated Music, and it joins my copy of Sibling Rivalry's In A Family Way and the CD reissue of the Rattlers' Rattled! I snagged in Berkeley in 1999. Variants Of Vibe is quite good, and it makes its TIRnRR debut with a wonderfully punchy tune called "It Felt Like Love." Feels like we should be playing it. 

THE FLASHCUBES FEATURING THE PALEY BROTHERS: Come Out And Play

The Paley Brothers should have been huge, but I don't remember hearing any of their great stuff contemporaneously to their release in the '70s. The only Paleys track I knew at the time was their outtasight collaboration with the Ramones on a sugar-frosted amphetamine cover of Ritchie Valens' "Come On Let's Go," introduced to me via its appearance on the soundtrack to the Ramones' 1979 cinematic masterpiece Rock 'n' Roll High School.

I first heard the original of the Paleys' 1978 gem "Come Out And Play" when it appeared as the title tune for a Rhino Records various-artists power pop compilation in 1993. That collection also just happened to offer the CD debut of Syracuse's own power pop powerhouse the Flashcubes, a group that remains up there with the Beatles and the Ramones as my personal Top O' The Pops.

So yeah, obviously TIRnRR likes to play this triumphant team-up of the Paleys and the 'Cubes, remaking "Come Out And Play," takin' a rad song and makin' it (even) better. It's on the new Flashcubes album Pop Masters, due this summer from Big Stir Records. We're playin' it. Come out and play, friends. Come out and play.

THE RAMONES: Touring

Touring is never boring. Oh! That reminds me!

IN-PERSON EVENT TODAY!!! June 29

On June 29 at 6:30 pm--hey, that's TODAY!--I will be making an in-store appearance at GENERATION RECORDS, 210 Thompson Street in NYC on behalf of my  new book GABBA GABBA HEY! A CONVERSATION WITH THE RAMONES. The book contains my 1994 interviews with Joey, Johnny, Marky, and C.J., which were cited by the Rock and Roll Hall of Fame as essential reading. I'll be at Generation to chat with fellow Ramones fans, talk about the book, the interviews, and how the music of the Ramones impacted my life. If you are in the New York area today, I would love to see you at Generation Records. Hey-ho, let's GO!  

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, June 27, 2023

THE GREATEST RECORD EVER MADE: I May Be Too Young

Adapted from a previous piece, this will probably serve as a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1).

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

SUZI QUATRO: I May Be Too Young
Written by Nicky Chinn and Mike Chapman
Produced by Nicky Chinn and Mike Chapman
Single, RAK Records [UK], 1975

The original post has been unpublished for bookkeeping purposes. It can be seen as a chapter in my book The Greatest Record Ever Made! (Volume 1)

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If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, January 10, 2023

THE GREATEST RECORD EVER MADE: School's Out

This was prepared as a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), but is not part of the project's current blueprint. That may change, but right now it's planned for the even-more-hypothetical GREM! Volume 2.

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE! 


ALICE COOPER: "School's Out"
Single from the album School's Out, Warner Brothers Records, 1972

To an adolescent or young teen in the early to mid 1970s, nothing in the world was cooler than Alice Cooper. Before KISS, before punk, Alice Cooper was gaudy and dangerous, potentially the most scandalous, depraved character on AM radio. It didn't matter that it was all an act--show biz!--or that David Bowie was ultimately a far more potent threat to the straight-laced status quo; at the time, Alice Cooper seemed the most dangerous, and therefore the most alluring. Within this fist-pumpin' time frame, a kid that couldn't relate to "School's Out," or didn't want to turn the radio up louder than it could actually go whenever that song came on...well, that kid just would not have been me.  


I discovered Alice Cooper when I was, I think, twelve or thirteen, 1972 or '73. "School's Out" was my gateway; even though the hit single "Eighteen" preceded "School's Out" by two years, I don't recall ever noticing it until after I was under the thrall of "School's Out." The lurid collective image of the band and its ghoulish, bloodthirsty frontman was fascinating, and I longed to experience that thrill in a concert setting.

In 1975, I was a sophomore in high school, still aching for more. Some older kids on my school bus had seen Alice Cooper's Syracuse stop on the Billion Dollar Babies tour (in 1973, I think). When the Welcome To My Nightmare tour scheduled a May 1, 1975 date at the Onondaga County War Memorial, I knew I had to be there. Ooo, and Suzi Quatro was opening! Suzi Quatro!!! In '75, I doubt I'd yet heard a note of Suzi Quatro's music, but I knew I'd seen her in Rolling Stone, and I knew I was madly, deeply in love with her. This was a show I could not miss!

SUZI...!!
But...I missed it. By parental decree. Mom and Dad may have considered letting me go to the show, but they determined I was still too young (and, though this was left unspoken, that Alice Cooper was too awful an influence on impressionable li'l me, plus Dad wasn't likely to let his son see a guy named Alice, no way, no how). I guess I could have counter-argued that their decision was preventing me from meeting their future daughter-in-law Suzi Quatro-Cafarelli, but I don't think it would have helped. Suzi and I went our separate ways, and we each found happiness and wedded bliss in the arms of True Love elsewhere. Suzi was too old for me anyway. I finally got to see my first rock concert about a year and a half later: KISS with Uriah Heep in December of 1976. Yeah, KISS was a much better influence than ol' Alice.


I don't think Alice Cooper--the singer or the original band that shared his name--gets the credit they deserve. I guess we should go back at least to Screamin' Jay Hawkins' outrageous stage persona in the '50s for the roots of shockingly flamboyant presentations of the rock and the roll, and certainly we have to go through Elvis air-copulating on stage, the destructive displays of the early Who, the guitar arson of Jimi Hendrix at Monterey, and the fiery get-up of the Crazy World Of Arthur Brown in discussing this idea of rock as SPECTACLE!! Alice Cooper brought it all to a new and unprecedented level, with a theatrical stage show that drew from Grand Guignol, horror movies, and Tales From The Crypt comic books. This was not approved by the Comics Code Authority, nor by any arbiter of good taste. That's why the kids loved Alice.

Cooper himself is mesmerizing, fully committed to the character he's created for himself, subtly winking all the while, yet not really breaking character at any point in any performance. Hell, when he was cast as King Herod in a 2018 TV production of Jesus Christ Superstar, he stole the whole show as only Alice Cooper could.

More than "Eighteen," more than "Elected," more than "No More Mr. Nice Guy" or "Under My Wheels" or "Billion Dollar Babies," more than Alice playing a witch on TV's The Snoop Sisters or hammin' it up with Vincent Price in a Welcome To My Nightmare TV special, and more than the unexpected ballad "Only Women Bleed" that forced the dropping jaws of DJs and listeners when it cooed sweetly and incongruously from AM radios in '75, "School's Out" is Alice Cooper's legacy in microcosm. Rebellion. Insolence. Depravity. Destruction. Showtime!

As an annual clarion call for kids champin' at the frothy-mouthed bit to ditch pencils, books, and teacher's dirty looks for summertime action, "School's Out" delivers a snarky dismissal of rules, regulations, decorum, good manners, and probably decent posture and reasonable hygiene to boot. Because screw all of that--school's out for the summer! Sing it, Alice. School's out completely. The lesson's been learned.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.


Thursday, April 14, 2022

10 SONGS: 4/14/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1124.

TAMAR BERK: Real Bad Day

Hey, remember last week, when I said Tamar Berk's new single "Tragic Endings" was my favorite among the tracks I've heard from her so far? Ah, those were the days. Since then, I've heard more of Tamar's forthcoming new album Start At The End, and the surly swagger of its track "Real Bad Day" propels it to the tippytop of my Tamar Berk's Greatest Hits chart. I'm not fickle; I'm open-minded. Great li'l number, and I expect we'll be playing it again on TIRnRR. And again. And again. I betcha we'll also give a repeat spin to "Tragic Endings." Dear, dear "Tragic Endings." I hope we can still be friends, 

GARY FRENAY: Just Like Me

Gary Frenay's "Just Like Me" was among my many favorite Screen Test songs. It only existed as a demo in the '80s, and I always wished they would revisit it. And now, they have! The new recording is by Screen Test--Gary with Arty Lenin and Tommy Allen, their efforts supplemented by Gary's talented son Nick Frenay--but it will be billed as a Gary Frenay solo track when it appears on his next album (presumably in 2023). Wonderful, wistful song under any name.

THE IDES OF MARCH: Girls Don't Grow On Trees

The Ides of March are considered one hit wonders for their 1970 smash "Vehicle." I hate that song. BUT! Before warbling about the friendly, creepy stranger in the black sedan, the Ides of March were a better'n decent '60s garage pop combo. I absolutely adore the group's undeservedly obscure 1966 single "Roller Coaster," and I intended to play that on this week's show. Instead, I figured we ought to spin an Ides of March track we ain't ever played before, and plucked this ace number "Girls Don't Grow On Trees" from my handy-dandy copy of Sundazed Records' pre-"Vehicle" Ides compilation Ideology. Listening again to their '60s beat output reinforces my regret that the world at large only remembers them for "Vehicle."

THE CHELSEA CURVE: Jamie C'mon

The Chelsea Curve's freshly-released debut album All The Things performs the public service of collecting the group's assorted singles (including past TIRnRR Fave Raves like "Top It Up" and "Better Way"). But WAIT! There's MORE! I mean, it wouldn't be ALL the things if there weren't more, right? The album kicks off with the blood-pumpin' rush of the Chelsea Curve's brand-new single "Jamie C'mon," then drags (in-joke) you along for an album's worth of rock 'n' roll kicks run on guitars, drums, amplifiers, lipstick, hormones, and two-for-one well drinks. C'mon! All the things can't just dance with themselves, ya know.

THE JIVE FIVE: My True Story

Although "My True Story" was the Jive Five's only big pop hit (Billboard Hot 100 # 3 in 1961), we've been far more likely to play "What Time Is It?," their # 67 single from '62. This is further illustration of my conviction that the phrase "one hit wonder" doesn't have to be a pejorative. Like the Easybeats, the Bobby Fuller Four, the Knickerbockers, Fontella Bass, and so many other fine acts, the Jive Five created a number of interesting tracks, and it's the pop world's loss that these records didn't receive more recognition and acclaim in their day.

But sometimes (and unlike the case of the above-mentioned Ides of March), there is something to be said for the big hit. "What Time Is It?" is probably on my own all-time Hot 100, but "My True Story" is my # 1 in the broad category of doo-wop records. Now we must cry CRY cryyyyyyyyy oh whoa our blues away. And its Dragnet-inspired conceit--The names have been changed, dear, to protect you and I--make this Joe Friday's greatest hit by default.

THE FLASHCUBES: Gone Too Far

I make no apologies for my ongoing devotion to the music of the Flashcubes. Paul Armstrong, Tommy Allen, Gary Frenay, and Arty Lenin. My hometown heroes, Syracuse's own power pop powerhouse, one third of my all-time rockin' pop Trinity (with the Beatles and the Ramones). Mere hyperbole? Nope. I wouldn't be who I am without the Flashcubes.

As a club-goin' teen at Flashcubes shows in the late '70s, I believed there were a ton of hit-worthy original 'Cubes songs. Arty Lenin's "Gone Too Far" was for damned sure one of those, a pure pop confection that Gary once said reminded him of the Monkees. The group demoed the song at the time (as heard in remixed form on the Bright Lights anthology), but neither that version nor the live 1978 version I had on a bootleg cassette quite captured its effervescent vitality.

Finally, "Gone Too Far" achieves its full potential on Flashcubes On Fire, the recently-released archival live CD of the Flashcubes in their 1979 rock 'n' roll prime. This is the song I fell in love with when I was 18 and 19, reeling under the brightly dim lights at Central New York nightclubs. 

Gary said this reminded him of the Monkees? That's high praise in my book. Micky Dolenz coulda sung it, and he still could. I don't think even the mighty Mick could outdo Arty and his fellow 'Cubes on "Gone Too Far."

THE RUNAWAYS: Heartbeat

"Heartbeat" is a power ballad, which makes it something of an anomaly among the Runaways' recordings. The Runaways weren't a punk group, but they were on punk's periphery, and most of their material favored the I-love-rock'n' roll approach that would subsequently propel founding member Joan Jett to solo stardom (and The Rock And Roll Hall Of Fame). 

"Heartbeat" isn't the only slower number in the Runaways' catalog, but it was the one I noticed. It was among my favorite tracks on the 1977 Queens Of Noise album, the second (and last) LP to include original lead singer Cherie Currie. Currie was underage at the time, and "Heartbeat" is about a tryst with an unidentified singer. Backstage, lied about my age/Didn't care that you were older. The story may be fiction, but it has an aura of truth, and probably is true. Stop. Look. Listen.

SUZI QUATRO: Paralysed

Suzi Quatro was my # 1 teen crush; that story was told here, and has since been revamped for my long-threatened book The Greatest Record Ever Made! (Volume 1). But even then, I didn't like Suzi Q's 1975 album Your Mama Won't Like Me. Renowned Radio Deer Camp DJ Rich Firestone joked that she should reissue the album under the new title Carl Won't Like This. I ought to go back and listen to the album again, just to see if my opinion revises itself.

"Paralyzed" (or "Paralysed" in the UK, and as it's listed on my CD of The Essential Suzi Quatro) was the one Your Mama Won't Like Me track I did like. I'm gonna spin my web all over this town/If I catch you with your trousers downI played it often, and now we play it again. The stories you've heard are gonna be confirmed/You won't believe your eyes....

THE JAYHAWKS: I'm Gonna Make You Love Me

The Greatest Record Ever Made!

IRENE PEÑA: In This Room

It's not easy to pick one single favorite Irene Peña track. I'm doing it anyway. Eternal thanks to the mighty Big Stir Records label for making the eleven tracks from Irene's 2011 debut album Nothing To Do With You available as individual digital singles, and thereby introducing grateful me to the sublime "In This Room." The track has never been on a CD release. One hopes that will change very soon.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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