10 SONGS: 7/26/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1295.

THE CYNZ: Can't Help Thinking About Me

This blog began in January of 2016, when my reaction to the death of David Bowie compelled me to start writing again. Following Blog Post # 1 on January 18th 2016 (my open letter to Bowie, later reconfigured as a chapter in my book The Greatest Record Ever Made! [Volume 1]), I began this daily blog. Other than a reduced schedule for a couple of months following the disaster of the November election, I never missed a single day, nor have I missed a day since resuming the regular schedule on January 18th of this year. As I wrote at that time:

"Boppin' (Like The Hip Folks Do) began nine years ago today, when my lingering emotion in the aftermath of David Bowie's death compelled me to start a daily blog. This was a rash and possibly stupid decision, but I kept at it, with at least one post every single day until this past November. At that time, a combination of writing projects in need of my attention and my absolute disgust with the results of the Presidential election led me to pause and reconsider. I cut back to a reduced schedule of three to four posts a week, and I separated myself from the silly idea of maintaining a daily blog.

"Like John Lennon said when he reunited with Yoko Ono: The separation didn't work out...."

Given the prevailing (if unexpected) importance of Bowie in my story, a new various-artists tribute to Bowie has to be an automatic addition to the This Is Rock 'n' Roll Radio playlist. This is especially true for Jem Records Celebrates David Bowie, which is chock full of appearances by so many familiar TIRnRR Fave Raves. C'mon! The Weeklings AND the Grip Weeds AND Paul Collins AND the Anderson Council AND Richard Barone AND Nick Piunti and the Complicated Men AND the Midnight Callers AND the Airport 77s AND the High Frequencies AND the On and Ons, all on one disc, all covering Bowie...?! To quote Lenny Haise, guitarist for '60s teen sensations the Wonders: "I'm signing, you're signing, we're ALL signing...!"

In addition to all of the Jem stars listed above, the first advance track from Jem Records Celebrates David Bowie comes to us courtesy of the Cynz. HuzZAH! We LOVE the Cynz, and they turn in an absolutely ace rendition of "Can't Help Thinking About Me." That's one of my own top Bowie tracks, and the Cynz friggin' nail it. It will spin again on our next show.

DAVID BOWIE: Queen Bitch

Well, we had to follow the Cynz singing Bowie with an example of Bowie singing Bowie, right? I think his BBC performance of "Queen Bitch" with the Spiders From Mars is our most-played Bowie track, making it the obvious choice here. 

THE FLASHCUBES: The Sweet Spot

This go'geous track "The Sweet Spot" was written by Flashcubes bassist Gary Frenay and the late Syracuse stalwart B. D. Love, and it's the latest advance single from the various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes. Each of the 21 artists we invited to record Flashcubes covers for this project delivered to the fullest extent of their brilliance, and the addition of three new tracks by the 'Cubes makes the whole thing shine with even greater brightness. 

A sweet spot indeed.

MONOGROOVE: That Girl

A song for Marlo Thomas, wherever she is. NO! I KID! I'm a kidder. When I heard that Monogroove had a new digital single available, I bought it faster'n you can say Donald Hollinger. It's great, and it joins the playlist to continue our show's proud tradition of, y'know, playing Monogroove. We're playing it again on Sunday.

The good news doesn't stop there! The single is included on a new Monogroove album called Popsicle Drivethru. The CD is due soon from our friends at Kool Kat Musik, and the digital album is available now. MULTIgroove!

SLY AND THE FAMILY STONE: Hot Fun In The Summertime

My Greatest Record Ever Made! book contains a chapter about "Everybody Is A Star," which has generally been my top Sly and the Family Stone go-to. Since we lost Sly Stone in June, I've found "Hot Fun In The Summertime" has been on my mind and, consequently, in my ears and on the radio. If memory serves, a poll of Trouser Press magazine readers in the early '80s named "Hot Fun In The Summertime" as the # 1 choice for the title of all-time top summer song. Surpassing the Beach Boys in that category would seem a daunting task. But if anyone could do it, it would have to be Sly.

KEVIN ROBERTSON: We Found The Summer

Oooo--this is nice. Our buds at Futureman Records have a new album from Kevin Robertson of the Vapour Trails, and said new Kevin Robertson album Yellow Painted Moon kicks itself off with this luscious radio-ready tune "We Found The Summer." If you're seeking to find some summer, look no further. And "We Found The Summer" will shine again in Syracuse this coming Sunday night.

THE SHIRTS: Lost In A Rhyme

I am often amazed and delighted by unexpected discoveries from the vault. The visionaries at Think Like A Key Music have gone a-burrowin' through the archives of irresistible but unreleased rockin' pop, and they've pulled out a previously-unheard 1981 live-in-the-studio performance by '70s CBGB's fixtures the Shirts. Screw the Dead Sea Scrolls; finding what is essentially a fourth Shirts album from the group's original run is revelation and a half, especially considering the fact that I don't have (and don't really remember) the second Shirts album (1979's Street Light Shine) and have never heard their third (1980's Inner Sleeve).

No matter! Live Featuring Annie Golden is vintage, classic Shirts, of a piece with their magnificent eponymous debut album from 1978. "Lost In A Rhyme" is our immediate Pick T' Click, and these Shirts fit us perfectly.

AMOS MILBURN: Down The Road Apiece

The Greatest Record Ever Made!

SLADE: Gudbuy T' Jane

From a previous edition of 10 Songs:

My love of rock 'n' roll radio was forged by my absolute fascination with AM Top 40, beginning when I was a kid in the '60s, manifesting in earnest when I was in middle school and high school in the '70s. My migration to FM by the time I graduated from high school in 1977 didn't change the fact of the matter: Radio was everything. 

In those days, Top 40 stations in one city weren't necessarily playing all of the same potential hit records as Top 40 stations in other cities. Regional hits. Years later, I was surprised to learn that, say, "Tonight" by the Raspberries and "Blockbuster" by Sweet weren't radio smashes all across the USA. But here in Syracuse, they were. And so was "Gudbuy T' Jane" by UK stompers Slade.

My God, I loved this record. Still do. Slade were huge in their native land, but the colonies didn't catch on until the '80s, first via the numbskull proxy of covers by Quiet Riot and then by the much-belated appearance of Slade themselves on the American pop radar (and on MTV) with "My Oh My" and "Run Runaway."

My first is still favored: "Gudbuy T' Jane." Made for the airwaves, then and now. Get with it, America. Jane is all right, all right, all right, all right.

THE BEATLES: You Never Give Me Your Money

Most of our weekly playlists end with a little something by the Beatles. That fully Fab spin is followed by our sign-off and a bonus track or two, but the playlist proper usually concludes with your John, Paul, George, and/or Ringo, comin' at you from their secure perch at the Toppermost of the Poppermost.

And here's a Beatles track we've never played in any of the preceding 1,294 editions and additional sundry TIRnRR specials over the past 26.75 years: From Side 2 of Abbey Road, "You Never Give Me Your Money."

Yeah, I was surprised, too. Well! Time to cash in finally play it, I guess.

There isn't any money. But there are still more great things we ain't played yet, including a dwindling but discernible supply of Beatles tracks. And yes, before you ask, we have played "Revolution 9" at least once, possibly twice. More play remains. More work remains, old stuff and new stuff alike. Music justifies itself. Enthusiasm justifies itself. Once again: Here's to the act you've known for all these years.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. You can also become a Boppin' booster on my Patreon page.

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here

10 SONGS: 5/26/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1130.

POP CO-OP: Out My Window

Yes, TIRnRR's Pop Co-Op hype machine chugs on! "Out My Window" is our third of four exclusive radio premiers on behalf of Pop Co-Op's forthcoming new album Suspension, due soon (but not soon enough) from the visionary folks at Futureman Records. We've heard the whole thing, and we endorse it with all the power and authority vested in our position as...well, as a couple of guys who play records on the radio. Man, that does not look anywhere near as impressive in print as it sounded in my head. Nonetheless: Pop Co-Op GREAT! Pop Co-Op's Suspension great! And we'll have one more exclusive radio debut from another Suspension song at the top of next week's show. [SPOILER ALERT: it's the title track.]

Impressive? Yeah, actually. We're DJs. We know what we're doing. 

THE FLASHCUBES WITH THE SPONGETONES: Have You Ever Been Torn Apart?

And, as duly appointed DJs, we know a friggin' hit record when we hear a friggin' hit record. It's our super power.  And we've known about this particular hit, a dynamic summit meeting between power pop legends the Flashcubes and, y'know, power pop legends the Spongetones, for quite some time. We hadn't heard it, mind you, and we weren't told which Spongetones classic these combined forces would be remaking. But we guessed correctly--see above comments re: DJs, know what we're doing--and have been dying to hear it.

And PLAY IT!

A lot of radio shows jumped on "Have You Ever Been Torn Apart?" as soon as it was available, from The Rodney Bingenheimer Show on SiriusXM to Mike Murray's Whole Lotta Shakin' in Rochester, Michael McCartney's The Time Machine  in Maui (the latter with Rich Firestone, host of Radio Deer Camp right here on TIRnRR's home SPARK!), and an apparent zillion others. Awright! A lot of DJs seem to know what they're doing right now. We are legion! We are LOUD! And we for damned sure know a hit when we hear it.

(Oh, and bonus kudos to the Flashcubes and Spongetones themselves for the neat little opening Beatles homage that kicks the track directly into its frenzied Fabmania flight path. See, one gets to pop music by turning left at Greenland, after all.)

DEADLIGHTS: Pretend To Pretend

Over the decades we've been doing whatever the hell this weekly radio thing is supposed to be, we've been big, big fans of Jeff Shelton in all of his many rockin' pop DBAs. Spinning Jennies! The Well Wishers! Hot Nun! Trip Wire! Even the enigmatic Ultratone! And certainly including Jeff's current project Deadlights, who've already scored a few TIRnRR playlist berths this year.

The new Deadlights single "Pretend To Pretend" is one of Jeff's very best ever, on a par with the Well Wishers' should-be-called-a-classic "See For The First Time." Over and above its inherent radio-ready sheen, sales of the digital single directly benefit humanitarian aid to the embattled people of Ukraine. As Jeff hisself says:

"100% of sales of this digital single will go to support Razom for Ukraine. Since its inception in 2014, Razom for Ukraine has provided personal protective equipment to more than 40 hospitals across Ukraine. They mobilized over 400 volunteers to carry out their programs and humanitarian services, including sending over 70 pallets of aid to Ukraine, and approximately 218 tons of essentials and supplies."

Great music in service of a great cause. All we can add is this: BUY IT!!!

PIPER: Bad Boy

I was not among Billy Squier's many fans during his early-'80s MTV heyday. But nor was I aware of the fantastic stuff Squier did before that, for two albums fronting his '70s rockin' pop combo Piper. My first conscious exposure to Piper's music came waaaaay after the fact, when Rhino Records included Piper's irresistible confection "Can't Wait" on a power pop compilation CD in the early '90s. Somewhere after that, I heard the boppin' magnificence of Piper's "Who's Your Boyfriend?," and I was told that the Flashcubes used to cover it live. Yeah, I'd say that's a good fit.

I tracked down a used copy of Piper's eponymous 1977 LP (which included "Who's Your Boyfriend?"), but never did find their other long-player Can't Wait. I didn't hear the latter until American Beat reissued both albums as a two-fer CD in 2005. Can't Wait turned out to be my favorite of the two records, with the title tune, the stellar "Drop By And Stay," and "Bad Boy." Maybe I should give the MTV stuff another chance? 

THE BABLERS: You Are The One For Me

We get the impression that "You Are The One For Me" is a teaser for whatever's coming next from Finland's phenomenal pop combo the Bablers. In the here and now, Dana has already said it's one of his favorite new tracks so far this year, and--because he's a DJ--I suspect he knows what he's doing. (And this week's spin of "You Are The One For Me" inspired me to follow with the Monkees' "You Just May Be The One," and we all benefit from that sequence.)

THE BANGLES: Hazy Shade Of Winter

Many of my TIRnRR playlist selections are the result of a simple process I call Because my iPod said so! However, this week's spin of the Bangles' 1987 hit cover of Simon and Garfunkel's "Hazy Shade Of Winter" wasn't prompted by my iPod's edicts, but by airplay on a radio station in Pensacola, Florida. Good enough for me! 

THE WHO: I Can't Explain

The Greatest Record Ever Made!

THE JIVE FIVE: He's Just A Lucky Man

In the early '80s, the Ambient Sound label issued several records--some singles and some albums--featuring new recordings by classic doo-wop groups. At the time, my sole acquisition from the Ambient Sound catalog was a 1982 compilation LP called Everything New Is Old...Everything Old Is New. I snapped that one up specifically to own the Mystics' rendition of "Doreen Is Never Boring," a song written by Joey Ramone (originally as "Touring," which the Ramones recorded but consigned to the vaults at the time). 

I didn't really pay much mind to the other stuff on that album--I was there for Doreen, man!--so my silly 22-year-old self ignored offerings by Randy and the Rainbows, the Capris, the Harptones, and the Capris. And nor did I pay any attention at all to the music of the Jive Five.

Oh, stupid, silly 22-year-old! 

I got to the Jive Five via Marshall Crenshaw, whose sublime cover of "What Time Is It" inspired me to seek out the even more sublime, luscious, heavenly Jive Five original. I eventually cobbled together a modest Jive Five collection in the form of two non-overlapping Jive Five anthology CDs. The Jive Five's "What Time Is It" is currently slated for a spotlight in my long-threatened book The Greatest Record Ever Made! (Volume 1).

But neither of my Jive Five CDs included any of the group's '80s stuff. The Jive Five did two albums for Ambient Sound, 1982's Here We Are! and 1984's Way Back, and that's twice as many albums as they did before the '80s. A recent comment from Blitz magazine's Mike McDowell sent me scurrying back to the Jive Five's Ambient Sound era, and this winner from Here We Are! Just because I know what I'm doing doesn't mean I'm not willing to learn more.

KEVIN ROBERTSON: If You're Free

Listeners of this little mutant radio program already adore Kevin Robertson from his work with Vapour Trails (wherein our Kev was billed as Kevin Trail), and from previous spins of his Big Stir digital single "Love's Blue Yonder." Kevin's new album Teaspoon Of Time assigns all its jangle and buzz in the appropriate spots, but ditches mere decorum to rock the house as the cosmos intended. More from Teaspoon Of Time on next week's show.

THE TRAVELING WILBURYS: Not Alone Anymore

A few entries north of here, I mentioned a recent visit to the sunny Southern climes of Florida. I've been to Florida a total of...eight times? I think that's right, starting with a visit to family in the panhandle--the part of Florida that is Alabama--in 1970. 

Half of my Florida trips have been to that greater Pensacola area, where my Uncle Carl, Aunt Jo, and my cousins Langley, Alan, and Colin lived. Langley still lives there. Her brothers have sought their fortunes elsewhere. Aunt Jo passed several years ago. We lost Uncle Carl in December, about two weeks after my Mom--Uncle Carl's sister--left us. Earlier this month, my sister, my brother-in-law, and one of my brothers accompanied me back to the panhandle to represent our ever-glowing nuclear family at Uncle Carl's memorial service.

There's an odd, maybe paradoxical mixture of sadness and joy at a memorial. We grieve our loss, but we revel in the memory. We had just seen Langley at my mother's memorial service in April--when I was just over my (relatively mild) bout with COVID--but I hadn't seen Colin in eighteen years, and I hadn't had much time to really chat with Langley in April. So seeing them and spending time with them in Florida two weeks ago was...well, it was nice. Really nice. 

After I returned to Syracuse, something that should have been obvious my entire life belatedly but suddenly dawned on me: more than just cousins, Langley, Alan, and Colin (as well as our California cousin Mark) were really like my additional siblings. I mean, we fought like siblings, and they were closer to me in age than my actual brothers and sister. We had and still have that bond like siblings. I don't understand why it took me so long to understand. I get it now. And I'm not alone anymore.

The segue into the Traveling Wilburys' "Not Alone Anymore" isn't quite as forced as you think. I first heard the track in Florida, just after New Year's Day of 1989. I was in Key West, a tourist in Margaritaville, visiting old college friends and having a righteous good time. I was, let's face it, high as a freakin' Florida kite. And I heard that voice. That voice.

You're not alone

You're not alone

You're not alone anymore

Although lyrically a sad song rather than an uplifting one, it felt like a message of comfort from beyond the veil. Roy Orbison had left this world behind less than a month before my pilgrimage to Margaritaville. I respected and appreciated Orbison, and I felt the pop world's sorrow at the loss of one of its giants. I knew, of course, that Orbison was one of the Traveling Wilburys, alongside George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne. Supergroup? Even that description is inadequate. The only Traveling Wilburys song I really knew before that was the hit, "Handle With Care." Hearing the late Roy Orbison sing "Not Alone Anymore" as only Roy Orbison could, that otherworldly voice both booming and floating above the tchotchkes strewn in the Margaritaville gift shop, I knew I'd been touched by something greater. I needed that CD. I bought it shortly after returning home to Syracuse.

You're not alone anymore. On that 1988-into-1989 trip, I'd flown into Key West from Pensacola after attending Langley's wedding. That was the last time I was in Pensacola, or the last time I was in Pensacola until two weeks ago. During the pandemic, and until Uncle Carl passed in December, I visited Pensacola again via weekly Zoom with Uncle Carl and Langley, my sister hosting the meeting from her home in England. Our final Zoom was a little after Mom died in December. Uncle Carl's rapid decline was perhaps not unexpected. I don't know why it caught me so unprepared.

But I'm not alone. We're going to go back to Pensacola next year, just to go, to spend time, to be together. Life is too short to spend separately. We're not alone anymore. I betcha Roy Orbison would agree. 

I know that Uncle Carl would.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

10 SONGS: 4/20/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1073.

JIM BASNIGHT AND THE MOBERLYS: Tonight

Our little mutant radio show has been programming music from Jim Basnight's various noms du bop for a couple of decades. But I was a latecomer to all things Basnight. Jim's old Seattle-area punk-pop combo The Moberlys woulda been a natural-born contemporary Perfect Fit Fave Rave for me in the late '70s and early '80s. Alas, I don't think I heard them until the '90s...at which point they automatically became a natural-born retroactive Perfect Fit Fave Rave for me. Great records don't care what year it is.

"Tonight" may have been the first Basnight/Moberlys track I ever heard. Good introduction! I think it was on a pop compilation VHS tape that Jeremy Morris sent my way, but however I got there, hell yeah, MOBERLYMANIA!! "Tonight" subsequently found a home on the 2000 Jim Basnight and the Moberlys set Seattle - New York - Los Angeles, and that essential collection is now available as a Bandcamp download. Go! Get it! You need this tonight.

LARRY COLLINS: See The Hills

Yet another illustration of the happenstance that feeds TIRnRR playlists. A listener recommended we play some material by '50s rockabilly guitar teen wunderkind Larry Collins; we've played his "Whistle Bait" in the past, and of course we've played the stalwart "Hoy Hoy," recorded in 1958 by The Collins Kids (Larry and his older sister Lorrie Collins). Time for more!

A search for deeper Larry Collins cuts led to a stumble across "See The Hills," a track from a collection called Sharon Sheeley: Songwriter. Sheeley wrote or co-wrote a number of tunes you may know, including Ricky Nelson's "Poor Little Fool" and her boyfriend Eddie Cochran's "Somethin' Else." "See The Hills" is country pop, and presumably just a demo recording. I don't know if anyone else ever recorded this, but The Beau Brummels should have. It's worthy of wider exposure, and it's certainly worth a spin on the radio. Thanks again, happenstance.

SAM COOKE: (Ain't That) Good News

Actor Leslie Odom, Jr.'s Oscar-nominated portrayal of Sam Cooke in the film One Night In Miami... has prompted us to play a lot more Sam Cooke on TIRnRR this year. We are willing thralls to the stimuli of pop culture. While Cooke classics like "Chain Gang" and "Another Saturday Night" are recognized pop-soul juggernauts, "(Ain't That) Good News" isn't quite as well-known. I mean, it was a hit (# 11 in Billboard in 1964, achieving a higher chart position than Cooke's iconic "A Change Is Gonna Come"), but it's usually not one of the first five or six songs to come to the mind of most folks when discussing Sam Cooke's c.v. I remember it from a TV ad for some mail-order Sam Cooke best-of LP decades ago, and its easygoing sway and casual confidence retain Cooke's swagger and cool groove, now and forever. Good news.

THE FORTY NINETEENS: It's The Worst Thing I Could Do

We've been corresponding with The Forty Nineteens' singin' drummer Nick Zeigler for ages already, so it was always a no-brainer we'd play new Forty Nineteens music as it became available. The group's new album New Roaring Twenties adds an extra irresistible with the inclusion of "It's The Worst Thing I Could Do," a song previously done by Zeigler and The Forty Nineteens' front number John Pozza with their old gang The Leonards. The song's been an ongoing obsession for me since its appearance on a fab 1992 various-artists set called Hit By A Succession Of Bricks. The Forty Nineteens slow down The Leonards' original breakneck approach, but retain the inherent bludgeoning charm of a great song built to survive and thrive in varying arrangements and environments. It's the BEST thing we could do!

THE KENNEDYS: Half Of Us

Several years back, The Kennedys coined the phrase "coffeehouse pop" to describe their music, a catchphrase built upon the understanding that their music is just, well, their music. It's an apt description, but if you don't know The Kennedys--and my God, how could you possibly not know The Kennedys?!--it may not convey the sheer depth of Pete and Maura's POV. You'll get some of it quickly: they met as members of Nanci Griffith's band; their first date was a visit to Buddy Holly's grave in Lubbock, Texas; their sound incorporates folk and Americana, a singer-songwriter vibe, a pervasive love of all that music can be. Awrighty. The idea of coffeehouse pop can probably convey all of that.

But does it hint at Maura's roots in the early '80s Syracuse punk scene? Does it suggest the sheer virtuosity of Pete as an incomparable player of anything that has strings to pluck, pick, or strum? Do you hear Gershwin? Howzabout The Hollies? And are you ready for a coffeehouse pop song inspired by The Ramones?

"Half Of Us" is that song, an absolutely lovely li'l bopper from The Kennedys' 2002 album Get It Right. Maura once said they wrote it under the influence of Forest Hills' phenomenal pop combo, and who are we to argue? If "Half Of Us" doesn't sound immediately like music to huff Carbona by, the 1-2-3-4! pop instinct is nonetheless there, distinct and undeniable. And it's coffeehouse pop. Joey Ramone would have loved it.

(And if you really don't know The Kennedys, you can remedy that woeful situation by checking out Pete and Maura's weekly YouTube shows, which stream every Sunday afternoon at 2:00 Eastern. Coffeehouse pop never tasted sweeter than this.)

NIGHTSPELL: Sea Of Thieves

A beguilingly sing-songy intro leads into a kaleidoscopic goosing of the flesh, all courtesy of Boston's Nightspell and their new Red On Red Records single "Sea Of Thieves." The brittle claustrophobia of the lyrics may seem to contrast with the confident bounce of the tune, but that dichotomy creates the precise cathartic jolt that's central to the song. Take anything you want/Take anything but me. The result is one of the most pleasant-sounding expressions of that familiar sentiment, Hit the road, Jack! 

(But yeah, pleasant or not: take a hike, ya worthless crumb.)

POP CO-OP: You Don't Love Me Any More

I say again: if Chad and Jeremy had recorded Pop Co-Op's "You Don't Love Me Anymore," it would have been the very best thing Chad and Jeremy ever did. And I love Chad and Jeremy. Pop Co-Op's own stirring version is available as a CD or as a digital download on our 2017 compilation album This Is Rock 'n' Roll Radio, Volume 4.

THE RAMONES: Swallow My Pride

Power pop from The Ramones. Specifically, it's power pop from The Ramones' second album, 1977's Leave Home. There are knowledgeable pop pundits (some of whom are my pals) who don't regard any of The Ramones' records as fitting within the critical parameters of power pop. I disagree. "Swallow My Pride" is a prime example of why I disagree. It's not da Brudders' only power-pop masterwork--that list also includes "Sheena Is A Punk Rocker," "Oh Oh I Love Her So," "Rockaway Beach," "Babysitter," and more--but it serves as an opening argument. Power pop from The Ramones. Proud power pop from The Ramones. But isn't it always that way?

KEVIN ROBERTSON: Love's Blue Yonder

Man, this is pure sunshine. "Love's Blue Yonder" is a single off the forthcoming debut solo album from Kevin Robertson of The Vapour Trails. If the single's any indication of how great the album's gonna be, we hereby advise you to make some space on your CD shelf and plan your budget accordingly.

THE ROLLING STONES: She's A Rainbow

Standing in the shadows of Sgt. Pepper, or a bold Stonesy step the pop world wasn't ready to take in 1967? It's been many, many years since I've listened to The Rolling Stones' Their Satanic Majesties Request, and I owe myself a refresher course in its virtues, vices, lanterns, and gompers. My first copy of the record came a little more than a decade after the fact, a used reissue pressing sans 3D cover graphics, but still dripping with the black-light atmosphere of its psychedelic reputation. It was...fine. Good. It was no Aftermath, certainly no Big Hits (High Tide And Green Grass), but really, what was? I kinda liked the hippie vibe of the LP's opening track "Sing This All Together." My proto-punk teen self took to the riff-driven "Citadel," and I paid occasional tribute to the bass player with spins of Bill Wyman's "In Another Land." The rest of the record rarely registered on my Satanic Majesties' request line in 1978.

That said, Side Two did contain a couple of tracks I knew from my battered 'n' cherished copy of Through The Past, Darkly (Big Hits Vol. 2): "2000 Light Years From Home" and "She's A Rainbow." When Dana included the latter among his selections for this week's radio show, we opted for the slightly longer Their Satanic Majesties Request album version--with its unique dialogue intro--rather than the single. Satanic? Majestic! Ooh-la-la-ooh-la-la-lala....

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download

Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Follow me on Twitter @CafarelliCarl