Showing posts with label Thelma Houston. Show all posts
Showing posts with label Thelma Houston. Show all posts

Friday, December 20, 2024

10 SONGS: 12/20/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1264.

THE ISLEY BROTHERS: Shout (Part One)

Confession time: If sports things play out the way I wish over the next several weeks, I will have unabashed divided loyalties on Super Bowl Sunday. I will, of course, be tuned into This Is Rock 'n' Roll Radio as always. But I'm a former resident of Buffalo, and if the Buffalo Bills make it to the Super Bowl, I'm gonna watch, and I'm gonna be shoutin' at the screen the whole time. The Bills make me wanna SHOUT! Not...always for the right reasons. Gimme the right reasons this year, team. Go, Bills!

THE PANDORAS: Melvin
THELMA HOUSTON: Don't Leave Me This Way


A song about a guy named Melvin, segued into a song originally done by an artist named Melvin. If that ain't art, there ain't art.

The Pandoras' "Melvin" is a gender-swapped cover of Them's punk classic "Gloria," but the switch didn't originate with the Pandoras. "Melvin" was first done in 1966 by the Belles, and the Pandoras brought the original's garage-girl grunge glory into their own '80s psych-revival milieu. We pray G-L-O-R-I-A and M-E-L-V-I-N are still together somewhere, and still spelling each other's name with a resilient spark in their eyes.


"Don't Leave Me This Way" was first done by Harold Melvin and the Blue Notes, and the Blue Notes' version (with its magnificent Teddy Pendergrass lead vocal) merits a chapter in my book The Greatest Record Ever Made! (Volume 1). Thelma Houston had the hit, which is far and away the best-known take on the song. Even when then-teen me hated disco, I still liked Thelma Houston's "Don't Leave Me This Way." We're ALL Melvin!

LIBRARIANS WITH HICKEYS: Hello Operator


I'm not sure if we've mentioned recently (nor often enough) how much we love the current Librarians With Hickeys album How To Make Friends By Telephone. "Hello Operator" was the album's first advance single a few months back, and it's still my favorite among a batch of How To Make Friends By Telephone favorites. SPOILER ALERT: We're gonna hear this track again on the countdown show. That's what phone-a-friends are for.

THE MONKEES: A Little Bit Me, A Little Bit You


Try as many a mastering engineer might, no CD reissue of this non-LP Monkees single has ever come within a light year of matching the sheer punch and power of the original Colgems Records 45. Most Monkees fans consider this a relatively minor entry in the group's history, a Neil Diamond composition that represented former producer/puppeteer Don Kirshner's last grasp of the Monkees' strings; B-side "The Girl I Knew Somewhere," written by Michael Nesmith and performed by the Monkees themselves rather than by session musicians, is ultimately more important, even though the A-side was the the hit. 

Kirshner's last stand? It's a really, really good last stand. And if consensus dismisses this as an inferior follow-up to Diamond's SuperMegaSmash Monkees hit "I'm A Believer," I actually like it better. Part of the reason is circumstantial: I just love the way the sound of my flea-market 45 jumps out of the speakers, loud and distorted in all the right ways, pounding and popping in a way no reissue has ever managed to recapture. "I'm A Believer" is a better song, and arguably a better record, but I feel a vibrant and pervasive connection to "A Little Bit Me, a Little Bit You," a connection its "Believer" big brother can't equal. 

(For a coincidental commentary on Kirshner's exit from the Monkees project, read the lyrics to this song as an approximation of what I think Kirshner shoulda said to the Monkees at the time. Except maybe not addressing the group as "Girl.")

THE COOKIES: Wounded

The Greatest Record Ever Made!

THE FLASHCUBES: Gone Too Far

Gone TOO far...?! Man, I'd say Syracuse's own power pop powerhouse the Flashcubes haven't gone far enough, at least not yet. There's some cool Cubic stuff brewing for 2025, so, y'know, don't go anywhere. Stay tuned.

THE 'B' GIRLS: Fun At The Beach


This week's shindig was our last regular show of 2024, with the annual Christmas and Countdown shows poised to kick us through December's final pair of Sundays. With seasonal sides taking over for now (and countdown tracks set to follow), our last regular non-Christmas/non-Countdown spin this year is "Fun At The Beach," a 1979 single by the 'B' Girls. Boys in bikinis! Girls with surfboards! Wait...that's the B-52's. Wrong B-band! Ah well. Surf's up nonetheless.

LISA MYCHOLS: Joy Is In The Giving

We devoted this week's final set to Christmas music. We rarely play Yuletunes outside of our Christmas show, but the Christmas show itself tends to get its stocking overstuffed very quickly, leaving no room at the Inn. We had a few new seasonal sides in need of at least one spin this year, so we grabbed a few rockin' holiday classics and mixed 'em with these pepperminty-fresh Ghosts Of Christmas Present to form this week's closing set.

That set commenced with "Joy Is In The Giving" by Lisa Mychols. It's not a new track--it appeared on the superfestive 2010 compilation album Hi-Fi Christmas Party Volume 3--but this year it's included on The Very Best Of Hi-Fi Christmas Party, which collects some of the brightest stars from that series in one neatly-wrapped package. Sales of this compilation benefit Versiti Blood Research Institute. Quoting from Versiti's mission statement: "From research and diagnostic testing to the sharing of lifesaving gifts, we advance the field of personalized medicine while providing care, comfort and support to our communities. We are blood health innovators who enhance lives through discovery, diagnosis and treatment (specializing in diseases and disorders of blood)."

Worthy music, worthy cause. And worth another spin next week.

MIKE BROWNING: It's The Most Wonderful Time Of The Year

Is it the most wonderful time of the year? Here's hopin'. With this week's closing spin, our pal Mike Browning sets us up for The 26th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show this coming Sunday night. And we'll hear Mike's rendition of "It's The Most Wonderful Time Of The Year" again at the top of that show. Good cheer provides its own justification. 

We also hope there will be cookies. 

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Saturday, June 8, 2024

10 SONGS: 6/8/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1236

sparkle*jets u.k.: Box Of Letters

One of the rules for puttin' on a show is to open BIG. A new single by the mighty sparkle*jets u.k. fits that bill from our POV, especially with this fab track "Box Of Letters." BIG pop music! We'll hear it again on our next show. Big pop music is its own reward.

JOHNATHAN PUSHKAR: Don't Stop

No, it's not the Fleetwood Mac song (not that there would be anything wrong with that). Johnathan Pushkar's righteous rendition of the Rolling Stones' "Don't Stop" comes to us via the new tribute album Jem Records Celebrates Jagger & Richards. Dana's pick! 

And a good pick it is, too. It's a 21 century Stones track, and I wasn't at all familiar with the original version. Hey, wait here while I check that one out.

Awright, I'm back. The Rolling Stones' version is fine, but I do prefer the pop of Pushkar's take. We'll hear another track from Jem Records Celebrates Jagger & Richards on our next show.

ALAN MERRILL: Everyday All Night Stand

The late Alan Merrill was an American musician who sounded like a British musician. I mean that as a compliment. Merrill was a member of the Arrows, a '70s UK group that also included fellow Yank Jake Hooker. The Arrows are best remembered for a then-obscure B-side written by Merrill and Hooker: "I Love Rock And Roll." 

Joan Jett was a fan. We know the song now because Joan Jett loved it, covered it, and spread its Gospel. Put another dime in the jukebox, baby. I wrote about the song back in 2020, right after Merrill died due to COVID:

"Joan Jett is about my age, and of course I had a crush on her. Duh. When the Runaways split at the end of the '70s, Jett seemed the one former member most likely to make some interesting new music; Lita Ford was more suited to hard rock, Sandy West, Jackie Fox, and Fox's replacement Vickie Blue didn't appear to be headed to solo careers, and although Cherie Currie (with her sister Marie Currie) did an appealingly basic cover of Rainbow's 'Since You've Been Gone,' none of them quite had Jett's potential. But Joan herself? Joan loved rock 'n' roll.

"So she made rock 'n' roll. She kicked the bad habits that could have ended her career and her life, she kept playing, she kept recording, and she kept playing some more. Her eponymous 1980 debut album (later reissued as Bad Reputation) was one of my favorite records in that period. She had done some recording with former Sex Pistols Steve Jones and Paul Cook, some of which appeared on that first album. But the B-side of her UK single cover of Lesley Gore's "You Don't Own Me" remained non-LP. I confess I was a little disappointed with the Gore cover, but I played that B-side a lot. That was 'I Love Rock 'n' Roll'...

"While (forgive the redundancy) I love 'I Love Rock 'n' Roll,' I've never felt it was Joan Jett's very best track. I'd put 'Love Is Pain,' 'Bad Reputation' (and nearly all of that debut album), her take on Bruce Springsteen's 'Light Of Day,' 'This Means War,' 'Eye To Eye,' and several others above it. Similarly, when the Coronavirus claimed the song's co-author Alan Merrill last month, I recalled that it wasn't quite my favorite among his own catalog either."

My favorite Merrill track remains "Everyday All Night Stand,": which I first heard on his 2012 album Snakes And Ladders. I didn't realize until, like, a week ago that the Snakes And Ladders track was a remake of a song Merrill had originally recorded and released in the early '70s, pre-Arrows. The earlier version is now among my all-time Fave Raves, and a near-miss for my recently-posted All-Time Hot 150.

Allan Merrill was one of the first musicians I heard of succumbing to COVID. It feels like a million years ago, and it feels like yesterday. As I write this, I'm still in shock over the real-life yesterday's news that long-time TIRnRR friend Scott Cornish  has also passed from this damned virus. 

Brenda and I with Scott "King" Cornish at a Joan Jett show

I don't have words. I don't. I don't even have a song to play, because Scott was so passionate about so, so much music. Many of our other friends have already spoken eloquently in Scott's memory, and I cede the dais to all of them. We mourn together. Godspeed, King Cornish. Here's to an everyday all night stand.

Somewhere.

HUNGRYTOWN: Green Grow The Laurels

Lush Americana. Don't argue with the blogger, man. Hungrytown's new album Circus For Sale is available right now. Go! GROW!

PARTHENON HUXLEY: Double Our Numbers

The Greatest Record Ever Made!

SLYBOOTS: Blindsided

Ace NYC combo Slyboots made their TIRnRR debut two weeks ago, with a spin of their recent cover of Meat Puppets' "Oh, Me." All well 'n' groovy. Now, we dig a little bit deeper for a way swell Slyboots original called "Blindsided." "Blindsided" was released last summer, but you know the drill: 

Any record you ain't heard is a new record.

And, new or old, we're delighted to hear this record. We'll hear it again Sunday night.

THE GRIP WEEDS: We Love You
THE AVENGERS: Paint It Black
THELMA HOUSTON: Jumpin' Jack Flash
THE BEATLES: I Wanna Be Your Man


This week, programming picks t' click from Jem Records Celebrates Jagger & Richards inspired us to supplement that Nanker Phelge mania by closing out the show with a few extracurricular Stones covers. 

That closing half-set commenced with one of the Grip Weeds' two contributions to this superb Stones tribute album. I'm sure we'll get to their take on "Dandelion" before long, but we for damned sure wanted to slot in the Grip Weeds' characteristically confident performance of "We Love You" ASAFP. "We Love You" has long been one of my very favorite Rolling Stones tracks, and our Grip Weeds do it justice. Grip Weeds go WILDE!


We then switch to a pair of older Stones covers. From circa 1978, the great San Francisco punk group the Avengers pull off a fiery version of "Paint It Black," and then Thelma Houston serves up a 1969 recording of "Jumpin' Jack Flash" that is A) her single best-ever track, and B) a peer to the Stones' seemingly nonpareil original. It IS, in fact, a gas, gas, gas!

Finally, we close with a Stones cover that isn't exactly a cover. John Lennon and Paul McCartney wrote "I Wanna Be Your Man" for those Rolling Stones; it was the Stones' second single, and their first UK hit. The Beatles then recorded it themselves, with Ringo singing lead. No offense to our little Richard and his moptopped fellow Fabs, but the Rolling Stones' "I Wanna Be Your Man" is a rare case of a Beatles song done better by a group other than the Beatles.

Oh, and the Beatles' version is also great. Beatles or Stones? In the larger scheme o' things, there's simply no need to pick a side. Together, lads!

BONUS TRACK!
THE ROLLING STONES: Sing This All Together


Well? Why don't we sing this song all together? Inquiring minds wanna know. C'mon. Let's roll.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's book Gabba Gabba Hey! A Conversation With The Ramones is available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book The Greatest Record Ever Made! (Volume 1) will be published in July. Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, May 11, 2023

10 SONGS: 5/11/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1180. This show is available as a podcast.

THE RAMONES: Sheena Is A Punk Rocker

As tangent to the breathless hype for my new book Gabba Gabba Hey! A Conversation With The Ramones (https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/), we begin a three-week celebration of THE RAMONES AT THE MOVIES, spinning four film-related Ramones tracks within each of the three playlists. 

Obviously, that starts with material from the Ramones' only movie, 1979's Rock 'n' Roll High School. We won't even get to the title track until next week, and we're giving short shrift to "Teenage Lobotomy" (heard in the film's epic exploding mice sequence, but omitted from our RAMONES AT THE MOVIES celebration because, um...I forgot. Oops. I'm a middle-age lobotomy!). 

The celebration has to kick off with the first Ramones song heard in Rock 'n' Roll High School, as the film's heroine (played by P. J. Soles) introduces herself--I'm Riff Randell, and THIS is Rock 'n' Roll High School!--and places stylus to groove. Rocket To Russia. "Sheena Is A Punk Rocker." The opening credits roll. 

When I saw the movie for the first time, in a crowded nightclub filled with fans digging the film and champin' at the bit for what was gonna follow the screening (live sets from the Flashcubes and the Ramones themselves), there was one on-screen credit that got the biggest cheer from all in attendance.

Yep. The kids were all hopped and ready to go. More cheers would follow. It was one hell of a great night.

THE MOSQUITOS: I'm So Ashamed

The Mosquitos were a simply fantastic Long Island rock 'n' roll combo in the 1980s, and I regret I never had an opportunity to see them perform. I first heard them when their track "Darn Well" appeared on Garage Sale!, the nonpareil garage compilation cassette issued in 1985 by the combined forces of ROIR Records and Goldmine magazine. Garage Sale! looms large in my legend for hooking me into the world of Goldmine, a publication for which I wound up doing freelance writing for twenty years, 1986 to 2006 (a story told here).

"Darn Well" was ultimately more representative of the Mosquitos' garage-pop vibe than the slightly slicker recordings found on their only official release, the 1985 five-song EP That Was Then, This Is Now! I bought that EP some time in the '80s, loved it, but like most folks, I was introduced to its title track via a cover version recorded by someone else.

The Monkees (or at least Micky Dolenz and Peter Tork of the Monkees) took their version of "That Was Then, This Is Now" to Billboard's Top Twenty in 1986. In a perfect world, that would be just a cool footnote to the Mosquitos' career; instead it was the closest the group ever came to a headline. The Mosquitos broke up, remembered only by a lucky few.

Now, at long last, the mighty Kool Kat Musik is doing its part to preserve and proclaim the Mosquitos' underrated legacy. A new 2-CD archival set called This Then Are The Mosquitos gathers demos, live tracks, and gems of all sorts in a package to delight fans both old and new. I preordered my copy as soon as Kool Kat made the announcement. You're going to be hearing a lot from the Mosquitos on TIRnRR

CINDY LAWSON: Let's Pretend

I've been listening to pop music with willful obsession for decades. It's why I co-host a radio show, and the sweetly addictive nature of my obsession is why I write about singers and songs on (or not on) the radio.

And I'm still discovering new and new-to-me stuff all of the time. In the '90s, Cindy Lawson was in a group called the Clams. The Clams completely evaded my radar; I only heard them for the first time a few days ago. My belated discovery of the Clams came about because I stumbled across Lawson's swell "Let's Pretend" on a sampler album, decided to play it, and then felt compelled to find out about more of her work. Obsession in play! Cindy Lawson makes her TIRnRR debut this week. The Clams make theirs next week. 

THE RAMONES: I Just Want To Have Something To Do

The Ramones' first on-screen appearance in Rock 'n' Roll High School finds them lip-syncing "I Just Want To Have Something To Do," the juggernaut opening cut from their 1978 album Road To Ruin. Johnny Ramone laughed when I told him this was the greatest track KISS never did, and I for damned sure meant it as a compliment.

ALICE COOPER: School's Out

The Greatest Record Ever Made!

(And, as much as I loved the song as an adolescent and teen in the early '70s, the first time I owned a copy of it was when I bought the Rock 'n' Roll High School soundtrack LP.)

THELMA HOUSTON AND PRESSURE COOKER: I've Got The Music In Me

I know I invest a lot of time and space complaining about incredible records that shoulda been hits but, y'know...weren't. Some stellar-sounding acts never even got a small taste of the big time. Some managed to get a hit, but stalled in that status as one-hit wonders. I've griped about the Flirtations in recent weeks, and Thelma Houston is yet another one-hit wonder who deserved repeat success. Her lone big number was her disco remake of Harold Melvin and the Blue Notes' "Don't Leave Me This Way," but there is still more greatness lurking in the Thelma Houston catalog. She did an absolutely struttin' rendition of the Rolling Stones' "Jumpin' Jack Flash," and this week's playlist finds her puttin' the Kiki in her Dee for a cooking take on "I've Got The Music In Me."

Oh, and Thelma's hit is also awesome on its own merit. We'll give it a spin next week.

THE RAMONES: I Want You Around

I know we don't think of the Ramones as balladeers, but I tell ya, there's a handful of absolutely killer sing 'n' sway tunes among the group's prerequisite cretin hops and Blitzkrieg bops, especially in the '70s. "I Want You Around" would have been worthy of the Searchers, but even those British Invasion stalwarts couldn't have improved on the Ramones' original. 

The song's spot in Rock 'n' Roll High School marks the Ramones' second appearance on-screen, as Riff Randell smokes a joint and fantasizes that Joey Ramone is in her room, singing to her as Johnny sits by her bed and strums his guitar (first an acoustic, which magically transforms into an electric), with Marky Ramone drumming in her back yard (and eventually crammed into her bathroom) and a soaking-wet Dee Dee Ramone playing bass in her shower. The scene is goofy and charming at the same time, and a perfect illustration of both the Ramones' innate pop appeal and why Rock 'n' Roll High School is one of THE all-time great rock 'n' roll movies.

(Don't believe me? Fine. Let's cede the lectern to Marshall Crenshaw, who wrote in the book Hollywood Rock, "Despite what you might think, it is possible for human beings to achieve perfection. Take this movie: Every joke is funny, every song is fantastic, and every frame is shot according to God's will...."

Class dismissed.

THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message

The good folks at the superfab Big Stir Records are getting set to whoop it up on behalf of the label's sixth anniversary. HuzZAH!, we say. Big Stir's sixth anniversary year will include the release of a new album by Syracuse's own power pop powerhouse the Flashcubes. Yes, we've heard it. And yes oh YES, it's gonna rock your pantaloons off. Stay tuned. Happy Anniversary, Big Stir!

THE RAMONES: Questioningly

Another sublime ballad, this one from Road To Ruin. In Rock 'n' Roll High School, "Questioningly" plays on the radio as Riff Randell tries to call in and win tickets to the Ramones' sold-out concert. 

In the movie, the Ramones are the biggest rock 'n' roll stars on the whole friggin' planet. In our stupid real world, it would have bordered on science-fiction for a radio station to play "Questioningly." I think the made-up world got this one right.

THE MONKEES: That Was Then, This Is Now

Awright. I'm nearly as big a Monkees fan as I am a Ramones and Flashcubes fan. I give the Mosquitos the edge here in doing their own song, but I love the Monkees' version, too. In '86, it was a dream come true for the Monkees to return to the charts, for me to have a chance to see them in concert, and to manage a record store and speak with kids who saw the Monkees on MTV and were eager to find out more, eager to own Monkees records. Then, now, whenever--that was something. 

Obsessions unite: the late Peter Tork with Marky Ramone and Micky Dolenz in 2013

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl