Showing posts with label Sam Phillips. Show all posts
Showing posts with label Sam Phillips. Show all posts

Saturday, May 3, 2025

10 SONGS: 5/3/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

Awww, look at me trying to make something happen!

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1283

THE FLASHCUBES: If These Hands

Around the office here, it's full-speed-ahead toward the September release of Big Stir Records' various-artists compilation Make Something Happen! A Tribute To A DIY Power Pop Band Called THE FLASHCUBES. The Flashcubes have always been my favorite power pop group, and I've long wished for wider appreciation of the group's own original songbook. A tribute album gathering fab pop performers to cover some Flashcubes tunes felt like it could be the best Cubic celebration ever. Make something happen, already!

We've been rolling out teases and previews of Make Something Happen!, and we'll debut Flashcubes tribute stunners by Chris von Sneidern and Callan Foster on our next show. We were also determined to include at least one new original Flashcubes track on the tribute; we lucked out and secured THREE new 'Cubes treats, one apiece from each of the band's songwriters, Gary Frenay, Paul Armstrong, and Arty Lenin. (We figure all of Gary, PA, and Arty's songs inherently honor the propulsive poundin' prowess of 'Cubes drummer Tommy Allen.)

Paul's righteous, rockin' statement of intent "Reminisce" has been invigmoratin' our TIRnRR  playlists for months. Gary's irresistible seizing of the day "The Sweet Spot" (co-written by the late B.D. Love) debuted on last week's playlist, played again this week, and returns to our sovereign airwaves this coming Sunday night. And now, Arty completes the hat trick with "If These Hands," a yearning bit of folk rock that would have sounded right at home on one of the Searchers' late '70s/early '80s albums. 

That is not faint praise. And it's still more evidence that Make Something Happen! seems certain to be one of 2025's very best new releases.

CHUBBY CHECKER: Birdland

On Sunday's show, we back-announced "Birdland" as a track by Rock And Roll Hall Of Famer Chubby Checker. Our shows are prerecorded, and although we knew the Hall's 2025 inductees would be announced that night, we didn't know whether or not the often-myopic RnRHOF would deign to give Checker his long-overdue propers. I hedged my on-air statement by adding that, regardless of what happened with this year's (nor any future year's) voting, Checker is and will always a Rock And Roll Hall Of Famer.

Turns out the Hall did get it right this year. In fact as well as act: Welcome to The Rock And Roll Hall Of Fame, Mr. Checker.

LIBRARIANS WITH HICKEYS: Gone Too Far

Another track from Make Something Happen! "Gone Too Far" was among my many top picks in the Flashcubes' live sets in the '70s. I'm in awe of how Librarians With Hickeys took this already-great Arty Lenin tune and transformed it from its original hybrid vibe of '70s power pop meets the Monkees into something that sounds instead like a mythical '60s side that only existed in dreams that were too much to dream last night. 

The transcendent result conjures an imaginary lost garage pop 45 that could have made its way to a Pebbles compilation. In my mind, it creates an image of a forgotten sidebar in pop history, where an unknown Midwest combo played local sock hops and teen scenes, and stayed together just long enough to cut this one killer single. The B-side was either an inept frat-rock cover or an undistinguished beatless beat ballad. 

The A-side was "Gone Too Far." 

Then this hapless group's lead singer was drafted, and most of the rest of the group left music behind. Maybe the guitarist went on to be a cult figure in subsequent pop, rock, and indie work, maybe he remained as obscure as his erstwhile bandmates. Either way, this band that never was left us this one enduring example of tattered, battered brilliance.

I made that all up, and I don't have any specific real-world counterpart to any of the above fancifying. But this reaction was immediate for me when I first heard Librarians With Hickeys' cover of "Gone Too Far." They did a fantastic job of making this their own.

THE TREMBLERS: Maybe I'll Stay

In the early '80s, (then-) former Herman's Hermits lead singer Peter Noone had a brief goal of separating himself from his hit fling with Mrs. Brown's lovely daughter and establish himself as a straight-up rock 'n' roll singer. Twice Nightly, the sole album credited to Noone's short-lived combo the Tremblers, remains a stirring, no-nonsense realization of this goal. I've referred to the Tremblers as "New Wave Herman," but that may imply an element of gimmicky fad-following that is not at all in evidence on this fine record. I wish the Tremblers had decided to stay.

SAM PHILLIPS: Faster Pussycat To The Library!

If someone ever pulls off a B-movie called Faster Pussycat To The Library!, I would totally go see it, especially if it were to play at the drive-in on a double bill with another make-believe grindhouse flick:

THE PLIMSOULS: Dangerous Book

Faster Pussycat To The Library! and Dangerous Book. Man, someone get a call into Tarantino. We'll bring the popcorn. Maybe Librarians With Hickeys can make an on-screen cameo, like the Strawberry Alarm Clock in Beyond The Valley Of The Dolls?

THE SEX PISTOLS: God Save The Queen

The Greatest Record Ever Made!

THE BONGOS: Come Back To Me

Later this month, Jem Records will be releasing The Shroud Of Touring, a fabulous archival document of a 1985 live set by the Bongos. I've been a Bongos fan for decades, my own earnest Bongomania commencing with live versions of "Telephoto Lens" and "In The Congo," as heard on Start Swimming, a 1981 compilation that presented two in-concert tracks apiece from the Bongos, the Raybeats, the dB's, the Bush Tetras, and the Fleshtones. This introduction compelled me to pick up the Bongos' full-length debut album Drums Along The Hudson at my earliest opportunity. Hooked by the live cuts on Start Swimming, the studio versions of "Telephoto Lens" and "In The Congo" became my Fave Raves in the Bongos' hit parade, and they have retained that status nearly 45 years later. I also adored their Numbers With Wings EP and Beat Hotel album, and the latter was a go-to for in-store play when I worked at a record store in 1985. (Until this moment, I was not even aware of a 2013 Bongos release called Phantom Train. I will be acquiring that target shortly.)

As we await the release of The Shroud Of Touring, which will itself be celebrated on May 30th with a Bongos live reunion show in Asbury Park (on a bill with TIRnRR superstars the Cynz and the Grip Weeds), we're gonna spin a few tracks from the Bongos' studio catalog. That campaign begins with "Come Back To Me," a superb Beat Hotel number that I'm surprised to say we ain't played before. We'll hear an earlier Bongos cut on our next show, and material from The Shroud Of Touring will start swimming in our stream on May 11th.

THE RAMONES: I Wanna Be Sedated [Ramones-On-45 Mega-Mix!]

From a previous post:

One doesn't normally associate the Ramones with extended dance mixes. That seeming dichotomy works to perfection in "I Wanna Be Sedated [Ramones-On-45 Mega-Mix!]."

It's loud. It's danceable. It's the bubblepunk of the Ramones caught makin' out with club chicks. It's "I Wanna Be Sedated" set to a heavier beat, with bits of "Blitzkrieg Bop," "Teenage Lobotomy," and "Sheena Is A Punk Rocker" edited in, peppered with prerequisite dance-mix Sensurround moves, but retaining a far-from-sedate line-of-sight with the purity of the Ramones.

I should hate this. I freakin' love it. Awright, all you punks 'n' bumpin' bunnies alike: we can't control our fingers, we can't control our brains. Can't control our feets, either. BAMbambumpbam, ba-BAMbambumpbam. We know what we want.

THE BEATLES: I'm Only Sleeping

And we'll leave the light on for you.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Thursday, September 1, 2022

10 SONGS: 9/1/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1144.

THE FLASHCUBES FEATURING DAVID PATON: Get Up And Go

A favorite phrase in my current lexicon is "new music from the Flashcubes." The Flashcubes' series of (usually collaborative) new Big Stir Records digital singles continues with this shiny-minty cover of Pilot's "Get Up And Go." And ho-ho-ho, it's MAGIC, as Pilot's David Paton hisself joins in for a stellar update of his own 1977 composition. High-flyin' Flashcubes! Get up and go.

ELENA ROGERS: You're Sorry

Aw, this is just luscious. Elena Rogers has been an occasional player in previous TIRnRR playlists, both as a solo performer and with her absolutely exquisite backing vocals on Allan Kaplon's Notes On A Napkin album. In each of these examples, Elena has worked with producer and musical superhero Jamie Hoover of the Spongetones, and our Jamie remains present 'n' accounted for on Elena's debut album Opus One. "You're Sorry" is my favorite so far, and we'll hear it again on next week's show.

THE KINKS: You Still Want Me

My introduction to the Kinks' 1964 single "You Still Want Me" came via my pal Jay in...well, it musta been the late '70s, though I guess it could have been in the very early '80s. It was a non-LP track, and it hadn't appeared on any of the Kinks compilation albums I knew. 

Jay had "You Still Want Me" on a 7" import EP called Yesteryear Series, which reprised (HAR!) all four tracks from the Kinks' first two British singles, "Long Tall Sally"/"I Took My Baby Home" and "You Still Want Me"/"You Do Something To Me." I already knew and loved "I Took My Baby Home" (as revealed in a previous post recalling my introduction to the Kinks' music), and was immediately indifferent to their take on Little Richard's "Long Tall Sally." "You Do Something To Me" was a catchy li'l beat number, and I thought "You Still Want Me" was even more so. My favorite of the four remained (and still remains) "I Took My Baby Home," but I already owned a copy of that one. So I asked Jay to play "You Still Want Me." And to play it again. Beat, repeat!

Listening to the record together at Jay's house, our friend Beth found it reminiscent of the Dave Clark Five, but to me it sounded more like the Searchers. Great, underrated record. And, although neither of the Kinks' first two singles were what the public wanted to take home, the Kinks' third single turned out to be a different story.

SAM PHILLIPS: Baby, I Can't Please You

As always: for Lorelei and Rory, and all of their friends in Stars Hollow.

CHRIS VON SNEIDERN: Annalisa
CHRIS VON SNEIDERN: Goodnight Sailor


Chris von Sneidern then, and Chris von Sneidern now! I don't remember if I heard CVS's great pop tune "Annalisa" before or after the first time I saw him play. Either way, it was either my third or fourth CVS track, following his debut single from 1991, "Too Much To Do"/"On The Run." The "Somedays"/"Annalisa" 45 was released in '93, and I may have received that single from the same resource that gave me the previous CVS 45: Chris' Mom Sandy. Sandy was a very nice and very likable individual, and this world is poorer for her absence in it.

"Annalisa" has been a classic TIRnRR Fave Rave throughout this show's mutant existence. Since then, Chris has granted us use of several tracks in our compilation albums: "Lonely Tonight" (and a TIRnRR ID bumper) on This Is Rock 'n' Roll Radio, Volume 1, "Insomniac Summer" on This Is Rock 'n' Roll Radio, Volume 4, and bumpers on Volume 2 and Volume 3. In one form or another, Chris von Sneidern's pop mojo has been a part of each and every This Is Rock 'n' Roll Radio compilation to date.

So why mess with a sure thing? Our forthcoming Kool Kat Musik release This Is Rock 'n' Roll Radio, Volume 5 continues that streak, with a fantastic new CVS track called "Goodnight Sailor." Classics then, classics now. We are honored indeed.

NATALIE SWEET AND BRAD MARINO: Second Time

Man, this one pumps like pop with power oughtta. Individually, Natalie Sweet and Brad Marino have already established their respective rockin' pop bona fides, but now, with their forces COMBINED...?! Sign me up! Our spin of "Second Time" on this week's show prompted loyal listener Mike Browning to write, "Despite the Beatles' advice, I say YES to Second Time!" Right you are, Mike. Right you are. And--of course!--this track will get its second time here on next week's show.

THE RAMONES: I Don't Want To Grow Up

The Greatest Record Ever Made!

ANDREA GILLIS: I Don't Need You No More

Hey, our first-ever J. Geils Band cover, courtesy of the irresistible Andrea Gillis. Our obsession with Andrea's ace 2021 track "Leave The Light On" means we've played her stuff a lot more often than we've played the Geils boys. We actually do like the J. Geils Band, their lack of airplay notwithstanding; their path to the playlist must'a got lost somewhere down the line. We're thrilled to at least give 'em a proxy spin this week, thanks to Andrea's current single version of "I Don't Need You No More.

THE METERS: Hang 'Em High

Amidst the hype leading up to last week's presentation of The 11th Annual Dana's Funky Soul Pit, intrepid TIRnRR listener (and Pop Co-Op guitarist) Joel Tinnel wrote to us: "The Meters. Must have the Meters. 'Hey Pocky a-Way,' 'Fire on the Bayou,' or 'Trick Bag' would work rather nicely." BUT! Dana already had specific Fab plans for this year's Soul Pit, and that particular blueprint didn't leave room for anything by the Meters.

Fun fact: Dana and I programmed this week's show before I knew of Dana's concept and playlist for The 11th Annual Dana's Funky Soul Pit, Nonetheless, I figured we oughtta try to belatedly honor Agent J's request, and our weekly after-the-tag bonus track--WAIT!WAIT!WAIT!WAIT!WAIT!WAIT! We got a little more This Is Rock 'n' Roll Radio!--provided the opportunity to plug in a Meters tune. Didn't have room left for any of the Meters tracks that Joel suggested, but spaghetti Westerns are our salvation! We hope a spin of the Meters' cover of "Hang 'Em High" satisfies the ol' Meters jones for the time being. Hang 'em high. Turn it UP!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, January 14, 2020

10 SONGS: 1/14/2020



This is the start of a new (presumably) weekly series called 10 Songs. Each entry in this series will list ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists will probably be dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This inaugural edition of 10 Songs draws exclusively from the many fine tracks played on This Is Rock 'n' Roll Radio this week: TIRnRR # 1008.

BONEY M: Painter Man



My relationship with disco is complicated. I hated it during its heyday, but began to re-think my position as it became clear that some (not all) of the Disco Sucks movement was built upon a foundation of tacit racism and homophobia. I further realized that a lot of the disco LP-burnin' Fascists hated my preferred punk and power pop almost as much as they hated dat ole debbil disco, so...enemy of my enemy is my friend. Eurodisco group Boney M was a breed apart anyway, willfully weird but extremely pop. The group is best-remembered for their smooth cover of The Melodians' "Rivers Of Babylon." My favorite Boney M song is their cover of The Smoke's '60s mod-psych classic "My Friend Jack," but props also to this cover of The Creation's power pop touchstone "Painter Man."

THE DODGERS: Don't Know What You're Doing



This 1976 U.K. single is so damned catchy, and it looks to be my song of the week. The Dodgers included two former members of Badfinger, Tom Evans and Warner Brothers-era addition Bob Jackson. In the category of Badfinger-related tracks, I might rank "Don't Know What You're Doing" just below "Baby Blue," "Day After Day," and "No Matter What," on a par with "We're For The Dark" and "Gotta Get Out Of Here," possibly even above "Come And Get It." And I love all of those songs.

EURYTHMICS: Would I Lie To You



Far and away my favorite Eurythmics track, sounding to me like Aretha Franklin backed by The Kinks and The Memphis Horns. I don't own any Eurthymics CDs, so the impulse to play "Would I Lie To You" on this week's show prompted me to borrow the band's Greatest Hits CD from my daughter. Thanks, Meghan!

MARY LOU LORD: Right On 'Till Dawn



A relatively obscure track from Mary Lou Lord's 2001 Speeding Motorcycle EP, "Right On 'Till Dawn" is a demo-recording duet by Lord and Nick Saloman (The Bevis Frond). Saloman wrote the song, and it's an underrated, unrecognized gem in both the Mary Lou Lord and Bevis Frond collections.

THE PARTRIDGE FAMILY: Somebody Wants To Love You



Listen: forget about the ephemeral TV show soundtrack and 16 magazine pinup pejoratives our oh-so-hip consciousness demands us to attach to something as crass and mundane as music from a sitcom about a fake family band. Although merely the B-side to a lesser song ("I Think I Love You") that, y'know, topped the charts, "Somebody Wants To Love You" is mature and accomplished, David Cassidy could really sing, and only a hopeless curmudgeon would deny the sheer groove and panache on display here.

SAM PHILLIPS: Baby I Can't Please You



Suffering from withdrawal during this long, long wait until the next season of Amazon Prime's TV series The Marvelous Mrs. Maisel, lovely wife Brenda and I have begun re-watching Maisel creator Amy Sherman-Palladino's previous series Gilmore Girls. Most of the scene transitions on Gilmore Girls are accompanied by exquisite off-screen la-la-lalala-laaaaas, all courtesy of singer Sam Phillips. That was sufficient motivation for me to grab one of my Sam Phillips CDs off the shelf and make room for Ms. Phillips on this week's playlist.

RUSH: Circumstances



The ceaseless parade of mortality that continues to claim our idols creates a risk that our radio playists can be transformed into morbid obituaries of the week. I very often find myself torn between an ongoing desire to pay tribute to artists we've lost and a fear of trivializing those passings. I was never really a Rush fan, but I've always liked the song "Circumstances," from Rush's 1978 album Hemispheres; that track managed to get through to this punk and power popper. The death last week of Rush drummer Neil Peart compelled me to play that song again, and it is definitely still a song buzzing pleasantly in my head this week. Respect.

TOOTS & THE MAYTALS: Reggae Got Soul



I first saw Toots & the Maytals name-checked in some magazine (either Rolling Stone or Playboy, possibly both) in the late '70s, though I wasn't conscious of the music until many years thereafter. I recall that Linda Ronstadt was among those praising the essential nature of Maytals LPs Funky Kingston and Reggae Got Soul, and if I couldn't quite fit reggae into my new wave rock 'n' roll world view at the time (The Clash notwithstanding), I did get there eventually.

THE VELVET UNDERGROUND: Sunday Morning



"Sunday Morning" was the Velvet Underground song most likely to be covered by The Monkees, and believe me, I mean that as a compliment. It was also the first VU song I ever heard, when I snapped up a (very) used copy of The Velvet Underground & Nico on my way to a lost long weekend visiting friends in the spring of 1981. 

THE WEEKLINGS: Change Your Mind



We opened this week's show with a public service for rockin' pop fans, identifying for our listeners what will certainly be one of their favorite albums of 2020. The Weeklings' new album 3 is irresistible, a collection of confident, exuberant performances that draw equal, enthusiastic inspiration from the '60s British Invasion and '70s power pop. Covers of The Beatles ("Baby, You're A Rich Man") and The Easybeats ("Friday On My Mind," with lead vocals by Special Guest Bat-Weekling Peter Noone) are fab as fab can be, but the original tunes freakin' rule, especially "I Want You Again," "In The Moment," and "Change Your Mind." We will hear many terrific albums in 2020; The Weeklings' 3 is an early clue to the new direction, and an early lock on a berth in many a year-end Top Ten.


The Gilmore Girls approve of 10 Songs.
TIP THE BLOGGER: CC's Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio:  CD or download

Hey, Carl's writin' a book! The Greatest Record Ever Made! (Volume 1) will contain 100 essays (and then some) about 100 tracks, plus two bonus instrumentals, each one of 'em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).