Showing posts with label Fountains of Wayne. Show all posts
Showing posts with label Fountains of Wayne. Show all posts

Saturday, April 5, 2025

10 SONGS: 4/5/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1279

JOE GIDDINGS: You're Not Grounded

Joe Giddings is an unheralded rockin' pop treasure. His current album Stories With Guitars is the best thing since sliced amphetamines, and its track "Tonite Tonite" is pret' damned likely to make our year-end countdown show. Jeez Louise, let's herald this guy awready!

Now, the esteemed Mr. Giddings has also turned in a cover of the Flashcubes' "You're Not Grounded," which is his contribution to the forthcoming Flashcubes tribute album Make Something Happen! The song was written by 'Cubes guitarist Arty Lenin, and recorded by Arty 'n' the lads for the Flashcubes' 2003 album Brilliant. Joe Giddings' cover of "You're Not Grounded" achieves the seemingly impossible: It's a Flashcubes cover that I--the world's most insistent Flashcubes fan--consider even better than the great Cubic original. Impossible--but TRUE! And brilliant from the ground up. That's how ya make something happen.

THE ARMOIRES: The Night I Heard A Scream

After kickin' off the proceedings in righteous fashion with Joe Giddings covering the Flashcubes, we threaded a secret series of Easter eggs at select spots throughout this week's playlist. We ain't sayin' what the thread was, nor what was part of it. All will be revealed in due time.

Meanwhile: Enjoy one of our consistent current Fave Raves the Armoires and their cover of a song by power pop legends 20/20. Just 'cuz. Pop music don't need no external justification, man. And don't the Armoires sound fabulous covering a little classic power pop?

THE AIRPORT 77'S: If It's On, I'm In

If it's on, I'm in--sounds like a plan! This latest single from the Airport 77's embraces the prospect and process of a gallivantin' blueprint transitioning from pencil to ink. BOLD ink, even. And fortune favors the bold. What's going on? Whatever it is, we're in. 

SUPER 8 FEATURING LISA MYCHOLS: Pop Radio

We played Super 8 Featuring Lisa Mychols' Make Something Happen! cover of the Flashcubes' "When We Close Our Eyes" on last week's show, and it'll be turning up on future playlists as well. Believe me you! But we also need to continue poundin' the ol' console on behalf of their magnificent current single "Pop Radio," a track which serves as manifesto for us and all others who crave the pleasures of hooks 'n' harmonies cascading 'cross the airwaves, where they belong.

THE MOCKERS: Rascals Who Died

High concept! Long-time TIRnRR Fave Raves the Mockers take on the Jim Carroll Band's alt-rock touchstone "People Who Died," but re-write it from a litany of see-yas to underground cronies into a farewell to Spanky and Our Gang. No, not the '60s sunshine pop group--Sunday actually will be the same--but the actors from the original Our Gang comedy short films, which were rerun  to death on TV as The Little Rascals. Members of the He-Man Woman Haters Club could not be reached for comment, possibly because they've all passed on anyway. We're playing this one again on our next show. Many happy returns of the day!

CHRIS CHURCH: Life On A Trampoline

"Life On A Trampoline?" It's BOUNCY! And it's a great, great track from Chris Church's great, great new album Obsolete Path. It will bounce its way back onto the radio in Syracuse again  this Sunday night. Up in the air? ON the air!

THE STANDELLS: Sometimes Good Guys Don't Wear White

The Greatest Record Ever Made!

POP CO-OP: Persistence Of Memory

It's been pointed out elsewhere, but it's worthy of repeat play here: no one in the media is paid to say "We don't know." Nor would such an admission inspire confidence, but it's something that should be said more often than it is. We don't know. We don't know.

The last live broadcast of This Is Rock 'n' Roll Radio occurred on March 15th, 2020. The paragraph seen above was part of the commentary accompanying the posted playlist for that show. At the time, we did not know it would be our final live show. The world shut down the following week. As the next Sunday rolled around without us, we all sheltered in our individual places, trying to understand what was happening, wondering what the hell would happen next.

But the following week, global pandemic be damned, we had a job to do. Before the curtain fell on us and everyone around us, we had planned to devote an episode of TIRnRR to a celebration of Factory Settings, the then-forthcoming new release from our friends Pop Co-Op. That plan seemed in jeopardy since, y'know, we didn't have a radio show anymore.

Enter some wacky, unfamiliar new (or new-to-us) thing called Zoom.

The intrepid Laura Sessions Tinnel set everything up. On Sunday, 3/29/2020, a live Zoom session commenced with Dana and I at our remote locations, connected with Pop Co-Op's Steve Stoeckel, Joel Tinnel, Bruce Gordon, and Stacy Carson chimin' in from their individual Batcaves, plus (if I recall correctly)  Futureman Records CEO Keith Klingensmith joining us from somewhere within the palatial Futureman HQ. We talked back and forth, played each of the new album's tracks along with some relevant older material, and collectively reveled in the combined magic of technology and pop music bridging physical distance. Hands across the water, at a time when holding hands was verboten.

This whole experience of our Zoom with Pop Co-Op is a dizzying blur in my memory. It's a good blur nonetheless, and an important flashpoint in this little mutant radio show's long, strange history. It was yet another point where we seemed on the verge of falling silent, but found a way to dig in our heels and resist. A chip on our shoulders and a song in our hearts.

"Persistence Of Memory" is my favorite track on Factory Settings. This week, we played it again, as memory persists and time melts away.

We're still here.

FOUNTAINS OF WAYNE: Better Things

Five years ago today--April 5th, 2020--was the debut of the remote-programmed TIRnRR. It was a few days after we learned that COVID had killed Fountains Of Wayne's Adam Schlesinger, but our tribute to Schlesinger had to wait until the following week. Inspired by Rich Firestone and Michael McCartney, our decision to attempt recording a show at home came late in the week, with no time to program a playlist. Instead, Dana grabbed a model playlist I'd concocted in between the last live show and the Zoom with Pop Co-Op, I barked some back announcements into my iPhone, and Dana performed the process that transmogrified it all into a radio show. We have not missed a week since then.

As we tried to figure this out and move forward, I wrote this bit for our 4/12/2020 show:

Sometimes yesterday feels a lot closer than tomorrow. Tomorrow can seem like a vague promise, a mere possibility. Tomorrow isn't even a destination; it's just the next leg of our journey, a marker we hope will be followed by another tomorrow, then another, and so on. In our desperate moments, we may suspect that tomorrow won't arrive at all.

Yesterday is always right there with us. We don't want to live in the past, but memories can help to sustain us in our uncertainty. It's true that memories (good and bad) can also hold us back, but whatever we are, whatever we will become, is a product of places we remember all our lives, lovers and friends we still can recall. We don't get to tomorrow without keeping the lessons that yesterday tried to teach us. Like the saying goes: those who forget the pasta are condemned to reheat it.

Or something like that.

Right now, many of us may think that tomorrow is even further away than normal--hey, remember normal?--that these days of self-quarantine, disruption, and fear will stretch beyond any horizon we can see. This is natural, and it's difficult to shake. In the present day, yesterday is still with us, for well or ill, as we continue our march toward that elusive tomorrow.

The Coronavirus has compromised our feelings of safety and security, distanced us from friends and family. On the positive side, it's made it okay for me to appear in public wearing a mask, bringing me one step closer to my dream of being Batman. If you laughed at that, or even if you just rolled your eyes, I hope it was a momentary distraction from heavier thoughts. These are heavy times. We hope you're coping. We hope you're well. We hope you will endure through tomorrow.

And, in the words of a Ray Davies song that Adam Schlesinger covered with Fountains Of Wayne: I hope tomorrow you'll find better things.

THE BEATLES: Here Comes The Sun

Here comes the sun. To quote a different song title: Let it be.

Yeah. Yeah. Yeah.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

Tuesday, April 14, 2020

10 SONGS: 4/14/2020

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.


This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1020.

THE BANDWAGON: Breakin' Down The Walls Of Heartache



Although an American act, soul group Johnny Johnson & the Bandwagon never scored a hit record in the U.S. But they had three Top Ten singles in England from 1968 to 1970, with "Breakin' Down The Walls Of Heartache," "Sweet Inspiration," and the bubblesoul classic "(Blame It) On The Pony Express." Their debut single "Breakin' Down The Walls Of Heartache" was credited to just The Bandwagon, and it rates its own chapter in my book The Greatest Record Ever Made! (Volume 1):

Any record you ain't heard yet is a new record. And if you like it, you don't care if it's old or new, a cover or an original, performed by a tyro or a veteran, and you don't give a damn if it's rock or soul or power pop or country or whatever label a pundit like me affixes to it. You like it. You dig what you wanna dig. And you have a new record to love...

..."Breakin' Down The Walls Of Heartache" was The Bandwagon's first single, a bouncy slice of soulful pop, roughly contemporary (and comparable) to the irresistible sway of The Foundations' classic hits hits "Baby, Now That I've Found You" and "Build Me Up, Buttercup." Johnson's lead vocals promise deliverance for the broken and forsaken, a vow from a self-described "carpenter of love and affection" strong enough to rescue and redeem the most battered of hearts. The song was a hit in England; I can't understand why it didn't break down the walls of radio playlists to become an international smash.

JOE DIFFIE: Bigger Than The Beatles



As much as I dislike modern country music (and modern country radio), there was a time in the first half of the '90s when I was more open to some of it. Well, not to country radio--let's not get crazy. But I was a regular viewer of Crossroads, a Saturday night video showcase on CMT. This series was not the same as the still-running CMT Crossroads, which pairs a country act with a non-country act for joint performances. Crossroads was dedicated to an intersection between rock and country, and I liked a lot of what I saw and heard on that show: Sky Kings, Rosie Flores, Nanci Griffith (backed by The Crickets for a cover of Buddy Holly's "Well...All Right"), The Mavericks, Mary-Chapin Carpenter, and definitely "Bigger Than The Beatles" by Joe Diffie.

"Bigger Than The Beatles" was kinda hokey, a gawky little ditty about a bar-band rocker and a nightclub waitress in love, their love bigger than The Beatles, wild and free like The Rolling Stones, takes 'em higher than The Eagles, yeah yeah yeah. I liked it anyway. Diffie recently succumbed to complications from COVID-19 at the age of 61. 

(Incidentally, a cursory search via the great 'n' powerful Google failed to net me any information on this Crossroads TV show that I'm positive I used to watch. Am I misremembering its title? Does anyone remember the show I'm talking about here?)

FOUNTAINS OF WAYNE: Stacy's Mom



The sudden passing of producer, performer, and songwriter Adam Schlesinger was a shock. I was never quite as much of a Fountains Of Wayne fan as most of my pop peers were, but I did like them and I certainly respected them. The group earned the devotion of their fanbase, and they deserved even wider fame and acclaim. "Stacy's Mom" was their only big hit, a Cars-influenced ode to horny teendom that wasn't necessarily their very best track, but it was indeed a great track nonetheless.



IVY: Edge Of The Ocean



The band Ivy--Dominique Durand, Andy Chase, and Adam Schlesinger--somehow flew completely under my radar. Wikipedia tells me that this dreamy track "Edge Of The Ocean" was used in the film Shallow Hal and the TV series Veronica Mars, but I have no real recollection of it before grabbing a couple of Ivy tracks last week in preparation for TIRnRR's Adam Schlesinger tribute. A fuller investigation of Ivy's work is now in order. This one's from Ivy's 2000 album Long Distance.



JOAN JETT & THE BLACKHEARTS: I Love Rock 'n' Roll



Joan Jett is about my age, and of course I had a crush on her. Duh. When The Runaways split at the end of the '70s, Jett seemed the one former member most likely to make some interesting new music; Lita Ford was more suited to hard rock, Sandy West, Jackie Fox, and Fox's replacement Vickie Blue didn't appear to be headed to solo careers, and although Cherie Currie (with her sister Marie Currie) did an appealingly basic cover of Rainbow's "Since You've Been Gone," none of them quite had Jett's potential. But Joan herself? Joan loved rock 'n' roll.

So she made rock 'n' roll. She kicked the bad habits that could have ended her career and her life, she kept playing, she kept recording, and she kept playing some more. Her eponymous 1980 debut album (later reissued as Bad Reputation) was one of my favorite records in that period. She had done some recording with former Sex Pistols Steve Jones and Paul Cook, some of which appeared on that first album. But the B-side of her U.K. single cover of Lesley Gore's "You Don't Own Me" remained non-LP. I confess I was a little disappointed with the Gore cover, but I played that B-side a lot. That was "I Love Rock 'n' Roll."

I had never heard the song before. It turned out that it was also a cover, a song written by Alan Merrill and Jake Hooker, and previously a B-side for their group The Arrows. Man, I loved Jett's version. When she redid the song again as a single in 1982, I was initially disappointed in its comparative slickness, feeling it lacked the oomph of her Pistols-backed B-side. I came to embrace it in short order, and was positively thrilled when it topped the chart. Yep. A runaway success. 

While (forgive the redundancy) I love "I Love Rock 'n' Roll," I've never felt it was Joan Jett's very best track. I'd put "Love Is Pain," "Bad Reputation" (and nearly all of that debut album), her take on Bruce Springsteen's "Light Of Day," "This Means War," "Eye To Eye," and several others above it. Similarly, when the Coronavirus claimed the song's co-author Alan Merrill last month, I recalled that it wasn't quite my favorite among his own catalog either.

ALAN MERRILL: Everyday All Night Stand



This is such a fantastic rockin' pop number. Merrill will always be remembered for "I Love Rock 'n' Roll," but "Everyday All Night Stand" is my top Merrill pick. Recorded in 1971 but originally unreleased, the track is contained on a 2012 collection called Snakes And Ladders.

THE MONKEES: The Door Into Summer



In the mid '70s, when I was starting to realize that there were more Monkees songs out there than the mere handful contained on my brother's copies of The Monkees and More Of The Monkees, one of the mystery tracks that specifically tantalized me was this beguiling wisp and its lyrics about echoes of a penny-whistle band and laughter from a distant caravan, seen and heard on reruns of the group's TV show. In 1977, I discovered it was called "The Door Into Summer," from a fabulous 1967 album called Pisces, Aquarius, Capricorn & Jones, Ltd. Pisces remains one of my all-time Top 10 albums.

Davy Jones passed away in 2012, and we lost Peter Tork in 2019. Surviving Monkees Michael Nesmith and Micky Dolenz have a new live album, The Mike & Micky Show, and their in-concert rendition of "The Door Into Summer" is timeless, evocative, and irresistible. I really hope this band decides to make a new studio album.



SCREEN TEST: Just Like Me



There aren't a lot of upsides to sheltering in place. I mean, I have caught up on that huge stack of comic books that were waiting to be read--Lois Lane and Batman Universe were particularly kickass, by the way--but the only other good result is some artists having more time to create. Syracuse's preeminent pop trio Screen Test--Gary Frenay, Arty Lenin, and Tommy Allen--have put self-quarantine to use, working on a number of fab new recordings. "Just Like Me" dates back to the '80s, and it's one of my many favorite Frenay songs, but it's never been given a proper recording. It has now, it's wonderful, and it's available as a digital single from whatever familiar resource you employ to purchase your digital singles. I'm informed that more new Screen Test recordings are forthcoming. (And I put in a request for "The Boy From Shaker Heights," another fave rave that's never been given its due. Yet.)

TINTED WINDOWS: We Got Something



Here's your supergroup: the 2009 gathering of Adam Schlesinger of Fountains Of Wayne, James Iha from Smashing Pumpkins, Bun E. Carlos from Cheap Trick, and Taylor Hanson from Hanson, their forces combined as Tinted Windows. Fountains Of Wayne, Smashing Pumpkins, Cheap Trick, and Hanson; it probably says something about my lack of indie cred that Smashing Pumpkins is the only act among these four that leave me cold. Tinted Windows' one self-titled album was loaded with shoulda-been hits that...er, didn't become hits. But they shoulda.

THE WONDERS: That Thing You Do!



The Greatest Record Ever Made! That's all I can say about that.


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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

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