Showing posts with label Long Ryders. Show all posts
Showing posts with label Long Ryders. Show all posts

Saturday, June 29, 2024

10 SONGS: 6/29/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1239.

ALICE COOPER: School's Out

Big ol' shout-out to educators everywhere, including TIRnRR's own intrepid Dana Bonn. Out for the summer, out 'til fall, they might not come back at all. 

And we have just the song for that occasion. From a previous post:

To an adolescent or young teen in the early to mid 1970s, nothing in the world was cooler than Alice Cooper. Before KISS, before punk, Alice Cooper was gaudy and dangerous, potentially the most scandalous, depraved character on AM radio. It didn't matter that it was all an act--show biz!--or that David Bowie was ultimately a far more potent threat to the straight-laced status quo; at the time, Alice Cooper seemed the most dangerous, and therefore the most alluring. Within this fist-pumpin' time frame, a kid that couldn't relate to "School's Out," or didn't want to turn the radio up louder than it could actually go whenever that song came on...well, that kid just would not have been me...

... As an annual clarion call for kids champin' at the frothy-mouthed bit to ditch pencils, books, and teacher's dirty looks for summertime action, "School's Out" delivers a snarky dismissal of rules, regulations, decorum, good manners, and probably decent posture and reasonable hygiene to boot. Because screw all of that--school's out for the summer! Sing it, Alice. School's out completely. The lesson's been learned.

sparkle*jets u.k.: I Can't Wait For Summer

By the power of all that's catchy 'n' engaging, the new sparkle*jets u.k. album Box Of Letters is flat-out sublime anna half. We've been playing its title track as an advance single, and it earned another spin in this week's first set. We open our second set with follow-up single "I Can't Wait For Summer," and we cranked it even though I detest hot weather. But the summer's here. The time is right! Open up that Box Of Letters.

MIKE BROWNING: Heartbreak Hotel

Hey, a TIRnRR exclusive! Our pal Mike Browning takes on King Elvis I, and while covering prime Elvis is a daunting task at best, our Mike rises to the, um...daunt. An exclusive track? We will gladly cede that right if Mike chooses to share the track elsewhere. 

As he should. Even Lonely Street could do with a little bit of company.

BLOODSTONE: Natural High

We played Bloodstone's "My Little Lady" on last week's show, and we intended to also play the group's biggest hit "Natural High." Time conspired against us--lousy, stinkin' time!--and we weren't able to carve out playlist space for "Natural High." We make up for it this week. Sweet soul on the radio. The resulting euphoria is only natural.

THE LONG RYDERS: Looking For Lewis And Clark

It blows my mind that we never played this great track in any of our previous 1238 shows. But, like Bloodstone's "Natural High," we just never got around to programming it. I first heard the Long Ryders' "Looking For Lewis And Clark" on Buffalo's WBNY-FM in the '80s, and the group's accompanying State Of Our Union album was an in-store play favorite when I worked in record retail. A few months later, when I was managing a record store, I created a Long Ryders wall display linked to the group's then-recent TV commercial for Miller. Made the American way!

Is "Looking For Lewis And Clark" the Long Ryders' best-known track? Possibly not, though its '80s airplay on BNY may have nudged me into believing it is. Still, it's surprising that it's never made its way to a past TIRnRR playlist. We've played the Long Ryders many times, most notably "10-5-60" (my favorite), and also "Lights Of Downtown," "Run Dusty Run," and others. "Looking For Lewis And Clark" finally joins that Whole Friggin' Planet honor roll this week.

CHERIE AND MARIE CURRIE: Since You've Been Gone

The Greatest Record Ever Made!

THE STALLIONS: Why

With Bloodstone's "Natural High" and the Long Ryders' "Looking For Lewis And Clark" both making their (way) belated TIRnRR debuts this week, we figured we maybe oughta balance the acclimation process with a spin of something we've played a time or two zillion before. The Stallions' '90s punk cover of the Dirty Wurds' '60s garage obscurity "Why" was our most-played track during each of this little mutant radio show's first two years, and it remained unchallenged as our all-time most-played track for years thereafter. Its reign at # 1 was eventually usurped by Big Star's "September Gurls," but I think "Why" may still be hangin' in there at # 2, even though we rarely play it nowadays. Whether we play it with bludgeoning frequency or save it as a rare burst of welcome, unexpected VOLUME, the Stallions' "Why" will always, always be an integral part of TIRnRR's DNA.

Why? 

Because. 

Just because.

CHERRY VANILLA: No More Canaries

I first heard of singer Cherry Vanilla when I was a teen in the '70s. My underage status at the time did not prevent me from purchasing Penthouse from indifferent convenience store clerks, and Ms. Vanilla wrote at least one article (if not more) that appeared in between whatever else it was that also appeared in Penthouse. You can snicker at the notion of reading Penthouse, but those pages were also where I first heard of Patti Smith, who was an interview subject in one issue.

I don't recall whether or not the Penthouse material made note that Cherry had been a publicist for David Bowie, and I don't remember if she was mentioned in the issues of Phonograph Record Magazine that hooked me on the idea of punk in 1977, or in any other rock rags of the day. But I do know that at some subsequent point I saw her 1978 debut album Bad Girl on the shelves at Gerber Music and/or Brockport's Record Grove, nestled amidst the tattered contemporaneous bounty of then-recent releases by Radio Birdman, the Dead Boys, the Jam, and the Ramones.

It wasn't an immediate purchase; the album may have been too pricey for me at the time, or at least too pricey for a mere suggestion of punk periphery and post-Penthouse pheromones to overcome. I picked it up a few years later, and I was floored by its fantastic track "The Punk." 

We've played "The Punk" a few times on the show, but it seemed high time for a deeper track from the Cherry Vanilla collection. "No More Caries" is another selection from Bad Girl, and it serves as a reminder that I need to go back and give her records a fresh listen. 

I presume that I still won't need to show ID. 

THE ANDERSON COUNCIL: Citadel

I purchased my used copy of the Rolling Stones' 1967 album Their Satanic Majesties Request more than a decade after its release. It was a reissue, so it didn't have the original's 3-D cover graphic. I was in college, a power-poppin' punk rocker, and I was immediately drawn to the guitar riff of the album's second track "Citadel." I played the LP more than a few times in my dorm room, but "Citadel" was definitely my go-to. I played that one a lot.

Now, the ace Stones tribute album Jem Records Celebrates Jagger & Richards grants us another opportunity to pound the air on behalf of that riff. The mighty forces of the Anderson Council ably provide the prerequisite riffage, and all is as heavenly Satanic as it wants to be. The citadel stands. 

CHUCK BERRY: Promised Land

This coming Sunday night's show is devoted entirely to tracks celebrated in my new book The Greatest Record Ever Made! (Volume 1). That's ferdamnedsure gonna include Chuck Berry's "Promised Land."

That's a promise.

Book it.

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My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Wednesday, April 12, 2017

THE LONG RYDERS ANTHOLOGY by The Long Ryders

My review of The Long Ryders Anthology appeared in the April 23, 1999 issue of Goldmine.



THE LONG RYDERS
The Long Ryders Anthology
PolyGram Chronicles (314 558 280-2)

Like many a band before them, The Long Ryders were done in by that demon alcohol. Not in the sense that any of its bandmembers succumbed to overindulgence, but in the sense that a TV commercial the group did for Miller Beer in the mid '80s effectively torpedoed their perceived credibility in the shallow, callous eyes of the image-conscious indie rock scene. The group never made it big and eventually broke up.

Okay, it probably wasn't really as simple as that. But, whatever the reason, it's a shame that The Long Ryders never achieved their due, because this band should have been huge. Formed by a pair of refugees from L.A. retro-'60s punks The Unclaimed, The Long Ryders were perhaps the first post-punk rock 'n' roll band to establish an overt link with traditional country roots, channeled partially (not totally) through Gram Parsons' work with The Byrds in the '60s. The Long Ryders were, furthermore, an incredible band, always willing to acknowledge their roots but never content to limit themselves to the role of mere revivalists.

This two-disc set performs the public service of returning The Long Ryders to domestic retail shelves, anthologizing the group's short career for the benefit of all Americans (and others, too). The set begins with all five tracks from the group's 1983 debut EP. 10-5-60, commencing with the savage punk of its title tune. From there, the wyld ryde is on, running through selections from throughout the group's recorded legacy, bolstered by scattered demo versions, previously-unreleased covers of Bob Dylan ("Masters Of War") and The Flamin' Groovies ("I Can't Hide"), a tune from a Christmas flexi-disc, non-LP B-sides, and a live version of Neil Young's "Prisoners Of Rock 'n' Roll" that provides the set with an appropriate coda.

Along the way, we're treated to a crash course in what should have been standard radio fare in the '80s. The Long Ryders' recordings project an image of a cantankerous, rebellious band with a good nature and a good heart. Tracks such as "10-5-60," "Join My Gang," "Run Dusty Run," "Mel Tillis' (via The Flying Burrito Brothers) "(Sweet) Mental Revenge," and "I Had A Dream" are rock-solid exercises, while "I'll Get Out Somehow" is straight-forward, traditional country. Selections from the group's near-breakthrough album State Of Our Union--particularly "Lights Of Downtown," "Capturing The Flag," and "Looking For Lewis And Clark" (heard here in a longer version than the original LP)--demonstrate how richly deserving of success this group was by the time of that damned beer commercial.

Tracks from the group's final album, 1987's Two Fisted Tales, are supplemented by a slew of unreleased demos from the same era. Of the demo songs, only the invigorating "Harriet Tubman's Gonna Carry Me Home" was completed and used on Two Fisted Tales, which means we've got a treasure trove of six "new" Long Ryders tunes for true believers. A lovely essay from David Fricke completes this very nice package. And here's to some enterprising label undertaking a comprehensive Long Ryders reissue program, returning each of the original albums to stores. Who's with us?

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Thursday, March 23, 2017

THE EVERLASTING FIRST: Quick Takes For L [music edition]



Continuing a look back at my first exposure to a number of rock 'n' roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it's the subsequent visits--the second time, the fourth time, the twentieth time, the hundredth time--that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.

THE LONG RYDERS



I first heard The Long Ryders on WBNY-FM in Buffalo in the mid '80s. BNY jumped on the Ryders' "Looking For Lewis And Clark," and I rode right along. When the group did a much-criticized (by dunderheads) commercial for Miller beer, singing "Miller's made the American way!," I put together a Long Ryders wall display at my record store, proclaiming the group's music as Made The American Way! "Looking For Lewis And Clark" came from their State Of Our Union album, which also contained a great song called "Lights Of Downtown." I subsequently snagged their Native Sons album, and fell hard for its closing track, "Run Dusty Run." Ultimately, my favorite Long Ryders song was the awesome "10-5-60," which I didn't discover until PolyGram issued a Long Ryders anthology CD in the '90s.

MARY LOU LORD



December 28th, 1998: the very first episode of This Is Rock 'n' Roll Radio with Dana & Carl. I'd never even heard of Mary Lou Lord, but Dana played "Lights Are Changing" on our debut show, and I was smitten. She played a disastrous Syracuse date in 1999, but we had a chance to meet her and chat for a while. She was a new mom at the time, and my daughter was just shy of four years old, so we spent a bit of time comparing notes; the experience led me to say later on that if someone had told me years ago I'd spend an evening in conversation with a major label recording artist, and that we'd spend most of the time talking about our kids...well, I'd have been skeptical of that claim, I guess. Mary Lou Lord is one of the defining artists of This Is Rock 'n' Roll Radio's long and storied history, and I'm grateful we had that chance to connect. Oh, and her version of Nick Saloman's "Aim Low" is The Greatest Record Ever Made.

LYRES



I originally intended to cover Lyres as a main feature in The Everlasting First, but then I realized I didn't really have all that much to say about them. As with The Long Ryders, my first taste of Lyres music came via WBNY. "I Really Want You Right Now" was my first Lyres track, followed in short order by "Don't Give It Up Now" and "Help You, Ann," all on BNY. Well, I was convinced! I picked up Lyres' first album, On Fyre, and saw 'em play a terrific show at Buffalo's Tralfamadore Cafe. On Fyre remains one of my favorite albums of the '80s, and it's been a staple on TIRnRR, although in recent years the song "You Won't Be Sad Anymore" (from the second album, Lyres Lyres) has become my go-to Lyres track. Oh! And "Here's A Heart" with Stiv Bators, from the third album, A Promise Is A Promise. Plus Lyres' transcendent cover of The Scavengers' obscure garage gem "But If You're Happy." And...and...and...!



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Our new compilation CD This Is Rock 'n' Roll Radio, Volume 4 is now available from Kool Kat Musik! 29 tracks of irresistible rockin' pop, starring Pop Co-Op, Ray Paul, Circe Link & Christian Nesmith, Vegas With Randolph Featuring Lannie Flowers, The Slapbacks, P. Hux, Irene Peña, Michael Oliver & the Sacred Band Featuring Dave Merritt, The Rubinoos, Stepford Knives, The Grip Weeds, Popdudes, Ronnie Dark, The Flashcubes,Chris von Sneidern, The Bottle Kids, 1.4.5., The Smithereens, Paul Collins' Beat, The Hit Squad, The Rulers, The Legal Matters, Maura & the Bright Lights, Lisa Mychols, and Mr. Encrypto & the Cyphers. You gotta have it, so order it here.