Showing posts with label Justine and the Unclean. Show all posts
Showing posts with label Justine and the Unclean. Show all posts

Saturday, January 13, 2024

10 SONGS: 1/13/2024 (Our Most-Played Tracks In 2023)

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's second of two editions of 10 Songs celebrates TIRnRR's 10 most-played tracks in 2023. The Countdown show is available as a podcast

10. THE RAMONES: Blitzkrieg Bop

From my book Gabba Gabba Hey! A Conversation With The Ramones:

JOHNNY RAMONE: We started off, and I think we wanted to be a bubblegum band. At one point, the Bay City Rollers were becoming popular. They had written "Saturday Night," and we then sat down and said, "We have to write a song with a chant in it, like they have." So we wrote “Blitzkrieg Bop.” Somehow, in our warped minds, I think we thought we were a bubblegum group.

And from "Chewin' Out A Rhythm On My Bubblegum: My 25 Favorite Ramones Songs:"

If we had to pick just one track to represent the legacy of the Ramones, it would have to be "Blitzkrieg Bop." You can argue on behalf of "I Wanna Be Sedated," and "Sheena Is A Punk Rocker" was the most important one for me, but really: "Blitzkrieg Bop." The song is ubiquitous, deservedly so, and hearing it always gives me a sense of fist-pumpin' euphoria. Always. Hey-ho, ya know? Here's what I wrote about the song elsewhere:

"1-2-3-4.

"The Ramones set out to be the American Beatles. They succeeded, as long as we don't factor in extraneous things like fame, popularity, record sales, and money. But impact? Immortality? The buzz of irresistible pop perfection? Yeah, yeah, yeah. They're forming in a straight line. 

"It started here, with a fab four of misfits from Queens aimin' for the toppermost of the poppermost, plausibility be damned. What, the Bay City Rollers were already trying to be the next Beatles? Fine. The Ramones would be a faster and louder version, innately more fascinating, emphatically more American. Imagining a chant like S! A! T-U-R! D-A-Y! NIGHT!! to be a prerequisite for radio success, the Ramones revamped the Rollers' approach into their own HEY-HO, LET'S GO!  Number one with a bullet? Not even close. Shoot 'em in the back now.

"Nonetheless....

"Failing to ship and sell the massive volume of hit platters they envisioned, the Ramones kept going anyway. The kids are losing their minds. All revved up and ready to go. 

"The Ramones. The American Beatles. Yeah, that sounds about right to me.

"Let's GO!"

9. THE GRIP WEEDS: Lady Friend

The Grip Weeds' 2022 covers album DiG offers the enduring reward of New Jersey's Phenomenal Pop Combo taking on a splendid array of classics and obscurities alike. The standard single-disc version of DiG finds the Grip Weeds mining nuggets previously, um...dug by Paul Revere and the Raiders, the Zombies, the Velvet Underground, the Knickerbockers, the Rolling Stones, and more; the double-disc edition adds (among others) the Monkees, the Beatles, the Turtles, and Frosty's "Organ Grinder's Monkey." There's even a three-disc version, so, y'know, buy that. Whatever it takes: Get a GRIP!

TIRnRR's top DiG has been this sublime cover of the Byrds' "Lady Friend." It was # 6 on our 2022 Countdown, and it hangs in at # 9 for 2023. Here it comes again. 

8. KID GULLIVER: Forget About Him

The late and deeply-missed Justine Covault introduced us to the music of Simone Berk, first as the lead singer of WhistleStop Rock's 2020 single "Queen Of The Drive-In," then as the voice of Sugar Snow and Kid Gulliver. Justine specifically touted the sheer magnificence of Kid Gulliver's "Forget About Him." Justine was right. Justine was right about a lot of stuff.

"Forget About Him" has become one of this radio show's defining tracks. It appeared on our own 2022 compilation album This Is Rock 'n' Roll Radio, Volume 5, and I'm confident we'll still be playing it here for many years to come. 

As we oughta.

Justine Covault said we oughta.

7. THE CYNZ: Tell That Girl To Shut Up

Holly and the Italians' one and only album The Right To Be Italian was a love-at-first-spin record for me, an absolute YEAH!! that remains a legit contender for a list of my all-time 30 favorite albums. The group's signature tune "Tell That Girl To Shut Up" was my initial go-to from that album, and while I came to adore "Youth Coup" and "Do You Say Love" even more, lemme assure you that I'm never gonna tire of hearing Holly and the Italians' "Tell That Girl To Shut Up."

So consider it a big compliment to the Cynz that I also enjoy their cover of "Tell That Girl To Shut Up," and I enjoy it enough that it became our # 7 most-played track in 2023. HuzZAH! Advance word from the emphatically unshut mouths of our resources suggest we can expect a new Cynz album in 2024. Awright, Cyndi Dawson! Tell that girl to STEP UP!

6. JUSTINE AND THE UNCLEAN: The Signal Light

We see the signal light.

Rest in peace, Justine. 

5. MIKE BROWNING: Blood Of Oblivion

"Blood Of Oblivion" was a 1967 single by a group called the Rainy Daze. I had never heard of it (or them) until about a year ago, when we started playing our pal Mike Browning's then-new cover version. Here's what I wrote at that time:

" 'Blood Of Oblivion' is the latest single from Mike Browning, an able 'n' engaging cover of a 1967 track by an obscure Denver, Colorado group called the Rainy Daze. I was not at all familiar with the original, so Mike's version prompted me to bop over to YouTube and check that one out, too. And it's pretty good--if it's possible for something to be both psychedelic and sunshine pop at the same time, that description would apply to the Rainy Daze's 'Blood Of Oblivion'--and I can dig why Mike Browning was drawn to it in the first place. Hell, I wish I'd heard it a bit earlier in my own timeline.

"That said, I do prefer Mike's version. The Rainy Daze bring a period-appropriate...I dunno, preciousness to their recording; it's cool, and very much of its time. Mike approaches the song in a more straightforward fashion, creating a track that's radio-ready in the here and now. Radio-ready? Hey, WE have a radio show! And we're ready to play this again next week."

And we did, and we kept on playing it on many subsequent shows throughout 2023. We can deal with oblivion when it sounds this inviting.

4. THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message

Pop Masters, the most recent album from Syracuse's own power pop powerhouse the Flashcubes, was my favorite among favorite new albums in 2023. Yeah, not exactly a news flash. Here's what I wrote about the Pop Masters track "Get The Message" for our 11/6/2022 show, when it made its TIRnRR debut as a (then-) non-album single:

"New music from the Flashcubes is always cause for celebration. Their new single "Get The Message," credited to the Flashcubes featuring Randy Klawon, is an oomph-enhanced cover of a song written by Eric Carmen, and originally released by Carmen's pre-Raspberries group Cyrus Erie in 1968. In the '60s, Klawon played at various times in both Cyrus Erie and the Choir (the group that included Wally BrysonDavid Smalley, and Jim Bonfanti, the three future original members of the Raspberries not named Eric Carmen), and Klawon's presence adds even more gravitas to the Flashcubes' rendition of "Get The Message." The good folks at Big Stir Records call this track 'a veritable love letter to the Cleveland roots of the music,' and we can only agree with every syllable of that sentiment.

"This is said to be the Flashcubes' final single of 2022, their ninth Big Stir single. Will there be an album to follow? We'll get the message on that when the time comes. In the meantime, Big Stir tells us, 'The Flashcubes are alive and kicking in 2022 and embodying the spirit of power pop...just like they always have. And there's more to come!' "

More to come. That was certainly true!

3. JUNIPER: Baby Doll


Our worlds collide. In a good way! From her absolutely wonderful 2023 album She Steals Candy, teen sensation and TIRnRR Fave Rave Juniper covers another TIRnRR Fave Rave, Amy Rigby. And Juniper does a mighty fine job of it, too, fortifying the world-weary shrug of Amy's original with a post-adolescent patina of quiet, simmering pissed-offedness. Both versions are equally mature, and in either case the listener really, really wants to track down the clueless would-be Lothario and swat him with extreme prejudice.

Would serve him right. Bastard!

And it serves Juniper right that she was our # 6 most-played artist last year, and her terrific version of "Baby Doll" is very, very close to the top spot among our most-played tracks.

2. LIBRARIANS WITH HICKEYS: Can't Wait 'Till Summer

God, this is such a great track, dripping with longing, an ache made pretty with the power of its pop. "Can't Wait 'Till Summer" comes to us from Librarians With Hickeys' 2022 album Handclaps & Tambourines, an ace effort that also includes the way fab "I Better Get Home," which was itself our # 36 track in 2023, and our # 25 track in 2022.

New Librarians With Hickeys album in 2024? Yeah! Can't wait.

The Juniper and Librarians With Hickeys gems were in a virtual dead heat for our # 2 spot, rightly so, and both were within a heartbeat of the tippy-top of our countdown. But in 2023, there was simply no denying what would be our # 1....

1. THE FLASHCUBES: Forget About You

I have been a Flashcubes fan for a very, very, very long time. My first Flashcubes show was on January 28th of 1978, completing my oft-cited rockin' pop Trinity: The Beatles, the Ramones, and the Flashcubes. I cited that Trinity when I inducted the Flashcubes into The SAMMYS (Syracuse Area Music Awards) Hall Of Fame in 2014.

Furthermore: I wrote the liner notes to four of the Flashcubes' CDs, Bright Lights, A Cellarfull Of Boys, the live Flashcubes On Fire, and the current Pop Masters (the latter as a supplement to liners by my fellow 'Cubes fanatic Pat Pierson). I wrote a five-part story imagining a world where the Flashcubes had become the mega-stars they deserved to be. I proposed the idea of a Flashcubes tribute album, something that really should come to pass in the real world.

A fan. And proud to be one.

The Flashcubes have a fantastic new album out? Of course we played it, and we played it with the sober sense of restraint one associates with carpet bombing. Album of the year. And the Flashcubes' Pop Masters cover of the Motors' "Forget About You" is TIRnRR's # 1 most-played track in 2023.

I hope the Flashcubes do another album, and I hope it's an album of their originals. These fans stand ready. We have a radio show, and we have the will to use it.

None can deny the primacy of pop masters.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Tuesday, December 26, 2023

10 SONGS: Boxing Day Edition

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1213: The 25th Annual THIS IS ROCK 'N' ROLL RADIO Christmas Show. This show is available as a podcast.

THE GRIP WEEDS: Santa Make Me Good

For this 2023 holiday season, the jolly souls at the mighty Jem Records label have executed the mitzvah of reissuing the Grip Weeds' fabulous 2011 album Under The Influence Of Christmas. Tracks from this record have been frequent fixtures on our TIRnRR Christmas shows since the dawn of ever, dating back even before the original album's release. We're delighted to see it return to retail--where it belongs!--with the extra added jingle that three of its tracks have been remixed especially for this big 'n' bright world of Christmas Future.

One of those remixed tracks is "Santa Make Me Good," with guest lead vocals from none other than Mark Lindsay of Paul Revere and the Raiders. Kicks! CHRISTMAS kicks! Following our traditional welcoming song "Happy Xmas (War Is Over)" by John and Yoko, the Ghost of Christmas Cool decreed this nice, naughty gem absolutely hadda open our program of The 25th Annual THIS IS ROCK 'N ' ROLL RADIO Christmas Show.  

JUSTINE'S BLACK THREADS: Angels We Have Heard On High

We lost some heroes in 2023, and we lost some friends. The late Justine Covault was both, and a TIRnRR Fave Rave as a performer with Justine and the Unclean and as a proud ambassador of the rockin' pop cause, particularly with her own label Red On Red Records. Justine will be missed for a very, very long time. 

Angels we have heard on high. We've heard some angels right here with us, as well.

THE GEMS: Love For Christmas

Such a pretty song, and it's far more obscure than it should be. The Gems were a girl group in the '60s, recording for Chess Records, and Discogs informs us that the Gems also served as backing vocal group for other Chess artists. I would be very open to buying a CD compilation of the Gems' work, especially if the rest of their material is even half as sublime as "Love For Christmas." 

This single was released in 1964, and its assorted assembled Gems presumably include one then-unknown Minnie Riperton, who was a member of the group. If Riperton is on this track, it's a lovely footnote to her career; if she ain't, this is still one fantastic record to love for Christmas.

MAPLE MARS: Christmastime In The City

Our only new holiday track this year, but it's a good one: a split digital single from the merry and bright Big Stir Records, featuring a new Maple Mars song called "Christmastime In The City" coupled with that group's Rick Hromadka covering the Carpenters' "Merry Christmas Darling." Let those silver bells clang 'n' call at will. It's Christmastime in the city.

THE MONKEES: House Of Broken Gingerbread

I like the Monkees' 2018 album Christmas Party, but I've never quite been able to fully embrace its charms. Weird but true: I resent the fact that the Monkees' final studio album was a Christmas record instead of, y'know, a real album. I love Christmas music when I'm in the mood for it, and I love the Monkees year-round. After the out-and-out triumph of the Monkees' 2016 album Good Times!, I would have very much preferred one more...yeah, one more real Monkees album.

I can't justify my apparent Grinchiness in this matter, but nor will I deny it. And what the hell, I was the Grinch in our 1968 third grade production of the play based on the Dr. Seuss book; maybe I've retained a bit of my role's curmudgeonly demeanor, even if my heart did grow three sizes that day.

On the annual TIRnRR Christmas shows, we usually--almost always--play "Riu Chiu," a 16th century Spanish classical folk song that the Monkees--Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork--performed a cappella on their TV show in 1967. I was working at a record store at the time of resurgent Monkeemania in 1986, and kids who'd seen reruns of the TV series on MTV came in looking for the Monkees' "Riu Chiu." Alas, it had never been released to retail.

An alternate version of "Riu Chiu" (without Davy Jones, with producer Chip Douglas) appeared in 1990 on the rarities/previously-unreleased CD collection Missing Links Volume Two. The original TV performance has since been released as well (on an expanded version of the Monkees' Pisces, Aquarius, Capricorn & Jones, Ltd.), and it was also included on the Target-exclusive edition of Christmas Party.

This year, we gave "Riu Chiu" some well-deserved time off, and we went instead to the Christmas Party track "House Of Broken Gingerbread." Written by novelist Michael Chabon and the late, great Adam Schlesinger (who produced Good Times! and most of Christmas Party), the song is told from the POV of a child whose parents have divorced. It's not exactly a happy holiday song, but Micky's commanding vocal and winning way with a Fa-la-la-la-lalala-la nonetheless manage to make spirits bright.

I  wish the Monkees had made one more non-seasonal album after Good Times! That wish ended with the deaths of Peter Tork and Michael Nesmith, and I am emphatically not interested in Micky adding new parts to unreleased recordings by Peter, Michael, and/or Davy. So Christmas Party must stand as the Monkees' final studio album.

And even a Grinch can concede its value.

IRENE PEÑA: Will You Turn Up (For Christmas)

What better way to set those visions of sugarplums dancin' in our heads than the sound of America's Sweetheart Irene Peña? NO better way! This bouncy number comes to us courtesy of the fab 'n' festive compilation Big Stir Singles: The Yuletide Wave, a star of wonder that also pointed this year's TIRnRR holiday spectacular toward tunes from the Brothers Steve, Dolph Chaney, Blake Jones and the Trike Shop, and Kimberly Rew and Lee Cave-Berry. Turn up for turnin' up! This ain't no silent night, people. Rest ye later, merry gentlekids. We got sweet treats to enjoy.

THE RAMONES: Merry Christmas (I Don't Want To Fight Tonight)

The Greatest Record Ever Made!

THE IDEA: It's About That Time

It's about that time we gather 'round the Christmas tree
Staring at the packages
Wonder which one's for me
Outside the streets are painted white
Windows aglow with colored lights
On the TV It's A Wonderful Life

"It's About That Time" by the Idea (aka Phil Angotti and the Idea) is my all-time favorite Christmas track, my all-time favorite Christmas song. No qualifier applies. It's not just my favorite power pop Christmas song, or my favorite rock 'n' roll Christmas song, or my favorite pop Christmas song, or my favorite secular Christmas song; it's my FAVORITE Christmas song. It never fails to make me feel good. It puts me in the spirit whether I wanna be in the spirit or not. It is joy and delight in audio form. Play it. Sing along with it. It's about that time.

THE PRETENDERS: 2000 Miles

It is a built-in characteristic of our annual Christmas shows that we have way, way more holiday music we wanna play than we have airtime to play them. This year, tracks by Graham Parker (with Nona Hendryx), the Smithereens, Darlene Love, the Flirtations, the Decibels, and King Elvis I actually made the playlist prior to some necessary trimming, and a bunch of other almosts (including Dean Landew's "Holiday Bash," Rotary Connection's "Christmas Love," and Michael Mitsch's "Christmas Crystals") were on deck, waiting for a spot. A three-hour slot fills up quickly. 

Dana and I each had a preferred track for our final individual selection of the season. Mine was, of course, the Idea's "It's About That Time." Dana's was "2000 Miles" by the Pretenders. We played them back to back to end the show's main part, the giddy anticipation of "It's About That Time" transitioning into the longing ache of "2000 Miles." 

That's the mix of emotion this season offers us. There are things we want that we can't have, things well beyond the realm of material goods. If we're lucky, we're able to balance the lack of what we can't attain with something that we can.

I wrote this at Christmas three years ago. It may bear repeating:

Father Christmas sighed.

He was a saint, but he was in many ways still as human as any of us. It had been such a long, difficult year. He could feel the pain of so, so many, of the children and the grown-up children alike, all over this world of wonder. Pain. Fear. Despair. The chilling gray of uncertainty. He knew the magic of hope. He embraced the redemptive power of faith. And yet he understood that even the belief in something better might not be enough to cast sufficient light into the darkness.

He also knew that the magic--of hope, of faith, of belief, of light itself--was often the only resource one could summon. The magic could fuel courage, and be fueled by courage in turn. The magic could draw strength from love, and fortify love with strength. 

It wasn't about the toys. It was never really about the toys. It was always about striving to be better, kinder, to be good rather than evil, nice rather than naughty. He still believed. He would always believe. 

That ache in his shoulder, that heaviness in his chest--did he suffer those mundane ailments a century ago? Did he feel them last year? He couldn't remember, and he decided it didn't matter anyway. He had a job to do. 

Father Christmas rose from his chair. He wiped away the stray tear that stung his eye, and he hoisted his sack over his back. The damned thing got heavier every year. But he stood, determined and resolute. He was a symbol; he knew his importance and he knew his limitations. He didn't have Playstations, nor playthings of any kind. No His and Hers sports cars, no Beatles records, not even a fruitcake. The material gifts would be given and received outside of his provenance. His sack was filled with the magic itself: the wishes, the dreams, the prayers for brighter days, and the will to make days brighter to the best of our mortal ability.

As he boarded his sleigh, Father Christmas thought back once again to the words of Robert Frost, the words he recalled every year as he began his miracle trek around the globe: 

"I have promises to keep, and miles to go before I sleep."

He would not fail. His belief would see him through. 

And us? Music will help see us through. On Dasher, on Dancer. Especially Dancer. 2000 miles. Better pull up a playlist and hit the road.

GEORGE HARRISON: Ding Dong, Ding Dong

A new year awaits. Tomorrow, December 27th, is This Is Rock 'n' Roll Radio's 25th anniversary, and Dana and I will be recording a celebratory show to air on New Year's Eve. In the mean time, we ring out the old and ring out the new with George Harrison

Once again: Happy Holidays from Dana and Carl.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, June 23, 2023

10 SONGS: 6/23/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1186. This show is available as a podcast.

JUSTINE AND THE UNCLEAN: Be Your Own Reason

This week's show is dedicated to the memory of Justine Covault, whose label Red On Red Records has been a reliable resource for great new tracks we wanna play, and whose own group Justine and the Unclean is a certifiable TIRnRR Fave Rave. 

Justine was an active and enthusiastic supporter of independent musicians, particularly of those artists performing in or near the Boston area. From Justine and the Unclean's 2018 album Heartaches And Hot Problems, "Be Your Own Reason" expresses that DIY spirit with eloquence and fervor. 

The first two Justine and the Unclean albums were released by the great Rum Bar Records. Justine specifically credited Rum Bar's rockin' pop visionary Lou Mansdorf as a mentor, which means we all owe Lou a debt of gratitude for helping Justine Covault's music find an eager audience. That's reason enough.

THE WEEKLINGS: I'm On Fire

The Weeklings return with a new single covering some singer-songwriter from Jersey, a guy referred to as...wait, "the Boss?" Really? Well, that's a bit presumptuous.

NO! I KID! I'm a kidder. I do like some of Bruce Springsteen's stuff, particularly "Girls In Their Summer Clothes." I've never been much into "I'm On Fire;" when I worked at a record store in the '80s, we useta play the LP track in-store at 45 rpm, so our Bruce sounded like Dolly Parton

But damned if the Weeklings don't manage to tackle "I'm On Fire" and make it their own. Boss move, my friends! Boss move indeed.

WHISTLESTOP ROCK: Queen Of The Drive-In

Justine Covault started her Red On Red Records label in 2020--kind of a pandemic baby, if you will. "Queen Of The Drive-In" was released earlier in that same misbegotten year, credited to an all-star New England pop collective billed as WhistleStop Rock. The single predates Red On Red, but I look back on it as part of Red On Red's secret origin. In the words of noted Clark Kent lookalike Steve Allen: this could be the start of something big.

And it was. WhistleStop Rock was Justin Covault, Linnea Herzog (of Linnea's Garden), Linda Bean Pardee (of the Chelsea Curve), Heather Rose (of Heather Rose In Clover), and Sandy Summers (of Kid Gulliver), with additional backing vocals by Lynda Mandolin and JoEllen Saunders Yannis, all in support of lead singer Simone Berk (of Sugar Snow and Kid Gulliver).

In addition to setting the stage for Red On Red Records, "Queen Of The Drive-In" was our introduction to Simone Berk. The start of something big? Subsequent play of both Sugar Snow and Kid Gulliver proved that to be the case.

ARTHUR ALEXANDER: Woman

I dig what intrepid TIRnRR listener Joel Tinnel said when he heard us play Arthur Alexander's new single "Woman" on this week's show: "This is nice in a snarly, aggressive guitar-driven kinda way." See, he knows his stuff, that Joel does.

I've been an Arthur Alexander fan ever since I picked up a copy of "Jealousy," a 45 by his old band the Poppees in the late '70s. His subsequent coolness with Sorrows (especially the incredible title track from their 1980 album Teenage Heartbreak) carried the Arthur Alexander story forward, and I'm thrilled that he has a new solo album, ...Steppin' Out!, due soon from the ever-fab Big Stir Records. We debut its advance single "Woman" this week, and it returns to the TIRnRR playlist next week. Arthur Alexander is your source for snarly, aggressive guitar-driven kinda nice. Joel says so. Don't argue with Joel.

ROSE GUERIN: Red

In addition to programming some of Justine's own irresistible work, it felt important for our Justine Covault tribute to include a number of tracks from the Red On Red Records galaxy o' stars. That goal manifests in spins of Linnea's Garden, Kid Gulliver, Robin LaneLee Harrington and Lynda Mandolin, Stupidity Featuring Keith Streng, Devil Love, Speedfossil, Andrea Gillis, and two tracks by the Chelsea Curve, one recent and one, y'know, less recent.

Speaking of recent Red On Red, Rose Guerin's beguilingly rootsy single "Red" finally makes its TIRnRR debut on this playlist. It's been an almost for weeks, nearly making it into several previous shows before being cut for time. People sometimes ask us how we can come up with enough music to fill a three hour slot every week. That's never a challenge; the trick is trying to limit our choices to just three hours. There's a lot of great music out there. 

Still, I regret we didn't get to "Red" sooner. Its bounce is so inviting, so agreeable, so perfect for airplay. Rose's vocal reminds me a little of Ronnie SpectorWe need to play it again. "Red" will return.

JUSTINE AND THE UNCLEAN: Vengeance



THE DIRTY TRUCKERS: All Down The Line


Attempts to pay proper tribute to a specific performer can be hampered by rules restricting how many times an act can be played within a three-hour span of airtime. Given my druthers, we would certainly have played more than just four Justine and the Unclean tracks this week. Given the rules as they are, we chose "Be Your Own Reason," "Can't Pretend I Don't Know," "Vengeance," and "The Signal Light."

Justine's work under the rockin' pop dba Justine's Black Threads gave us four more ace tracks to play with--"You And Me Against You And Me," "Needles And Pins," "He Stopped Laughing At My Jokes," and "No Tell Motel"--and we knew we were gonna program WhistleStop Rock's "Queen Of The Drive-In" and "Red On Red Theme" by Red On Red Rockers. That's a total of ten tracks featuring Justine Covault, broadening the tribute while still playing by the rules. 

I wanted one more.

The Dirty Truckers' cover of the Rolling Stones' "All Down The Line" filled the bill. This track from the group's 2022 album The Tilsbury Joneser features sublime backing vocals by Justine along with Andrea Gillis, and it rocks with absolute motherlovin' authority.

KID GULLIVER: Forget About Him
ANDREA GILLIS: Leave The Light On


Our final set this week needed to end with a three-in-a-row flourish of tracks from the Red On Red catalog. That hat-trick began with "Forget About Him" by Kid Gulliver.


I don't recall whether or not "Forget About Him" was this radio show's first-ever Red On Red record. It was the one that had the most immediate and prevailing impact, rivaled only by Justine and the Unclean's "Vengeance" (which was a Rum Bar release when we started playing it). It's accrued an awful lot of delighted airplay here over the past few years, and we were proud to include "Forget About Him" (and "Vengeance") on our 2022 compilation album This Is Rock 'n' Roll Radio, Volume 5.

And Justine herself really liked "Forget About Him." I don't remember her exact words, but Justine said something to the effect that "Forget About Him" is just a killer, killer pop track; I think she may have called it one of the best power pop songs ever. Hard to disagree. We spin it this week in memory of Justine, of course, but also as a well wish to Simone Berk as she mourns the loss of her friend. "Forgetting" is not part of our plan.


Andrea Gillis' "Leave The Light On" has also been among the key Red On Red tracks on our little mutant radio show, and there was no plausible set of circumstances where that did not appear as part of our tribute to Justine Covault and Red On Red Records.

And then we needed to play one more Red On Red track by Justine and the Unclean.

JUSTINE AND THE UNCLEAN: The Signal Light


Last week's show opened with the TIRnRR debut of the title tune from the new Justine and the Unclean album The Signal Light. At the time, we didn't know it would be the final Justine and the Unclean album, nor that we would soon be bidding farewell to Justine. It closes the main portion of this week's show, with "Red On Red Theme" and the Beach Boys' "Our Prayer" serving as coda. We'll hear "The Signal Light" again next week.

Justine: we didn't really know you. But we miss you. Wherever you are, I hope there's a light for you now.

IN-PERSON EVENT! On June 29 at 6:30 pm, I will be making an in-store appearance at GENERATION RECORDS, 210 Thompson Street in NYC on behalf of my  new book GABBA GABBA HEY! A CONVERSATION WITH THE RAMONES. The book contains my 1994 interviews with Joey, Johnny, Marky, and C.J., which were cited by the Rock and Roll Hall of Fame as essential reading. I'll be at Generation to chat with fellow Ramones fans, talk about the book, the interviews, and how the music of the Ramones impacted my life. If you are in the New York area on June 29th, I would love to see you at Generation Records. Hey-ho, let's GO!  

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl