10 SONGS: 10/29/2025

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1308

KISS: Talk To Me

Of the four founding members of KISS, late guitarist Ace Frehley would seem the least pop of the bunch. Guitarist Paul Stanley and bassist Gene Simmons were big fans of the Beatles, and also fans of power pop stalwarts the Raspberries, and those interests are evident within the flash and thunder of some of KISS's work. Drummer Peter Criss crooned the hit KISS ballad "Beth" and the Rod Stewart homage "Hard Luck Woman." Ace's style was emphatically that of a Big Rock guitarist, and maybe hooks and 45 rpm aspirations might not be the first things one would look for within the Space Ace's ouvre.

But the pop element is there, at least sometimes, and not just in his pop guitar power embellishing Simmons and Stanley on "Strutter," "Shout It Out Loud," "Rock And Roll All Nite," et al. It's certainly in evidence on the effervescent "Talk To Me," a Frehley-written and Frehley-sung track from KISS's 1980 album Unmasked. 

ACE FREHLEY: Hide Your Heart

When we decided to play several tracks in memory of Ace Frehley, this track from his 1989 album Trouble Walkin' was one of the first possibilities that came to mind. Frehley was looooong outta KISS by '89, but the song was written by his former bandmate Paul Stanley (with Desmond Child and Holly Knight), and the Ace-free KISS included it on their album Hot In The Shade, also in '89. It's said that Stanley and Simmons adamantly did not want Frehley to record and release a competing version of "Hide Your Heart"--hey, dueling KISSes!--and if that's true, Frehley was equally adamant that he was going to do whatever the hell he wanted to do. I like the KISS version just fine, and I saw Gene and Paul perform it in concert (in the Hot In The Shade KISS line-up with drummer Eric Carr and guitarist Bruce Kulick), but I do like Ace's version even more.

KISS: Rock And Roll All Nite [live]

The Greatest Record Ever Made!

BALLZY TOMORROW: Five Personalities

My big project this year was Big Stir Records' various-artists blockbuster Make Something Happen! A Tribute To The Flashcubes. As I began the process of recruiting acts and matching them with appropriate songs written by Syracuse's own power pop powerhouse the Flashcubes, I was immediately certain that I wanted rockin' pop wunderkind (und wonderboy) Robbie Rist specifically to sing one of my many favorite 'Cubes songs, "Five Personalities." Under his nom de bop Ballzy Tomorrow, our Robbie rose to that task. The members of the Flashcubes now prefer his version over their own!

Robbie's also a KISS fan, so it was a deliberate choice to include his "Five Personalities" in the same set as our Greatest Record Ever Made! spin of the live "Rock And Roll All Nite." You wanted the best. You GOT the best! And as Robbie's podcast The Spoon approaches its 600th episode, the GREM! spot in our next show will be a li'l something by another '70s rock act Robbie's mentioned on The Spoon a time or several. All right, all right, all right, all right....

KEN SHARP: Rock Show

Our long-time pal Ken Sharp is a writer and musician, the driving force behind Think Like A Key Music's superb new compilation Play On: A Raspberries Tribute, and quite possibly the biggest KISS fan I know. For his 2018 album Beauty In The Backseat, Ken enlisted none other than Ace Frehley hisself as guest guitarist on opening track "Rock Show." Impressive! And I tell ya, it was a match made in Cobo Hall. We know some people who know some people, man. Well done, Ken!

ACE FREHLEY: New York Groove

In 1978, the business of KISS was sufficiently huge to hatch an audacious plan for a simultaneous release of a quartet of solo albums. It probably wasn't a good idea at all, but it sure seemed impressive, right? I can't remember anything at all about the Peter Criss album (beyond thinking that I would never remember anything about it, and thinking that even when I was listening to it). Paul Stanley included the absolutely dynamic, Raspberries-influenced "Wouldn't You Like To Know Me," and Gene Simmons gave us a simply wonderful gem called "See You Tonite," which would have been worthy of Big Star. Gene also had a minor hit (# 47) with a song called "Radioactive."

But of the four, only Ace Frehley produced a genuine hit single, a cover of the British group Hello's 1975 UK hit "New York Groove." Ace's version said hello to the # 13 spot on Billboard's Hot 100, making it the fifth highest-charting single in the KISS canon (behind "Beth" [# 7], "Forever" [# 8 in 1989], "I Was Made For Loving You" [# 11], and the live "Rock And Roll All Nite" [# 12]). Guess whoever called him "Ace" was onto something.

sparkle*jets u.k.: Eyeball Eater (From Outer Space)

DOLPH CHANEY FEATURING THE SPEED OF SOUND: Zombie Century

We've been serving up tricky treats from Big Stir Records' epic Halloween compilation Chilling, Thrilling Hooks And Haunted Harmonies for as long as Rutles guitarist Stig O'Hara has been dead--for ages, honestly--and there's for damned sure no need to stop as All Hallows Eve approaches. This week's show included two more debut spins from this horrific-in-a-GOOD-way set, with sparkle*jets u.k.'s righteously boppin' novelty tune "Eyeball Eater (From Outer Space)" and Dolph Chaney Featuring The Speed Of Sound's atmospheric "Zombie Century." And even as we chill, thrill, and haunt our way past October 31st, we'll have another track from Chilling, Thrilling Hooks And Haunted Harmonies on our next show.

BARON DAEMON AND THE VAMPIRES: The Transylvania Twist

Syracuse's gift to Halloween, and to all seasons, courtesy of the best vampire ever. And like "Rock And Roll All Nite," it's also The Greatest Record Ever Made! Happy Halloween from This Is Rock 'n' Roll Radio with Dana & Carl.

KISS: Shout It Out Loud [live]

And it wouldn't be Halloween without KISS. Godspeed, Ace

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I compiled a various-artists tribute album called Make Something Happen! A Tribute To The Flashcubes, and it's pretty damned good; you can read about it here and order it here. My new book The Greatest Record Ever Made! (Volume 1) is now available, and you can order an autographed copy here. You can still get my previous book Gabba Gabba Hey! A Conversation With The Ramones from publisher Rare Bird Books, OR an autographed copy here. If you like the books, please consider leaving a rating and/or review at the usual online resources.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. You can read about our history here.

10 SONGS: 5/11/2024

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1232. This show is available as a podcast.

PAUL COLLINS: Tell Me

King of power pop Paul Collins brings us this sublime first tease of Jem Records Celebrates Jagger & Richards, the latest in the label's series of various-artists salutes to classic rock songwriters. This radio show has been all in for Jem's previous celebrations of John Lennon, Brian Wilson, Pete Townshend, and Ray Davies, and we've for damned sure been all in for Paul Collins' recent Jem work. For us, Paul Collins covering the Rolling Stones' "Tell Me" is a match made at our Satanic Majesties' request. We'll have the Midnight Callers' contribution to Jem Records Celebrates Jagger & Richards on our next show.

(And, while we presume future Jem Records Celebrates volumes will get to Paul McCartney, George Harrison, and/or Bob Dylan anon, consider this an early request for Jem Records Celebrates Michael Nesmith. It doesn't seem immediately likely, I guess. But it just might be the one...?)

THE FOUR TOPS: I'm A Believer

Speaking of Michael Nesmith and his prime mates the Monkees....

The Four Tops are my favorite Motown act, but I confess I mostly know their incomparable singles and not so much their album tracks. Time for a deeper dive! 

This cover of the Monkees' Neil Diamond-penned hit "I'm A Believer" is one of two Monkees covers on the Four Tops' Reach Out. Maybe we'll get around to spinning Levi Stubbs wailing "Last Train To Clarksville" on some near-future show. The idea of the Four Tops covering the Monkees seems odd to me, not because it doesn't work--I'm a big fan of Monkees songs, and I'm a believer that the Four Tops could pull off just about any material they wanted to do--but because I find it weird to a hear big hit act covering another big hit act's contemporaneous material. It comes across as filler, but it wasn't uncommon in the '60s, especially for entities viewed as primarily singles acts. And in the hands of the Four Tops, it's compelling filler. Yeah, a deeper dive into the Four Tops' LP tracks is way overdue.

THE SHIRTS: Tell Me Your Plans

I wanna repeat some previous blog comments about this track. Consider this the prologue for our next selection by Rome 56: 

My enthusiastic immersion in punk, new wave, and other assorted rock 'n' roll labels in the late '70s did not include the music of the Shirts. It wasn't a rejection of the Shirts; I just wasn't exposed to their recordings until many years later. Lack of opportunity? I guess. The only thing I remember hearing from them at the time was a track on the various-artists LP Live At CBGB's, wherein singer and actress Annie Golden's greeting to the Bowery audience was something like, We're the Shoits, from Brooklyn. She exaggerated the accent deliberately...

 Nice shoit, Annie

...Still, I didn't really hear the Shirts until a very long time after the fact. I snapped up a used CD reissue of their 1979 eponymous album in, I dunno, the early '00s?  I was immediately and overwhelmingly taken by that album's opening track "Reduced To A Whisper," hypnotized by a guitar sound that reminded me of the Shirts' CBGB's contemporaries Television. 

As a whole, the Shirts didn't really sound at all like Television; the comparison was based almost entirely on a similarly serpentine six-string thrum and the two groups' shared stomping grounds. The Shirts were...well, I don't wanna call them more mainstream than Television, 'cause that ain't exactly it either. But there were hints of connection to some things beyond the Bowery, to, say, the progressive-folk mix aura of Renaissance, or maybe even post-Woodstock FM radio, but at least a little more aggressive. It all still felt like part of Television's world, the Ramones' world, the world of Blondie, Talking Heads, Patti Smith, Max's Kansas City. CBGB's. New York City really has it all.

From that first album, the track "Tell Me Your Plans" just clicked with me recently. Its simmering blend of regret, resignation, yearning, and unmeasured dollops of uncertainty suggests a love affair approaching a crossroads without benefit of a map. Or a plan. There is, at best, a bumpy road ahead. There may not even be a road at all.

What's the plan, then? It's hard to tell.

ROME 56: The Man Behind The Man With The Gun

The immediate plan is to start playing Rome 56. The connection to the Shirts track extolled above is Rome 56 guitarist and "Tell Me Your Plans" author Arthur Lamonica, who was himself one of the Shirts. See, I love it when a plan comes together. From Rome 56's uberswell current album Paradise Is Free, "The Man Behind The Man With The Gun" is an absolutely ace slice of pop noir, like a Gold Medal paperback translated into irresistible, radio-ready rockin' pop music. Hardboiled radio-ready rockin' pop music. Perfect crime. And we'll return to the fascinating scene of that crime on our next show.

Sounds like a plan.

ELENA ROGERS: Goodbye Neighbor

It has become TIRnRR's unofficial policy to play each new Elena Rogers single as it's released, and we will often continue playing it until Elena releases a newer single. Works for us! We gave Elena last week off, and this week sees the debut of latest Elena Rogers single "Goodbye Neighbor." "Goodbye Neighbor" usurps the playlist spot that had been occupied by her previous single "Queen," which itself elbowed her previous previous single "I Feel Alive" out of its way. It's a song-eat-song world out there. 

"I Feel Alive" has already locked up a berth on TIRnRR's year-end countdown show. And this coming Sunday night's shindig will include TWO Elena Rogers songs: Another spin of "Goodbye Neighbor," and a new cover of an older Elena Rogers track, the latter courtesy of Mike Browning. See, this policy benefits all of us.

BONEY M: My Friend Jack

The Greatest Record Ever Made!

CIRCE LINK AND CHRISTIAN NESMITH: Satellite

The nonpareil combined forces of Circe Link and Christian Nesmith are working on a new progressive rock album called Arcana. It's a follow up to the duo's 2021 prog album Cosmologica, and donations/preorders for Arcana can be placed here. Meanwhile, Dana's spin of a Curved Air track inspired me to follow with "Satellite," a past favorite from Cosmologica that we haven't played in a while. "Satellite" reminds me a bit of both Renaissance and Yes, at least in the sense that I could imagine it as performed by the early '70s incarnation of either of those bands. Progressive as we wanna be!

THE SPEED OF SOUND: Question Time

The physical release of the Speed Of Sound's new album A Cornucopia: Minerva is cornucopia indeed: A three-CD or three-LP set, supplementing the main record with two additional full-length albums. A big, big wall of sound delivered at the speed of sound!

 "Question Time" is the last track on the first platter, and it provides its own authoritative answer, a lovely statement of indie-bred UK pop, raised in the underground with an eye on the sky and an ear to the airwaves. Cornucopia! We live in a time of plenty. 

THE BEATLES: I've Just Seen A Face

The Beatles, with the opening track from their classic album Rubber Soul.

Don't even try telling me it's from a different Beatles album instead. I know. But this is how I heard it, as the beginning of the American version of Rubber Soul rather than an LP track on the UK Help! And that has meant far too much for me to let go of it easily. 

THE MARTINI KINGS: Take Five

Vermouth, forsooth. The subtitle for the new Martini Kings retrospective Enchanted Lovers says it all: "Celebrating 40 years of intoxicating sounds in jazz, exotica, tiki, and lounge." I'll drink to that! And we bellow LAST CALL! for this week's extravaganza with the Martini Kings' demonstrating olive supreme with their confident take on the Dave Brubeck Quartet's "Take Five." Grab the designated drivers. It's time to see ourselves home.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

Carl's book Gabba Gabba Hey! A Conversation With The Ramones is available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

10 SONGS: 9/9/2021

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. Given my intention to usually write these on Mondays, the lists are often dominated by songs played on the previous night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1093.

THE BROTHERS STEVE: We Got The Hits

The Brothers Steve say, "We got the hits!" Yes we do, friends. Yes we do. Lemme tell ya 'bout a few of them....

THE CHELSEA CURVE: Inconceivable

Are the gal and guys of the Chelsea Curve really releasing a new single every month? Man, I hate overachievers, mainly because I'm jealous of, y'know, ambition. I forgive 'em quickly because each of these singles has been pretty damned swell, which is why we play them all on the radio. "A Better Way" has been my fave of the lot to date, but "Inconceivable" may give "A Better Way" a run for its overachieving money. Awright. Keep 'em coming, you lot.

GREAT BUILDINGS: Hold On To Something

They'll be there for you. Long before Danny Wilde and Phil Solem found fame as the Rembrandts, they were (wait for it!) friends in an ace early '80s combo called Great Buildings. Their lone major-label LP Apart From The Crowd was released by Columbia in 1981, and it did not ship 'n' sell the units it deserved. I bought the album (prompted by a rave mention in either CREEM or Trouser Press), but didn't really appreciate it until a year or two later. "Hold On To Something" is the album's lead-off track, and it remains a peer to any and all of the greatest rockin' pop tracks from that decade.

KISS: Detroit Rock City

My first KISS record was the Rock And Roll Over album, a high school graduation gift from my sister in 1977. I'm not exactly sure of the subsequent chronology of my KISS acquisitions. Both Love Gun and Destroyer likely came to me via record club purchases, Alive II was a Christmas present from Mom and Dad in December '77, and a beat-up copy of Alive! came from The Record Exchange in Cleveland Heights. I also picked up a very used copy of Hotter Than Hell somewhere in this '77-'78 time frame, establishing my KISS collection through my first year at college. Dressed To Kill came later, a free-with-purchase, get-this-OUTTA-here! used copy scarfed up at Brockport's Main Street Records. Other than Ace Frehley's "New York Groove" 45 and (maybe) a used copy of Dynasty, this was the totality of my personal KISS library until I decided to go back and get 'em all circa 1989.

I'm pretty sure Destroyer was my second KISS album, my first after Rock And Roll Over. I confess that there was never really a KISS album that I loved; with KISS (as with many other acts), I was an individual song guy rather than a whole LP guy. Side Two of Destroyer had "Shout It Out Loud," a track I loved and have proclaimed The Greatest Record Ever Made! But in the '70s, my primary Destroyer go-tos were the first two tracks on Side One, "Detroit Rock City" and "King Of The Night Time World," and then "Shout It Out Loud" on Side Two. I tried to get into the rest of the album, and I would have probably liked "God Of Thunder" without its special effects, but I likely would have been just as good with a four-song Destroyer EP of "Detroit Rock City," "King Of The Night Time World," "Shout It Out Loud," and the hit AM ballad "Beth." I am as a god of thunder made me.

"Detroit Rock City" remains a favorite. Get up, everybody's gonna move their feet, get down, everybody's gonna leave their seat. I avoid getting sucked into arguments about whether or not KISS is power pop; they're not, but honestly, I think some of their songs come closer to my idea of power pop than, say, 20/20 does. 

Your mileage may vary. But look out for that truck ahead.

THE MIRACLES: Going To A Go-Go

I wish. I miss live music, but I'm generally not in any big hurry to mix with crowds nowadays, since crowds almost always include at least some people who are--what's the word?--stupid. I've only attended two live music events since the shutdowns, with a third coming up soon; I'm masked and fully Moderna'd, but...people. I look forward to seeing more shows when it feels appropriate to see more shows. In the mean time, the Miracles have a song to rev us up for our eventual return to that exciting, vibrant environment. Live music! Oh, I wanna go. 

NICK PIUNTI: Heart Inside Your Head

So much fantastic new pop music being released, and so little time to squeeze it into a mere three-hour weekly showcase. Dana and I would start our own radio station, but we've already established that we hate overachievers. Wouldn't wanna contradict ourselves. Nonetheless, Nick Piunti and the Complicated Men are no strangers to TIRnRR airplay--their track "Upper Hand" scored significant spins in 2020--and new single "Heart Inside Your Head" merits attention from all ears, minds, and attention spans. This is a hit record.

OTIS REDDING: You Left The Water Running

I had no idea that Otis Redding's 1967 gem "You Left The Water Running" was originally unreleased, appearing only on an unauthorized 45 in the '70s and finally seeing legit issue in the late '80s. Well, some things are worth waiting for. I knew the song from Rhino Records' Redding box Otis!, which my lovely wife Brenda gave me as a Christmas gift a couple of decades ago. Thanks again, darlin'!

THE ROLLING STONES: Get Off Of My Cloud

"Get Off Of My Cloud" is the first Rolling Stones song I remember hearing, a hit on the radio in 1965, when I was five years old. In memory of the late Charlie Watts (whose distinctive drum intro to this song means Charlie was the first individual Rolling Stone I ever heard), this is The Greatest Record Ever Made!

THE BOB SEGER SYSTEM: 2 + 2 = ?

An infinite number of songs can each be THE greatest record ever made, as long as they take turns. Even with an infinite number, though, some turns are perhaps less likely than others.

Some may be surprised that Bob Seger gets two chapters in my long-threatened book The Greatest Record Ever Made! (Volume 1). I have given frequent public testimonial regarding how much I despise much of Seger's most popular work, and indeed a GREM! chapter about "Old Time Rock & Roll" is mostly about how much I hate that goddamned song. 

But for all that, a lot of Seger's earlier work is fantastic. Let's have a peek at a little bit of the book's chapter about "2 + 2 = ?"

"Maybe you never knew that Bob Seger made a punk record. If you didn't know, it's not your fault; neither music history nor Seger himself has seemed interested in the secret revelation of a dynamic, furious 1968 record called '2 + 2 = ?'

"It's a difficult dichotomy to reconcile. Seger's mass-market reputation is built largely upon a series of popular mid-tempo heartland ballads and MOR rockers, beloved by many, despised by others. They are soundtracks for truck commercials, banal and inoffensive radio fare with the bland personality of margarine. Even as I type that, I really don't mean any disrespect to those who love 'Like A Rock' or 'Against The Wind' or even--shudder--'We've Got Tonight' and 'Old Time Rock & Roll.' There are no guilty pleasures in pop music. If you like something, a guy writing dismissively about your familiar favorites is unlikely to alter your tastes, nor should it. Dig what you wanna dig. Just, y'know, forgive me for cringing when I hear any of that stuff. I have to dig what I wanna dig, too...

"...It can be galling to admit when you've been wrong. In this case, I comfort myself with a reminder that I still loathe the songs that made me critical of Seger's work to begin with, and (more importantly) that it's good to discover a redemptive portion of an artist's body of work. Seger's supposed to be a good guy; I'm happy to find concrete evidence that he made some records that I can love without reservation. Some of this has since been reissued on a 2018 collection called Heavy Music: The Complete Cameo Recordings 1966-1967. All of it remains relatively obscure.

"...'Get Out Of Denver' had been far and away my favorite among Seger's records. I also kinda liked 'Hollywood Nights' among the more famous choices. But this fresh treasure trove of archival nuggets introduced me to new favorites, recorded and originally released under the names Bob Seger & the Last Heard, the Bob Seger System, and Bob Seger solo. 'Noah.' 'Rosalie.' 'Lucifer.' Renewed spins of the still-great 'Get Out Of Denver' and the now-welcome 'Heavy Music (Part 1).' Rockin', man. And there was the immense, irresistible 'East Side Story,' a triumphant appropriation of Van Morrison's 'Gloria' riff in service of a tenement tragedy that was absolutely The Greatest Record Ever Made for the approximately two and a half minutes of my first spin of its cantankerous glory.

"'2 + 2 = ?' is even greater...

"...How did this happen? How could the Bob Seger of the wretched peacenik-baiting diatribe 'Ballad Of The Yellow Beret' also be responsible for the gooseflesh-raising intensity of the antiwar '2 + 2 = ?' And how did that guy go on to produce such mundane background noise to such numbingly popular effect? Seger's large. He contains multitudes. 

"But the multitudes need to hear '2 + 2 = ?' It's at least as savage as the Sex Pistols, as angry as the Clash, as explosive as the Stooges or the MC5. Never mind the bollocks, here's Bob Seger. Seger is a punk rocker."

THE SPEED OF SOUND: Tomorrow's World

Museum Of Tomorrow, the new album from Manchester's phenomenal pop combo the Speed of Sound, will be released by Big Stir Records on September 17th. It's very, very good. Very good. Find out more here, and get your wallet out. They got the hits. Tomorrow is coming atcha at the speed of sound.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock 'n' Roll Radio compilation albums are still available, each full of that rockin' pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

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Volume 4: CD or download
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I'm on Twitter @CafarelliCarl.