Showing posts with label Patti Smith. Show all posts
Showing posts with label Patti Smith. Show all posts

Wednesday, July 3, 2024

10 SONGS: 7/3/2024 [THE GREATEST RECORD EVER MADE!, Part 1]

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single. 

This week's edition of 10 Songs will really be 40 Songs, presented in four parts. The selections draw from the playlist for This Is Rock 'n' Roll Radio # 1240, presenting a few of the tracks featured in my new book THE GREATEST RECORD EVER MADE! (VOLUME 1).

We played 48 tracks on this week's show; for ten of those, I read on-air excerpts from the book's chapter about that track. This four-part collection of 10 Songs columns will offer snippets on behalf of the other 38 tracks, with two bonus tracks at the end.

BADFINGER: Baby Blue

..."Baby Blue" is the embodiment of why I fell in love with the radio in the first place. It’s an enduring testimony to why I still love radio's potential, in spite of all efforts to make me give up on that love. Radio gave me Badfinger. I can never repay that debt....

CHUCK BERRY: Promised Land

...Chuck Berry knew well the travails of the downtrodden. Dark skin, humble origin, and destined to transcend everything to become one of the most significant performers in the history of rock 'n' roll. His mind was quick, his fingers precise, wedding intricate, unforgettable wordplay to a guitar he played like a-ringin' a bell. He struggled. He pushed. He got noticed. He got pushed back. He kept pushing back in turn, smiling and duck-walking, while seething behind his flamboyant mask. A nice man? Possibly not, but beside the point. An important man? If you've ever loved rock 'n' roll, you should be ashamed to even ask that question...

...Into this tinderbox, Chuck Berry brought an electric match: Black music that made white kids dance. He wrote in code—most famously, the irresistibly potent brown-skinned handsome man who became (wink) a brown-eyed handsome man—but he crafted and chronicled the American teen-age dream with greater eloquence than anyone else, black or white....

DUSTY SPRINGFIELD: I Only Want To Be With You

...Writer Greg Shaw noted that Dusty Springfield's "I Only Want to Be With You" explodes with as much pure pop noise as any Dave Clark Five record. The horns propel, the strings soar, the girl-group spirit celebrates, the music leans forward. Miss Dusty Springfield presides over all of it, dancing by herself at the microphone, singing sweetly of her love, her happiness, her contented fulfillment in the arms of her chosen one. Her only wish, only ambition, is to be with the object of her desire. We hope it can really be as simple as that....

ELVIS PRESLEY: Heartbreak Hotel

The entire world was about to change in an instant. No one knew what was about to happen. If they say they did, they're lyin'.

Unless, maybe, "they" happened to be Sam Phillips....

BIG MAMA THORNTON: Hound Dog


...Where and when did rock 'n' roll start? There are a few key artifacts to consider in seeking to ID the first rock 'n' roll record. "Rocket ‘88’" by Jackie Brentson and his Delta Cats (1951, and really Ike Turner and his Kings of Rhythm) is the closest we have to a consensus choice. Some would point to "The Fat Man" by Fats Domino (1950). I would at least add Amos Milburn's "Down the Road Apiece" (1947) to the discussion, and no less an authority than Lenny and Squiggy (on TV's Laverne and Shirley) spoke on behalf of "Call the Police," a 1941 single Nat King Cole made with the King Cole Trio. There are other progenitors and trailblazers from across the heady mingling of jump blues, R & B, country, and swing that birthed this bastard child we call rock 'n' roll. What was the daddy of them all? Not even a blood test is going to make that determination.

"Hound Dog" is not the first rock 'n' roll record. But its original release does predate the Rock 'n' Roll Era. It was written by Jerry Leiber and Mike Stoller specifically for rhythm and blues singer Big Mama Thornton. Thornton's "Hound Dog" single topped the R & B chart in 1953. Fittingly, her performance of the song is as much a growl as it is anything else, a snarling dismissal of a worthless cur who can wag his tail, but she ain't gonna feed him no more...

PATTI SMITH: Gloria

Jesus died for somebody's sins but not mine.

That may be the greatest opening line in rock 'n' roll's long and thumping history. It's iconoclastic. It's rebellious. It swaggers, it shrugs, and it seethes with the promise of desire, the pursuit of quick-fix happiness. It's a precise moment of rules breaking beyond meaningful repair. It's a confession. It's a sacrament. It's sacrilege. And it's all in service of a freakin' cover song.

Patti Smith's "Gloria" is a medley, grafting her own rant "In Excelsis Deo" onto Van Morrison's surly juggernaut "Gloria." Morrison's group Them recorded the original “Gloria” as a British B-side (to "Baby, Please Don't Go") in 1964. In the US, radio programmers objected to the lines And she comes to my room/Yeah, she makes me feel all right, deeming the song too salacious for airplay. A 1966 cover by the Shadows of Knight excised the offending line and hit the Top 10. And American youth was safe.

One wonders what 1960s moralists would have said about Patti Smith's "Gloria" if they could have heard it a decade before it even existed.

Probably nothing. Hearing it would have struck them mute....

LITTLE RICHARD: The Girl Can't Help It

Stranded in this conformist world of the 1950s, Little Richard was the Georgia Peach, a wild and effeminate black man, flamboyant, a strange visitor from another planet with powers and abilities far beyond those of mortal men. His performances were electrifying, pounding, an irresistible symphony of WOOOOO! A-wop-bopa-loo-bop-a-lop-bam-boom. In the late fifties, only Jerry Lee Lewis could match the sheer fervor of Little Richard. Little Richard was as bright a star as this dull world had ever seen.

And he was certain that he was going to Hell....

NEIL DIAMOND: Brother Love's Traveling Salvation Show

Faith is infectious. Its specifics can vary from believer to believer, even among those who share a covenant. 

Among his vast résumé of well-known pop compositions, Neil Diamond wrote both "I'm A Believer" and "Brother Love's Traveling Salvation Show." The former is a love song that casually employs elements of the celestial. The latter evokes Gospel without being Gospel, a not-quite-secular/not-quite-sacred first-person report of a man with a Bible in his hand, a sermon in his heart, and a tent full of believers primed for salvation on a hot August night....

THE RAMONES: Sheena Is A Punk Rocker


Dangerous. Deplorable. Degenerate. The Ramones were supposed to be dirty, filthy punks, likely to slit your throat for spare change, or just for kicks. They were loud. They were sloppy. They were beneath contempt.

And they were one of the greatest pop bands in the world.

That seeming incongruity has never quite resolved itself. In certain circles, one risks immediate scorn for the sin of considering the Ramones a power pop band. But it was never a sin.

It was a revelation....

ARTHUR CONLEY: Sweet Soul Music

...Do you like good music? You've come to the right place. Oh yeah!

TOMORROW: PART 2!

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider a visit to CC's Tip Jar. 

My new book The Greatest Record Ever Made! (Volume 1) is now available for order; you can see details here. My 2023 book Gabba Gabba Hey! A Conversation With The Ramones is also still available, courtesy of the good folks at Rare Bird Books. 

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, August 25, 2023

10 SONGS: 8/25/2023

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1195. This show is available as a podcast.

TAMAR BERK: Sunday Driving

The commentary accompanying this week's posted playlist waxes rhapsodic over Tiny Injuries, the new album from Tamar Berk. We've been playing Tamar's music for a few years now, beginning with "Skipping The Cracks" in 2021. Her song "Real Bad Day" was one of our most-played tracks in 2022, placing at # 16 on our year-end countdown. Tamar has a new album out? Well, yeah, of course we're gonna play it. It's what we do. And we'll hear another track from Tiny Injuries on our next show.

THE FLASHCUBES: Forget About You

The word's getting out about Pop Masters, the fabulous new all-covers album by Syracuse's own power pop powerhouses the Flashcubes. Now, no one should expect me to be unbiased about this; the 'Cubes have meant a great deal to me for a very long time, and, as I've said in other context elsewhere, why in the world would anyone ever want to be objective about pop music? That's no friggin' fun at all, my friends. Staple heart to sleeve. Testify. Believe.

I will direct you to someone else's testimony on behalf of Pop Masters: YouTuber Matthew Street, who preaches about Pop Masters in this video. Matt also spoke at length with 'Cubes guitarist Paul Armstrong here, and this proudly biased 'Cubes fan appreciates it. Go, Matthew! Go, FLASHCUBES!!

THE NUMBERS: Can't Sleep At Night

Matthew Street also digs the Numbers, and he's right on that count as well. The Numbers were an early '80s combo whose lone album Anthology '64-'67 presented them as if they were a long-lost band from the '60s rather than Reagan-era garage pop kings besotted with the sounds that flourished a decade and a half before them. The LP's liner notes even claim that the Numbers passed on the opportunity to star as the Monkees, leaving the prospect of televised Monkeeshines for, y'know, the actual Monkees. All in good (clean) fun. Anyone who refers to this as a hoax isn't paying attention. It's not a hoax if the intended audience is fully aware of the put on.

Anthology '64-'67 includes covers of the Easybeats' "You Said That," the Tremeloes' "Here Comes My Baby," and--of course!--the Monkees' "Take A Giant Step," plus a passel o' like-minded originals. Album opener "Can't Sleep At Night" is nothing short of magnificent. This album is long, long overdue for a reissue.

JOSIE COTTON: Here Comes My Baby

Hey, speakin' of "Here Comes My Baby," apparently the Tremeloes and the Numbers weren't the only ones to turn in able covers of this Cat Stevens composition. Josie Cotton's version comes from her originally-unreleased 1986 album Everything Is Oh Yeah. That album was finally released in 2010, and it's been a frequent 'n' lovable playlist resource for TIRnRR. Look! Here she comes NOW!

LIBRARIANS WITH HICKEYS: I Better Get Home

It's the HEY!, man. Seriously. Never underestimate the power of HEY!

THE PATTI SMITH GROUP: So You Want To Be A Rock 'n' Roll Star

True story: When country superstar Garth Brooks did his brief conceptual rocker turn under the alias Chris Gaines in 1999, I summoned all my practiced snark with an intention to open that week's TIRnRR with a spin of the Patti Smith Group's cover of the Byrds' "So You Want To Be A Rock 'n' Roll Star," dedicated to ol' Chris. Clever? That's me! BUT! We didn't have a digital copy of the track handy, and the studio's turntable was unreliable. We let the notion slide and moved on with something else.

Nowadays, I'm more appreciative of Brooks as a person, even if his music ain't quite my cuppa. What was the recent meme? In a world full of Jason Aldeans, be more like Dolly Parton, Willie Nelson, and Garth Brooks. Something like that. In this context, Dolly, Willie, and Garth are rock stars. Hell, I may even track down the Chris Gaines thing, just to see if I might like it. Ya never know until you try that, in any size town.

As for "So You Want To Be A Rock 'n' Roll Star," I think I prefer the Byrds to Patti Smith here, but it's pretty damned close between 'em. The great Syracuse new wave combo the Most used to include it in their live sets, hewing closely to Smith's arrangement. The money. The fame. The public acclaim. Don't forget who you are...

...no. Screw being what others expect you to be. Be who you wanna be. Come back, Chris. All is forgiven.

ARTHUR CONLEY: Sweet Soul Music

Sweet soul music. TIRnRR will be returning to this subject in force very, very soon.

THE EVERLY BROTHERS: Gone, Gone, Gone

The Greatest Record Ever Made!

KISS: Anything For My Baby

I've started writing a 5 Above blog post about my five favorite KISS tracks. You wanted the best? You got...well, me, but I work cheap. Four out of my five KISS picks are obvious big crowd-pleasers among the band's fans; "Anything For My Baby" is the exception, an LP track from KISS' third album, 1975's Dressed To Kill. Yeah, the album that introduced the world to a li'l sumpin called "Rock And Roll All Nite," which [SPOILER ALERT!] is also part of my 5 Above KISS piece. You wanted the best....

And "Anything For My Baby" is absolutely among the best of KISS. Shoulda been a single. Shoulda been a hit.

THE MONKEES: She's Moving In With Rico

Sometimes the jokes just write themselves. And as our Patti Smith entry a few paragraphs north of here proved: There has never been a joke so banal or obvious I wouldn't use it anyway. In the immortal words of Davy Jones as she moves in with Rico, "What can I say? This is the end."

Beginning of the end, anyway. At least I hope it is.

For dramatic purposes, the role of our accused RICO offender will be played by famous criminal mastermind Lex Luthor...although Luthor is way, WAY smarter than that

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Thursday, November 10, 2022

10 SONGS: 11/10/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1154. The show is available as a podcast.

THE FLASHCUBES FEATURING RANDY KLAWON: Get The Message

This week's playlist commentary already found me waxing rhapsoderific about the fab new single by the Flashcubes. For "Get The Message," the 'Cubes unite with 1960s Cleveland guitar stalwart Randy Klawon to cover this 1968 number, written by Eric Carmen and originally released by Carmen's then-combo Cyrus Erie. The Flashcubes are one of my all-time favorite groups--seriously, Beatles, Ramones, Flashcubes--and I've loved every one of their recent singles for Big Stir Records. "Get The Message" may be the best one yet. Extra credit to Flashcubes drummer Tommy Allen, whose poundin' production delivers the message with authority.

Ya wanna know who else digs this version of "Get The Message?" The song's author. Eric Carmen hisself says, "The Flashcubes have done a terrific new take on 'Get The Message,' giving it a sonic upgrade while staying true to the original vibe. The first time I heard it, I actually thought it was Cyrus Erie for the first fifteen seconds! Excellent job, boys! Rock on!"

Get the message? 

MAURA AND THE BRIGHT LIGHTS: Perfect Girl

Each of the three members of the Flashcubes' front line--guitarists Paul Armstrong and Arty Lenin, bassist Gary Frenay--is a talented rockin' pop songwriter, and I wish more performers would cover stuff from the greater Cubic songbook. Since we opened this week's program with the Flashcubes covering Cyrus Erie, we followed that with a Frenay original played by Maura and the Bright Lights. Perfect! You can own your own copy of this perfect pop gem when you buy our new compilation This Is Rock 'n' Roll Radio, Volume 5. GO!! This ongoing radio alchemy doesn't just pay for itself, people.

THE MORNING LINE: Junebugs In April

"Junebugs In April" is the advance single from the Morning Line's new Red On Red Records album Scene. It's an appropriately radio-ready invitation to sway with abandon, so of course we were ready to put it on the radio. It's what we do! I've since heard the album, it's fabulous, and I might believe another of its tracks is likewise ready for MORE!! We'll put that to the test on next week's show.

THE PATTI SMITH GROUP: Ask The Angels
THE ANGELS: My Boyfriend's Back


A great radio show needs to forge its own path, but it's important to read the room and pay attention to what's going on. Here, the Patti Smith Group directed us to ask the Angels. So we did. Hey, Angels!, we said. Wanna sing a song? And so they did. That's how ya build a playlists. It's WILD! WILD! WILD! WILD!, and the perfect soundtrack to a permanent vacation. Hey-la-day-la.

THE VILLAS: Someone To Hold On To


Another incredible selection from This Is Rock 'n' Roll Radio, Volume 5. I don't think even the Villas themselves appreciate how special, how transcendent, this track is. We remain honored to have given it its CD debut.

CISSY HOUSTON: Down In The Boondocks


In a previous 10 Songs, I wrote that as much as I love Cissy Houston's soulful cover of Billy Joe Royal's 1965 hit "Down In The Boondocks," I wasn't quite prepared to surrender my lifetime allegiance to Royal's version (which was one of my many favorite records when I was [theoretically] growing up). 

I'm prepared now. No offense to the still-great Billy Joe Royal rendition, but Cissy Houston rules on this one.

THE FOUR TOPS: Reach Out I'll Be There


From the Four Tops' entry in my long-threatened book The Greatest Record Ever Made! (Volume 1), regarding "Reach Out I'll Be There":

"Motown's absolute zenith, with one of the greatest vocal groups of all time giving their all-time best performance on their best-ever song.  And, considering the dauntingly high standards set by the rest of the Four Tops' cavalcade of hits, the designation "Best-Ever Four Tops Song" is akin to a coronation."

Reach out.

RITA MORENO, GEORGE CHAKIRIS, SHARKS AND GIRLS: America

The Greatest Record Ever Made!

CHARLIE RICH: Philadelphia Baby

It wasn't to be this year. I'm more of a New York Yankees fan (to the extent I follow baseball), but I was rooting for the Phillies in the World Series. Congratulation to Houston. We'll see you next year.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, October 14, 2022

10 SONGS: 10/14/2022

10 Songs is a weekly list of ten songs that happen to be on my mind at the moment. The lists are usually dominated by songs played on the previous Sunday night's edition of This Is Rock 'n' Roll Radio with Dana & Carl. The idea was inspired by Don Valentine of the essential blog I Don't Hear A Single.

This week's edition of 10 Songs draws exclusively from the playlist for This Is Rock 'n' Roll Radio # 1150.

EYTAN MIRSKY: This Year's Gonna Be Our Year

Our 1150th show coincides with the release of our new compilation album This Is Rock 'n' Roll Radio, Volume 5. HuzZAH! You can read about the album here, and then select your choice of CD or digital download to purchase for your music library. We'll be glad you did!

We opened TIRnRR # 1150 with the last track on This Is Rock 'n' Roll Radio, Volume 5: "This Year's Gonna Be Our Year" by Brother Eytan Mirsky. This fantastic, fantastic song is one of the defining tracks of TIRnRR's long and storied history. It earns its own chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1), and it is one of my all-time favorite tracks by anyone at any time.

There was never any doubt that Eytan's "This Year's Gonna Be Our Year" was going to be on This Is Rock 'n' Roll Radio, Volume 5. In fact, we built the compilation with the conscious intent that all of its songs in sequence would lead into "This Year's Gonna Be Our Year" at album's end. Because after all trials and tribulations, steps forward and back, triumphs, tragedies, and even the mere treading of water, we all try to somehow just keep doing, to the best of our mortal ability. The goal is elusive, maybe illusionary, but always in our eyesight: This year, man. This year.

(We also served up fabulous Volume 5 tracks by Irene Peña and Kelley Ryan, plus one more track we'll discuss shortly.)

TIR'N'RR ALLSTARS: Waterloo Sunset

In addition to the five This Is Rock 'n' Roll Radio compilations, we must also mention 2019's Waterloo Sunset--Benefit For This Is Rock 'n' Roll Radio, a collection put together on our behalf by some of our talented friends. The project was spearheaded by Steve Stoeckel of the Spongetones and Keith Klingensmith of the Legal Matters (and of Futureman Records, which handled the release). We had nothing whatsoever to do with its creation, and didn't even know about it until it was a fait accompli. It ain't actually possible to make us feel humble about anything, but this touching gesture may have accomplished it anyway. Thank you, friends.

The title tune, a cover of the Kinks' classic, was performed by Steve Stoeckel, Keith Klingensmith, Bruce Gordon, Eytan Mirsky, America's Sweetheart Irene Peña, Teresa Cowles, Dan Pavelich, Joel Tinnel, Stacy Carson, and Rich Firestone. It's such a commanding performance, and such a moving gesture. Damn it. Maybe we can feel humble after all.

(This week's playlist also included two more tracks from Waterloo Sunset, performed by the Click Beetles and Gretchen's Wheel. Futureman's original digital-only release of Waterloo Sunset remains available and recommended, and you can also still get Kool Kat Musik's CD version.)

PATTI SMITH GROUP: Ask The Angels

Penthouse magazine was the perhaps-unlikely platform for my introduction to Patti Smith. Journalist Nick Tosches interviewed Smith for the April 1976 issue of Penthouse, and ya know what? Even as a 16-year-old, while it woulda been a fib to say I only read Penthouse and Playboy for the articles, I did indeed read a lot of the articles. Nick's Penthouse chat with Patti was my first-ever peripheral exposure to what would later be called punk rock. My accounts of that experience can be found here and here.

My first actual exposure to this music came about a year later, after reading Phonograph Record Magazine had primed my radar for punk. Before I heard the Sex Pistols on the radio in the summer of '77, the Patti Smith Group appeared on TV's The Mike Douglas Show, singing "Ask The Angels."

I hated it.

That opinion evolved. And how! I was a Patti Smith fan by year's end. Ask the angels, and the devils, too. And it's wild, wild, wild, wild!

THE FINKERS: Last Thing On My Mind

For our 1150th show, we wanted to include four tracks apiece from each of our five This Is Rock 'n' Roll Radio compilations. Our inaugural CD was This Is Rock 'n' Roll Radio, Volume 1, released by JAM Recordings in...I forget. 2005 sounds right. For obsessive rockin' pop fans like your Dana and your Carl, the prospect of slapping together our own CD successor to the K-Tel and Ronco various-artists LPs of our misspent youth made us giddy, delirious, and...yeah, we're like that anyway. But this was giddiness with a PURPOSE...!

JAM's Jeremy Morris made it all happen. Among the treats on Volume 1 was "Last Thing On My Mind," a full-throttle irresistible from Australian combo the Finkers. We'd been corresponding with the Finkers' drummer Mickster, and we'd been programming our fair share of Finkers material. But this track absolutely knocked me out on first spin, prompting me to declare on air that "Last Thing On My Mind" was exactly the sort of song that always made me wish I had a radio show, just so I could play songs like "Last Thing On My Mind" on my radio show.

I also wrote the liner notes for Whole Lotta Fun, a Finkers best-of issued in 2002 by the Japanese label Wizzard-In-Vinyl. Yep, an American writer preachin' on behalf of an Australian band for a Japanese label. We are the world. The Finkers may have been our introduction to their lead singer Michael Carpenter, who has accumulated a ton of TIRnRR airplay as a solo artist.

(Other This Is Rock 'n' Roll Radio, Volume 1 tracks heard on TIRnRR # 1150 were by Popdudes, the Jellybricks, and the Lolas. The original CD is long, long out of print, but remains available as a download from Futureman Records. We really oughtta look into a CD reissue of Volume 1 some day.)

ANNY CELSI: Empty Hangers

Oh God, I love this song, from songer-songwriter Anny Celsi's 2003 album Little Black Dress & Other Stories. It's like a pop record written by Mickey Spillane, and it was my introduction to Celsi's magic talent. It was predestined that "Emptry Hangers" would find its way ontoThis Is Rock 'n' Roll Radio, Volume 3 in 2013.


This Is Rock 'n' Roll Radio, Volume 3 was our first with Ray Gianchetti's label Kool Kat Musik. Ray gave us carte blanche to assemble Volume 3 and its successors, and we took that as license to stuff the disc with Fave Raves by Mannix, the Tearjerkers, Blotto, Hawaii Mud Bombers, and the Catholic Girls. And Anny Celsi! "Empty Hangers" is absolutely one of the defining tracks of TIRnRR.

(The other This Is Rock 'n' Roll Radio, Volume 3 tracks we played this week were by Steve Stoeckel and his This Is Rock 'n' Roll Radio All-Stars, Mannix, and Hawaii Mud Bombers. We also played Michael Carpenter's "I've Been Loving You" from his 2015 album The Big Radio; that track first appeared on This Is Rock 'n' Roll Radio, Volume 3. Like Volume 1, the CD of Volume 3 is out of print, but remains available as a Futureman Records digital album.)

THE FLASHCUBES FEATURING THE PALEY BROTHERS: Come Out And Play

The mighty Big Stir Records label has become a playlist perennial here, placing at least one track (and usually more) in almost every one of our weekly shows. That's been the case since even before Big Stir started releasing singles by Syracuse's own power pop powerhouse the Flashcubes. But, y'know, releasing Flashcubes singles doesn't exactly hurt, dig?

That trend will continue. Looking ahead to next week's show, I see three Big Stir tracks firmly perched within the playlist, including one brand-new track, one other track from earlier this year, and--obviously!--this fab current single by the Flashcubes featuring the Paley Brothers. We thank our friends at Big Stir for their role in getting us new music to play from my favorite group. 

MR. ENCRYPTO: The Last Time [a cappella]

I have mixed feelings about 2006's This Is Rock 'n' Roll Radio, Volume 2. It has a lot of great stuff, and it features an absolutely incredible '90s track by the Cowsills. I mean, whatever else we do or don't do with this little mutant radio show, Dana and I can puff with pride at the memory of the Cowsills letting us use one of their greatest songs on one of our CDs.

But whatever fond recollections I have of Volume 2 come equipped with an asterisk. It did not turn out like what we envisioned; there were disagreements with the label, nothing earth-shattering, but enough to change the result. Let’s let it go at that. I still have a big box of unsold Volume 2 CDs in my garage, and we wound up parting company (amicably) with JAM Recordings after its release. Dana may not share my disappointment with Volume 2, and the CD does have a bunch of very cool tracks contained within its digital grooves. Honestly, Volume 2 deserves better appreciation than what I'm saying about it now. Mixed feelings. Mixed feelings.

For TIRnRR # 1150, we programmed Volume 2 treats by the Spongetones, the Fire Apes, the B.A.R., and Tim Anthony. And we played a non-album expanded mix of Mr. Encrypto's amazing Volume 2 cut "The Last Time [a cappella]," a stunning vocals-only recording that still gives me chills to experience.

(The This Is Rock 'n' Roll Radio, Volume 2 CD is officially out of print, but you can buy it from me on eBay. C'mon! Help me clean out my garage! You can also, of course, get the Futureman download.)

THE WONDERS: That Thing You Do!

The Greatest Record Ever Made!

THE RUBINOOS: Nowheresville

Over the course of a whole lot of years doing this, TIRnRR has given us an extraordinary opportunity to connect with so many great artists whom we've admired for an even greater number of years. Our five TIRnRR comps have included contributions from the likes of the Cowsills, the Spongetones, Paul Collins' Beat, the Smithereens, John Wicks and the Records, Carolyne Mas, the Catholic Girls, the Grip Weeds, the Rooks, P. Hux, and Amy Rigby, as well as work from members of the Pandoras, Blondie, the Bee Gees, the Stems, and a big ol' list of more. We have been very lucky, and we are well aware of our good fortune.

I've been a fan of the Rubinoos since I was a senior in high school, during that same Spring '77 timeshot when I saw the Patti Smith Group on The Mike Douglas Show. I heard the Rubinoos on the radio (AM and FM), saw them on American Bandstand, and purchased their debut album. And their second album. And more after that.

Flash-forward: many years later, I wrote the entry for the Rubinoos' induction into The Power Pop Hall Of Fame. I've corresponded a little with Tommy Dunbar and Al Chan; Tommy saw that we were playing Beserkley Records-era Rubinoos material from a source he felt was substandard, so he upgraded us to the boxed set Everything You Always Wanted To Know About The Rubinoos. Well...all right!

And, best of all, the Rubinoos let us use their luxurious pop pulp noir track "Nowheresville" on 2017's This Is Rock 'n' Roll Radio, Volume 4. That story is told here. And we remain grateful for this ongoing opportunity. With such continued good fortune, that's how we do it here in Somewheresville.

(This week's playlist also included Volume 4 tracks by Circe Link and Christian Nesmith, the Slapbacks, and the Hit Squad. Both the CD and the download can still be grabbed and loved by discerning rockin' pop fans.)

THE VILLAS: Someone To Hold On To

One more from This Is Rock 'n' Roll Radio, Volume 5. The Villas' previously-unreleased masterpiece "Someone To Hold On To" is not only a gorgeous and endlessly inviting pop number, it also served a specific purpose for Volume 5's concept. 

Volume 5's sequence and flow was inspired in part by a song cycle I did several years ago. I like the idea of assembling songs from different artists, and letting the songs chat with one another. A girl speaks. A boy speaks. A girl speaks. A boy speaks. And a story unfolds.

As This Is Rock 'n' Roll Radio, Volume 5 plays, the girls and boys take turns relating where they think they are and what this place looks like today. And then, a girl and a boy speak together: Angie and Bill Villa. At last, after all was said and done, they had found someone to hold on to. As the Villas dance off together, our Volume 5 concludes with the wistful determination of Amy Rigby's "Tom Petty Karaoke" and, of course, Brother Eytan Mirsky. 

There is something to hold on to. Maybe we never thought we'd find it. Maybe it's still out there (as Ballzy Tomorrow's Volume 5 track suggests), awaiting discovery. But it exists. Hold on. We'll get to it yet.

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This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl