Showing posts with label Hot Wheels. Show all posts
Showing posts with label Hot Wheels. Show all posts

Tuesday, March 26, 2024

TRADING COMICS (a wish list of six comics series ripe for reprint in trade collections)

SPOILER ALERT: I love comic books; always have, always will. I buy my weekly haul at Comix Zone in North Syracuse, and I occasionally pick up trade collections of older material. These are six hypothetical trade collections I would like to see. These are mostly from the DC Comics library--Marvel Comics has already done a pretty good job of keeping its history in print--with side trips to Charlton Comics, Eclipse Comics, and others.

THE ADVENTURES OF JERRY LEWIS

Not gonna happen. Never in a million years. 

DC's licensed title based on comic actor Jerry Lewis ran for eighty-four issues, 1957 to 1971, and those followed forty preceding issues as The Adventures Of Dean Martin & Jerry Lewis, 1952-1957. 

Yep, 124 issues in all. One suspects it must have been sufficiently popular to stick around that long. I know I loved it when I was a kid in the '60s, and guest appearances by Batman and Robin, Superman, the Flash, and Wonder Woman made it even more appealing to me. I would love to read 'em all.

But it's likely a dead issue. I don't know to what extent (if any) DC has retained any right to reprint this material; I suspect DC has no standing to reprint it. Maybe--maybe--the Jerry Lewis estate holds the rights, and could strike a deal with DC to reprint, or either self-publish or arrange for someone else to reprint it (without the four stories that guest-starred the above-mentioned Justice League of America members). 

Ain't likely. The potential readership is too small, and not worth the trouble for DC or the Lewis estate.

But I'd like to see it.

(Oh, and I did my own tribute to Jerry and his DC supporting cast characters Renfrew and Witch Kraft in a short story called "The Lovable Lunkhead Returns.")

BLACKHAWK

Blackhawk was originally published in the '40s and '50s by Quality Comics. When Quality ceased publication in the mid '50s, DC purchased a number of Quality's IPs, including Blackhawk. The title continued at DC until 1968, and has been revived at various times since then.

There have been Blackhawk reprints, but my all-time favorite run of the series has been unseen since its original publication. That would be Blackhawk # 251 through 273, 1982-1984, the wonderful and all-too-brief run written by Mark Evanier, usually with art by Dan Spiegle.

Man, these were just terrific comics, great art and great story, and for me they are far and away the most interesting Blackhawk stories ever made. They really, really need to return to retail, and they need to return with Evanier's text pages included. Let's hear it: HAWK-A-A-A!

CROSSFIRE/DNAGENTS

Speaking of Mark Evanier, these two interconnected 1980s series from Eclipse Comics were among my favorite books of that decade; Crossfire in particular is one of my top three '80s books, virtually tied at my top spot with Scott McCarl's Zot! and Love And Rockets by Los Brothers Hernandez

DNAgents was sort of in the super-teen outcast mold of Marvel's Uncanny X-Men, and likewise comparable to DC's New Teen Titans; the success of those titles presumably sparked Eclipse's interest in DNAgents, but the latter was never an imitation. As much as I respect Uncanny X-Men and as much as I enjoyed Marv Wolfman and George Perez's work on New Teen Titans, it was DNAgents that thrilled me the most. Drop-dead beautiful art by DNAgents co-creator Will Meugniot didn't hurt, either.

And, as noted, I loved Crossfire even more. Everything Evanier and Spiegle brought to Blackhawk was even more so with their own character Crossfire, a bail bondsmen who takes over the masked identity of a slain criminal to battle in secret for justice. Set in Hollywood, the series gave Evanier license to draw from his own experience working in movies and television to add SoCal entertainment industry verisimilitude to Crossfire's adventures. 

I hear there is little immediate likelihood of DNAgents and/or Crossfire being reprinted, perhaps even less of a chance than that of Evanier and Spiegle's Blackhawk. That's a real damned shame, and both series (with the attendant crossover Crossfire And Rainbow mini-series) cry out for fresh availability and appreciation.

And again: WITH Mark Evanier's original text pieces.

E-MAN


The lack of comprehensive and accessible reprints of E-Man is a huge hole in the current comics landscape. Originally created by writer Nicola Cuti and artist Joe Staton for Charlton in the '70s, the property was purchased and revived in the '80s by First Comics. You can read the recollection of my own introduction to the character here.

There's just a ton of stuff to bring back here, from the original ten Charlton issues and the twenty-five First Comics issues through one-shots, mini-series, various side projects starring E-Man supporting character Michael Mauser, P.I. (including The P.I.s mini-series co-starring Mauser with Ms. Tree), and some 21st century stories by Cuti and Staton for the independent Charlton Bullseye book, done prior to Cuti's passing in 2020. All wonderful, fun comics that absolutely must be preserved for old and new readers alike.

GOODGUY

The late Jim Hanley's Goodguy was a loving homage to the original SHAZAM!-shoutin' Captain Marvel, and ol' Goodguy appeared in various comics fanzines in the '70s. I never saw much of this material, and I have no idea of who owns it, but I adored what little I saw. Maybe it's too obscure for the marketplace, but it seems like someone should be able to make this happen. I would very much like to read more than the itty-bitty little bit of the Goodguy chronicles that I've seen to date.

HOT WHEELS

Maybe not as impossible as Jerry Lewis reprints? DC briefly had the rights to do a comic book based on Mattel's Hot Wheels toys, using characters and continuity from the 1969-1971 Hot Wheels TV cartoon series. DC did six issues of Hot Wheels in 1970-71, with snappy storytelling (initially by Charlton Comics vet Joe Gill) and absolutely gorgeous artwork by Alex Toth

(How gorgeous was Toth's work on this title? When the legendary Neal Adams took over the art chores for the sixth and final issue, he was...fine. Great, even. But Adams wasn't better than Toth on Hot Wheels.)

The Hot Wheels property remains popular enough that maybe someone could deem it worthwhile to broker a deal to reprint these. I'm emboldened by the fact that Ed Catto was able to bring DC's licensed five-issue 1968-69 Captain Action series back in a way-swell hardcover reprint volume, with Superman's Captain Action # 1 guest appearance intact. Maybe there's hope for Hot Wheels.


In addition to the six series listed above, it would be cool to see DC Comics trades collecting Action Comics Weekly, Inferior Five (the original '60s book, not the recent revival), the utterly charming '80s series 'Mazing Man, the Silver and Bronze Age Plastic Man, Plop!, and the Golden Age Scribbly And The Red Tornado. Speaking of Action Comics Weekly, that book also picked up the story of the great short-lived 1960s Secret Six series, and consider this a vote in favor of a comprehensive Secret Six reprint, to boot. I'm sure there are others! But these are my requests for today.

Wanna trade?

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Carl's new book Gabba Gabba Hey! A Conversation With The Ramones is now available, courtesy of the good folks at Rare Bird Books. Gabba Gabba YAY!! https://rarebirdlit.com/gabba-gabba-hey-a-conversation-with-the-ramones-by-carl-cafarelli/

If it's true that one book leads to another, my next book will be The Greatest Record Ever Made! (Volume 1). Stay tuned. Your turn is coming.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, streaming at SPARK stream and on the Radio Garden app as WESTCOTT RADIO. Recent shows are archived at Westcott Radio. You can read about our history here.

I'm on Twitter @CafarelliCarl

Saturday, September 24, 2022

POP-A-LOOZA: THE EVERLASTING FIRST! Hellcat, The Hollies, Holly & the Italians, and Hot Wheels


Each week, the pop culture website Pop-A-Looza shares some posts from my vast 'n' captivating Boppin' (Like The Hip Folks Do) archives. The latest shared post continues my never-ending story of The Everlasting First, recalling my first exposures to a comic book character, two rockin' pop groups, and a popular toy line: Hellcat, the Hollies, Holly and the Italians, and Hot Wheels.

Of the four, the Hollies have had the most enduring impact in my world. The Hollies' song "I Can't Let Go" earns a chapter in my long-threatened book The Greatest Record Ever Made! (Volume 1); I haven't shared that chapter on the blog, but I did make a video talking about it (as discussed here and seen here). Very early drafts of GREM! also included a piece about my first Hollies LP, The Very Best Of The Hollies, but that was removed from the book's blueprint quite some time ago.

I still love Holly and the Italians, of course. We just played Holly Beth Vincent's new single "Hey Boy" a couple of weeks back on This Is Rock 'n' Roll Radio. And I also wrote this little bit about her 1982 collaboration with Joey Ramone, covering a Sonny and Cher classic: 



"Starting around 1980 or so, I began telling everyone within earshot that the Ramones should cover the Sonny and Cher staple 'I Got You Babe,' and rope in Blondie babe Debbie Harry to serve as Joey Ramone's duet partner. It seemed a natural prospect to me, especially given that guitarist Johnny Ramone had already played a similar folk-rock riff on the Ramones' cover of the Searchers' 'Needles And Pins.' I was a visionary! Sort of. This 1982 single credited to the one-off Holly & Joey was the closest manifestation of that vision, with Holly Beth Vincent playing the Cher to Joey's Sonny, backed by Holly's own group Holly and the Italians. A friend of mine was amazed and enthused that I'd predicted it as closely as I had, even though it really wasn't all that close at all. When I interviewed Joey for Goldmine in 1994, he told me he really wanted to work with Holly again. When I was briefly in touch with Holly Beth Vincent a few years back, I shared with her what Joey had said, and she immediately broke off all contact with me. Oops? Maybe I'm not quite the visionary I fancied myself to be."

As much as I adored my Hot Wheels cars when I was kid, nowadays I find I don't play with them anywhere near as much as I used to. Pfft. This maturity thing is way overrated. Even in my dotage, though, I would jump at a chance to buy a trade collection of the Hot Wheels comics produced by DC in the late '60s and early '70s. These were solid comics, with some stunning artwork by Alex Toth (and a little by Neal Adams), and they would be well worth preserving.

It would be beyond the scope of this blog to reproduce those Hot Wheels comics here, but I did include representative pages from all six issues in my 100-Page FAKES! blog series, which imagined a bunch of 1970s DC Comics 100-Page Super Spectaculars that never were. The Hot Wheels material was spread out to appear in my 100-Page FAKES! editions of Detective Comics # 449, Detective Comics # 451, Adventure Comics # 444, Detective Comics # 452, Adventure Comics # 445, Detective Comics # 453, Adventure Comics # 446, Detective Comics # 454, Adventure Comics # 447, Detective Comics # 455, and Detective Comics # 456. This places the heroes of Hot Wheels alongside Batman, Aquaman, and other DC characters. Rightly so!


Finally, I don't really have anything at all to say about Hellcat, but I'll repeat that I liked her as written by Steve Englehart in The Avengers. Nonetheless, Hellcat, the Hollies, Holly and the Italians, and Hot Wheels are all on equal footing in The Everlasting First. Those introductions serve as the latest Boppin' Pop-A-Looza.

If you like what you see here on Boppin' (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreonor by visiting CC's Tip Jar. Additional products and projects are listed here.

This Is Rock 'n' Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I'm on Twitter @CafarelliCarl

Friday, March 22, 2019

100-Page FAKES! presents: DETECTIVE COMICS # 456

100-Page FAKES! imagines mid-1970s DC 100-Page Super Spectaculars that never were...but should have been!



Detective Comics # 456 was cover dated February of 1976, but it was on the spinner racks in time for the Christmas of '75. I was 15, about to turn 16 in January, and I was immersed in comics. Also in music; I believe that was the Christmas I received Introducing The Beatles and Let It Be, probably the first Beatles LPs I could call my own (other than the hand-me-downs in the family record library; those technically belonged to my older siblings). Batman and The Beatles. Some things haven't changed much for me since '75.

I'm pretty sure the Elongated Man story here was artist Kurt Schaffenberger's first ever new work in Detective Comics; I think Schaffenberger drew the Ibis the Invincible story in 'Tec # 441, but that was a reprint. Schaffenberger was certainly a veteran artist, known primarily for his work on the original Captain Marvel and company in the '40s and '50s, and for his work on the Superman family from the mid '50s on. Kind of amazing that he never worked on 'Tec until 1975. The lead Batman story displays some of the pulp influence I recall from the time frame, an ambiance that was particularly evident in writer David V. Reed's work (though this Detective story was written by Elliot S! Maggin).

To expand this into another faux 100-pager, we've selected 1940s adventures starring The Golden Age Green Lantern, The Phantom Lady, and a lesser Quality Comics character called The Mouthpiece. We also have some lovely Neal Adams artwork from the final issue of DC's licensed Hot Wheels comic book, and some knockout Nick Cardy work from The Brave And The Bold, both originally cover dated 1971. The latter story, Bob Haney's "C.O.D. Corpse On Delivery," remains one of my favorites from the pages of B & B. I think I knew who the mystery guest star was before I read it; my friend Michael LaHair told me about this great "Batman and...?" team-up, and I had to have it. [SPOILER ALERT for anyone who'd like to track down this story and read it for the first time: the selected artwork below does reveal the identity of Batman's surprise co-star.]

The Batman in "Death-Kiss," Detective Comics # 456 (February 1976)
The Batman and...? in "C.O.D. Corpse On Delivery," The Brave And The Bold # 95 (April-May 1971)
The Golden Age Green Lantern in "And Then There Was One!," Comics Cavalcade # 13 (Winter 1945)
Hot Wheels in "The Humbug Run," Hot Wheels # 6 (January-February 1971)
The Phantom Lady in "The World's Meanest Crook," Phantom Lady # 15 (December 1947)
The Mouthpiece, Police Comics # 8 (March 1942)
The Elongated Man in "The Un-Stretchable Sleuth," Detective Comics # 456 (February 1976)

Hot Wheels is copyright Mattel Inc., and everything else is copyright DC Comics Inc. The Phantom Lady and Mouthpiece stories are now public domain, while the rest can only be suggested in sample pages. My $2 a month subscribers see the whole thing. Our next 100-Page FAKE! will be a phony expansion of Adventure Comics # 449, but we'll return to Detective Comics shortly, toplining one of THE all-time iconic Batman stories.

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